{"title":"ARRAKIS","description":"","products":[{"product_id":"arrakis-arc-10bp","title":"Arrakis ARC-10BP","description":"\u003ch1\u003eArrakis ARC-BP\u003c\/h1\u003e \u003ch3 id=\"u17300-26\"\u003e10 channels - Balanced Inputs \u0026amp; With USB channel.\u003c\/h3\u003e \u003ch3 id=\"u17300-28\"\u003eGreat for stations that are near a transmitter (high RF environment), and an excellent value with the USB channel.\u003c\/h3\u003e \u003ch2\u003e \u003c\/h2\u003e \u003ch2 id=\"u17300-32\"\u003e\n\u003cspan id=\"u17300-30\"\u003e10 Channels.\u003c\/span\u003e Analog Console. Affordable \u0026amp; Powerful.\u003c\/h2\u003e \u003cp id=\"u17300-36\"\u003e(STANDARD WITH ALL MODELS, \u003cspan id=\"u17300-34\"\u003eunless otherwise noted\u003c\/span\u003e)\u003c\/p\u003e \u003cp id=\"u17300-39\"\u003e\u003cstrong\u003e10 Channels\u003c\/strong\u003e - with 10 channels you can connect all the essentials. 6 Line In inputs allows you to connect to CD players, mp3 players and other analog sources.\u003c\/p\u003e \u003cp id=\"u17300-42\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-40\"\u003eMic Channels\u003c\/span\u003e \u003c\/strong\u003e- 2 mic channels with optional 48V phantom power. The channel Two mic can also be remoted to a separate announce booth if desired.\u003c\/p\u003e \u003cp id=\"u17300-45\"\u003e\u003cstrong\u003eReal VU Meters\u003c\/strong\u003e - stylish and easy to use VU meters for Program \u0026amp; Audition buses.\u003c\/p\u003e \u003cp id=\"u17300-48\"\u003e\u003cstrong\u003eBuilt Tough \u003c\/strong\u003e- professional throughout, with multi-million operation LED lighted switches and electronic audio switching. Built for ANY environment.\u003c\/p\u003e \u003cp id=\"u17300-53\"\u003e\u003cstrong\u003eSocketed IC's \u003c\/strong\u003e\u003cspan id=\"u17300-52\"\u003e- one IC is surface mounted, all of the rest are socketed for ease of service.\u003c\/span\u003e\u003c\/p\u003e \u003cp id=\"u17300-56\"\u003e\u003cstrong\u003eNo More RF\u003c\/strong\u003e - has balanced inputs \u0026amp; outputs for use in high RF environments (ARC-10BP ONLY).\u003c\/p\u003e \u003cp id=\"u17300-59\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17300-62\"\u003e\n\u003cspan id=\"u17300-60\"\u003e2 Stereo output buses.\u003c\/span\u003e\u003cspan id=\"u17300-61\"\u003e Program \u0026amp; Audition with mono mixdowns.\u003c\/span\u003e\n\u003c\/h2\u003e \u003cp id=\"u17300-66\"\u003e(STANDARD WITH ALL MODELS, \u003cspan id=\"u17300-64\"\u003eunless otherwise noted\u003c\/span\u003e)\u003c\/p\u003e \u003cp id=\"u17300-69\"\u003e\u003cstrong\u003eActive balanced\u003c\/strong\u003e - All outputs \u0026amp; inputs are active balanced (ARC-10BP ONLY).\u003c\/p\u003e \u003cp id=\"u17300-72\"\u003e\u003cstrong\u003eStereo or Mono\u003c\/strong\u003e - Both stereo \u0026amp; mono outputs for 2 output buses.\u003c\/p\u003e \u003cp id=\"u17300-75\"\u003e\u003cspan id=\"u17300-73\"\u003e\u003cstrong\u003eListen\u003c\/strong\u003e \u003c\/span\u003e- Monitor \u0026amp; 8 ohm Headphone output as well as built in Cue speaker talkback system with built-in amplifier.\u003c\/p\u003e \u003cp id=\"u17300-76\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17300-80\"\u003e\n\u003cspan id=\"u17300-78\"\u003e4 types of Inputs.\u003c\/span\u003e More options, more power.\u003c\/h2\u003e \u003cp id=\"u17300-84\"\u003e(STANDARD WITH ALL MODELS, \u003cspan id=\"u17300-82\"\u003eunless otherwise noted\u003c\/span\u003e)\u003c\/p\u003e \u003cp id=\"u17300-87\"\u003e\u003cstrong\u003e2 Mic Channel\u003c\/strong\u003e - Two mic channels are included on the ARC-10 to support a Host and Guest talk show in the main control room itself. The channel Two mic can also be remoted to a separate announce booth if desired.\u003c\/p\u003e \u003cp id=\"u17300-90\"\u003e\u003cstrong\u003eStereo Line level Channel\u003c\/strong\u003e - Channels 3-8 are stereo, line level input channels appropriate for source devices like CD players, MP3 players, network feeds, etc. The unbalanced model is ideal for studios where these sources are located locally in the studio itself. The balanced model should be selected if some of these sources (such as a satellite feed) are originated in other studios where the wiring could be long and introduce hum \u0026amp; noise.\u003c\/p\u003e \u003cp id=\"u17300-93\"\u003e\u003cstrong\u003ePC-USB input Channel (ARC-10UP \u0026amp; ARC-10BP ONLY)\u003c\/strong\u003e - Play \u0026amp; Record in digital with a Windows PC or MAC, USB sound card functionality built directly into the module, record audio onto a PC or playback audio from the PC over the air, \u0026amp; LED illuminated swtiches.\u003c\/p\u003e \u003cp id=\"u17300-96\"\u003e\u003cstrong\u003eTelephone Channel\u003c\/strong\u003e - Channel 10 is a dedicated telephone channel that easily connects to an external telephone hybrid. The caller can talk to you through the Cue system while a 'Push to Talk' button enables the Control Room mic to talk off-line to the caller. Just select the Air or Recording bus then turn the channel on. What could be easier?\u003c\/p\u003e \u003cp id=\"u17300-97\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17300-100\"\u003e\n\u003cspan id=\"u17300-98\"\u003ePhone line system.\u003c\/span\u003e Connect your phone hybrid for a powerful phone system.\u003c\/h2\u003e \u003cp id=\"u17300-102\"\u003e(STANDARD WITH ALL MODELS)\u003c\/p\u003e \u003cp id=\"u17300-105\"\u003e\u003cstrong\u003ePhone Channel\u003c\/strong\u003e - channel 10 is a dedicated telephone channel that easily connects to an external telephone hybrid.\u003c\/p\u003e \u003cp id=\"u17300-108\"\u003e\u003cstrong\u003eTalkback Cue System\u003c\/strong\u003e - the caller can talk to you through the Cue system while a Talkback button enables the Control Room mic to talk off-line to the caller.\u003c\/p\u003e \u003cp id=\"u17300-109\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17300-112\"\u003e\n\u003cspan id=\"u17300-110\"\u003eUSB input channel.\u003c\/span\u003e Connect to any PC (Windows XP, 7) or MAC for play \u0026amp; record.\u003c\/h2\u003e \u003cp id=\"u17300-114\"\u003e(ARC-10UP \u0026amp; ARC-10BP models ONLY)\u003c\/p\u003e \u003cp id=\"u17300-117\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-115\"\u003eUse any software\u003c\/span\u003e \u003c\/strong\u003e- Use any automation or production software to either play or record.\u003c\/p\u003e \u003cp id=\"u17300-120\"\u003e\u003cstrong\u003ePlayback\u003c\/strong\u003e - play any audio from your PC onto the board and then over the air. Play YouTube clips or any audio from your PC or MAC.\u003c\/p\u003e \u003cp id=\"u17300-123\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-121\"\u003eRecording\u003c\/span\u003e \u003c\/strong\u003e- record audio coming from your board onto your PC or MAC with any production software.\u003c\/p\u003e \u003cp id=\"u17300-126\"\u003e\u003cstrong\u003eEasy Setup\u003c\/strong\u003e - connect with a simple USB cable.\u003c\/p\u003e \u003cp id=\"u17300-129\"\u003e\u003cstrong\u003eStart \u0026amp; Stop Automation\u003c\/strong\u003e - with our automation system, you may start \u0026amp; stop the automation system.\u003c\/p\u003e \u003cp id=\"u17300-130\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17300-133\"\u003e\n\u003cspan id=\"u17300-131\"\u003eRJ45 Connections.\u003c\/span\u003e Quick \u0026amp; easy install with RJ45 connections.\u003c\/h2\u003e \u003cp id=\"u17300-135\"\u003e(ARC-10BP ONLY)\u003c\/p\u003e \u003cp id=\"u17300-138\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-136\"\u003eWorld Standard\u003c\/span\u003e \u003c\/strong\u003e- all IO is world standard RJ45.\u003c\/p\u003e \u003cp id=\"u17300-141\"\u003e\u003cstrong\u003eCables Provided\u003c\/strong\u003e - 10 foot cables (connectorized at one end with molded RJ45 connectors) are provided for the inputs. This is en expensive option for most consoles but is standard with the ARC-10.\u003c\/p\u003e \u003cp id=\"u17300-144\"\u003e\u003cstrong\u003eQuick Setup\u003c\/strong\u003e - as simple as plug and play.\u003c\/p\u003e \u003cp id=\"u17300-147\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-145\"\u003ePremade wiring\u003c\/span\u003e \u003c\/strong\u003e- optional cables are available for common connections such as XLR \u0026amp; RCA. Check the accessories section for more information.\u003c\/p\u003e \u003cp id=\"u17300-148\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17300-151\"\u003e\n\u003cspan id=\"u17300-149\"\u003eLow Profile Design.\u003c\/span\u003e Defining what attractive is.\u003c\/h2\u003e \u003cp id=\"u17300-153\"\u003e(STANDARD WITH ALL MODELS)\u003c\/p\u003e \u003cp id=\"u17300-156\"\u003e\u003cspan id=\"u17300-154\"\u003e\u003cstrong\u003eModern \u0026amp; Timeless\u003c\/strong\u003e \u003c\/span\u003e- The ARC series has a modern low profile \u0026amp; sleek design that is timeless.\u003c\/p\u003e \u003cp id=\"u17300-157\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17300-160\"\u003e\n\u003cspan id=\"u17300-158\"\u003e110 or 220VAC.\u003c\/span\u003e Autosensing international power supply.\u003c\/h2\u003e \u003cp id=\"u17300-162\"\u003e(STANDARD WITH ALL MODELS)\u003c\/p\u003e \u003cp id=\"u17300-165\"\u003e\u003cstrong\u003eAutosensing\u003c\/strong\u003e - power supply autosenses between 110 \u0026amp; 220 VAC for domestic or international installations.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":35114975232154,"sku":"SKU0563","price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/arc_10_main_shot__34552.jpg?v=1601997430"},{"product_id":"arrakis-arc-10u","title":"Arrakis ARC-10U","description":"\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003eArrakis ARC-10U\u003c\/span\u003e\u003c\/h1\u003e \u003ch3 id=\"u17300-9\"\u003e10 channels - Unbalanced Inputs \u0026amp; No USB channel.\u003c\/h3\u003e \u003ch3 id=\"u17300-11\"\u003eMust NOT be located near a transmitter or in a high RF environment.\u003c\/h3\u003e \u003ch2 style=\"text-align: justify;\"\u003e \u003c\/h2\u003e \u003ch2 id=\"u17300-32\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17300-30\"\u003e10 Channels.\u003c\/span\u003e Analog Console. Affordable \u0026amp; Powerful.\u003c\/h2\u003e \u003cp id=\"u17300-36\" style=\"text-align: justify;\"\u003e(STANDARD WITH ALL MODELS, \u003cspan id=\"u17300-34\"\u003eunless otherwise noted\u003c\/span\u003e)\u003c\/p\u003e \u003cp id=\"u17300-39\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-37\"\u003e10 Channels\u003c\/span\u003e\u003c\/strong\u003e - with 10 channels you can connect all the essentials. 6 Line In inputs allows you to connect to CD players, mp3 players and other analog sources.\u003c\/p\u003e \u003cp id=\"u17300-42\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-40\"\u003eMic Channels\u003c\/span\u003e \u003c\/strong\u003e- 2 mic channels with optional 48V phantom power. The channel Two mic can also be remoted to a separate announce booth if desired.\u003c\/p\u003e \u003cp id=\"u17300-45\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-43\"\u003eReal VU Meters\u003c\/span\u003e\u003c\/strong\u003e - stylish and easy to use VU meters for Program \u0026amp; Audition buses.\u003c\/p\u003e \u003cp id=\"u17300-48\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-46\"\u003eBuilt Tough \u003c\/span\u003e\u003c\/strong\u003e- professional throughout, with multi-million operation LED lighted switches and electronic audio switching. Built for ANY environment.\u003c\/p\u003e \u003cp id=\"u17300-53\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-51\"\u003eSocketed IC's \u003c\/span\u003e\u003c\/strong\u003e\u003cspan id=\"u17300-52\"\u003e- one IC is surface mounted, all of the rest are socketed for ease of service.\u003c\/span\u003e\u003c\/p\u003e \u003cp id=\"u17300-56\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-54\"\u003eNo More RF\u003c\/span\u003e\u003c\/strong\u003e - has balanced inputs \u0026amp; outputs for use in high RF environments (ARC-10BP ONLY).\u003c\/p\u003e \u003cp id=\"u17300-59\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17300-62\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17300-60\"\u003e2 Stereo output buses.\u003c\/span\u003e\u003cspan id=\"u17300-61\"\u003e Program \u0026amp; Audition with mono mixdowns.\u003c\/span\u003e\n\u003c\/h2\u003e \u003cp id=\"u17300-66\" style=\"text-align: justify;\"\u003e(STANDARD WITH ALL MODELS, \u003cspan id=\"u17300-64\"\u003eunless otherwise noted\u003c\/span\u003e)\u003c\/p\u003e \u003cp id=\"u17300-69\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-67\"\u003eActive balanced\u003c\/span\u003e\u003c\/strong\u003e - All outputs \u0026amp; inputs are active balanced (ARC-10BP ONLY).\u003c\/p\u003e \u003cp id=\"u17300-72\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-70\"\u003eStereo or Mono\u003c\/span\u003e\u003c\/strong\u003e - Both stereo \u0026amp; mono outputs for 2 output buses.\u003c\/p\u003e \u003cp id=\"u17300-75\" style=\"text-align: justify;\"\u003e\u003cspan id=\"u17300-73\"\u003e\u003cstrong\u003eListen\u003c\/strong\u003e \u003c\/span\u003e- Monitor \u0026amp; 8 ohm Headphone output as well as built in Cue speaker talkback system with built-in amplifier.\u003c\/p\u003e \u003cp id=\"u17300-76\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17300-80\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17300-78\"\u003e4 types of Inputs.\u003c\/span\u003e More options, more power.\u003c\/h2\u003e \u003cp id=\"u17300-84\" style=\"text-align: justify;\"\u003e(STANDARD WITH ALL MODELS, \u003cspan id=\"u17300-82\"\u003eunless otherwise noted\u003c\/span\u003e)\u003c\/p\u003e \u003cp id=\"u17300-87\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-85\"\u003e2 Mic Channel\u003c\/span\u003e\u003c\/strong\u003e - Two mic channels are included on the ARC-10 to support a Host and Guest talk show in the main control room itself. The channel Two mic can also be remoted to a separate announce booth if desired.\u003c\/p\u003e \u003cp id=\"u17300-90\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-88\"\u003eStereo Line level Channel\u003c\/span\u003e\u003c\/strong\u003e - Channels 3-8 are stereo, line level input channels appropriate for source devices like CD players, MP3 players, network feeds, etc. The unbalanced model is ideal for studios where these sources are located locally in the studio itself. The balanced model should be selected if some of these sources (such as a satellite feed) are originated in other studios where the wiring could be long and introduce hum \u0026amp; noise.\u003c\/p\u003e \u003cp id=\"u17300-93\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-91\"\u003ePC-USB input Channel (ARC-10UP \u0026amp; ARC-10BP ONLY)\u003c\/span\u003e\u003c\/strong\u003e - Play \u0026amp; Record in digital with a Windows PC or MAC, USB sound card functionality built directly into the module, record audio onto a PC or playback audio from the PC over the air, \u0026amp; LED illuminated swtiches.\u003c\/p\u003e \u003cp id=\"u17300-96\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-94\"\u003eTelephone Channel\u003c\/span\u003e\u003c\/strong\u003e - Channel 10 is a dedicated telephone channel that easily connects to an external telephone hybrid. The caller can talk to you through the Cue system while a 'Push to Talk' button enables the Control Room mic to talk off-line to the caller. Just select the Air or Recording bus then turn the channel on. What could be easier?\u003c\/p\u003e \u003cp id=\"u17300-97\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17300-100\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17300-98\"\u003ePhone line system.\u003c\/span\u003e Connect your phone hybrid for a powerful phone system.\u003c\/h2\u003e \u003cp id=\"u17300-102\" style=\"text-align: justify;\"\u003e(STANDARD WITH ALL MODELS)\u003c\/p\u003e \u003cp id=\"u17300-105\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-103\"\u003ePhone Channel\u003c\/span\u003e\u003c\/strong\u003e - channel 10 is a dedicated telephone channel that easily connects to an external telephone hybrid.\u003c\/p\u003e \u003cp id=\"u17300-108\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-106\"\u003eTalkback Cue System\u003c\/span\u003e\u003c\/strong\u003e - the caller can talk to you through the Cue system while a Talkback button enables the Control Room mic to talk off-line to the caller.\u003c\/p\u003e \u003cp id=\"u17300-109\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17300-112\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17300-110\"\u003eUSB input channel.\u003c\/span\u003e Connect to any PC (Windows XP, 7) or MAC for play \u0026amp; record.\u003c\/h2\u003e \u003cp id=\"u17300-114\" style=\"text-align: justify;\"\u003e(ARC-10UP \u0026amp; ARC-10BP models ONLY)\u003c\/p\u003e \u003cp id=\"u17300-117\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-115\"\u003eUse any software\u003c\/span\u003e \u003c\/strong\u003e- Use any automation or production software to either play or record.\u003c\/p\u003e \u003cp id=\"u17300-120\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-118\"\u003ePlayback\u003c\/span\u003e\u003c\/strong\u003e - play any audio from your PC onto the board and then over the air. Play YouTube clips or any audio from your PC or MAC.\u003c\/p\u003e \u003cp id=\"u17300-123\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-121\"\u003eRecording\u003c\/span\u003e \u003c\/strong\u003e- record audio coming from your board onto your PC or MAC with any production software.\u003c\/p\u003e \u003cp id=\"u17300-126\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-124\"\u003eEasy Setup\u003c\/span\u003e\u003c\/strong\u003e - connect with a simple USB cable.\u003c\/p\u003e \u003cp id=\"u17300-129\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-127\"\u003eStart \u0026amp; Stop Automation\u003c\/span\u003e\u003c\/strong\u003e - with our automation system, you may start \u0026amp; stop the automation system.\u003c\/p\u003e \u003cp id=\"u17300-130\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17300-133\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17300-131\"\u003eRJ45 Connections.\u003c\/span\u003e Quick \u0026amp; easy install with RJ45 connections.\u003c\/h2\u003e \u003cp id=\"u17300-135\" style=\"text-align: justify;\"\u003e(ARC-10BP ONLY)\u003c\/p\u003e \u003cp id=\"u17300-138\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-136\"\u003eWorld Standard\u003c\/span\u003e \u003c\/strong\u003e- all IO is world standard RJ45.\u003c\/p\u003e \u003cp id=\"u17300-141\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-139\"\u003eCables Provided\u003c\/span\u003e\u003c\/strong\u003e - 10 foot cables (connectorized at one end with molded RJ45 connectors) are provided for the inputs. This is en expensive option for most consoles but is standard with the ARC-10.\u003c\/p\u003e \u003cp id=\"u17300-144\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-142\"\u003eQuick Setup\u003c\/span\u003e\u003c\/strong\u003e - as simple as plug and play.\u003c\/p\u003e \u003cp id=\"u17300-147\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-145\"\u003ePremade wiring\u003c\/span\u003e \u003c\/strong\u003e- optional cables are available for common connections such as XLR \u0026amp; RCA. Check the accessories section for more information.\u003c\/p\u003e \u003cp id=\"u17300-148\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17300-151\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17300-149\"\u003eLow Profile Design.\u003c\/span\u003e Defining what attractive is.\u003c\/h2\u003e \u003cp id=\"u17300-153\" style=\"text-align: justify;\"\u003e(STANDARD WITH ALL MODELS)\u003c\/p\u003e \u003cp id=\"u17300-156\" style=\"text-align: justify;\"\u003e\u003cspan id=\"u17300-154\"\u003e\u003cstrong\u003eModern \u0026amp; Timeless\u003c\/strong\u003e \u003c\/span\u003e- The ARC series has a modern low profile \u0026amp; sleek design that is timeless.\u003c\/p\u003e \u003cp id=\"u17300-157\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17300-160\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17300-158\"\u003e110 or 220VAC.\u003c\/span\u003e Autosensing international power supply.\u003c\/h2\u003e \u003cp id=\"u17300-162\" style=\"text-align: justify;\"\u003e(STANDARD WITH ALL MODELS)\u003c\/p\u003e \u003cp id=\"u17300-165\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17300-163\"\u003eAutosensing\u003c\/span\u003e\u003c\/strong\u003e - power supply autosenses between 110 \u0026amp; 220 VAC for domestic or international installations.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":35114975395994,"sku":"SKU0564","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/arc_10_main_shotf__36531.jpg?v=1601997430"},{"product_id":"arrakis-arc-15bp","title":"Arrakis ARC-15BP","description":"\u003ch1 style=\"text-align: justify;\"\u003eArrakis ARC-15BP\u003c\/h1\u003e \u003ch2 style=\"text-align: justify;\"\u003e \u003c\/h2\u003e \u003ch2 id=\"u17072-12\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17072-10\"\u003e15 Channels.\u003c\/span\u003e Analog Console. Flexible \u0026amp; Powerful.\u003c\/h2\u003e \u003cp id=\"u17072-15\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-13\"\u003e15 Channels\u003c\/span\u003e \u003c\/strong\u003e- with 15 channels you can connect more and do more. 8 to 12 Line In inputs allows you to connect to CD players, mp3 players and other analog sources. It's a lot of board for not a big price.\u003c\/p\u003e \u003cp id=\"u17072-18\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-16\"\u003eMic Channels\u003c\/span\u003e \u003c\/strong\u003e- chose between 1 to 5 mic channels with optional 48V phantom power.\u003c\/p\u003e \u003cp id=\"u17072-21\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-19\"\u003eReal VU Meters\u003c\/span\u003e\u003c\/strong\u003e - stylish and easy to use VU meters for Program \u0026amp; Audition buses.\u003c\/p\u003e \u003cp id=\"u17072-24\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-22\"\u003eNo More RF\u003c\/span\u003e \u003c\/strong\u003e- has balanced inputs \u0026amp; outputs for use in high RF environments.\u003c\/p\u003e \u003cp id=\"u17072-27\" style=\"text-align: justify;\"\u003e\u003cspan id=\"u17072-25\"\u003e\u003cstrong\u003eBuilt Tough\u003c\/strong\u003e \u003c\/span\u003e- professional throughout, with multi-million operation LED lighted switches and electronic audio switching. Built for ANY environment.\u003c\/p\u003e \u003cp id=\"u17072-32\" style=\"text-align: justify;\"\u003e\u003cspan id=\"u17072-30\"\u003e\u003cstrong\u003eSocketed IC's\u003c\/strong\u003e \u003c\/span\u003e\u003cspan id=\"u17072-31\"\u003e- one IC is surface mounted, all of the rest are socketed for ease of service.\u003c\/span\u003e\u003c\/p\u003e \u003cp id=\"u17072-33\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17072-36\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17072-34\"\u003e2 Stereo output buses.\u003c\/span\u003e\u003cspan id=\"u17072-35\"\u003e Program \u0026amp; Audition with mono mixdowns.\u003c\/span\u003e\n\u003c\/h2\u003e \u003cp id=\"u17072-39\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-37\"\u003eActive balanced\u003c\/span\u003e\u003c\/strong\u003e - All outputs \u0026amp; inputs are active balanced.\u003c\/p\u003e \u003cp id=\"u17072-42\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-40\"\u003eStereo or Mono\u003c\/span\u003e\u003c\/strong\u003e - Both stereo \u0026amp; mono outputs for 2 output buses.\u003c\/p\u003e \u003cp id=\"u17072-45\" style=\"text-align: justify;\"\u003e\u003cspan id=\"u17072-43\"\u003e\u003cstrong\u003eListen\u003c\/strong\u003e \u003c\/span\u003e- Monitor \u0026amp; 8 ohm Headphone output as well as built in Cue speaker talkback system with built-in amplifier.\u003c\/p\u003e \u003cp id=\"u17072-46\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17072-50\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17072-48\"\u003e4 types of Inputs.\u003c\/span\u003e More options, more power.\u003c\/h2\u003e \u003cp id=\"u17072-53\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-51\"\u003e1 - 5 Mic Channel\u003c\/span\u003e\u003c\/strong\u003e - Channel 1 is a dedicated mic channel for the board operator. Channel 2-5 can be internally set up as either mono mic or stereo line level inputs. The console therefore supports up to 5 mics and is perfect for talk studio applications. Mic channels 2-5 have remote logic control for turret applications.\u003c\/p\u003e \u003cp id=\"u17072-56\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-54\"\u003eStereo Line level Channel\u003c\/span\u003e\u003c\/strong\u003e - Channels 6-13 are stereo, line level input channels appropriate for source devices like CD players, MP3 players, network feeds, etc. The unbalanced model is ideal for studios where these sources are located locally in the studio itself. The balanced model allows you to connect to sources (such as a satellite feed) that are originated in other studios where the wiring could be long and introduce hum \u0026amp; noise.\u003c\/p\u003e \u003cp id=\"u17072-59\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-57\"\u003ePC-USB input Channel\u003c\/span\u003e\u003c\/strong\u003e - Play \u0026amp; Record in digital with a Windows PC or MAC, USB sound card functionality built directly into the module, record audio onto a PC or playback audio from the PC over the air, \u0026amp; LED illuminated swtiches.\u003c\/p\u003e \u003cp id=\"u17072-62\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-60\"\u003eTelephone Channel\u003c\/span\u003e\u003c\/strong\u003e - Channel fifteen (15) is a dedicated telephone channel that easily connects to an external telephone hybrid. The caller can talk to you through the Cue system while a 'Push to Talk' button enables the Control Room mic to talk off-line to the caller. Just select the Air or Recording bus then turn the channel on. What could be easier?\u003c\/p\u003e \u003cp id=\"u17072-63\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17072-66\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17072-64\"\u003ePhone line system.\u003c\/span\u003e Connect your phone hybrid for a powerful phone system.\u003c\/h2\u003e \u003cp id=\"u17072-69\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-67\"\u003ePhone Channel\u003c\/span\u003e \u003c\/strong\u003e- channel 15 is a dedicated telephone channel that easily connects to an external telephone hybrid.\u003c\/p\u003e \u003cp id=\"u17072-72\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-70\"\u003eTalkback Cue System\u003c\/span\u003e\u003c\/strong\u003e - the caller can talk to you through the Cue system while a Talkback button enables the Control Room mic to talk off-line to the caller.\u003c\/p\u003e \u003cp id=\"u17072-73\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17072-76\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17072-74\"\u003eUSB input channel.\u003c\/span\u003e Connect to any PC (Windows XP, 7) or MAC for play \u0026amp; record.\u003c\/h2\u003e \u003cp id=\"u17072-79\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-77\"\u003eUse any software\u003c\/span\u003e\u003c\/strong\u003e - Use any automation or production software to either play or record.\u003c\/p\u003e \u003cp id=\"u17072-82\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-80\"\u003ePlayback\u003c\/span\u003e\u003c\/strong\u003e - play any audio from your PC onto the board and then over the air. Play YouTube clips or any audio from your PC or MAC.\u003c\/p\u003e \u003cp id=\"u17072-85\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-83\"\u003eRecording\u003c\/span\u003e\u003c\/strong\u003e - record audio coming from your board onto your PC or MAC with any production software.\u003c\/p\u003e \u003cp id=\"u17072-88\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-86\"\u003eEasy Setup\u003c\/span\u003e\u003c\/strong\u003e - connect with a simple USB cable.\u003c\/p\u003e \u003cp id=\"u17072-91\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-89\"\u003eStart \u0026amp; Stop Automation\u003c\/span\u003e\u003c\/strong\u003e - with our automation system, you may start \u0026amp; stop the automation system.\u003c\/p\u003e \u003cp id=\"u17072-92\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17072-95\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17072-93\"\u003eRJ45 Connections.\u003c\/span\u003e Quick \u0026amp; easy install with RJ45 connections.\u003c\/h2\u003e \u003cp id=\"u17072-98\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-96\"\u003eWorld Standard\u003c\/span\u003e \u003c\/strong\u003e- all IO is world standard RJ45.\u003c\/p\u003e \u003cp id=\"u17072-101\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-99\"\u003eCables Provided\u003c\/span\u003e \u003c\/strong\u003e- 10 foot cables (connectorized at one end with molded RJ45 connectors) are provided for the inputs. This is en expensive option for most consoles but is standard with the ARC-15.\u003c\/p\u003e \u003cp id=\"u17072-104\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-102\"\u003eQuick Setup\u003c\/span\u003e \u003c\/strong\u003e- as simple as plug and play.\u003c\/p\u003e \u003cp id=\"u17072-107\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-105\"\u003ePremade wiring\u003c\/span\u003e\u003c\/strong\u003e - optional cables are available for common connections such as XLR \u0026amp; RCA. Check the accessories section for more information.\u003c\/p\u003e \u003cp id=\"u17072-108\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17072-111\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17072-109\"\u003eLow Profile Design.\u003c\/span\u003e Defining what attractive is.\u003c\/h2\u003e \u003cp id=\"u17072-114\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-112\"\u003eModern \u0026amp; Timeless \u003c\/span\u003e\u003c\/strong\u003e- The ARC series has a modern low profile \u0026amp; sleek design that is timeless.\u003c\/p\u003e \u003cp id=\"u17072-115\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e \u003ch2 id=\"u17072-118\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17072-116\"\u003e110 or 220VAC.\u003c\/span\u003e Autosensing international power supply.\u003c\/h2\u003e \u003cp id=\"u17072-121\" style=\"text-align: justify;\"\u003e - power supply autosenses between 110 \u0026amp; 220 VAC for domestic or international installations.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":35114975559834,"sku":"SKU0565","price":4299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/arc_15_profiles__85767.jpg?v=1601997431"},{"product_id":"arrakis-arc-5-five-channel-radio-broadcast-console","title":"Arrakis ARC-5 - Five Channel Radio Broadcast Console","description":"\u003cdiv class=\"clearfix colelem\" id=\"u142225-6\" data-mce-fragment=\"1\"\u003e\n\u003cp id=\"u142225-2\" data-mce-fragment=\"1\"\u003eArrakis ARC-5 - Five Channel Radio Broadcast Console\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u142226-8\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThe ARC-5\u003c\/strong\u003e broadcast radio console is the ultimate compact board. It is perfect for applications such as podcasting, production studios, on the road, as well as small broadcast or internet radio.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt comes standard with two mics, stereo line input, USB and mix-minus to connect to your phone hybrid. It gives you all the essentials at a fraction of the cost.\u003c\/p\u003e\n\u003cp id=\"u142231-3\"\u003eAnalog Broadcast Console.\u003c\/p\u003e\n\u003cp id=\"u142231-5\"\u003e5 Channel - 1 Stereo Output.\u003c\/p\u003e\n\u003cp id=\"u142231-7\"\u003eImpeccable performance.\u003c\/p\u003e\n\u003cp id=\"u142228-2\"\u003e\u003cstrong\u003eCompact, and durable.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp id=\"u142228-4\"\u003eThe ARC-5 radio console is compact and durable for professional Radio applications. The 0.059\" steel chassis is extremely strong and well finished with a powder coat finish. The front panel graphics are on the reverse side of a beautiful polycarbonate overlay for scratch resistance and long life. The switches have LED lighted indicators to clearly display switch status. It is excellent for so many different applications, it would be foolish not to have one.\u003c\/p\u003e\n\u003cp id=\"u142249-2\"\u003e\u003cstrong\u003e\u003cspan id=\"u142249\"\u003eAll killer, no filler.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp id=\"u142249-4\"\u003eThe ARC-5 board has all the essential elements for an audio mixer, and is a great value for its low price.\u003c\/p\u003e\n\u003cp id=\"u142249-7\"\u003eIts stereo input channel has both unbalanced \u0026amp; balanced connectors. It has 6 inputs, with 5 channels. Channel 5 is the USB channel that connects to a PC for playback and record. Channel 4 connects to a phone hybrid.\u003c\/p\u003e\n\u003cp id=\"u142752-2\"\u003e\u003cstrong\u003e\u003cspan id=\"u142752\"\u003eLogic control.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp id=\"u142752-4\"\u003eSwitch cameras, or control external hardware with the press of a button. The ARC-5 comes with 4 logic buttons that send a dry contact closure to any 3rd party hardware. Whether you want to switch between cameras in your studio, or start an automation player, play jingles, or sound effects, the ARC-5 logic buttons give you complete control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":36455693582490,"sku":"","price":749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/ARC_5.jpg?v=1601999308"},{"product_id":"arrakis-arc-8-on-air-broadcast-radio-console","title":"Arrakis ARC-8 On Air Broadcast Radio Console","description":"\u003cdiv data-mce-fragment=\"1\" id=\"u142225-6\" class=\"clearfix colelem\"\u003e\n\u003cp data-mce-fragment=\"1\" id=\"u142225-2\"\u003eArrakis ARC-8 On Air Broadcast Radio Console\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" id=\"u142226-8\" class=\"clearfix colelem\"\u003e\n\u003cdiv data-mce-fragment=\"1\" id=\"u17450-6\" class=\"clearfix colelem\"\u003e\n\u003cp data-mce-fragment=\"1\" id=\"u17450-2\"\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\" id=\"u17450\"\u003eARC-8\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" id=\"u17450-4\"\u003eAward winning.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" id=\"u17451-5\" class=\"clearfix colelem\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith a single stereo mixing bus, the ARC-8 broadcast radio console is ideal for fast paced live on air, production, Internet streaming, and remote applications. Two mics supports a host and guest talk format. The mix minus bus (for an external hybrid) supports Telephone talk formats or call ins.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AZ-8Z0ZfwEQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe ‘Talk’ button on mic channel one feeds the mic to the caller and the caller to the console cue system, fast and easy.\u003c\/p\u003e\n\u003cp id=\"u17563-2\"\u003e\u003cspan id=\"u17563\"\u003eCompact, and packs a punch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u17563-4\"\u003eThe ARC-8 radio console is compact and durable for professional Radio applications. The 0.059\" steel chassis is extremely strong and well finished with two part epoxy paint. The front panel graphics are on the reverse side of a beautiful polycarbonate overlay for scratch resistance and long life.\u003c\/p\u003e\n\u003cp\u003eThe switches have LED lighted indicators to clearly display switch status. It is excellent for so many different applications, it would be foolish not to have one.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u17579-10\"\u003e\n\u003cp id=\"u17579-2\"\u003e\u003cspan id=\"u17579\"\u003ePower from within.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u17579-4\"\u003eThe ARC-8 board has an amazing price, but what is even more amazing is the features that come standard.\u003c\/p\u003e\n\u003cp id=\"u17579-7\"\u003eIt has both Unbalanced \u0026amp; Balanced inputs. It has 10 inputs, with 8 channels. Channel 8 is the USB channel that connects to a PC for playback and record. Channel 7 connects to a phone hybrid.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u25187-7\"\u003e\n\u003cp\u003eThe only thing it doesn't do is make you coffee in the morning.\u003c\/p\u003e\n\u003cp\u003eThis is ideal for Internet radio, broadcast radio, remote applications, production, station backup; it does it all.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/r9P_DrTkNtE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Arrakis","offers":[{"title":"ARC-8","offer_id":36839458111642,"sku":"","price":1061.55,"currency_code":"USD","in_stock":true},{"title":"ARC-8 BLUETOOTH","offer_id":36839458144410,"sku":"","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/arc-8profile.png?v=1601999309"},{"product_id":"arrakis-marc-15-on-air-broadcast-radio-console","title":"Arrakis MARC-15-15 On Air Broadcast Radio Modular Console","description":"\u003cdiv data-mce-fragment=\"1\" class=\"clearfix colelem\" id=\"u142225-6\"\u003e\n\u003cp data-mce-fragment=\"1\" id=\"u142225-2\"\u003eArrakis MARC-15-15 On Air Broadcast Radio Modular Console\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"clearfix colelem\" id=\"u142226-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"clearfix colelem\" id=\"u17450-6\"\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u16970-6\"\u003e\n\u003cp id=\"u16970-4\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u16971-7\"\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u24355-4\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix colelem\"\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u16700-6\"\u003e\n\u003cp id=\"u16700-2\"\u003e\u003cstrong\u003eMARC-15\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp id=\"u16700-4\"\u003e\u003cstrong\u003eThe Next Generation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u16701-4\"\u003e\n\u003cp\u003eThe MARC-15 is a feature laden, professional analog console that is perfect for On Air radio, Production, and News applications. The modular design allows the console to be configured exactly to the studio's needs and to be easily serviced. The 15 channels with up to 30 source inputs meets even the largest studio's needs.\u003c\/p\u003e\n\u003cdiv class=\"rgba-background clearfix grpelem\" id=\"u22621-11\"\u003e\n\u003cp id=\"u22621-3\"\u003eModular Analog.\u003c\/p\u003e\n\u003cp id=\"u22621-5\"\u003e15 Channel\u003c\/p\u003e\n\u003cp id=\"u22621-7\"\u003e3 Stereo Outputs.\u003c\/p\u003e\n\u003cp id=\"u22621-9\"\u003ePower \u0026amp; Flexibility.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix grpelem\" id=\"u16927-6\"\u003e\n\u003cp id=\"u16927-2\"\u003e\u003cspan id=\"u16927\"\u003ePowerful.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u16927-4\"\u003eThe MARC-15 console is the flagship of the Arrakis Systems broadcast radio consoles. It is designed to meet the needs of any demanding radio station or group. It has the perfect balance of power \u0026amp; flexibility. If you demand performance that is both high tech and practical, then the MARC console is for you.\u003c\/p\u003e\n\u003cp id=\"u16928-2\"\u003e\u003cspan id=\"u16928\"\u003eTailored for you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u16928-4\"\u003eThe standout feature of the MARC console is that it is modular. What does modular mean, it means you can choose exactly what configuration is perfect for your studio. Need 5 mic, 2 USB, 6 line and 2 phone modules? The MARC can do that. The options are nearly limitless.\u003c\/p\u003e\n\u003cp id=\"u23598-2\"\u003e\u003cspan id=\"u23598\"\u003eOutputs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u23598-5\"\u003eThe MARC-15 radio console has 3 stereo Program output mixes that include mono mixdowns. In\u003cspan\u003e \u003c\/span\u003e\u003cspan id=\"u23598-4\"\u003eaddition, there are the Monitor, Headphone and Cue systems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u23598-9\"\u003e\u003cspan id=\"u23598-8\"\u003eActive Balanced.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u23598-11\"\u003e\u003cspan id=\"u23598-10\"\u003eAll inputs and outputs are stereo, active balanced; using the world standard RJ-45 connectors. 10 ft. cabling is provided for quick and effective installation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u23598-12\"\u003eEliminate Ground Loops.\u003c\/p\u003e\n\u003cp id=\"u23598-17\"\u003e\u003cspan id=\"u23598-16\"\u003eA control room muting logic output is provided for an on air light. This output  is reed relay isolated to remove a potential ground loop. The reed relay should be used to trigger another relay for powering the on air light.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u23962-2\"\u003e\u003cspan id=\"u23962\"\u003eReliable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u23962-4\"\u003eThe MARC-15 modular analog broadcast radio console is the definition of peace of mind. When you purchase the MARC, you purchase a board that will last generations. Modules are simple to swap. All switches and IC's are \u003cspan data-mce-fragment=\"1\"\u003esocketed for reliability and easy maintenance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u23963-5\"\u003e\u003cspan id=\"u23963-4\"\u003eFuture Proof.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u23963-7\"\u003eIts features are future proof. The MARC-15 will give you all the power and flexibility that is required for a growing station or group. When you choose the MARC, you are not just choosing a short term solution, you are choosing a powerful solution that grows and changes to meet your ever changing needs.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/PrZXyOEz19Q\" height=\"614\" width=\"1004\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":36457496051866,"sku":"","price":7475.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/unnamed.gif?v=1601999310"},{"product_id":"arrakis-darc-surface-8-12-digital-aoip-broadcast-console","title":"Arrakis DARC Surface 8\/12 - Digital AoIP Broadcast Console","description":"\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" id=\"u142225-6\" class=\"clearfix colelem\"\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u127226-6\"\u003e\n\u003ch2\u003eArrakis DARC Surface 8\/12 - Digital AoIP Broadcast Console\u003c\/h2\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cXf7eoSU18s\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u130702\"\u003e\n\u003cdiv class=\"clearfix grpelem\" id=\"u130704-4\"\u003e\n\u003cdiv data-mce-fragment=\"1\" id=\"u127226-6\" class=\"clearfix colelem\"\u003e\n\u003ch4 data-mce-fragment=\"1\" id=\"u127226-4\"\u003eAoIP for Everyone.\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" id=\"u130702\" class=\"clearfix colelem\"\u003e\n\u003cdiv data-mce-fragment=\"1\" id=\"u130704-4\" class=\"clearfix grpelem\"\u003e\n\u003cp data-mce-fragment=\"1\" id=\"u130704-2\"\u003e\u003cspan data-mce-fragment=\"1\" id=\"u130704\"\u003eAudio over IP does not need to be complicated or expensive. With the DARC Surface, you can control any Dante network audio source. Mix, adjust levels, everything you need for an On-Air or production room console.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u131714-4\"\u003e\n\u003ch4 id=\"u131714-2\"\u003e\u003cspan id=\"u131714\"\u003eSimple \u0026amp; Effective\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u131715-13\"\u003e\n\u003cp id=\"u131715-3\"\u003e\u003cspan id=\"u131715\"\u003e8, 12 or 16 Channel Models.\u003c\/span\u003e DARC Surface comes in 3 different models depending on the number of channels that you need. This means that you can choose what size best fit your needs. Whether the 8 with its small profile yet powerful design, or the 16, with all the faders you could ever need.\u003c\/p\u003e\n\u003cp id=\"u131715-6\"\u003e\u003cspan id=\"u131715-4\"\u003eDARC Virtual Console Software. \u003c\/span\u003e\u003cspan id=\"u131715-5\"\u003eThe DARC Virtual Software comes included in the package deals. The DARC Surface works in harmony with the DARC Virtual Console software.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Black-Link-Style\" id=\"u131715-11\"\u003e\u003cspan id=\"u131715-7\"\u003eSimple IP. \u003c\/span\u003e\u003cspan id=\"u131715-8\"\u003eThe DARC Surface, along with the DARC Virtual Console, will work with any Dante enabled device on your network. This includes our Simple IP units, which can have either Analog or Digital Inputs \u0026amp; Outputs\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAvailable Packages:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDARC Surface 8: DARC Surface 8 console + DARC Virtual software + 2 Simple IP 8 A or D.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDARC Surface 12 console + DARC Virtual software + 3 Simple IP 8 A or D.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cimg height=\"262\" width=\"506\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Darc_480x480.png?v=1636812470\" alt=\"\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003ePC not Included\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe height=\"315\" width=\"560\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cXf7eoSU18s\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" id=\"u142226-8\" class=\"clearfix colelem\"\u003e\n\u003cdiv data-mce-fragment=\"1\" id=\"u17450-6\" class=\"clearfix colelem\"\u003e\n\u003cdiv class=\"clearfix colelem\"\u003e\n\u003cdiv id=\"u16701-4\" class=\"clearfix colelem\"\u003e\n\u003cdiv id=\"u16927-6\" class=\"clearfix grpelem\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Arrakis","offers":[{"title":"DARC Surface 8 bundle","offer_id":41160144650394,"sku":"ARRDARC-SUR-8","price":3250.0,"currency_code":"USD","in_stock":true},{"title":"DARC Surface 12","offer_id":41160144683162,"sku":"","price":5200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/darc2studio_ced68895-141f-4838-baf5-0e4750276198.jpg?v=1636656423"},{"product_id":"arrakis-darc-virt-4-8-12-16-virtual-console","title":"Arrakis DARC-Virt 4\/8\/12\/16 - Virtual Console","description":"\u003ch2\u003e\u003cspan style=\"color: #000000;\"\u003eArrakis DARC-Virt 4\/8\/12\/16 - Virtual Console\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eDARC Virtual 3.0 is the latest version in the DARC Virtual AoIP console series. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #000000;\"\u003eNew features include:\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e10 point multi touch for touch screens. This allows you to control multiple faders at the same time.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e2 Phone Mix Minus Buses to connect to two phone hybrids.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSingle Channel Playback for podcasters. This allows you to stream and record individual channels, post fader.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAdvanced user presets. Quickly and easily switch from one show layout to the next.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSoft keys for quickly triggering closures, user presets and more.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eCustomizable interface that allows you to label, and color code channels.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eReport screen and logs.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eA FREE upgrade for any existing DARC Virtual customer.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #000000;\"\u003eStandalone Unit\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003eAs a standalone unit, you don't need a large AoIP network to utilize this brilliant board. Simply connect all your audio sources into one of our Simple IP boxes (or any Dante enabled device), then connect the Dante Virtual software onto the same network. Utilizing the Dante Controller software, you choose which sources to control, and away you go.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Screenshot_2021-10-25_at_11-12-50_Arrakis_-_DARC_Virtual_Console_480x480.png?v=1635171195\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAvailable Packages:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDARC-Virt 4: 4 Ch Console. DARC Virtual Software + 1 Simple IP 8 A or D.\u003c\/li\u003e\n\u003cli\u003eDARC-Virt 8: 8 Ch Console. DARC Virtual Software + 2 Simple IP 8 A or D.\u003c\/li\u003e\n\u003cli\u003eDARC-Virt 12: 12 Ch Console. DARC Virtual Software + 3 Simple IP 8 A or D.\u003c\/li\u003e\n\u003cli\u003eDARC-Virt 16: 16 Ch Console. DARC Virtual Software + 4 Simple IP 8 A or D.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003ePC not Included\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/cXf7eoSU18s\" title=\"YouTube video player\" width=\"560\" height=\"315\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 255, 255);\"\u003eAir-4, Air-1, Wheatstone, Audio Arts, Axia, IP-12, LX-24, LXi, Vorsis, AEQ, Axel Oxygen\u003c\/span\u003e\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"DARC-Virt 4","offer_id":41156513497242,"sku":"","price":2400.0,"currency_code":"USD","in_stock":true},{"title":"DARC-Virt 8","offer_id":41156513530010,"sku":"","price":3100.0,"currency_code":"USD","in_stock":true},{"title":"DARC-Virt 12","offer_id":41156513562778,"sku":"","price":4000.0,"currency_code":"USD","in_stock":true},{"title":"DARC-Virt 16","offer_id":41156513595546,"sku":"","price":5100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/darc2studioshot2.jpg?v=1635170851"},{"product_id":"arrakis-darc-surface-configured-pc","title":"Arrakis DARC Surface -  Configured PC","description":"\u003cdiv class=\"clearfix colelem\" id=\"u142225-6\" style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"u127226-6\" class=\"clearfix colelem\"\u003e\n\u003ch2\u003eArrakis DARC Surface -  Configured PC\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"u130702\" class=\"clearfix colelem\"\u003e\n\u003cdiv id=\"u130704-4\" class=\"clearfix grpelem\"\u003e\n\u003cp id=\"u130986-6\" data-mce-fragment=\"1\"\u003e\u003cspan id=\"u130986-5\" data-mce-fragment=\"1\"\u003eThis PC will be ready for use out of the box to work with the DARC Virtual Console software. It will be ran in Kiosk mode and dedicated to the DARC Virtual Software for optimal reliability.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u130986-9\" data-mce-fragment=\"1\"\u003eTo qualify for software support for DARC, you must purchase a configured PC from us.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u142226-8\" style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u17450-6\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"clearfix colelem\"\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u16701-4\"\u003e\n\u003cdiv class=\"clearfix grpelem\" id=\"u16927-6\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":41160169160858,"sku":"","price":1089.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/optiplex3050.jpg?v=1635215999"},{"product_id":"arrakis-arc-mic-pre","title":"Arrakis Darc ARC-MIC-PRE - Microphone AMP","description":"\u003cdiv class=\"clearfix colelem\" id=\"u142225-6\" style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"u127226-6\" class=\"clearfix colelem\"\u003e\n\u003ch2\u003eArrakis Darc ARC-MIC-PRE - Microphone AMP\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"u130702\" class=\"clearfix colelem\"\u003e\n\u003cdiv id=\"u130704-4\" class=\"clearfix grpelem\"\u003eThe ARC-MIC-PRE is a 2 channel mic preamp that can be directly connected to your balanced RJ45 console line inputs on the Simple IP Nodes. This converts two of your line inputs into mic level inputs.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u142226-8\" style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u17450-6\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"clearfix colelem\"\u003e\n\u003cdiv class=\"clearfix colelem\" id=\"u16701-4\"\u003e\n\u003cdiv class=\"clearfix grpelem\" id=\"u16927-6\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":41160178794650,"sku":"DARC-ARC-MIC-PRE","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/img_20191024_094429.jpg?v=1635216247"},{"product_id":"copy-of-arrakis-arc-15bp-blue","title":"Arrakis ARC-15BP-Blue - 15 Channels. Analog Console","description":"\u003ch1\u003eArrakis ARC-15BP-Blue - \u003c\/h1\u003e\n\u003ch1\u003e\n\u003cspan id=\"u17072-10\"\u003e15 Channels.\u003c\/span\u003e Analog Console\u003c\/h1\u003e\n\u003ch2 style=\"text-align: justify;\"\u003e \u003c\/h2\u003e\n\u003ch2 id=\"u17072-12\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17072-10\"\u003e15 Channels.\u003c\/span\u003e Analog Console. Flexible \u0026amp; Powerful.\u003c\/h2\u003e\n\u003cp id=\"u17072-15\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-13\"\u003e15 Channels\u003c\/span\u003e \u003c\/strong\u003e- with 15 channels you can connect more and do more. 8 to 12 Line In inputs allows you to connect to CD players, mp3 players and other analog sources. It's a lot of board for not a big price.\u003c\/p\u003e\n\u003cp id=\"u17072-18\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-16\"\u003eMic Channels\u003c\/span\u003e \u003c\/strong\u003e- chose between 1 to 5 mic channels with optional 48V phantom power.\u003c\/p\u003e\n\u003cp id=\"u17072-21\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-19\"\u003eReal VU Meters\u003c\/span\u003e\u003c\/strong\u003e - stylish and easy to use VU meters for Program \u0026amp; Audition buses.\u003c\/p\u003e\n\u003cp id=\"u17072-24\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-22\"\u003eNo More RF\u003c\/span\u003e \u003c\/strong\u003e- has balanced inputs \u0026amp; outputs for use in high RF environments.\u003c\/p\u003e\n\u003cp id=\"u17072-27\" style=\"text-align: justify;\"\u003e\u003cspan id=\"u17072-25\"\u003e\u003cstrong\u003eBuilt Tough\u003c\/strong\u003e \u003c\/span\u003e- professional throughout, with multi-million operation LED lighted switches and electronic audio switching. Built for ANY environment.\u003c\/p\u003e\n\u003cp id=\"u17072-32\" style=\"text-align: justify;\"\u003e\u003cspan id=\"u17072-30\"\u003e\u003cstrong\u003eSocketed IC's\u003c\/strong\u003e \u003c\/span\u003e\u003cspan id=\"u17072-31\"\u003e- one IC is surface mounted, all of the rest are socketed for ease of service.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u17072-63\"\u003e\u003cstrong\u003e\u003cspan id=\"u148875-4\" data-mce-fragment=\"1\"\u003eThe Bluetooth\u003c\/span\u003e\u003c\/strong\u003e\u003cspan id=\"u148875-5\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e channel\u003c\/strong\u003e - allows you to connect any Bluetooth device to channel 15 on the board\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u148875-12\"\u003e\u003cspan id=\"u148875-10\"\u003eConnect your phone\u003c\/span\u003e\u003cspan id=\"u148875-11\"\u003e\u003cspan\u003e \u003c\/span\u003eusing the Bluetooth channel to take calls and put callers on-air.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u148875-16\"\u003e\u003cspan id=\"u148875-13\"\u003e▪\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan id=\"u148875-14\"\u003eConnect your tablet\u003c\/span\u003e\u003cspan id=\"u148875-15\"\u003e\u003cspan\u003e \u003c\/span\u003ewireless to the board, to play audio over the air.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u148875-20\"\u003e\u003cspan id=\"u148875-17\"\u003e▪\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan id=\"u148875-18\"\u003eQuality\u003c\/span\u003e\u003cspan id=\"u148875-19\"\u003e\u003cspan\u003e \u003c\/span\u003ecomes standard with the latest in Bluetooth technology\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"u17072-33\" style=\"text-align: justify;\"\u003e\u003c\/p\u003e\n\u003ch2 id=\"u17072-36\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17072-34\"\u003e2 Stereo output buses.\u003c\/span\u003e\u003cspan id=\"u17072-35\"\u003e Program \u0026amp; Audition with mono mixdowns.\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp id=\"u17072-39\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-37\"\u003eActive balanced\u003c\/span\u003e\u003c\/strong\u003e - All outputs \u0026amp; inputs are active balanced.\u003c\/p\u003e\n\u003cp id=\"u17072-42\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-40\"\u003eStereo or Mono\u003c\/span\u003e\u003c\/strong\u003e - Both stereo \u0026amp; mono outputs for 2 output buses.\u003c\/p\u003e\n\u003cp id=\"u17072-45\" style=\"text-align: justify;\"\u003e\u003cspan id=\"u17072-43\"\u003e\u003cstrong\u003eListen\u003c\/strong\u003e \u003c\/span\u003e- Monitor \u0026amp; 8 ohm Headphone output as well as built in Cue speaker talkback system with built-in amplifier.\u003c\/p\u003e\n\u003cp id=\"u17072-46\" style=\"text-align: justify;\"\u003e\u003c\/p\u003e\n\u003ch2 id=\"u17072-50\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17072-48\"\u003e4 types of Inputs.\u003c\/span\u003e More options, more power.\u003c\/h2\u003e\n\u003cp id=\"u17072-53\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-51\"\u003e1 - 5 Mic Channel\u003c\/span\u003e\u003c\/strong\u003e - Channel 1 is a dedicated mic channel for the board operator. Channel 2-5 can be internally set up as either mono mic or stereo line level inputs. The console therefore supports up to 5 mics and is perfect for talk studio applications. Mic channels 2-5 have remote logic control for turret applications.\u003c\/p\u003e\n\u003cp id=\"u17072-56\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-54\"\u003eStereo Line level Channel\u003c\/span\u003e\u003c\/strong\u003e - Channels 6-13 are stereo, line level input channels appropriate for source devices like CD players, MP3 players, network feeds, etc. The unbalanced model is ideal for studios where these sources are located locally in the studio itself. The balanced model allows you to connect to sources (such as a satellite feed) that are originated in other studios where the wiring could be long and introduce hum \u0026amp; noise.\u003c\/p\u003e\n\u003cp id=\"u17072-59\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-57\"\u003ePC-USB input Channel\u003c\/span\u003e\u003c\/strong\u003e - Play \u0026amp; Record in digital with a Windows PC or MAC, USB sound card functionality built directly into the module, record audio onto a PC or playback audio from the PC over the air, \u0026amp; LED illuminated swtiches.\u003c\/p\u003e\n\u003cp id=\"u17072-62\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-60\"\u003eTelephone Channel\u003c\/span\u003e\u003c\/strong\u003e - Channel fifteen (15) is a dedicated telephone channel that easily connects to an external telephone hybrid. The caller can talk to you through the Cue system while a 'Push to Talk' button enables the Control Room mic to talk off-line to the caller. Just select the Air or Recording bus then turn the channel on. What could be easier?\u003c\/p\u003e\n\u003cp id=\"u17072-63\" style=\"text-align: justify;\"\u003e\u003c\/p\u003e\n\u003ch2 id=\"u17072-66\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17072-64\"\u003ePhone line system.\u003c\/span\u003e Connect your phone hybrid for a powerful phone system.\u003c\/h2\u003e\n\u003cp id=\"u17072-69\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-67\"\u003ePhone Channel\u003c\/span\u003e \u003c\/strong\u003e- channel 15 is a dedicated telephone channel that easily connects to an external telephone hybrid.\u003c\/p\u003e\n\u003cp id=\"u17072-72\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-70\"\u003eTalkback Cue System\u003c\/span\u003e\u003c\/strong\u003e - the caller can talk to you through the Cue system while a Talkback button enables the Control Room mic to talk off-line to the caller.\u003c\/p\u003e\n\u003cp id=\"u17072-73\" style=\"text-align: justify;\"\u003e\u003c\/p\u003e\n\u003ch2 id=\"u17072-76\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17072-74\"\u003eUSB input channel.\u003c\/span\u003e Connect to any PC (Windows XP, 7) or MAC for play \u0026amp; record.\u003c\/h2\u003e\n\u003cp id=\"u17072-79\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-77\"\u003eUse any software\u003c\/span\u003e\u003c\/strong\u003e - Use any automation or production software to either play or record.\u003c\/p\u003e\n\u003cp id=\"u17072-82\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-80\"\u003ePlayback\u003c\/span\u003e\u003c\/strong\u003e - play any audio from your PC onto the board and then over the air. Play YouTube clips or any audio from your PC or MAC.\u003c\/p\u003e\n\u003cp id=\"u17072-85\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-83\"\u003eRecording\u003c\/span\u003e\u003c\/strong\u003e - record audio coming from your board onto your PC or MAC with any production software.\u003c\/p\u003e\n\u003cp id=\"u17072-88\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-86\"\u003eEasy Setup\u003c\/span\u003e\u003c\/strong\u003e - connect with a simple USB cable.\u003c\/p\u003e\n\u003cp id=\"u17072-91\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-89\"\u003eStart \u0026amp; Stop Automation\u003c\/span\u003e\u003c\/strong\u003e - with our automation system, you may start \u0026amp; stop the automation system.\u003c\/p\u003e\n\u003cp id=\"u17072-92\" style=\"text-align: justify;\"\u003e\u003c\/p\u003e\n\u003ch2 id=\"u17072-95\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17072-93\"\u003eRJ45 Connections.\u003c\/span\u003e Quick \u0026amp; easy install with RJ45 connections.\u003c\/h2\u003e\n\u003cp id=\"u17072-98\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-96\"\u003eWorld Standard\u003c\/span\u003e \u003c\/strong\u003e- all IO is world standard RJ45.\u003c\/p\u003e\n\u003cp id=\"u17072-101\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-99\"\u003eCables Provided\u003c\/span\u003e \u003c\/strong\u003e- 10 foot cables (connectorized at one end with molded RJ45 connectors) are provided for the inputs. This is en expensive option for most consoles but is standard with the ARC-15.\u003c\/p\u003e\n\u003cp id=\"u17072-104\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-102\"\u003eQuick Setup\u003c\/span\u003e \u003c\/strong\u003e- as simple as plug and play.\u003c\/p\u003e\n\u003cp id=\"u17072-107\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-105\"\u003ePremade wiring\u003c\/span\u003e\u003c\/strong\u003e - optional cables are available for common connections such as XLR \u0026amp; RCA. Check the accessories section for more information.\u003c\/p\u003e\n\u003cp id=\"u17072-108\" style=\"text-align: justify;\"\u003e\u003c\/p\u003e\n\u003ch2 id=\"u17072-111\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17072-109\"\u003eLow Profile Design.\u003c\/span\u003e Defining what attractive is.\u003c\/h2\u003e\n\u003cp id=\"u17072-114\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan id=\"u17072-112\"\u003eModern \u0026amp; Timeless \u003c\/span\u003e\u003c\/strong\u003e- The ARC series has a modern low profile \u0026amp; sleek design that is timeless.\u003c\/p\u003e\n\u003cp id=\"u17072-115\" style=\"text-align: justify;\"\u003e\u003c\/p\u003e\n\u003ch2 id=\"u17072-118\" style=\"text-align: justify;\"\u003e\n\u003cspan id=\"u17072-116\"\u003e110 or 220VAC.\u003c\/span\u003e Autosensing international power supply.\u003c\/h2\u003e\n\u003cp id=\"u17072-121\" style=\"text-align: justify;\"\u003e - power supply autosenses between 110 \u0026amp; 220 VAC for domestic or international installations.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cspan style=\"color: rgb(255, 255, 255);\"\u003eAir-4, Air-1, Wheatstone, Audio Arts, Axia, IP-12, LX-24, LXi, Vorsis, AEQ, Axel Oxygen\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":44315119878391,"sku":"SKU0565","price":4289.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/arc_15_profiles__85767_f305a71a-9249-45bd-95eb-29acea3131e8.jpg?v=1706910957"},{"product_id":"arrakis-darc-s8-bundle","title":"Arrakis DARC-S8 Bundle","description":"\u003ch1\u003e\u003cstrong\u003eArrakis DARC-S8 Bundle\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eWhat This Arrakis DARC-S8 Console Bundle Actually Is This bundle gives you a smaller, more budget-conscious entry point into Arrakis's networked broadcast console line without cutting corners on the actual audio engineering underneath it. You get the DARC S8 physical fader surface, the 16-channel DARC Virtual software license, and one Simple-IP-16A audio node, all built around the same Dante audio-over-IP backbone used in the larger Arrakis consoles. This particular bundle does not include a PC, so you'll need to supply your own computer to run the DARC Virtual software, which is a common setup for stations or studios that already have a machine they trust and would rather not pay for hardware they don't need. With one Simple-IP-16A node in the box, you get 8 stereo or up to 16 mono audio inputs and outputs right out of the gate, which is enough for a single host studio, a small production room, or a compact podcast setup. If you outgrow that later, the system is built to expand with additional nodes rather than requiring a replacement. This is a good fit for anyone who wants a real AoIP console without paying for channel count or connected hardware they don't currently need. How the DARC S8 Fader Surface Is Laid Out The S8 gives you 8 physical fader channels, each with dedicated Program, Audition, and Cue buttons so you can manage individual sources without digging through software menus mid-broadcast. Every channel includes a long-life OLED display showing which source is currently assigned to that fader, so operators always know what they're touching without guessing. Monitor control lets you switch between Air, Program, and Audition feeds, along with volume adjustment and toggling between Monitor, Headphone, and Cue paths directly from the surface. Bright LED bargraph meters for Program and Audition give you a constant visual read on levels without needing to glance at a separate screen. Because the board runs on Dante with gigabit connectivity, any Dante-enabled source on your network can be assigned to any of the 8 faders, so you're not limited to whatever happens to be physically wired to that channel. The board also supports mix-minus buses for phone callers or remote guests, and mic preamp needs can be handled either through the ARC-MIC-PRE accessory or a connected Simple IP node. Being a purely digital control surface, the S8 keeps your audio free from signal degradation and RF interference, which matters in busy broadcast environments with a lot of nearby equipment. All of your actual input and output wiring runs to the Simple-IP-16A node rather than the console itself, keeping cabling at the desk simple and the studio layout clean. DARC Virtual 16 Software and What It Controls The included DARC Virtual 16 license is what actually runs the mix behind the S8 surface, handling routing, levels, and channel assignment for every source connected to your Dante network. It can be operated as a standalone console or as part of a larger AoIP network spanning multiple studios, giving you room to grow without swapping out the software down the line. Each input channel can be labeled, color-coded, and saved into a user profile, which becomes genuinely useful once you're running more than one show out of the same studio, since switching between programs becomes a single click rather than a manual re-patch. The software supports single-channel, post-fader recording, a detail that podcasters in particular ask for when they want to capture and later edit individual mic tracks separately from the finished mix. Because this is a Dante-based system, DARC Virtual can also control any other Dante device on the same network, not just the hardware included in this specific bundle, so bringing in outside equipment later doesn't require a new license or a different piece of software. User profiles retain more than channel names too, they also store volume levels and on\/off states, meaning a full studio reset between programs takes just a few seconds. For any operation running multiple hosts or formats through one physical room, this is the feature most likely to save real time day to day. What the Simple-IP-16A Node Adds to the System The single included Simple-IP-16A node is your bridge between physical studio gear and the Dante network, handling 16 mono inputs and 16 mono outputs, or 8 stereo in and out if that better matches your setup. It's AES67 and Dante compatible, supports both balanced and unbalanced analog connections, and connects using standard RJ45 cabling rather than punch blocks or long analog snake runs. The node runs on its own external power supply, so a power issue there doesn't take down your entire console, which matters even in a smaller single-studio setup where uptime is still a priority. If you decide to expand later, adding a second Simple-IP-16A is as easy as connecting it to your network switch, since Dante Controller detects new nodes automatically within seconds. This is also the piece that would let you eventually link a second studio into the same console setup over standard network infrastructure instead of running new point-to-point cable between rooms. For anyone who's dealt with the tangle of analog patch cables in a small studio before, this single node alone removes most of that mess. Why the PC Isn't Included and What You'll Need This bundle is priced and packaged for buyers who either already own a suitable computer or prefer to source their own rather than pay for hardware bundled in at a markup. Since DARC Virtual is a Windows-based software console, you'll want a machine with enough processing power and RAM to run it reliably, particularly if you plan to run any other broadcast software alongside it. This setup is common in stations that have an existing IT department or established hardware standards, where matching a new console to current infrastructure matters more than convenience out of the box. It does mean a little more setup work on your end compared to a bundle that ships fully configured, but it also keeps costs down for anyone who doesn't need a new PC as part of the deal. Once your computer is ready, installation mainly comes down to connecting the S8 surface via USB and connecting the Simple-IP-16A node to your existing network. Who This Console Bundle Is Best Suited For This is a strong option for smaller radio stations, single-studio podcast operations, or campus and community stations that want real AoIP flexibility without paying for channel count or hardware they don't currently need. It works well for facilities that already have a computer they trust running their studio and simply need the console hardware and software to go with it. Because the system is Dante-native from the start, it's also a smart long-term choice for any station that expects to eventually link additional studios or expand channel count, since the groundwork is already networked rather than analog. Podcasters recording a small number of hosts or guests will get real value from the individual channel recording feature, cutting down on post-production syncing work. Overall, this bundle suits buyers who want the same underlying broadcast console technology as the larger Arrakis systems, just scaled down to a size and price that fits a smaller studio.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":49617203560695,"sku":"DARC-S8 Bundle","price":3899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Arrakis-DARC-S8-Bundle-2.jpg?v=1785794801"},{"product_id":"arrakis-darc-s15-bundle","title":"Arrakis DARC-S15 Bundle","description":"\u003ch1\u003e\u003cstrong\u003eArrakis DARC-S15 Bundle\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA Complete Digital Console System With Audio Networking Included The Arrakis DARC-S15 Bundle combines the DARC S15 physical control surface, a 16 channel DARC Virtual software license, and two Simple-IP-16A audio networking nodes into a single package, giving a station a complete Audio over IP mixing system rather than just the control surface on its own. This bundle handles up to 16 stereo or 32 mono audio inputs and outputs, giving a station substantial input capacity for a multi-source studio without needing to piece together the audio hardware separately from the control surface and software. The DARC S15 itself is a digital surface with no audio running through it directly, meaning it's a pure control signal path free of RF interference, while the two included Simple-IP-16A nodes handle the actual audio connections coming in and out of the system. A PC is required to run the DARC Virtual software but is not included in this bundle, so a station will need to supply a compatible Windows machine to complete the setup. For a station building out a networked studio from the ground up, this bundle removes much of the guesswork around matching a control surface, software, and audio networking hardware that actually work together. The DARC S15 Control Surface For Tactile Digital Mixing The DARC S15 is a 15 fader digital control surface, giving an operator the tactile, hands-on feel of a traditional analog board while controlling audio that's actually running through the connected Dante or AES67 network. Because the surface carries no audio signal directly, it avoids the RF interference issues that can affect traditional analog wiring, making it a clean, reliable control point regardless of what electrical noise might be present in a studio environment. Momentary switches on the surface are rated for five million operations with LED illumination, giving the same long service life found across other Arrakis console lines. The surface is designed to work in conjunction with a Windows PC running DARC Virtual, meaning the fader surface acts as the physical interface while the actual mixing and routing logic runs in software. DARC Virtual Software Managing 16 Channels Of Audio Control The included 16 channel DARC Virtual license gives the system dynamic source switching across up to 64 mono input sources, letting a station assign and reassign audio sources to console channels as programming needs change. Each source channel can be labeled programmatically, so operators always know exactly what they're controlling rather than working from generic channel numbers. Eight phone mix minus buses are included, allowing a station to connect up to eight separate phone hybrids and manage multiple caller lines simultaneously through the same system. Single channel playback, post fader, gives podcast producers the ability to stream or record each channel individually for cleaner post-production editing, while 10 point multi-touch support on compatible touchscreens lets an operator control multiple faders at once for crossfades and complex transitions. Two Simple-IP-16A Nodes For Sixteen Channels Of Analog Connectivity Each Simple-IP-16A node included in this bundle functions as an AoIP node with sixteen mono inputs and sixteen mono outputs, fully compatible with both AES67 and Dante networking standards. With two nodes included, this bundle delivers up to sixteen stereo pairs, or as many as thirty-two mono channels, of analog input and output connectivity feeding into the DARC Virtual software and controlled through the DARC S15 surface. This is where physical studio equipment, such as microphones, CD players, phone hybrids, and other analog sources, actually connects into the networked system, with the Simple-IP nodes converting that analog audio into a Dante-compatible signal on the network. Because these nodes use standard RJ45 connections and work over a normal network switch, a station can connect physical gear without complicated wiring, punch blocks, or long analog cable runs between studios. Scalable Architecture Built To Grow With A Station Because this system is built on Dante networking and AES67 compatibility, it can expand well beyond the two included Simple-IP-16A nodes as a station's needs grow, with additional Dante-enabled hardware, Dante AVIO adapters, or further Simple-IP units all able to join the same network. The DARC Virtual software itself supports configurations from 4 up to 16 channels, meaning a station starting with this bundle has room to grow the channel count in software without needing to replace the physical control surface. Advanced user presets let a station save and quickly recall entire show configurations, useful for shared studios running multiple programs or hosts throughout the day, while soft keys give quick access to closures and other custom triggered actions directly from the surface. What A Station Needs To Complete The Setup Because this bundle does not include a PC, a station will need to supply a Windows machine capable of running the DARC Virtual software to operate the system, along with a standard network switch to connect the Simple-IP-16A nodes and the control surface together. Gigabit switches with Quality of Service support are recommended for the best performance on the Dante network, though the system is designed to work with standard off-the-shelf networking equipment rather than requiring specialized or proprietary hardware. This approach keeps the bundle's cost focused on the console, software, and audio networking nodes themselves, letting a station supply computing hardware that may already be on hand or sourced independently based on its own preferences and budget.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":49626730823927,"sku":"DARC S15 Bundle","price":5799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Arrakis-DARC-S15_e56622bb-e496-4803-ad54-e14b36869c02.jpg?v=1785794763"},{"product_id":"arrakis-1030-388-power-supply-for-marc-series-console","title":"Arrakis 1030-388 Power Supply for MARC Series Console","description":"\u003ch1\u003e\u003cstrong\u003eArrakis 1030-388 Power Supply for MARC Series Console\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eWhat The Arrakis 1030-388 Power Supply Does For Your MARC Console The Arrakis 1030-388 is the official external power supply built specifically for Arrakis MARC series broadcast consoles, providing the auto-sensing 110-220VAC power these boards need to operate reliably. Whether you're replacing a failed unit or picking up a spare for backup, this power supply is the exact factory matched part designed for MARC series consoles rather than a generic substitute. Broadcast consoles are the centerpiece of any studio's daily operation, and a properly functioning power supply is what keeps that console running smoothly through hours of continuous on-air use. Because this unit was engineered specifically for the MARC line, it takes the guesswork out of finding a compatible replacement, saving engineers the time and risk of testing whether a third party power supply will actually work correctly. If your MARC console's power supply has failed or you want a backup on hand, this is the correct replacement part for that console line. Stations running a MARC console as a primary or backup on-air board benefit from having this exact part readily available rather than discovering a compatibility issue during an actual equipment failure. For any facility that depends on its MARC console daily, ordering the correct power supply ahead of time is a simple way to avoid unnecessary downtime later. Why A Factory Matched Power Supply Matters For Broadcast Consoles Broadcast consoles run continuously during on-air hours, and the power supply feeding them needs to deliver clean, stable voltage to avoid audio artifacts, unexpected shutdowns, or damage to sensitive console electronics. Because a console handles the full audio chain for a station's programming, even brief power irregularities can introduce hums, pops, or other unwanted noise directly into the broadcast signal. Using a generic or mismatched power supply risks improper voltage delivery, which can lead to unreliable console performance or, in worse cases, damage to internal components that are far more expensive to repair than the power supply itself. Many broadcast engineers have encountered situations where a seemingly compatible aftermarket power supply caused subtle but persistent issues that took considerable time to trace back to the power source itself. Because this unit is built specifically for the MARC series by Arrakis, it removes any guesswork about voltage compatibility or connector fit that could come with sourcing a generic replacement. This kind of factory matched reliability is particularly valuable for consoles that serve as a station's primary on-air board, where equipment failures carry a much higher operational cost than in a secondary production room. Choosing the correct, purpose built power supply from the outset is a straightforward way to avoid these kinds of preventable technical headaches. Auto-Sensing 110-220VAC For Worldwide Compatibility This power supply automatically senses and adapts to input voltage between 110 and 220VAC, making it usable in facilities running either standard North American or international electrical infrastructure without needing a separate voltage selector or step down transformer. This auto-sensing capability is particularly useful for stations operating internationally or for engineers supporting consoles across multiple facilities with different regional power standards. Rather than needing to stock different power supply variants for different countries or regions, a facility or equipment integrator can standardize on this single auto-sensing unit regardless of where the console will ultimately be installed. Because the unit handles this voltage range automatically, there's no manual switch to set incorrectly, which removes one more potential point of installation error during setup. This is especially helpful for engineers installing equipment remotely or shipping consoles to sites they won't personally visit, since there's no risk of a voltage selector being left in the wrong position. For broadcast groups managing multiple stations across different countries, this auto-sensing design simplifies both procurement and technical support considerably. It's a small design detail, but one that removes real friction from international equipment deployment. Certified For Safety And Reliability This power supply carries UL, CE, CS, and CB certifications, meaning it's been tested and approved against recognized safety and performance standards across multiple regulatory bodies. These certifications matter for broadcast facilities that need to meet safety compliance requirements for electrical equipment installed in a studio or control room environment. Each of these certification marks represents independent testing against established safety criteria, covering areas like electrical insulation, fire risk, and general product safety under normal and fault conditions. For engineers responsible for facility safety and equipment reliability, having a properly certified power supply is one less item to worry about when passing an inspection or audit. Facilities operating under insurance requirements or local building codes may also specifically require certified equipment for anything connected to building electrical systems, making this certification more than just a nice to have feature. Choosing equipment with recognized safety certifications also reflects well on a station's overall commitment to proper equipment standards. This attention to certification is consistent with Arrakis's broader approach to building broadcast equipment that meets professional facility requirements. Built Specifically For MARC Series Consoles Arrakis manufactures different power supplies matched to each of their console lines, and this 1030-388 unit is the one specifically designed for the MARC series. Other Arrakis console lines, such as the H15, H10, ARC-15, and ARC-10, use a different power supply model, meaning it's important to order the correct part number for the specific console in use rather than assuming compatibility across product lines. This model specific approach reflects the fact that different console lines have different internal power requirements, even though they may look similar from the outside or share some design philosophy across the Arrakis product family. Ordering this exact part ensures the power supply connects and functions correctly with a MARC series console without any adapter or modification needed. Engineers managing a facility with multiple different Arrakis console models should take care to keep the correct power supply variant on hand for each specific board, rather than assuming a single spare will work across the entire equipment lineup. This kind of careful part matching avoids the frustration of ordering a power supply only to discover it doesn't fit the intended console. For any facility standardizing on MARC series consoles specifically, stocking this exact power supply as a spare is the correct approach. A Practical Spare For Any MARC Console Owner Power supplies are one of the more common points of failure in any piece of broadcast equipment that runs continuously, and a failed power supply can take an entire console offline at an inconvenient moment. Because a console typically serves as the central audio hub for a studio, a power supply failure doesn't just affect one function, it can bring an entire on-air chain to a halt until the issue is resolved. Keeping a spare 1030-388 on hand means a station doesn't face unplanned dead air or a scramble to source a replacement part during a critical on-air moment. This is especially important for smaller stations or standalone facilities that may not have quick access to overnight shipping or a local supplier carrying this specific part. For any station or facility running a MARC series console as part of their daily broadcast chain, having this power supply available as a backup is a simple, low cost way to protect against unexpected downtime. Given how inexpensive a spare power supply is relative to the cost of dead air or an emergency equipment order, stocking one proactively is a sensible investment for any facility relying on this console line. It's the kind of preparation that pays for itself the first time it's actually needed.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995697844471,"sku":"1030-388","price":219.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Power-Supply.jpg?v=1785794451"},{"product_id":"arrakis-1030-389-power-supply-for-arc-10-series","title":"Arrakis 1030-389 Power Supply for ARC-10 Series","description":"\u003ch1\u003e\u003cstrong\u003eArrakis 1030-389 Power Supply for ARC-10 Series\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eWhat The Arrakis 1030-389 Power Supply Does For Your ARC-10 Or ARC-15 Console The Arrakis 1030-389 is the official external power supply built specifically for Arrakis ARC-10 series and ARC-15 series broadcast consoles, along with the H10 and H15 console lines that share this same power requirement. Whether you're replacing a failed unit or picking up a spare for backup, this power supply is the exact factory matched part designed for these console models rather than a generic substitute. Broadcast consoles serve as the central hub of a studio's audio chain, and keeping that hub properly powered is essential to consistent, reliable on-air operation. Because this power supply was engineered specifically for these Arrakis console lines, it removes the uncertainty that comes with trying to match a generic replacement to a specific model's voltage and connector requirements. If your ARC-10, ARC-15, H10, or H15 console's power supply has failed or you want a backup on hand, this is the correct replacement part for that equipment. Stations relying on any of these console models for daily programming benefit from having this exact part on hand rather than discovering a compatibility gap in the middle of an actual failure. For any facility running one of these consoles as a primary or backup board, ordering the correct power supply proactively is a straightforward way to avoid unnecessary downtime down the road. Why A Factory Matched Power Supply Matters For Broadcast Consoles Broadcast consoles run continuously during on-air hours, and the power supply feeding them needs to deliver clean, stable voltage to avoid audio artifacts, unexpected shutdowns, or damage to sensitive console electronics. Because a console handles a station's entire audio signal path, even minor power irregularities have the potential to introduce unwanted noise, hum, or other artifacts directly into what listeners hear. Using a generic or mismatched power supply risks improper voltage delivery, which can lead to unreliable console performance or, in worse cases, damage to internal components that are far more expensive to repair than the power supply itself. Engineers who've chased down a mysterious audio issue only to trace it back to an incompatible power source understand why matching the correct power supply matters more than it might initially seem. Because this unit is built specifically for these Arrakis console lines, it removes any guesswork about voltage compatibility or connector fit that could come with sourcing a generic replacement. This kind of factory matched reliability becomes especially important for consoles serving as a station's primary on-air board, where a power related failure carries real operational consequences. Choosing the purpose built power supply from the start is a simple way to avoid these entirely preventable technical headaches. Compatible Across Multiple Arrakis Console Lines This power supply is designed to work with both the ARC-10 and ARC-15 series consoles, as well as the H10 and H15 console lines, since these models share the same power supply requirements despite being marketed under slightly different product names. This shared compatibility reflects the underlying hardware similarities between these console families, even though Arrakis markets them somewhat differently based on their feature sets and target studio applications. This means engineers managing a facility with a mix of these console models can standardize on a single power supply part number rather than tracking separate spares for each individual console line. For stations or broadcast groups running multiple studios with different combinations of these consoles, this simplifies both spare parts inventory and future replacement ordering considerably. Rather than maintaining a complex chart of which spare goes with which console, facilities can simply keep a stock of this one part number covering four different models. This kind of cross compatibility is a genuinely useful detail for engineers managing equipment across several studios or even multiple station sites. It reduces both the complexity and the cost of maintaining an adequate spare parts inventory. Reliable Power Delivery For Continuous Broadcast Operation A console's power supply needs to maintain stable output not just under normal conditions but also through the kind of long, continuous operating hours typical of a working broadcast studio. This unit is engineered specifically to meet the power demands of the ARC-10, ARC-15, H10, and H15 consoles, ensuring the internal circuitry receives the voltage and current it needs without the risk of underpowering the board during peak operation. Peak operation for a console can mean multiple input modules active simultaneously, driving headphone amplifiers, meters, and other onboard electronics all at once, which places real demands on the power supply feeding the unit. Reliable power delivery like this directly supports consistent audio performance, since voltage irregularities at the power supply level can translate into audible issues in the console's output. A console that's properly powered performs predictably day after day, which matters enormously in a live broadcast environment where equipment reliability directly affects on-air quality. This is one of those components that, when working correctly, goes entirely unnoticed, which is exactly the outcome engineers want from their power infrastructure. Choosing the correctly rated, purpose built supply is what makes that invisible reliability possible. Built Specifically For These Console Models Arrakis manufactures different power supplies matched to each of their console lines, and this 1030-389 unit is the one specifically designed for the ARC-10, ARC-15, H10, and H15 series. Other Arrakis console lines, such as the MARC series or the ARC-8, ARC-Talk, ARC-5, and DARC Surface models, use different power supply parts, meaning it's important to order the correct part number for the specific console in use rather than assuming compatibility across the entire product family. This model specific approach exists because different console lines draw different amounts of power and use different internal voltage regulation schemes, even among consoles that might look similar on the surface. Ordering this exact part ensures the power supply connects and functions correctly with these specific console models without any adapter or modification needed. Engineers managing a facility with several different Arrakis console types should take care to confirm exactly which power supply variant matches each specific model before ordering a spare. This attention to detail avoids the frustration of receiving a power supply that doesn't actually fit the console it was intended for. For any facility standardizing on ARC-10, ARC-15, H10, or H15 consoles specifically, stocking this exact power supply as a spare is the correct approach. A Practical Spare For Any ARC-10 Or ARC-15 Console Owner Power supplies are one of the more common points of failure in any piece of broadcast equipment that runs continuously, and a failed power supply can take an entire console offline at an inconvenient moment. Because a console typically functions as the central audio hub for an entire studio, a power supply failure doesn't just disable one feature, it can bring the whole on-air signal chain to a halt until the problem is resolved. Keeping a spare 1030-389 on hand means a station doesn't face unplanned dead air or a scramble to source a replacement part during a critical on-air moment. This kind of preparation matters most for smaller stations or standalone facilities that may not have quick access to overnight shipping or a local supplier stocking this specific part. For any station or facility running an ARC-10, ARC-15, H10, or H15 console as part of their daily broadcast chain, having this power supply available as a backup is a simple, low cost way to protect against unexpected downtime. Given how modest the cost of a spare power supply is compared to the disruption of unplanned dead air, stocking one proactively is a sensible decision for any facility relying on these console lines. It's a small investment that pays for itself the moment it's actually needed.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995697877239,"sku":"1030-389","price":169.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Power-Supply_58e1a64e-530f-4a70-b859-60fc988e0d71.jpg?v=1785794456"},{"product_id":"arrakis-1030-401-power-supply-for-arc-8-console","title":"Arrakis 1030-401 Power Supply for ARC-8 Console","description":"\u003ch1\u003e\u003cstrong\u003eArrakis 1030-401 Power Supply for ARC-8 Console\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eWhat The Arrakis 1030-401 Power Supply Does For Your ARC-8 Console The Arrakis 1030-401 is the official external power supply built specifically for the Arrakis ARC-8 console, along with the ARC-Talk, ARC-5, and DARC Surface models that share this same power requirement. Whether you're replacing a failed unit or picking up a spare for backup, this power supply is the exact factory matched part designed for these console models rather than a generic substitute. Broadcast consoles function as the central hub of a studio's audio operation, and keeping that hub properly and reliably powered is essential to smooth, uninterrupted on-air performance. Because this power supply was engineered specifically for these Arrakis console lines, it eliminates the uncertainty that comes with trying to match a generic power adapter to a specific model's voltage and connector requirements. If your ARC-8, ARC-Talk, ARC-5, or DARC Surface console's power supply has failed or you want a backup on hand, this is the correct replacement part for that equipment. Stations relying on any of these consoles for daily programming benefit from keeping this exact part available rather than discovering a compatibility issue in the middle of an actual failure. For any facility running one of these consoles as a primary or backup board, ordering the correct power supply ahead of time is a straightforward way to avoid unnecessary downtime later. Why A Factory Matched Power Supply Matters For Broadcast Consoles Broadcast consoles run continuously during on-air hours, and the power supply feeding them needs to deliver clean, stable voltage to avoid audio artifacts, unexpected shutdowns, or damage to sensitive console electronics. Because a console carries a station's entire audio signal path, even small power irregularities have the potential to introduce unwanted hum, noise, or other artifacts directly into what's broadcast to listeners. Using a generic or mismatched power supply risks improper voltage delivery, which can lead to unreliable console performance or, in worse cases, damage to internal components that are far more expensive to repair than the power supply itself. Engineers who've spent hours tracking down a mysterious noise issue only to find an incompatible power adapter at the root of it understand exactly why this detail matters more than it might seem at first glance. Because this unit is built specifically for these Arrakis console lines, it removes any guesswork about voltage compatibility or connector fit that could come with sourcing a generic replacement. This kind of factory matched reliability becomes especially important for consoles serving as a station's primary on-air board, where a power related failure carries real, immediate operational consequences. Choosing the purpose built power supply from the outset is a simple way to avoid these entirely preventable technical headaches. Compatible Across Multiple Arrakis Console Lines This power supply is designed to work with the ARC-8, ARC-Talk, ARC-5, and DARC Surface consoles, since these models share the same power supply requirements despite serving somewhat different studio applications and use cases. This shared compatibility reflects underlying hardware similarities across these particular console models, even though Arrakis markets each one with slightly different features and target studio scenarios in mind. This means engineers managing a facility with a mix of these console models can standardize on a single power supply part number rather than tracking separate spares for each individual console line. For stations or broadcast groups running multiple studios with different combinations of these consoles, this simplifies both spare parts inventory and future replacement ordering considerably. Rather than maintaining a detailed reference chart of which power supply pairs with which console, facilities can simply keep a stock of this one part number to cover all four compatible models. This kind of cross compatibility is a genuinely practical detail for engineers responsible for equipment across several studios or station sites. It meaningfully reduces both the complexity and cost of maintaining an adequate spare parts inventory. Reliable Power Delivery For Continuous Broadcast Operation A console's power supply needs to maintain stable output not just under normal conditions but also through the kind of long, continuous operating hours typical of a working broadcast studio. This unit is engineered specifically to meet the power demands of the ARC-8, ARC-Talk, ARC-5, and DARC Surface consoles, ensuring the internal circuitry receives the voltage and current it needs without the risk of underpowering the board during peak operation. Peak operation on a console like this can involve multiple channels active simultaneously alongside headphone amplifiers, meters, and other onboard electronics all drawing power at once, placing genuine demand on the supply feeding the unit. Reliable power delivery like this directly supports consistent audio performance, since voltage irregularities at the power supply level can translate into audible issues in the console's output during a broadcast. A console that receives properly regulated power performs predictably session after session, which matters enormously in a live, on-air environment where equipment reliability directly affects program quality. This is exactly the kind of component that, when functioning correctly, goes completely unnoticed by everyone in the studio. Choosing the correctly rated, purpose built supply is what makes that invisible dependability possible in the first place. Built Specifically For These Console Models Arrakis manufactures different power supplies matched to each of their console lines, and this 1030-401 unit is the one specifically designed for the ARC-8, ARC-Talk, ARC-5, and DARC Surface series. Other Arrakis console lines, such as the MARC series or the ARC-10, ARC-15, H10, and H15 models, use different power supply parts, meaning it's important to order the correct part number for the specific console in use rather than assuming compatibility across the entire product family. This model specific approach exists because different console lines draw different amounts of current and use different internal voltage regulation designs, even among models that might appear outwardly similar. Ordering this exact part ensures the power supply connects and functions correctly with these specific console models without any adapter or modification needed. Engineers managing a facility with several different Arrakis console types should take care to confirm exactly which power supply variant matches each specific model before placing a spare parts order. This attention to detail avoids the frustration of receiving a power supply that ultimately doesn't fit the console it was meant for. For any facility standardizing on ARC-8, ARC-Talk, ARC-5, or DARC Surface consoles specifically, stocking this exact power supply as a spare is the correct approach. A Practical Spare For Any ARC-8 Console Owner Power supplies are one of the more common points of failure in any piece of broadcast equipment that runs continuously, and a failed power supply can take an entire console offline at an inconvenient moment. Because a console typically serves as the central audio hub for an entire studio, a power supply failure doesn't just disable one function, it can bring the whole on-air signal chain to a complete halt until the problem gets resolved. Keeping a spare 1030-401 on hand means a station doesn't face unplanned dead air or a scramble to source a replacement part during a critical on-air moment. This kind of preparation matters most for smaller stations or standalone facilities that may not have quick access to overnight shipping or a local supplier stocking this specific part on short notice. For any station or facility running an ARC-8, ARC-Talk, ARC-5, or DARC Surface console as part of their daily broadcast chain, having this power supply available as a backup is a simple, low cost way to protect against unexpected downtime. Given how modest the cost of a spare power supply is compared to the disruption of unexpected dead air, stocking one proactively is a sensible decision for any facility relying on these console lines. It's a small investment that more than pays for itself the moment it's actually needed.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995697910007,"sku":"1030-401","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Power-Supply_c5f9be22-da3d-4adb-8743-5afe2002e262.jpg?v=1785794462"},{"product_id":"arrakis-1090-751-short-12-vac-accessory-power-splitter","title":"Arrakis 1090-751 Short 12 VAC Accessory Power Splitter","description":"\u003ch1\u003e\u003cstrong\u003eArrakis 1090-751 Short 12 VAC Accessory Power Splitter\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eWhat The Arrakis 1090-751 Power Splitter Does For Your Accessory Setup The Arrakis 1090-751 is a short 12 VAC accessory power splitter designed to let two compatible Arrakis accessories, specifically the ARC-MIC-PRE and ARC-HP, share a single 12 VAC power source rather than each requiring its own separate power supply. This splitter simplifies wiring at the studio furniture level, reducing the number of individual power bricks and outlets needed when running multiple small accessory modules alongside an ARC or DARC console setup. Studios adding accessory capability to an existing console often run into a familiar problem, where every new module means another wall wart competing for limited outlet space near the console position. This splitter solves that problem directly by consolidating the power needs of two commonly paired accessories into a single supply connection. If you're adding both an ARC-MIC-PRE and an ARC-HP to your console setup and want to power them from a single source rather than juggling two separate supplies, this splitter is built specifically for that purpose. It's a small accessory, but one that meaningfully cleans up the wiring situation for anyone expanding their console's capabilities. For studios planning an accessory upgrade, this splitter is worth including from the start rather than dealing with cable clutter after the fact. Why A Shared Power Splitter Simplifies Studio Wiring Studio furniture and equipment racks often have limited outlet space, and every additional accessory that needs its own dedicated power supply adds another wall wart competing for that same limited space. This becomes a real practical constraint in studios where the console position is already tightly packed with monitors, microphones, headphone amplifiers, and other equipment all needing their own power connections. A power splitter like this one addresses that practical problem directly, letting two compatible 12 VAC accessories draw power from a single source rather than each requiring an individual outlet and power adapter. This reduces cable clutter around a console position and simplifies the overall power setup when adding accessory modules like a mic preamp or a headphone amplifier to an existing console. Fewer individual power supplies also means fewer points of connection that could work loose or fail over time, which is a modest but genuine reliability benefit. For engineers responsible for keeping a studio's wiring clean and organized, small solutions like this one add up to a noticeably tidier and more manageable equipment setup overall. It's the kind of practical accessory that solves a problem most studio engineers have encountered firsthand. Built Specifically For The ARC-MIC-PRE And ARC-HP This splitter is designed to work specifically with the ARC-MIC-PRE, a two channel microphone preamp module, and the ARC-HP, a headphone output accessory, both of which are common additions to an ARC or DARC console setup. Because both accessories share a compatible 12 VAC power requirement, this splitter allows them to run from the same power supply source without needing separate outlets or adapters for each unit. Both of these accessories are frequently added together when a studio wants to expand beyond its console's built in mic and headphone capacity, making this kind of shared power pairing a common real world scenario rather than an unusual edge case. This kind of accessory pairing is common in studios expanding their console's capabilities with additional mic inputs or extra headphone outputs, making a shared power solution a genuinely practical addition. Engineers installing both accessories together will find this splitter removes an unnecessary extra step from what would otherwise be a more complicated wiring job. Because it's purpose built for exactly this accessory combination, there's no need to improvise a workaround using generic splitter hardware not designed for the task. Short Length For Convenient Placement Near Your Console This splitter is built in a short length, making it well suited for installation close to the console or accessory modules it's powering rather than needing to route cable across a large studio furniture footprint. That shorter length keeps the wiring tidy and reduces excess cable that would otherwise need to be managed or tucked away behind console furniture. Excess cable length in a tight studio furniture layout often ends up bundled, coiled, or zip tied out of the way, which adds visual clutter and makes future troubleshooting more difficult if a connection ever needs to be checked. For studios installing these accessories directly at or near the console position, this compact length fits naturally into that kind of tight, functional workspace layout. A properly sized cable length for the job, rather than an overly long generic cable, is a small detail that contributes to a cleaner, more professional looking studio installation overall. This attention to practical sizing reflects the kind of thoughtful accessory design that makes day to day studio maintenance easier. A Practical Accessory For Expanding Your Console Setup As stations add capability to their existing consoles, such as additional microphone inputs through the ARC-MIC-PRE or extra headphone outputs through the ARC-HP, managing the power requirements for each new accessory becomes part of that expansion project. Without a shared power solution, each new accessory added to a console setup means one more power supply, one more outlet, and one more cable to manage within an already crowded studio furniture footprint. This splitter offers a straightforward way to keep that expansion clean and manageable, avoiding an ever growing collection of individual power supplies cluttering a studio's furniture or equipment rack. It's a small, inexpensive accessory, but one that directly addresses a real practical challenge that comes with adding modular accessories to a broadcast console. For studios planning to grow their console's capabilities over time, thinking through power management upfront with accessories like this splitter pays off as more modules get added. This kind of forward thinking approach to studio wiring keeps a growing setup organized rather than letting it become an unmanageable tangle of cables and adapters. Who Should Consider This Power Splitter Broadcast engineers and studio technicians adding an ARC-MIC-PRE, an ARC-HP, or both to an existing Arrakis console setup are the primary audience for this splitter. It's a practical, purpose built solution for anyone looking to power both accessories from a single source rather than managing separate power supplies for each individual module. Studios in the process of upgrading their console's mic input or headphone output capacity will find this splitter a natural addition to that project. For any engineer who values a clean, well organized studio wiring setup, this small accessory is worth including alongside the ARC-MIC-PRE and ARC-HP modules themselves.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995697975543,"sku":"1090-751","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/arrakis-systems-logo_412d62d4-f740-4a87-8a6a-f3ecd2d3e77e.jpg?v=1785794468"},{"product_id":"arrakis-1090-752-short-48-vdc-phantom-power-splitter","title":"Arrakis 1090-752 Short 48 VDC Phantom Power Splitter","description":"\u003ch1\u003e\u003cstrong\u003eArrakis 1090-752 Short 48 VDC Phantom Power Splitter\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eWhat The Arrakis 1090-752 Phantom Power Splitter Does For Your ARC-MIC-PRE The Arrakis 1090-752 is a short 48 VDC phantom power splitter designed specifically for use with the ARC-MIC-PRE, Arrakis's two channel microphone preamp module. Because the ARC-MIC-PRE requires its own separate ARC-48V phantom power supply to operate condenser microphones, this splitter helps distribute that 48 VDC phantom power correctly to the module, simplifying the wiring setup for engineers adding condenser mic capability to their console. Studios adding condenser microphones to their setup often discover that phantom power requires its own dedicated wiring path separate from the standard audio signal chain, and getting that wiring right matters for reliable mic performance. This splitter takes the guesswork out of that process by providing the correctly designed connection point specifically for the ARC-MIC-PRE's phantom power needs. If you're installing an ARC-MIC-PRE with condenser microphones and need the correct phantom power splitter to complete that setup, this is the exact accessory built for that purpose. It's a small part of a larger installation, but one that's essential to getting condenser mics working properly through this preamp module. For engineers planning this kind of mic upgrade, including this splitter in the initial parts order avoids a frustrating discovery partway through installation that a critical piece is missing. Why Phantom Power Splitting Matters For Condenser Microphones Condenser microphones require 48 volts of phantom power to operate, which is a different power requirement entirely from the standard audio signal path running through a console or preamp. Unlike dynamic microphones, which generate their own signal without external power, condenser mics rely on this phantom power to charge their internal capacitor element and power their built in preamp circuitry. The ARC-MIC-PRE is specifically designed to accept this 48 VDC phantom power from a dedicated ARC-48V supply rather than drawing it from the console itself, keeping the phantom power circuit properly isolated and correctly regulated for condenser mic use. This design choice keeps the console's own power system separate from the phantom power circuit, which is a sound engineering practice that avoids potential interference or loading issues between the two systems. This splitter plays a role in that setup by properly distributing the 48 VDC supply to where it's needed on the ARC-MIC-PRE module, ensuring the phantom power reaches the mic preamp circuitry correctly. Getting this distribution right is what allows condenser microphones connected through the ARC-MIC-PRE to function exactly as intended, with clean, properly regulated phantom power reaching the mic capsule. Without this correctly configured splitter, phantom power delivery to the module simply won't work as designed. Built Specifically For The ARC-MIC-PRE Module This splitter is purpose built to work with the ARC-MIC-PRE specifically, rather than being a generic phantom power accessory intended for broader use. Because the ARC-MIC-PRE's phantom power requirements are tied directly to its two channel preamp design, using a properly matched splitter avoids any wiring guesswork when setting up condenser microphone capability on this module. Attempting to substitute a generic phantom power splitter not designed for this specific module risks introducing wiring mismatches that could prevent proper phantom power delivery or, in a worst case, cause damage to the preamp circuitry. Engineers installing an ARC-MIC-PRE for the first time, or expanding an existing installation with additional condenser mic channels, will find this splitter is the correct accessory to include alongside the required ARC-48V phantom power supply. Because it's purpose built for this exact application, there's no need to consult wiring diagrams or improvise a workaround using generic splitter hardware. This kind of factory matched compatibility removes an entire category of potential installation headaches for engineers unfamiliar with the specific phantom power requirements of this module. Short Length For Practical Installation This splitter is built in a short length, making it well suited for installation close to the ARC-MIC-PRE module itself rather than requiring a long cable run across studio furniture. That shorter length keeps the wiring tidy at the point of installation, reducing excess cable that would otherwise need to be managed or tucked away behind console furniture or equipment racks. Excess cable length in a compact studio installation often ends up bundled or zip tied out of sight, which adds unnecessary clutter and makes future troubleshooting more difficult if a connection ever needs to be checked. For studios installing the ARC-MIC-PRE directly at or near the console position, this compact length fits naturally into that kind of tight, functional workspace layout without adding unnecessary cable clutter. A properly sized cable for the specific job, rather than an overly long generic length, reflects the kind of thoughtful accessory design that makes studio installation and ongoing maintenance easier. This attention to practical sizing is a small but meaningful detail in an otherwise straightforward accessory. Where This Splitter Fits Into A Condenser Mic Setup Setting up condenser microphones with the ARC-MIC-PRE requires both the separate ARC-48V phantom power supply and the proper distribution of that power to the preamp module itself, which is exactly the role this splitter plays. Without correctly distributed phantom power, a condenser microphone connected through the ARC-MIC-PRE simply won't function, since it depends entirely on that 48 volt supply to operate its internal electronics. This makes the splitter a genuinely required component of the overall setup rather than an optional add-on, since skipping it leaves the phantom power path incomplete regardless of how correctly everything else is wired. Engineers planning a full condenser mic installation with the ARC-MIC-PRE should think of the ARC-48V supply and this splitter as a matched pair, both necessary to get a functioning phantom power circuit. This splitter is a small but essential link in getting a condenser mic setup working correctly alongside the ARC-MIC-PRE module. Understanding exactly where this component fits into the larger phantom power chain helps engineers avoid overlooking it during the initial parts ordering process. A Necessary Accessory For Condenser Mic Installations For any studio adding condenser microphones through the ARC-MIC-PRE, this splitter is a required part of that installation rather than an optional convenience item. It's a small, inexpensive accessory, but one that's directly necessary for getting phantom power properly routed to the preamp module, meaning the installation simply won't function correctly without it. Engineers planning a condenser mic installation with the ARC-MIC-PRE should include this splitter alongside the ARC-48V phantom power supply when placing their order, rather than treating it as an afterthought to add later. Overlooking this splitter during initial procurement can lead to a frustrating delay once installation begins and the missing piece becomes apparent. Because it's such a low cost item relative to the rest of a condenser mic setup, there's little reason not to include it from the start of any project involving the ARC-MIC-PRE. For any engineer specifying parts for this kind of upgrade, treating this splitter as a standard, non-negotiable line item is the correct approach. Who Should Order This Phantom Power Splitter Broadcast engineers and studio technicians installing condenser microphones through the ARC-MIC-PRE module are the primary audience for this splitter. It's a necessary, purpose built accessory for that specific installation, and it should be ordered alongside the ARC-48V phantom power supply whenever a studio is setting up condenser mic capability through this preamp module. Studios in the process of adding mic channels or upgrading existing mic capability to support condenser microphones specifically should treat this splitter as a standard part of that parts list. For any engineer unfamiliar with the ARC-MIC-PRE's specific phantom power requirements, ordering this splitter alongside the module and its required power supply is the simplest way to ensure a fully functioning condenser mic setup from day one.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698041079,"sku":"1090-752","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/arrakis-systems-logo_6f63984d-e7e7-4027-bc84-c101d1f6fbfb.jpg?v=1785794474"},{"product_id":"arrakis-apex-cloud-cloud","title":"Arrakis APEX-CLOUD Cloud","description":"\u003ch1\u003e\u003cstrong\u003eArrakis APEX-CLOUD Cloud\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eWhat The Arrakis APEX Cloud Package Does For Your Radio Station The Arrakis APEX Cloud is a bundled service package built around connectivity, redundancy, and data protection for stations running APEX automation software. This package combines remote access setup, failsafe backup broadcasting software, local and cloud based file backup using a Synology network attached storage device, and automated file downloading software into one comprehensive offering. If you're looking to protect your station against studio outages, equip a backup transmitter site with failsafe programming, and keep your automation library securely backed up, this package brings all of those pieces together in a single solution. Remote Access Setup And Support Included This package includes setup and support for remote access to your APEX automation system, using industry standard VPN and remote access software installed and configured with help from Arrakis. With this remote access in place, station staff gain the ability to control an on-air computer, voice track programming, modify schedules, manage audio libraries, and generate reports from anywhere with an internet connection. Because Arrakis handles the setup and support directly, stations don't need to configure this remote access infrastructure on their own, reducing the technical burden on station staff who may not have deep networking experience. APEX Failsafe Software For Studio Outage Protection Included in this package is APEX Failsafe software, designed to run at a transmitter site or other remote location as a backup in case the main studio experiences an outage. This software uses silence sense technology to detect problems with the main studio feed, such as a storm cutting the connection to the transmitter site, and automatically switches to a scheduled backup program to keep the station on air. This same protective function extends to internet streaming as well, giving stations a backup option for their online broadcast in addition to their over-the-air signal. This failsafe protection covers a range of potential studio failures, including cyberattacks like viruses or ransomware, hardware failures such as a crashed hard drive or motherboard, theft or vandalism, employee sabotage, and natural disasters like floods, tornadoes, hurricanes, or lightning strikes. If a station has a VPN connecting its locations, the Failsafe software can mirror the main studio's regular schedule, playing the intended backup programming as long as the same audio files are stored at both locations. Local And Cloud Backup For Your Automation Library This package provides both local and cloud based backup for your APEX automation system, including your audio library, schedules, and other important components of the automation software. Local backup is handled through a Synology network attached storage device paired with a 1TB hard drive, which Arrakis helps set up as part of the package. For cloud backup, stations need their own membership with a service such as Google Drive or Dropbox, since that ongoing subscription isn't included in the Arrakis package itself. Having both a local and cloud backup layer in place means a station has multiple paths to recovery if something goes wrong with their main studio computer, rather than relying on a single point of failure for their critical automation data. APEX Connect For Automated File Downloads The package also includes APEX Connect, a Windows program that automatically downloads audio files from radio program providers for use directly in on-air automation. This tool is well suited for pulling in news, weather, traffic, sports, and other syndicated program segments, saving station staff the time of manually downloading and importing these files each day. While it's optimized for Arrakis automation systems, APEX Connect also works with other on-air automation systems that ingest audio files into a library directory, and it supports standard download protocols for flexible compatibility with various content providers. Why This Bundled Approach Makes Sense For Stations Rather than piecing together remote access tools, failsafe software, backup infrastructure, and file automation separately, this package consolidates all of these pieces into one coordinated offering with Arrakis handling much of the setup directly. This is particularly valuable for smaller stations or those without a large in-house IT staff, since Arrakis's involvement in setup and support reduces the technical burden of configuring each piece correctly on their own. The overall goal of this kind of cloud based approach is to give stations remote access, failsafe protection, and backup of critical files, along with the ability to share audio between locations, all built on current security practices. Who Should Consider The APEX Cloud Package Broadcast station owners, engineers, and operations staff running APEX automation software who want protection against studio outages, secure backup of their automation library, and remote access to their on-air system are the primary audience for this package. It's designed to scale from small individual station operations up to larger station groups, making it a flexible fit for stations of varying sizes looking to add connectivity, redundancy, and peace of mind to their automation setup.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698139383,"sku":"APEX-CLOUD","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Arrakis-APEX-CLOUD-2.jpg?v=1785794480"},{"product_id":"arrakis-apex-connect-automated-radio-program-download-software","title":"Arrakis APEX-CONNECT Automated Radio Program Download Software","description":"\u003ch1\u003e\u003cstrong\u003eArrakis APEX-CONNECT Automated Radio Program Download Software\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eWhat APEX Connect Does For Your Radio Station's Content Workflow The Arrakis APEX-CONNECT is automated radio program download software licensed for a single installation, built to automatically pull audio files from radio program providers directly into your on-air automation library. Rather than having staff manually download news, weather, traffic, sports, or other syndicated content each day, this software handles that process automatically on a set schedule, saving time and reducing the chance of a missed or late program segment. Radio stations of all sizes rely on this kind of syndicated content to fill out their programming, but the manual work of downloading and organizing these files can quietly consume a meaningful chunk of staff time every single day. Automating this process frees up staff to focus on other station priorities rather than repeatedly checking whether a file has posted yet. If you're looking to automate the ingestion of syndicated audio content into your station's automation system, this software is built specifically for that job. It's a practical tool that addresses a genuinely common pain point across small and large stations alike. For stations juggling multiple content providers with different release schedules, this kind of automation quickly becomes indispensable rather than merely convenient. Why Automated Program Downloading Matters For Daily Operations Radio stations regularly rely on syndicated content like national news updates, weather reports, traffic segments, sports coverage, and other program feeds that need to be downloaded and available in the automation library before they air. Manually managing these downloads takes staff time every single day and introduces the risk of human error, whether that's a missed download, a late file, or content accidentally placed in the wrong library folder. These kinds of mistakes can lead directly to dead air or an awkward on-air gap if a scheduled segment simply isn't there when it's supposed to play. Automating this process removes that daily manual task entirely, ensuring content is downloaded and ready on schedule without requiring someone to actively manage the process each time. This reliability matters most during hours when staffing is lighter, such as overnight or early morning shifts, when there may not be anyone actively watching to catch a missed download before it becomes a problem. By handling this process automatically, stations reduce their exposure to exactly the kind of preventable on-air mistake that erodes listener trust over time. For any station juggling several syndicated feeds on different schedules, this kind of automated reliability is a meaningful operational improvement. Flexible Scheduling With Wildcard Support This software runs on a one week schedule that can download content as frequently as needed, whether that's daily, hourly, or on specific days and times matching a program provider's release schedule. This flexibility allows stations to match their download schedule precisely to when new content actually becomes available, rather than checking manually throughout the day to see if a file is ready. Different content providers often release their material on completely different schedules, some hourly, some daily, some only on specific days of the week, and a rigid one-size-fits-all download schedule simply wouldn't work across such varied release patterns. The wildcard scheduling capability lets engineers configure a download rule that fits each individual content source's actual release pattern rather than forcing every feed into an identical checking interval. For stations juggling multiple syndicated feeds with different release times, this kind of granular scheduling keeps every piece of content downloading on its own appropriate timetable without requiring separate manual oversight for each one. This level of scheduling flexibility is part of what makes the software genuinely useful across a wide range of station content strategies rather than fitting only a narrow use case. Broad Compatibility With Download Protocols And Automation Systems This software supports all commonly used download protocols, including http, https, ftp, ftp\/s, and sftp, giving it the flexibility to pull content from a wide range of program provider delivery methods. Different content providers often use different protocols for distributing their audio files, and having broad protocol support built in means engineers don't need to worry about compatibility issues when adding a new content source to their download schedule. While it's optimized for use with Arrakis automation systems, it's built to work with essentially any on-air automation system that ingests audio files into a library directory, making it a practical addition even for stations not running Arrakis automation software elsewhere. This broad compatibility means stations don't need to switch their existing automation platform just to take advantage of automated program downloading. For a station already invested in a different automation system, this kind of standalone compatibility removes what would otherwise be a significant barrier to adopting this tool. Being able to layer this software on top of an existing automation setup, rather than requiring a full platform switch, makes it an accessible option for a much wider range of stations. Built In Notifications And Manual Upload Options This software can send email notifications if a scheduled download fails or if the station's internet connection drops and then reconnects, giving station staff visibility into any issues without needing to actively monitor the download schedule themselves. This kind of proactive notification means a failed download gets flagged immediately rather than being discovered only when a scheduled segment fails to play on air. It also includes upload managers built directly into the software for situations where a station needs to manually upload files to the web rather than relying solely on the automated download schedule. Having this manual upload capability built in gives engineers flexibility for one-off situations that don't fit neatly into the regular automated schedule, such as a special program segment that needs to go up on short notice. These additional tools give engineers and operations staff a more complete toolkit for managing content flow beyond just the core automated downloading function. Together, the notification system and manual upload tools round out the software into a more complete solution for day to day content management rather than just a basic scheduled downloader. Try Before You Commit This software runs fully unlocked for up to 14 days before requiring factory authorization, giving stations the opportunity to test it against their actual workflow and program provider feeds before committing to a purchase. This trial period allows engineers to confirm the software integrates properly with their specific automation system and program provider setup before finalizing the license. Testing software against real world conditions, rather than relying solely on a product description, is often the only way to know for certain whether it will fit a station's particular combination of content providers and existing automation platform. Because the trial runs fully unlocked rather than a limited demo version, stations get a genuine sense of how the software performs under actual daily use before making a financial commitment. This kind of no-risk evaluation period reflects confidence in the product and gives stations a low pressure way to validate the software fits their needs. For engineers evaluating whether to add this tool to their workflow, this trial period removes much of the uncertainty that typically comes with adopting new software. Who Should Use APEX Connect Broadcast engineers, operations managers, and program directors responsible for managing syndicated content ingestion at a radio station are the primary audience for this software. It's a practical, time saving tool for any station running regular syndicated news, weather, traffic, sports, or other program feeds that currently require manual downloading, regardless of whether the station is running Arrakis automation or another on-air automation platform. Stations of any size, from small single station operations to larger groups managing several signals, can benefit from removing this manual task from their daily workflow. For any engineer currently spending time each day manually managing content downloads, this software offers a straightforward way to reclaim that time for other station priorities.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698172151,"sku":"APEX-CONNECT","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Arrakis-APEX-CONNECT.jpg?v=1785794487"},{"product_id":"arrakis-apex-creator-recorder-editor","title":"Arrakis APEX-CREATOR Recorder-Editor","description":"\u003ch1\u003e\u003cstrong\u003eArrakis APEX-CREATOR Recorder-Editor\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eWhat APEX Creator Does For Your Radio Or Podcast Production The Arrakis APEX-CREATOR is a recorder-editor software license built specifically for audio production in radio and podcasting applications. It works standalone on a Windows PC, connects with a third party sound mixer, or integrates directly with an Arrakis USB equipped audio console, giving you flexibility in how you set up your production workflow. Producers working in radio and podcasting have very specific needs that differ from music production or film editing, and general purpose audio software often includes far more complexity than the job actually requires. APEX Creator was built with this specific use case in mind, offering exactly the tools needed for spoken word program production without unnecessary bloat. If you're looking for straightforward, easy to use software to record and edit a program for air or for podcast release, this is the tool built specifically for that job. It's designed to get a producer from raw recording to finished, air ready program as efficiently as possible. For stations and independent podcasters alike, this kind of purpose built simplicity often translates directly into faster turnaround times on finished content. Simple, Purpose Built Recording And Editing This software is designed to quickly record a program and edit it into a finished piece ready for air, without the complexity of a full multitrack production suite that most radio and podcast producers simply don't need. Rather than overwhelming users with features built for music production or film scoring, APEX Creator focuses specifically on the cut and splice workflow that radio and podcast production actually requires. A full digital audio workstation with dozens of tracks, elaborate automation, and complex routing options can be genuinely counterproductive for someone who just needs to record an interview, trim it down, and add an intro and outro. This simplicity makes it approachable for staff who need to get a program produced quickly without a steep learning curve, while still giving them the tools needed for professional sounding results. New staff or volunteers at smaller stations can typically learn this software far faster than they could a general purpose multitrack editor. That accessibility matters enormously for stations that rely on part time or volunteer staff who don't have time to master a complex production tool. Cut And Splice Editing With Built In Production Features As an editor, this software offers an easy to use cut and splice tool for assembling audio programs, along with specialized production features for adding entry and exit audio blocks to a piece. The editor can automatically level a program's audio and insert silence where needed, along with the ability to mix a music bed underneath an edited piece for a more polished final product. These automatic leveling and silence insertion features save producers from manually adjusting levels throughout a piece by hand, a task that can be tedious and time consuming when done manually in a more generic audio editor. The music bed mixing capability is particularly useful for podcast production specifically, where background music under narration or interview segments has become something of a genre standard. Once a recording is completed, it automatically loads into the editor, streamlining the transition from recording to editing without requiring a separate import step. This kind of seamless workflow, moving directly from capture to editing without extra manual steps, keeps producers focused on content rather than file management. Recorder With A Pause Feature For Real World Flexibility The recorder includes a pause feature, letting producers pause a program mid-recording for a few minutes of offline work before resuming exactly where they left off. This kind of practical flexibility matters in real production environments, where interruptions happen and a rigid recording process that can't accommodate a quick pause would only slow things down. A guest needing a break, a technical issue needing quick attention, or simply a producer needing a moment to check notes are all common realities of live recording sessions that a pause feature accommodates gracefully. When connected to an Arrakis console, the recorder captures the console's Program output directly, or it captures the mic-line input on the PC when running as a standalone setup without a connected console. This flexibility in signal source means the software adapts to whatever hardware setup a producer already has, rather than requiring a specific console or interface to function. Whether working in a fully equipped studio or a simple standalone PC setup, the recording function adjusts to the available equipment automatically. Ten Page Hotkey Player For Fast Playback Control The player included in this software features a ten page, 18 hotkey system capable of playing up to three keys simultaneously, each with its own individual level control. When connected to an Arrakis console, these hotkeys play out through the console's USB channel for mixing directly to the Program output, or through the default Windows playback codec when running standalone. This hotkey system gives producers fast, organized access to frequently used audio elements like sound effects, drops, or bumpers during the editing and assembly process. Having ten separate pages of hotkeys means producers can organize their sound elements into logical categories, such as one page for music beds, another for sound effects, and another for recurring show elements, rather than hunting through a single cluttered list. The ability to play up to three keys simultaneously with individual level control also allows for more nuanced audio layering directly from the hotkey interface, without needing to jump into a more complex mixing environment. This kind of fast, organized access speeds up the production process considerably compared to manually locating and dragging in individual audio files for every element of a piece. Seamless Integration With Arrakis Consoles And Broader Compatibility This software is designed to work optimally with the ARC family of consoles, automatically recognizing the USB channel and configuring itself for quick setup without manual configuration steps. This kind of plug and play integration removes a common source of setup frustration, where getting new software talking correctly to existing studio hardware can otherwise eat up significant installation time. For stations or producers using a different brand of audio console, or working entirely standalone on a PC, the software still functions fully, giving flexibility across different studio setups rather than locking users into a single hardware ecosystem. This broad compatibility means the software fits naturally into an existing production environment rather than requiring a hardware overhaul just to use it. For independent podcasters working from a home studio setup without any dedicated broadcast console at all, this standalone functionality means the software remains just as useful as it is in a fully equipped radio station. This kind of flexibility across such different use cases is part of what makes the software broadly applicable rather than a niche tool tied to one specific hardware ecosystem. Who Should Use APEX Creator Radio producers, podcast creators, news departments, and production staff looking for a straightforward, purpose built recorder-editor are the primary audience for this software. It's well suited for anyone who wants professional production capability without the complexity of a full multitrack editing suite, whether working in a traditional radio studio or building out a podcast production setup. Smaller stations and independent producers in particular benefit from software that gets them to a finished product quickly without a steep technical learning curve standing in the way. For any producer whose primary need is efficient, professional sounding spoken word content rather than complex multitrack music production, this software offers exactly the right level of capability without unnecessary complexity.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698204919,"sku":"APEX-CREATOR","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/APEX-Creator.jpg?v=1785794494"},{"product_id":"arrakis-apex-hard-disk-hard-disk-package","title":"Arrakis APEX-HARD DISK Hard Disk Package","description":"\u003ch1\u003e\u003cstrong\u003eArrakis APEX-HARD DISK Hard Disk Package\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eWhat The APEX Hard Disk Package Does For Your Radio Station The Arrakis APEX-HARD DISK package bundles the APEX on-air automation software, the Harmony Quad Sound Card, DHD-Tools networking software, and a full year of support and updates into one complete automation solution. This package is built for stations whose programming is primarily recorded and stored directly on a PC, without a need for satellite feeds, ball games, or URL stream playback. If your station handles all of its content through hard disk based automation and you want a complete, ready to run package with professional audio hardware included, this is the solution built specifically for that setup. Complete Hard Disk Automation Built In This package comes standard with complete hard disk automation, giving your station music scheduling, live assist capability, voice tracking, and fully automated schedules that run unattended around the clock. The software supports MP3, MP2, and WAV file playback, automatically pulling tag data like title and artist information directly from the audio files themselves. Built in autofill protection recognizes when a file is missing or past its kill date and automatically plays a designated backup file instead, helping ensure your station never experiences unexpected dead air due to a scheduling gap. The Harmony Quad Sound Card Included At No Extra Cost This package includes the Harmony Quad Sound Card standard, giving your station professional grade audio hardware instead of relying on a low quality onboard PC sound card or an expensive proprietary third party card. The Harmony card provides four outputs that connect to your console, with three assignable to different faders so a DJ can fade an outgoing song, bring up a music bed on a second fader, and bring in the next song on a third, all independently controlled. The fourth output is dedicated as a cue channel, letting operators audition audio files before they go live, giving DJs the flexibility that professional on-air work demands. DHD-Tools For Networked Studio Management DHD-Tools is included as part of this package, giving your station the ability to connect one or as many networked studios as needed from a single management point. Through this software, staff can record voice tracks, change schedules, or manage entire audio libraries remotely, and content can be routed selectively, whether that means sending files to only one station or distributing a handful of files across several stations in a larger group. This networking capability is particularly valuable for broadcast groups managing multiple signals, since it consolidates control of distributed automation systems into a single, centralized workflow. Voice Tracking And Scheduling Flexibility This package includes both simple and full featured voice tracking tools, letting your team voice track an entire week's worth of programming in a matter of hours while still sounding live and natural on air. The full featured voice tracker allows custom overlap timing, audio ducking, and music beds mixed underneath a voice track for a more polished, professional sound. Additional scheduling tools include instant schedule updates that automatically refresh the on-air playlist, custom music clocks for merging traffic and music, saved schedule templates for recurring events like holiday programming, and the ability to schedule hard breaks at specific times rather than only at the top of each hour. One Year Of Support And Updates Included This package includes a full year of support and software updates at no additional charge, giving your station direct access to phone support for setup, training, and troubleshooting as you get the system running. After the first year, support and updates remain available as an optional purchase, giving stations flexibility in how they manage ongoing service costs once the initial setup period has passed. This included first year support is particularly valuable during the initial installation and staff training period, when questions and adjustments are most likely to come up. Who Should Choose The APEX Hard Disk Package Stations whose content is primarily recorded and stored on a PC, without a need for satellite automation, ball games, or URL stream playback, are the ideal fit for this package. It's well suited for small to mid-sized stations, single signal operations, or broadcast groups looking for a straightforward, complete automation solution with professional audio hardware included, all backed by a full year of manufacturer support from the start.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698270455,"sku":"APEX-HARD DISK","price":2699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Arrakis-APEX-HARD-DISK.jpg?v=1785794501"},{"product_id":"arrakis-apex-plus-on-air-automation-software","title":"Arrakis APEX-PLUS On-Air Automation Software","description":"\u003ch1\u003e\u003cstrong\u003eArrakis APEX-PLUS On-Air Automation Software\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eComplete Radio Automation That Handles Live Shows Satellite and Streaming The Arrakis APEX-PLUS is a full radio automation platform designed for stations that need more than basic hard disk playback. It combines live assist, satellite programming, ball game automation, and URL stream scheduling into one piece of software, so a single system runs your entire broadcast day instead of stitching together separate tools. This matters whether you're operating a small internet station, a commercial outlet, or a group with multiple studios spread across a network. Programmers get a scheduling engine that handles music, traffic, and voice tracking automatically, while your on-air staff still gets hands-on control when they need it. The software is built to scale, meaning a station can start with core hard disk automation and add satellite or sports capability as programming needs grow. Because everything lives inside one platform, staff aren't forced to learn multiple interfaces or manage handoffs between separate systems for playback, scheduling, and remote control. The result is a broadcast operation where music, satellite feeds, ball games, and streaming content all run from a single, coordinated schedule. For stations weighing automation options, this all-in-one approach is often the deciding factor over piecing together several standalone products. Built For Live Assist And Real Time On Air Control The live on-air screen in APEX-PLUS is fully customizable, letting DJs resize and rearrange every module until the layout matches how they actually work through a shift. Staff can build and save their own user profiles, so each person pulls up their preferred screen arrangement the moment they log in rather than resetting the interface every time. Multi-monitor support means a station can spread hot keys, playlists, and library tools across two or more screens for more working room during a live break. Touchscreen compatibility extends that flexibility further, giving jocks a tactile way to trigger carts and manage a show without relying only on a mouse and keyboard. The multi-sort library search speeds up on-air decision making, letting a DJ pull up every Beatles track from 1968 in seconds rather than scrolling through a full catalog by hand. F-key hot keys give quick physical shortcuts for frequently used functions, which keeps a live show moving smoothly during fast paced segments. Unlimited hot key pages can be created and named however a station wants, so specialty shows or seasonal content have dedicated, easy to find triggers. Altogether, these tools are meant to make a live shift feel more like operating a professional board and less like fighting with software. Satellite Automation Ball Games And URL Stream Scheduling This is where APEX-PLUS separates itself from the base hard disk package. It includes a Bridge Switcher with sixteen audio channel inputs that connects directly to a satellite receiver or relay hardware, allowing satellite feeds to play live on air or get recorded for playback at a later time. Satellite liners and station IDs can be triggered automatically from receiver closures, so network programming blends into local branding without manual intervention. Stations that carry professional, college, or local sports get dedicated ball game tools built into the same software, with support for automated breaks, liners, and station identification during game coverage. A rain delay feature can pause a game automatically on a closure signal, switch over to an alternate schedule, and then resume the game exactly where it left off once play restarts. URL stream playback is scheduled using the same logic as a satellite hour, so an internet stream slots directly into a station's programming clock without extra manual setup. An autofill feature also tightens satellite liners that run close to 30 or 60 seconds, automatically shrinking or expanding audio within a small tolerance so timing lands correctly. For any station juggling network programming, live sports, and streaming content, this combination removes a significant amount of manual scheduling work. Remote Access And Multi Studio Network Management APEX-PLUS is built to operate across a standard Windows network, so managing two studios or a dozen connected stations doesn't require specialized infrastructure. Through a standard VPN connection, staff can voice track shows, adjust schedules, manage audio libraries, and pull reports from anywhere they have internet access. This is especially useful for programmers or management who need to make changes outside of normal studio hours or while traveling between locations. Ball game control extends to remote access as well, letting authorized staff start and stop breaks, trigger liners, and manage rain delays without being physically at the console. Audio files can be routed to specific stations across the network using the built-in distribution tools, so content only reaches the stations that are supposed to carry it. User privileges can be locked down by both station and feature, which protects sensitive schedules and libraries from unintended access by staff who don't need it. Reports and schedule changes can be generated or made from any connected computer on the network, not just the main on-air machine. For station groups managing several signals, this networked structure turns what could be a logistical headache into a straightforward, centralized process. Hard Disk Scheduling Voice Tracking And Music Rotation Underneath the satellite and sports tools sits a complete hard disk automation engine that handles the day to day music and traffic logistics of running a station. Weekly schedules can be built once and run unattended, using music categories and cart rotations to keep programming consistent without constant manual adjustment. Kill dates and start dates let a station schedule seasonal or promotional content to play only during the correct window, then automatically stop without staff needing to remember to pull it. The refined music shuffle logic prevents the same artist or title from repeating back to back, which keeps rotations sounding natural rather than mechanical. Voice tracking ranges from a quick, simple pass that can cover an entire week's programming in a few hours, to a full featured tracker with custom overlap timing and music bed ducking for a more produced, professional sound. Instant schedule updates mean any last minute change automatically reflects in the live on-air playlist, so staff aren't stuck manually rebuilding a log after an edit. Autofill protection keeps dead air off the air entirely by recognizing missing or outdated files and automatically substituting a backup based on station settings. Templates can also be saved and reloaded for recurring situations like holiday schedules, cutting down on repetitive setup work each year. Compatible With Your Existing Traffic Music And Streaming Setup APEX-PLUS is designed to slot into a station's existing workflow rather than force a complete technology overhaul. It works with major third party traffic and music scheduling programs, so stations that already have relationships with those vendors can keep using them without disruption. The software also integrates with outside audio production tools, meaning production staff aren't limited to a single proprietary editor. For stations coming from an older or discontinued automation system, Arrakis can convert most existing audio libraries so historical content and production work isn't lost during a transition. On the streaming side, APEX-PLUS pairs with popular encoders to send audio along with title and artist metadata to a station's streaming service of choice. That same metadata pipeline supports RDS compatible hardware and software, pushing current song information out to compatible receivers. The platform also supports podcast production, letting a station repurpose recorded segments for on demand listening without needing a separate production pipeline. This level of compatibility is meant to protect the investment a station has already made in its existing tools while still delivering modern automation features. One Year Of Support And Software Updates Included Every APEX-PLUS purchase includes a full year of phone and email support along with software updates, keeping the system current with the latest Windows releases as they roll out. Setup includes phone training sessions where Arrakis staff connects directly to a station's PC to walk through configuration and get new users comfortable with the software. Factory training is also available at the Arrakis facility for stations that want more hands-on instruction, with the customer covering their own travel arrangements. Email support typically responds within one business day, giving stations a reliable channel for non-urgent questions or troubleshooting. Online tutorials and walkthrough material are available around the clock, so staff can learn the system at their own pace outside of scheduled training sessions. Phone support is available during normal business hours for more time sensitive issues that need a real-time conversation. This included first year of support is meant to give new stations a real safety net while staff gets fully comfortable running the software day to day. After the included period, ongoing support and update options are available to keep the system running smoothly long term.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698303223,"sku":"APEX-PLUS","price":4999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Arrakis-APEX-PLUS.jpg?v=1785794507"},{"product_id":"arrakis-apex-upg-upgrade-from-dhd-or-xtreme-to-apex","title":"Arrakis APEX-UPG Upgrade from DHD or Xtreme to APEX","description":"\u003ch1\u003e\u003cstrong\u003eArrakis APEX-UPG Upgrade from DHD or Xtreme to APEX\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eUpgrade Your Existing Digilink HD or Xtreme System to APEX Automation The Arrakis APEX-UPG is a software upgrade path built specifically for stations already running Digilink-HD or Digilink-Xtreme automation. Instead of replacing your studio hardware, this upgrade moves your station's software over to APEX, the current flagship automation platform from Arrakis. Your existing Bridge Switcher hardware stays in place, so there's no need to rewire a studio or reconfigure satellite and relay connections that are already working. This makes the upgrade a practical option for stations that want modern automation features without the cost or downtime of a full hardware replacement. It's aimed at current Arrakis customers specifically, giving them a defined route forward as the company continues to develop APEX as its primary automation software. For stations that have relied on Digilink for years, this is the way to move into the newer platform on a manageable timetable rather than an all at once system swap. Keep Your Current Hardware While Moving To Newer Software Because the upgrade is software focused, your Bridge Switcher and any other existing Digilink hardware continues to function exactly as it did before, just now running under APEX. This matters for stations with satellite feeds, ball game relay closures, or network record setups already wired into their Bridge hardware, since none of that physical infrastructure needs to change. Staff won't need to relearn new wiring diagrams or reconfigure satellite receiver connections, which keeps the transition focused purely on the software side. The upgrade path is designed to work on your own schedule, meaning a station isn't forced into a hard cutover date and can plan the switch around programming needs. Stations currently on a monthly plan can move to APEX at the corresponding new monthly rate, keeping the transition financially predictable. This approach lets a station modernize its software layer while protecting the hardware investment it already made in the Digilink system. Gain APEX Features Not Available In Digilink HD Or Xtreme Moving to APEX gives a station access to features that go beyond what Digilink-HD and Digilink-Xtreme currently offer, since APEX is built as the newer, more actively developed platform. That includes expanded live assist tools, more flexible user profile options, and scheduling logic that has continued to evolve since the Digilink product line was last significantly updated. Stations gain access to the same satellite automation, ball game control, and URL stream scheduling tools available in the full APEX package, running through their existing Bridge hardware. Multi-monitor and touchscreen support, along with the multi-sort audio library search, come along with the upgrade as standard APEX functionality. Because APEX is the platform Arrakis is actively building for, moving over also means staying aligned with where future feature development and long-term software support are headed. Stations that upgrade get the benefit of newer functionality without needing to learn an entirely unfamiliar system, since the core workflow concepts carry over from Digilink. One APEX Tools License Included With Additional Licenses Available The upgrade includes one APEX-Tools license, which is the software component that allows a station to manage schedules, voice tracks, and audio libraries across a network of connected studios. Stations running more than one on-air station under Digilink can add extra APEX-Tools licenses for a one-time fee per additional station, keeping multi-station groups on a consistent licensing structure. This licensing setup mirrors how Digilink customers were already managing multiple stations, so the transition doesn't require rethinking how a group's studios are organized. For a station or group that was already paying for multiple Digilink station licenses, the upgrade path is structured to scale in a similar, predictable way under APEX. This keeps budgeting straightforward for programmers and station managers who are used to per-station licensing costs. Larger groups with several studios can plan the upgrade in stages, adding stations to APEX over time rather than converting everything simultaneously. One Year Of Support And Software Updates Included The APEX-UPG upgrade includes a full year of phone and email support along with software updates, so a station moving over to APEX has direct access to Arrakis staff during the transition. This is particularly useful during the first few months after an upgrade, when staff are getting used to the APEX interface after years on Digilink. Phone support is available during normal business hours, while email support and extensive online tutorial material are accessible any time, letting staff learn the new system at their own pace. Software updates keep the newly upgraded system current with the latest Windows compatibility, so the station doesn't fall behind after making the switch. Factory training is also available at no additional charge for stations that want more hands-on instruction during the changeover. After the included year, ongoing support options are available to keep the system running smoothly for the long term. This support window is designed to make the upgrade feel like a guided transition rather than a system change a station has to figure out entirely on its own.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698335991,"sku":"APEX-UPG","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/arrakis-systems-logo_69f3cca3-b16d-4288-9704-6a0fe0694a02.jpg?v=1785794512"},{"product_id":"arrakis-arc-10u-10-ch-unbalanced-broadcast-console","title":"Arrakis ARC-10U 10 Ch. Unbalanced Broadcast Console","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-10U 10 Ch. Unbalanced Broadcast Console\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA 10 Channel Unbalanced Radio Console Built For Everyday On Air Use The Arrakis ARC-10U is a 10 channel, 10 input broadcast console designed for general purpose on-air and radio production work. It's built for stations that want a console handling most day to day studio needs without unnecessary complexity or a high price tag. Two channels are dedicated high performance mic inputs for a host and guest setup, seven channels handle stereo line level sources like CD players and network feeds, and the tenth channel is a dedicated telephone interface for taking calls live or off-line. This model uses unbalanced RCA connections throughout, which makes it a natural fit for studios running consumer-type source gear rather than professional balanced equipment. Setup is straightforward since sources plug in with standard off the shelf RCA cables, similar to connecting components in a home stereo system. For stations that don't need onboard USB computer audio, this base configuration keeps the console simple while still covering the core functions a working studio depends on. It's a practical choice for internet stations, Part 15 broadcasters, small commercial studios, or anyone building out a production room on a working budget. Reliable Construction Meant To Handle Daily Studio Wear This console is built around socketed ICs, which makes repairs and component swaps far simpler for a technician than consoles with soldered-in parts. The switches are LED illuminated and rated for roughly five million operations, so channels that get switched on and off constantly during a shift aren't going to wear out or fail prematurely. Faders use conductive plastic construction for smooth, accurate control that holds up over years of regular use, with dust covers included to help protect them from debris. All audio signal paths are electronically switched rather than relying on mechanical contacts, which improves long-term reliability in a console running many hours a day. The physical chassis is compact, measuring 15 inches deep, 6 inches high, and 24 inches wide, so it fits into most existing studio furniture without a major redesign. Combined with an auto-sensing 110 to 220 VAC power supply, the ARC-10U is built to be dropped into almost any studio environment, domestic or international, with minimal fuss. For stations that need a board that keeps working shift after shift with low maintenance overhead, this construction approach is a major selling point. Program Bus Monitoring Headphone And Cue Systems Built In The ARC-10U includes two separate stereo Program output buses, each with a mono mixdown option, giving a station flexibility for feeding a transmitter, a streaming encoder, or another destination simultaneously. Outputs are available in both balanced XLR and unbalanced RCA formats, so the console can connect to a range of downstream equipment without needing external converters. Real VU meters give staff visual monitoring of on air levels, and they're switch selectable between both Program outputs for quick reference during a shift. A built-in headphone system includes a stereo amplifier suitable for 8 ohm or high impedance headphones, so on-air talent gets a proper monitoring path without external gear. The cue and talkback system comes with its own built-in amplifier and speaker, letting staff preview audio off-line or talk back to a caller without going out over the air. Each channel also includes a trim pot, giving operators fine control over gain staging for whatever source is plugged into that input. Together, these systems mean the console can function as a complete on-air hub without requiring a rack full of supporting outboard gear. Telephone And Talkback Features For Live Call In Segments Channel ten on the ARC-10U is a dedicated telephone interface designed to connect to an external phone hybrid for handling live callers or off-line contest calls. This channel supports a mix-minus feed to the caller, so the person on the phone hears the program audio without hearing their own voice looped back, which is standard practice for clean call handling. A talkback button lets staff speak to the caller privately before putting them on air, and the cue button allows a caller to be previewed off-line first. Channel one also includes a talk button that connects to a studio monitor, useful for communicating with an announce booth or a separate talent area. For stations that want wireless connectivity on this channel, the optional ARC-Blue external Bluetooth accessory connects to the mix-minus bus, letting staff pair a phone or tablet directly to the console for calls or wireless playback. This gives a station a clear upgrade path if Bluetooth functionality becomes useful later without needing to replace the console itself. These call handling tools are aimed squarely at stations running talk formats, request shows, or any programming that regularly brings callers on air. Free Software Included For Live Assist And Basic Automation Every ARC-10U purchase comes with Digilink-Xtreme software running in ARC console mode at no additional cost, giving the board live on-air, basic automation, and production capability right out of the box. This means a station doesn't need to buy separate automation software just to get a functional on-air workflow running alongside the console. APEX-Live, the current live assist software from Arrakis, is also included free with the console purchase, giving staff a modern, customizable on-air interface with hot key pages, playlist tools, and multi-monitor support. Because both software packages are included, a station can choose whichever fits their workflow better, or use them together depending on how a shift is structured. This bundled software approach lowers the real cost of getting a studio fully operational, since the console and the software running it don't have to be purchased and licensed separately. It also gives newer stations an easier on-ramp into Arrakis automation, since staff can start on the included software and later expand into the fuller APEX platform if the station's needs grow.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698368759,"sku":"ARC-10U","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Arrakis-ARC-10-U.jpg?v=1785794518"},{"product_id":"arrakis-arc-10u-arc-blue-10-channel-broadcast-console","title":"Arrakis ARC-10U-ARC-Blue 10 Channel Broadcast Console","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-10U-ARC-Blue 10 Channel Broadcast Console\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA 10 Channel Broadcast Console With Bluetooth Calling Built In This bundle pairs the Arrakis ARC-10U broadcast console with the ARC-Blue external Bluetooth accessory, giving a station a complete on-air setup with wireless calling capability included from day one. The ARC-10U itself is a 10 channel, 10 input unbalanced console built for general on-air and production work, with two mic channels, seven stereo line inputs, and a dedicated telephone channel. The ARC-Blue adds Bluetooth connectivity on top of that base console by connecting to the mix-minus I\/O channel using simple XLR cabling, so no internal wiring changes or hardware swaps are required. Once connected, any Bluetooth enabled device such as a cell phone, tablet, or MP3 player can pair to the console and be used for calls or audio playback. This combination is aimed at stations that want to run request lines, call-in segments, or remote interviews without needing a separate phone hybrid. It's a straightforward way to add modern wireless functionality to a proven console design rather than buying an entirely new board with Bluetooth built in from the factory. Reliable Console Construction Built To Handle Daily Studio Use The ARC-10U at the core of this bundle is built around socketed ICs, which makes component level repairs faster and less disruptive for a technician than a board with everything soldered directly to the circuit boards. Switches are LED illuminated and rated for multi-million operation cycles, so channels that get toggled constantly during a live shift hold up over years of daily use. The faders are engineered the same way, built to endure heavy repeated use without the sloppiness or noise that cheaper components develop over time. Because all of the audio signal paths are electronically switched, the console avoids the wear and reliability issues that come with older mechanical switching designs. Accessible internal components mean a station's engineering staff can perform maintenance quickly instead of losing air time waiting on a specialized repair. This construction approach is what lets Arrakis build a console with a lower price point while still matching the performance expectations of boards that cost significantly more. How The ARC-Blue Bluetooth Accessory Actually Works The ARC-Blue functions as a phone hybrid over Bluetooth, meaning a paired cell phone effectively becomes your caller interface without needing a traditional hybrid unit connected to the board. Incoming calls are accepted using the green Call button and ended or rejected using the red Drop button, mirroring the workflow staff would already expect from a standard phone hybrid setup. The caller hears a mix-minus feed of the console, meaning they get the program mix without hearing their own voice echoed back, which keeps calls sounding clean on air. Calls can be taken on the audition bus first, letting staff screen or record a caller before deciding to send them to the program output and on the air. Depending on the cell carrier and phone model, up to four callers can potentially be connected at once for a conference call style segment. The accessory uses a BlueCore 5 Multimedia Bluetooth chip, which is built to handle full bandwidth, high quality A2DP stereo audio streaming rather than the lower quality audio typical of basic Bluetooth accessories. Operating in the 2.4GHz spectrum also gives the connection solid resistance to RF interference, which matters in a broadcast environment full of transmission equipment. Practical Studio Uses For Wireless Bluetooth Connectivity Beyond phone calls, the ARC-Blue lets staff stream audio wirelessly from any paired device straight into the console, which opens up a range of practical studio uses. A DJ can bring a personal phone or tablet loaded with a playlist and play it directly on air without plugging in a cable or converting file formats. A news reporter can record a phone interview through the Bluetooth connection and immediately play it back for editing or broadcast. Staff can also connect a tablet wirelessly to trigger playback during a live segment, giving more physical freedom in the studio during a show. Because the console only pairs with one device at a time, there's no risk of a second device accidentally connecting and putting unintended audio on the air, which keeps the system secure during live broadcasts. Pairing and unpairing devices is handled directly from the console using the Call button, so switching from one host's phone to another between shifts takes only a few seconds. This makes the ARC-Blue a practical, low-friction way to bring outside audio sources into a broadcast chain that would otherwise require extra cabling or adapters. A Complete On Air Package Without Extra Hardware Purchases Buying the ARC-10U and ARC-Blue together means a station gets a fully wireless-capable console setup in one purchase instead of adding Bluetooth as an afterthought down the line. The console still includes its standard telephone channel for a traditional hybrid connection, so stations aren't forced to choose between wired and wireless calling since both can be used side by side. The bundle keeps the well-known ARC-10U feature set intact, including its dual Program output buses, built-in headphone and cue-talkback systems, and per-channel trim controls, so nothing is sacrificed to add the Bluetooth functionality. For a new studio build, this pairing removes a step from the planning process by delivering a console that's ready for phone segments and wireless audio playback right out of the box. It also gives smaller stations or podcasters a cost effective route to call-in functionality without purchasing a dedicated phone hybrid unit separately. Overall, this bundle is built for stations that want modern connectivity paired with the dependable, low-maintenance console design the ARC-10 series is known for.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698434295,"sku":"ARC-10U-ARC-Blue","price":2299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Arrakis-ARC-10-U_12bb7951-8f7d-4959-bdf0-22d17e42449b.jpg?v=1785794523"},{"product_id":"arrakis-arc-10up-10-channel-broadcast-console","title":"Arrakis ARC-10UP 10 Channel Broadcast Console","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-10UP 10 Channel Broadcast Console\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA 10 Channel Unbalanced Console With Built In USB Computer Audio The Arrakis ARC-10UP is a 10 channel, 10 input broadcast console built for on-air and radio production studios that need a direct computer connection alongside standard analog inputs. It takes the same general purpose ARC-10 design used across the series and adds a USB sound card built directly into channel nine, letting a station play and record digital audio straight from a Windows PC or Mac without external interfaces. Two channels are dedicated high performance mic inputs for a host and guest configuration, six channels handle stereo line level sources like CD players and network feeds, and channel ten is a dedicated telephone interface for taking calls live or off-line. This model uses unbalanced RCA connections, making it well suited to studios running consumer-type source gear rather than professional balanced equipment. Because the USB channel is integrated directly into the console, a station gets computer playback and recording without needing to buy and configure a separate USB audio interface. This makes the ARC-10UP a strong fit for stations running automation software, digital voice tracking, or any workflow that depends on tight integration between the console and a studio PC. Reliable Construction Built For Long Term Studio Use The ARC-10UP is built around socketed ICs, which lets a technician swap or repair individual components quickly instead of dealing with parts soldered permanently to the board. Switches are LED illuminated and rated for roughly five million operations, so channels used constantly throughout a shift hold up over years without failing or needing replacement. Faders use conductive plastic construction for smooth, accurate control and are fitted with dust covers to help protect them from debris over time. All audio signal paths are electronically switched, which improves long-term reliability compared to older mechanical switching designs. An auto-sensing 110 to 220 VAC power supply means the console can be installed in virtually any studio, domestic or international, without needing a separate transformer. This combination of accessible components and durable parts is what allows the ARC-10UP to match the performance of consoles priced significantly higher. Digital Play And Record Through The Built In USB Channel Channel nine on the ARC-10UP functions as a dedicated USB sound card, giving the console a direct digital connection to a Windows PC or Mac using a standard USB cable. Audio can be played from the computer directly onto the board and sent over the air, while audio from the console can be recorded back onto the PC using any compatible third party software. This works with most automation, playout, and production software already in common use, so a station doesn't need to buy Arrakis-specific programs to take advantage of the USB connection. Setup is simple, since the channel is recognized as a standard USB audio device without complicated driver installation. For stations running voice tracking, automated playlists, or any workflow tied closely to a studio computer, this built-in channel removes a common point of failure that comes with external USB interfaces and extra cabling. It's a practical feature for any station that wants its console and its automation software working together as one system rather than two separately connected pieces of equipment. Program Bus Monitoring Headphone And Cue Systems Built In The ARC-10UP includes two separate stereo Program output buses, each with a mono mixdown option, so a station can feed a transmitter, a streaming encoder, or another destination at the same time. Outputs are available in both balanced XLR and unbalanced RCA formats, giving flexibility when connecting to downstream processing or transmission equipment. Real VU meters provide visual level monitoring and are switch selectable between both Program outputs for quick reference during a live shift. A built-in headphone system includes a stereo amplifier suitable for 8 ohm or high impedance headphones, giving on-air talent proper monitoring without external gear. The cue and talkback system comes with its own built-in amplifier and speaker, letting staff preview audio off-line or communicate with a caller without going out over the air. Each channel also includes a trim pot, giving operators precise control over gain for whatever source is connected to that input. Telephone Interface And Optional Bluetooth Upgrade Path Channel ten on the ARC-10UP is a dedicated telephone interface designed to connect to an external phone hybrid for handling live callers or off-line contest entries. This channel supports a mix-minus feed, so callers hear the program mix without hearing their own voice looped back, keeping calls sounding clean on air. A talkback button lets staff speak privately with a caller before putting them on air, and the cue button allows a caller to be screened off-line first. Channel one also includes a talk button connected to a studio monitor, useful for communicating with an announce booth or separate talent area. For stations that want wireless calling down the road, the optional ARC-Blue external Bluetooth accessory connects to the mix-minus bus using simple XLR cabling, adding Bluetooth calling and audio streaming without replacing the console. This gives a station a clear upgrade path if wireless functionality becomes useful later, without committing to it at the time of purchase. Free Software Included For Live Assist And Basic Automation Every ARC-10UP purchase includes Digilink-Xtreme software running in ARC console mode at no additional cost, giving the board functional live on-air, basic automation, and production capability immediately after setup. APEX-Live, the current live assist software from Arrakis, is also included free with the console, providing a customizable on-air interface with hot key pages, playlist tools, and multi-monitor support. Because the console already includes a USB connection for computer audio, pairing it with either included software package creates a complete digital on-air workflow without additional purchases. Stations can choose whichever software fits their needs better or run them alongside each other depending on how a shift or department is structured. This bundled approach lowers the real cost of getting a studio fully operational, since the console, the USB interface, and the software running it don't need to be purchased and configured as separate pieces. It also gives newer stations a straightforward path into Arrakis automation, with room to expand into the fuller APEX platform as the station's needs grow.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698467063,"sku":"ARC-10UP","price":2349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Arrakis-ARC-10-UP.jpg?v=1785794530"},{"product_id":"arrakis-arc-10up-arc-blue-10-channel-broadcast-radio-console","title":"Arrakis ARC-10UP-ARC-Blue 10-Channel Broadcast Radio Console","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-10UP-ARC-Blue 10-Channel Broadcast Radio Console\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eWhat Is The Arrakis ARC-10UP With ARC-Blue And What It Does The Arrakis ARC-10UP with ARC-Blue is a 10-channel broadcast radio console bundled with an external Bluetooth interface, built for stations that need a full-featured on-air and production board with wireless connectivity built in. If you're searching for a radio broadcast console with USB computer integration and Bluetooth capability, this pairing gives you a general-purpose console designed to handle live on-air shows, production work, and remote applications, along with the ability to connect any Bluetooth-enabled device directly to the board. With a single stereo mixing bus, it's built for fast-paced, live radio environments where speed and reliability matter as much as flexibility. A Console Built To Handle Full Studio Workflows The ARC-10UP is feature-packed to manage most on-air radio and production studio applications in one board. Channels one and two are high-performance mic channels designed for on-air talent working alongside a guest, giving hosts a reliable two-mic setup for interviews or co-hosted shows. Channel ten is an advanced telephone interface built to connect to an external hybrid, supporting live caller segments or off-line contest calls without requiring a separate patch setup. Seven stereo line input channels handle other studio audio sources like CD players, giving the console enough inputs to cover a typical studio's full source lineup. Windows PC Integration Through Channel Nine Channel nine on the ARC-10UP includes a Windows PC USB interface built specifically for use with live on-air automation and production software. Most Windows-compatible audio programs can play directly through this channel while simultaneously recording from the console's Audition bus, letting stations run automation software, voice tracking, or production tools without needing a separate audio interface. This integration is particularly useful for smaller stations or production studios that rely heavily on computer-based playout systems. Bluetooth Connectivity Through The ARC-Blue Interface The included ARC-Blue is an external Bluetooth device that connects to the console's mix-minus input and output channel, giving the ARC-10UP the ability to pair with any Bluetooth-enabled device such as a smartphone, tablet, or MP3 player. Once paired, hosts can take incoming calls directly through the board using dedicated call and drop controls, similar to a standard phone hybrid, with the caller receiving a mix-minus feed so there's no feedback loop. The ARC-Blue also supports full-bandwidth, high-quality stereo A2DP audio streaming, meaning staff can play music, interviews, or other recorded content wirelessly from a personal device without patching in a cable. Unbalanced RCA Inputs Built For Consumer-Type Sources This particular ARC-10UP model is designed for studios where CD players and other audio sources are typical unbalanced consumer-type equipment. It uses RCA phono connectors so these sources can be plugged directly into the console using standard, off-the-shelf cables rather than requiring balanced XLR wiring or adapters. For stations with a mix of consumer and semi-pro gear, this simplifies hookup considerably. Arrakis also offers a balanced-input ARC-10 model and a more economical version without the Windows USB interface for stations with different connectivity needs. Durable Construction With Long-Life Components Beyond its feature set, the ARC-10UP is built with long-life faders and electronic switching across all audio signal paths, reducing wear points that typically fail first on heavily used consoles. Its construction pairs an attractive front panel with a rugged build designed to hold up under the daily demands of a working studio, where switches and faders see near-constant use throughout a broadcast day. Who This Console Bundle Is Built For Radio stations, production studios, and broadcasters who need a compact but fully equipped console with both computer integration and wireless connectivity are the ideal audience for the ARC-10UP paired with ARC-Blue. Anyone researching broadcast consoles with Bluetooth phone hybrid functionality, USB automation integration, or unbalanced consumer-source compatibility will find this bundle built to cover live on-air work, call-in segments, and production tasks without needing separate add-on hardware for Bluetooth connectivity.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698499831,"sku":"ARC-10UP-ARC-Blue","price":2649.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Arrakis-ARC-10-UP-with-ARC-Blue.jpg?v=1785794536"},{"product_id":"arrakis-arc-15bp-15-channel-balanced-console-w-bluetooth-usb","title":"Arrakis ARC-15BP 15 Channel Balanced Console w\/ Bluetooth \u0026 USB","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-15BP 15 Channel Balanced Console w\/ Bluetooth \u0026amp; USB\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA 15 Channel Balanced Console With USB Sound And Bluetooth Built In The Arrakis ARC-15BP is a 15 channel analog broadcast console built for stations that need more inputs, more flexibility, and modern connectivity in one board. It uses balanced RJ45 connections throughout, which makes it well suited to studios pulling in sources from other rooms or locations, such as satellite feeds, where longer cable runs can otherwise introduce hum and noise. The console includes a built-in USB sound card for direct play and record with a Windows PC or Mac, along with an optional Bluetooth channel that lets staff pair a phone or tablet directly to the board for calls or wireless audio. With one to five configurable mic channels, eight to twelve line level inputs, and a dedicated telephone channel, the ARC-15BP can be set up to match anything from a single-host talk show to a multi-guest panel format. This is a board built for stations that have outgrown a smaller console but still want something straightforward to install, operate, and maintain. Between the input count, the balanced wiring, and the added digital and wireless connectivity, the ARC-15BP covers a lot of studio configurations without forcing a station into a rack of outboard gear. Fifteen Channels Built To Flex Between Mic And Line Inputs Channel one is a dedicated microphone channel for the board operator, while channels two through five can be configured internally as either additional mic channels or stereo line level inputs, giving a station room to add more hosts or guests as programming needs change. This flexibility means the same console can run as a lean two-mic setup or expand to support a five-mic panel discussion without needing different hardware. Channels six through thirteen are balanced stereo line level inputs suited for CD players, MP3 players, network feeds, and other studio sources, with the balanced wiring specifically helping when a source originates outside the immediate studio. Optional 48 volt phantom power is available for mic channels running condenser microphones, and remote logic control on the mic channels supports turret style announce booth setups. A trim pot on each channel gives operators individual gain control for whatever source is plugged in. This combination of configurable channels is what lets the ARC-15BP work as a true all-around board rather than a console locked into one specific studio layout. Built In USB Sound Card For Direct Computer Play And Record The ARC-15BP includes a USB sound card built directly into the console, giving a station a straightforward digital connection to a studio PC or Mac using a standard USB cable. Audio can be played directly from the connected computer onto the board and sent over the air, while audio running through the console can be recorded back to the computer using any compatible third party software. This works with most existing automation, playout, and production programs already in use at a station, so there's no need to adopt new software just to take advantage of the USB connection. Setup is simple since the channel functions as a standard USB audio device without complicated driver configuration. For stations running voice tracking, automated scheduling, or any workflow tied to a studio computer, having this connection built into the console itself removes a common failure point that comes with separate USB interfaces and extra cabling. It keeps the console and the studio computer working as a single, tightly integrated system. Optional Bluetooth Channel For Wireless Calls And Streaming As an optional feature, channel fifteen on the ARC-15BP can be configured as a Bluetooth channel, letting any Bluetooth enabled device pair directly to the console for calls or audio playback. Incoming calls are handled with the same Call and Drop button workflow used across Arrakis Bluetooth consoles, so staff already familiar with the system won't need retraining. The Bluetooth channel uses a BlueCore 5 Multimedia chip, built to handle full bandwidth, high quality A2DP stereo streaming rather than the lower fidelity audio typical of basic Bluetooth accessories. This lets staff bring a personal phone or tablet into the studio and stream a playlist, record an interview, or take calls wirelessly without needing a traditional phone hybrid connected at all. Because this functions as an on-console option rather than an external accessory, it keeps the wiring clean and avoids the need for extra hardware sitting near the board. Stations that don't need Bluetooth immediately can still use channel fifteen as a standard telephone channel with an external hybrid, keeping that flexibility built in either way. Balanced Wiring And Dual Program Buses For Clean Reliable Output The ARC-15BP features two stereo output buses, Program and Audition, each with mono mixdown capability, giving a station the flexibility to feed a transmitter and monitor a separate audition source simultaneously. All inputs and outputs are active balanced, and the balanced RJ45 wiring makes the console notably resistant to RF interference, which matters in a studio located near transmission equipment. Program output is available in both balanced XLR and unbalanced RCA formats, so it connects easily to whatever downstream processing or transmission gear a station already runs. Real VU meters give clear, low fatigue visual monitoring of both output buses during a live shift. A built-in headphone amplifier supports 8 ohm or high impedance headphones, and the cue and talkback system includes its own built-in amplifier and speaker for previewing audio or communicating with a caller off-line. Ten feet of balanced cabling is included standard for the inputs, which is normally an added expense on comparable consoles but comes included here. Durable Construction Meant For Long Term Broadcast Use The ARC-15BP is built with socketed ICs throughout, aside from a single surface mounted component, which makes servicing and component replacement far easier for a technician than a fully soldered board. Switches are LED illuminated and rated for roughly five million operations, standing up to the constant channel switching that happens during a normal broadcast day. Faders use conductive plastic construction for smooth, accurate control and long-term durability, with dust covers included to help protect them over time. All audio signal paths are electronically switched, avoiding the wear issues that come with older mechanical switching designs. An auto-sensing 110 to 220 VAC power supply allows the console to be installed in virtually any studio location, domestic or international, without needing separate power equipment. Taken together, these components are what allow the ARC-15BP to be marketed as a board built to last for the long haul in a working broadcast environment.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698532599,"sku":"ARC-15BP","price":4299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/ARC15-8g1ncuau.jpg?v=1785794542"},{"product_id":"arrakis-arc-15bp-blue-15-channel-broadcast-console","title":"Arrakis ARC-15BP-blue 15 Channel Broadcast Console","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-15BP-blue 15 Channel Broadcast Console\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eWhat Is The Arrakis ARC-15BP-Blue And What It Does The Arrakis ARC-15BP-Blue is a 15-channel broadcast radio console with built-in Bluetooth connectivity, designed to give stations both the full-featured mixing capability of Arrakis's ARC series and wireless device pairing in a single board. If you're searching for a broadcast console with Bluetooth phone hybrid functionality, this console lets you pair any Bluetooth-enabled device directly to channel 15, answering incoming calls with a built-in call button and ending them with a drop button, just like a standard phone hybrid, all without giving up the console's core mixing and production capabilities. A Flexible 15-Channel Layout Built For Any Studio This console is designed for all-around functionality, with up to five mic channels featuring optional 48V phantom power and eight to twelve line inputs for connecting CD players, MP3 players, and other analog sources. Channel fourteen can be configured with a Windows PC USB interface for use with live on-air, automation, and production software, with Arrakis's Digilink-Xtreme software included at no additional cost. Channel fifteen serves as a dedicated telephone interface to an external hybrid, supporting live callers or off-line contest calls. Two stereo output buses, Program and Audition, each include mono mixdowns, giving stations the routing flexibility needed for a range of on-air and production tasks. Bluetooth Connectivity Built Directly Into The Console Rather than requiring an external add-on box, the ARC-15BP-Blue has Bluetooth built into channel 15, letting staff pair a cell phone, MP3 player, or recorder-editor directly to the board. Once paired, incoming calls can be answered with the console's built-in call button and ended with the drop button, functioning exactly like a standard Bluetooth phone hybrid. The caller receives a mix-minus feed of the console bus, meaning they hear everything except their own audio, which eliminates feedback during live call segments. Calls can also be taken on the audition bus, allowing staff to record a call for later playback or send it straight to program output to air live, all with a single button press. This Bluetooth functionality works alongside an external phone hybrid connected to the same channel, so stations aren't forced to choose between the two. Full-Bandwidth Wireless Streaming From Any Device Because the built-in Bluetooth supports full-bandwidth, high-quality stereo A2DP audio streaming, staff can connect an Android phone, tablet, iPhone, or iPad and stream music, playlists, or recorded interviews wirelessly straight into the console. This gives on-air staff the freedom to bring in personal playlists from home, and gives news staff a simple way to record an interview on a mobile device and play it back over the air without patching in a cable. The ARC-Blue boards use the BlueCore 5 Multimedia chip by CSR, described as one of the most advanced Bluetooth audio chips available, with performance well beyond standard Bluetooth specifications. Operating in the 2.4GHz spectrum also makes the connection resistant to RF interference, an important consideration in busy broadcast environments. Built For Durability In Demanding Broadcast Environments The ARC-15BP-Blue is constructed with multi-million-operation, LED-illuminated switches, long-life faders, and electronic switching across all audio signal paths, giving it the reliability needed for daily broadcast use. Balanced inputs and outputs make the console highly RF resistant, an important feature for stations located near transmitter sites or other sources of interference. Real VU meters on both the Program and Audition buses give operators a familiar, easy-to-read reference for level monitoring, and socketed ICs throughout the board (aside from one surface-mounted IC) simplify service and repairs over the console's lifespan. Who This Console Is Built For Radio stations and production studios that need a full-size, feature-rich console with built-in wireless connectivity are the ideal audience for the ARC-15BP-Blue. Anyone researching broadcast consoles with Bluetooth call-in capability, multi-mic talk studio setups, or Windows automation integration will find this console built to handle live on-air shows, call-in segments, and studio production without needing separate hardware for wireless device pairing.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698565367,"sku":"ARC-15BP-blue","price":4599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/ARC-15front-60419-1641506219-1280-1280-92651.jpg?v=1785794548"},{"product_id":"arrakis-arc-48v-48vdc-phantom-power-supply-option","title":"Arrakis ARC-48V 48VDC Phantom Power Supply (Option)","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-48V 48VDC Phantom Power Supply (Option)\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA 48 Volt Phantom Power Option For Every ARC Console The Arrakis ARC-48V is an optional phantom power supply designed to work across the entire ARC console lineup, including the ARC-5, ARC-8, ARC-10, and ARC-15 series. It exists specifically to solve one problem, giving stations a way to run condenser microphones on consoles that don't include phantom power as a standard built-in feature. Rather than requiring a different console model or an external mixer just to accommodate a condenser mic, this accessory adds that capability directly to an existing ARC board. It's a small, purpose-built add-on rather than a general power supply, so it installs cleanly without altering how the rest of the console operates. For stations that already own an ARC console and later decide to add a condenser mic to their setup, this is the straightforward path to making that mic actually usable. It's also a common addition for stations setting up a new studio from scratch, since the choice of microphone type often gets decided after the console itself has already been selected. Why Condenser Microphones Need Phantom Power In The First Place Condenser microphones rely on an internal capacitor design that requires external power to operate, unlike dynamic microphones which generate their own signal without any power supply at all. The standard used across the broadcast and audio production industry for this is 48 volts DC, commonly written as 48V phantom power, which is exactly what this accessory supplies. Without that power reaching the microphone, a condenser mic simply won't function, no matter how well it's wired into the console. This matters for stations because condenser mics are often chosen specifically for their detailed, sensitive pickup and are common in voiceover work, podcasting, and studio narration where capturing subtle vocal detail matters. Dynamic microphones, by contrast, are more common on live on-air boards because they handle loud sound sources and don't need this extra power, which is part of why phantom power isn't built into every console by default. The ARC-48V exists to bridge that gap for stations that want the option to use either microphone type on the same board. Straightforward Compatibility Across The ARC Console Family Because the ARC-48V is designed to work with the ARC-5, ARC-8, ARC-10, and ARC-15 console families, a station doesn't need to track down a model-specific power accessory for whichever board they own. This shared compatibility also makes it a practical option for station groups running different ARC console sizes across multiple studios, since one type of phantom power supply covers the whole console lineup. It's built as a genuine option rather than a mandatory purchase, meaning stations running exclusively dynamic microphones can skip it entirely without missing out on any other console functionality. For stations that are unsure whether they'll need it, the safer approach is confirming microphone type first, since only condenser mics actually require this addition to function. Sales and support staff at Arrakis routinely flag this exact question during the console buying process, specifically asking whether a customer plans to use condenser mics before recommending the ARC-48V as an add-on. Simple Integration Without Disrupting Existing Console Setup The ARC-48V is designed as an add-on option rather than a component requiring a full console teardown or rewiring job to install. This keeps the process straightforward for stations adding it after the fact, rather than only being available as a factory-installed option at time of console purchase. Because it's built specifically for the ARC series, it integrates with the existing mic channel wiring rather than requiring a separate power injection point or external box sitting outside the console. This kind of targeted, single-purpose design is consistent with how Arrakis builds most of its console accessories, favoring simple add-ons over broad multi-function boxes that try to solve several problems at once. For a station technician, that translates into a quick installation process rather than a lengthy setup project. The result is a console that gains condenser mic support without any meaningful change to how staff interact with the board day to day. Practical Value For Studios Expanding Their Microphone Options Adding the ARC-48V effectively future-proofs an existing ARC console against changing microphone needs, since a station isn't locked into dynamic mics simply because of how the board was originally configured. This is useful for stations that record voiceover work, produce podcasts alongside live broadcast, or bring in guest talent who may prefer a specific condenser mic for recording sessions. It also gives a station flexibility to make microphone purchasing decisions independently from console purchasing decisions, since the phantom power requirement can be addressed separately whenever a condenser mic actually gets added to the studio. For stations budgeting a build-out, this keeps the base console cost lower for those who don't yet need phantom power, while still leaving the door open to add it later without replacing any existing equipment. It's a low-cost way to expand a studio's microphone capability without introducing new complexity into the signal chain.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698598135,"sku":"ARC-48V","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/arrakis-systems-logo_703d7bb5-1964-4467-8975-ef52a3578ec9.jpg?v=1785794554"},{"product_id":"arrakis-arc-5-broadcast-radio-console-5-x-2-with-usb","title":"Arrakis ARC-5 Broadcast Radio Console 5 x 2 with USB","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-5 Broadcast Radio Console 5 x 2 with USB\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA Compact 5 Channel Console Built For Podcasting And Small Studio Use The Arrakis ARC-5 is an ultracompact 5 by 2 audio mixing console built for podcasting, production studios, remote broadcasts, and small internet or broadcast radio setups. It packs two mic channels, a stereo line input, a phone mix channel, and a USB computer connection into a small footprint, giving smaller operations the essentials without paying for features they don't need. The console has 6 total inputs across its 5 channels, with channel four handling phone hybrid connections and channel five serving as the USB channel for computer playback and recording. Both balanced RJ45 and unbalanced RCA connections come standard, so it works whether a studio is running professional balanced gear or simpler consumer-type equipment. This makes the ARC-5 a practical fit for a home podcast setup, a small on-air studio, or a portable rig used for remotes and on the road broadcasts. It's built to deliver a genuine broadcast console workflow at a fraction of the size and cost of larger boards. Two Mic Channels Built For A Host And Guest Format Channels one and two are dedicated high-performance mic channels with XLR inputs, making the ARC-5 well suited to a standard host and guest podcast or talk show format. Both channels include high-performance mic preamps, and 48 VDC phantom power is available as a separate add-on for stations running condenser microphones. Channel one includes a talk button that lets the operator communicate with a studio monitor, useful for cueing a guest or talent in another room. Switches across the mic channels are LED illuminated, giving clear visual confirmation of channel status during a live session. This setup covers the most common recording configuration for two-person shows without requiring extra channels that would go unused in a smaller studio. Balanced And Unbalanced Line Inputs With Flexible Output Options The ARC-5 includes one stereo line input channel, plus an A\/B input option on channel five that effectively provides a second stereo line input when the USB channel isn't in use for computer audio. Every ARC-5 comes standard with active balanced RJ45 connections as well as unbalanced RCA, so it connects easily with both professional gear and consumer-type sources like CD players or portable media players. A single stereo output bus is available in both balanced and unbalanced formats, giving flexibility for whatever equipment sits downstream of the console. This dual balanced and unbalanced design also helps the ARC-5 resist RF interference, which keeps the broadcast signal clean even in electrically noisy environments. For a compact console, this input and output flexibility covers a wide range of studio setups without forcing a specific type of gear. Phone Hybrid Channel With Mix Minus For Clean Caller Audio Channel four on the ARC-5 is a dedicated phone mix channel that connects to an external phone hybrid, complete with audio and logic connections for a proper call handling setup. The cue button lets an operator listen to a caller off-line before putting them on air, while the talkback button allows private communication with the caller without going out over the broadcast. A mix-minus feed sends the caller a mix of the program output without their own audio looped back, which is standard practice for keeping calls sounding clean and free of echo. This channel gives the ARC-5 real call-in functionality despite its small size, making it a solid option for shows that take listener calls or conduct phone interviews regularly. Built In USB Sound Card For Direct Computer Play And Record Channel five functions as a built-in USB sound card, letting the ARC-5 connect directly to a Windows or Mac computer using a standard USB cable included with the console. Audio can be played from the computer straight onto the board and out over the air, while console audio can be recorded back onto the computer using any third-party software already in use. This works with most existing production, automation, or recording programs, so there's no need to adopt new software specifically for the console. Setup is simple since the connection functions as a standard USB audio device without complicated driver installation. For podcasters and small stations running their whole workflow through a laptop or desktop, this built-in USB connection keeps the computer and the console working as a single integrated system rather than two separately wired pieces of gear. Logic Control Buttons For Triggering Cameras And External Gear The ARC-5 includes four logic buttons that send a dry contact closure to third-party hardware, giving an operator a simple way to trigger external equipment with the press of a button. This can be used to switch between studio cameras, start an automation player, trigger jingles or sound effects, or fire off any other hardware built to accept a closure signal. Because these are physical buttons on the console itself, staff can trigger these actions in real time during a live show without needing to reach for a separate control panel or computer interface. This adds a layer of studio control that isn't common on consoles this size, giving the ARC-5 more functional range than its compact footprint might suggest. Durable Compact Construction Built To Handle Regular Use The ARC-5 is built with the same reliability standards found across the Arrakis console line, using high-quality switches and faders engineered to endure multi-million operations without failing. Conductive plastic faders provide smooth, accurate control and are protected with dust covers to extend their working life. Mechanical latching switches are LED illuminated and rated for extremely long service life, cutting down on the need for replacement bulbs or switch hardware over time. Headphone output includes both a balanced stereo line level output for an external amp and a dedicated headphone amp output for driving low impedance headphones directly. An auto-sensing 110 to 220 VAC power supply, certified UL, CE, CS, and CB, means the console can be used safely anywhere in the world. With accessible internal components, a technician can perform maintenance quickly, while the straightforward front panel layout keeps day to day operation simple for anyone running the board.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698630903,"sku":"ARC-5","price":749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/1774354094_1958550.jpg?v=1785794560"},{"product_id":"arrakis-arc-8-8-channel-analog-broadcast-console","title":"Arrakis ARC-8 8 Channel Analog Broadcast Console","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-8 8 Channel Analog Broadcast Console\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eAn 8 Channel Console Built For Broadcast Radio And Remote Applications The Arrakis ARC-8 is an 8 by 2 audio mixing console built for internet radio, broadcast radio, remote broadcasts, production work, and station backup situations. It's designed as a single stereo mixing bus board that handles fast paced live on-air work without unnecessary complexity, making it a practical middle ground between an ultracompact console and a larger multi-bus board. Two mic channels support a standard host and guest talk format, seven line level inputs cover everything else a studio typically needs, and a dedicated phone mix channel handles caller audio through an external hybrid. Both balanced RJ45 and unbalanced RCA connections come standard, so the ARC-8 fits into studios running professional gear as well as those using simpler consumer-type sources. This flexibility makes it a strong option for a station's main studio, a backup board kept ready in case the primary console goes down, or a console packed up for remote broadcasts and on-location production. For stations that want a reliable, full-featured board without paying for channels or buses they won't use, the ARC-8 covers the core requirements of daily broadcast work. Two Mic Channels Built For A Host And Guest Talk Format Channels one and two are dedicated high-performance mic channels with XLR inputs, giving the ARC-8 a natural fit for shows built around a host and guest format. Both channels include high-performance mic preamps, with 48 VDC phantom power available as a separate add-on for studios running condenser microphones. Channel one includes a talk button that feeds the studio mic directly to a caller while simultaneously routing the caller into the console's cue system, which speeds up handling calls during a live segment. LED illuminated switches on the mic channels give clear visual confirmation of channel status, useful during fast moving live shows where a quick glance needs to confirm what's on and off. This setup covers the most common talk radio configuration without requiring extra mic channels that would go unused in a typical two-person studio. Seven Line Inputs With Balanced And Unbalanced Connectivity The ARC-8 provides seven total line inputs, giving a studio enough channels to connect CD players, media players, network feeds, and other common studio sources without running out of room. A\/B inputs on channels three and eight effectively double up on connection options, letting an operator switch between two sources on the same channel without repatching cables. Every ARC-8 comes standard with active balanced RJ45 connections as well as unbalanced RCA, so the board connects easily to both professional and consumer-type equipment. A single stereo output bus is available in both balanced and unbalanced formats, giving flexibility for whatever gear sits downstream of the console. This combination of balanced and unbalanced connectivity also helps the ARC-8 resist RF interference, keeping the broadcast signal clean even in studios located near transmission equipment. Phone Hybrid Channel With Mix Minus For Clean Call Handling A dedicated phone mix channel on the ARC-8 connects to an external phone hybrid, complete with audio and logic connections for proper caller integration. The cue button lets an operator listen to a caller off-line before deciding to put them on air, while the talkback button allows private communication with the caller without broadcasting that conversation. A mix-minus feed sends the caller a mix of the program output rather than their own audio looped back, which is standard practice for eliminating echo and keeping calls sounding clean. Combined with the talk button on channel one, this gives the ARC-8 a genuinely functional call handling workflow, making it a solid choice for stations running talk formats, listener call-in segments, or regular phone interviews. Built In USB Sound Card For Direct Computer Play And Record The ARC-8 includes a built-in USB sound card, connecting directly to a Windows or Mac computer with the included standard USB cable. Audio can be played from the computer straight onto the board and out over the air, while console audio can be recorded back onto the computer using any third-party production or automation software already in use. Because the connection functions as a standard USB audio device, setup doesn't require complicated drivers or proprietary software installations. For stations running automation, voice tracking, or production work through a connected computer, this built-in USB channel keeps the console and the computer working together as one system rather than two separately wired components. Durable Construction Built For Daily Broadcast Reliability The ARC-8 uses high-quality switches and faders engineered to endure multi-million operations, built to hold up under the kind of constant channel switching that happens during a normal broadcast day. Conductive plastic faders provide smooth, accurate control and are fitted with dust covers to help protect them and extend their working life. Mechanical latching switches are LED illuminated and rated for extremely long service life, cutting down on the need to replace switches or indicator bulbs over time. Headphone output includes both a balanced stereo line level output for an external amp and a dedicated headphone amp output for driving low impedance headphones directly. An auto-sensing 110 to 220 VAC power supply, certified UL, CE, CS, and CB, allows the console to be used safely and reliably anywhere in the world. With accessible internal components, a technician can perform repairs or maintenance quickly, keeping downtime to a minimum for a board that's meant to be running every day.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698663671,"sku":"ARC-8","price":1049.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/1774354206_1958551.jpg?v=1785794565"},{"product_id":"arrakis-arc-8-blue-8-channel-analog-broadcast-console-with-bluetooth","title":"Arrakis ARC-8-blue 8 Channel Analog Broadcast Console with Bluetooth","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-8-blue 8 Channel Analog Broadcast Console with Bluetooth\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eAn 8 Channel Console With Bluetooth Calling Built In The Arrakis ARC-8-Blue is an 8 channel, 10 input broadcast console built on the same reliable ARC-8 platform, with Bluetooth connectivity added directly to channel seven. This gives a station wireless calling and audio streaming capability without needing an external phone hybrid or a separate Bluetooth accessory sitting outside the board. Two mic channels support a standard host and guest talk format, seven line level inputs cover the rest of a studio's audio sources, and the Bluetooth-enabled channel handles callers and wireless playback in one place. Both balanced RJ45 and unbalanced RCA connections come standard, so it fits studios running professional gear as well as those using simpler consumer-type equipment. This console is built for internet radio, broadcast radio, remote applications, production work, and station backup situations where wireless connectivity adds real convenience to a daily workflow. For stations that want the flexibility of taking calls or streaming audio straight from a phone or tablet, this built-in Bluetooth option removes an extra piece of gear from the signal chain entirely. Two Mic Channels Built For A Host And Guest Talk Format Channels one and two are dedicated high-performance mic channels with XLR inputs, giving the ARC-8-Blue a natural fit for shows built around a host and guest format. Both channels include high-performance mic preamps, with 48 VDC phantom power available as a separate add-on for studios running condenser microphones. Channel one includes a talk button that feeds the studio mic directly to a caller while routing the caller into the console's cue system at the same time, speeding up call handling during a live segment. LED illuminated switches on the mic channels give clear visual confirmation of channel status, which matters during fast moving live shows. This setup covers the standard talk radio configuration without requiring extra mic channels a smaller studio wouldn't use. Seven Line Inputs With Balanced And Unbalanced Connectivity The ARC-8-Blue provides seven total line inputs, giving a studio enough channels to connect CD players, media players, network feeds, and other common studio sources without running short. A\/B inputs on channels three and eight let an operator switch between two sources on the same channel without repatching cables. Every ARC-8-Blue comes standard with active balanced RJ45 connections as well as unbalanced RCA, so the board connects easily to both professional and consumer-type equipment. A single stereo output bus is available in both balanced and unbalanced formats, giving flexibility for whatever gear sits downstream. This mix of balanced and unbalanced connectivity also helps the console resist RF interference, keeping the broadcast signal clean in studios located near transmission equipment. Bluetooth Calling And Wireless Streaming On Channel Seven Channel seven on the ARC-8-Blue functions as a Bluetooth-enabled phone channel, letting any Bluetooth device such as a cell phone, tablet, or MP3 player pair directly to the console. Incoming calls are handled with a Call button to accept and a Drop button to reject or end a call, working just like a standard phone hybrid without needing one physically connected. The caller receives a mix-minus feed of the console output, meaning they hear the program mix without hearing their own audio looped back, which keeps calls sounding clean and free of feedback. Calls can be taken off-line first using the cue system, with a talkback button on channel one letting staff speak privately with the caller before putting them on air. Beyond phone calls, the same channel supports streaming audio wirelessly from a paired device, letting a DJ play a personal playlist or a reporter record and immediately play back an interview without any cabling. The Bluetooth connection is built around a BlueCore 5 Multimedia chip, engineered to handle full bandwidth, high quality A2DP stereo audio rather than the lower fidelity streaming typical of basic Bluetooth accessories, and it operates in the 2.4GHz spectrum with strong resistance to RF interference. Built In USB Sound Card For Direct Computer Play And Record Channel eight on the ARC-8-Blue includes a built-in USB sound card, connecting directly to a Windows or Mac computer using a standard USB cable. Audio can be played from the computer straight onto the board and out over the air, while console audio can be recorded back onto the computer using any third-party production or automation software already in use. Because the connection functions as a standard USB audio device, setup doesn't require complicated drivers or specialized software. For stations running automation, voice tracking, or production work through a connected computer, this built-in USB channel keeps the console and the studio computer working together as one integrated system. Durable Construction Built For Daily Broadcast Reliability The ARC-8-Blue uses a 0.059 inch steel chassis finished with two part epoxy paint, giving the console a rugged build that holds up to daily studio use. Front panel graphics sit behind a polycarbonate overlay for scratch resistance, and switches are LED illuminated for clear status indication during a live shift. High-quality switches and faders are engineered to endure multi-million operations, standing up to the kind of constant channel switching that happens throughout a normal broadcast day. Conductive plastic faders provide smooth, accurate control and are fitted with dust covers to extend their working life. An auto-sensing 110 to 220 VAC power supply, certified UL, CE, CS, and CB, allows the console to be used safely anywhere in the world. With accessible internal components, a technician can perform repairs quickly, keeping the board running with minimal downtime.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698696439,"sku":"ARC-8-blue","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/1778759512_1958552.jpg?v=1785794571"},{"product_id":"arrakis-arc-8-caller","title":"Arrakis ARC-8-CALLER","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-8-CALLER\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA Premade RJ45 To XLR Cable Built For ARC-8 Console Wiring The Arrakis ARC-8-CALLER is a premade cable that converts an RJ45 balanced connection on an ARC-8 console into a female XLR mono input, giving stations a quick, reliable way to connect microphone level or hybrid equipment without building custom wiring from scratch. Since the ARC-8 uses balanced RJ45 connectors for its input channels rather than traditional XLR jacks, a cable like this bridges the gap for equipment that only offers a standard XLR connection. This is especially useful for connecting devices such as a phone hybrid or another mono mic level source directly into one of the console's balanced inputs. Rather than tracking down individual connectors and soldering a custom cable, a station can simply order this ready-made option and have it working the same day it arrives. For studios installing or expanding an ARC-8 setup, small connectivity details like this often make the difference between a smooth installation and a frustrating one, and this cable is built specifically to remove that friction. Why RJ45 Wiring Needs A Conversion Cable In The First Place Arrakis designed the ARC-8 around balanced RJ45 connectors because they're durable, cost effective, and standard across most of the ARC console line, which keeps wiring consistent from one console to the next. The tradeoff is that most professional broadcast peripherals, including phone hybrids and many mic level devices, are built with XLR connectors instead. Without a conversion cable, connecting that kind of equipment to an RJ45 input would require an adapter built on the spot or a technician manually wiring a custom connector. The ARC-8-CALLER solves that mismatch directly, converting the RJ45 side to a female XLR connector so mono mic level gear plugs in immediately. This kind of purpose built cabling is common across broadcast installations, since even small wiring mismatches can cause installation delays if a station doesn't already have the right adapter on hand. A Practical Fit For Connecting Phone Hybrids And Mic Level Sources This cable is particularly useful for stations wiring an external phone hybrid into one of the ARC-8's channels, since many hybrids output audio through a standard XLR connector. Because the ARC-8-CALLER handles that conversion directly, a station doesn't need a separate adapter or an in-house wiring solution just to get a hybrid talking to the console. The same cable also works for any other mono, mic level source that needs to connect into a balanced RJ45 input, giving it some flexibility beyond just phone hybrid applications. Since it's built as a mono input cable specifically, it's the correct choice when the connected source outputs a single mono signal rather than a stereo pair. This makes it a precise, purpose built solution rather than a generic adapter that a station would need to modify or troubleshoot after installation. Built As Premade Cabling To Save Setup Time Ordering a premade cable like the ARC-8-CALLER is generally faster and more reliable than having station staff build custom wiring on-site, particularly for stations without a technician experienced in audio cable termination. Because it's manufactured specifically for compatibility with Arrakis console wiring standards, there's no guesswork involved in matching pinouts or connector types. This matters most during a new studio build or console installation, when getting every connection right quickly keeps a project moving instead of stalling on a wiring detail. For stations that already know they need to connect a phone hybrid or mono mic source to their ARC-8, ordering this cable ahead of time avoids a mid-installation scramble to source the right adapter. It's a small purchase, but one that directly affects how smoothly a console gets wired into a working studio. A Small But Necessary Piece Of A Complete ARC-8 Installation While the ARC-8-CALLER is a minor accessory on its own, it plays a specific role in getting certain equipment properly connected to an ARC-8 console during setup. Stations installing a new ARC-8, adding a phone hybrid, or bringing in additional mono mic level sources should factor this cable into their initial equipment order rather than discovering the wiring mismatch after the console arrives. Because Arrakis offers several similar conversion cables for different connector combinations, it's worth confirming which specific cable matches the equipment being connected before ordering. For the cost of a simple accessory, this cable removes a common point of friction in getting a console fully wired and operational.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698729207,"sku":"ARC-8-CALLER","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/arrakis-systems-logo_d37d2adf-156e-4880-97e1-f119f126d735.jpg?v=1785794576"},{"product_id":"arrakis-arc-8-send-premade-3-5mm-to-xlr-cable","title":"Arrakis ARC-8-SEND Premade 3.5mm To XLR Cable","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-8-SEND Premade 3.5mm To XLR Cable\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA Premade 3.5mm To XLR Cable For ARC-8 Console Output The Arrakis ARC-8-SEND is a premade cable that converts a 3.5mm phone connector into a male XLR mono output, giving stations a fast and reliable way to send audio from the ARC-8 console to equipment that requires a standard XLR input. This cable is built specifically for output applications, meaning it carries a signal away from the console rather than bringing an external source into it. Because so much broadcast peripheral equipment, from processors to transmitters to recording gear, expects a professional XLR connection, this cable bridges the gap when a device on the ARC-8 side only offers a 3.5mm connector. Rather than requiring a station to source individual connectors and build a custom cable by hand, the ARC-8-SEND arrives ready to install straight out of the box. For any station setting up or expanding an ARC-8 based studio, having the correct premade cable on hand avoids the kind of last minute wiring delay that can stall an otherwise straightforward installation. Why This Specific Conversion Matters For ARC-8 Installations A 3.5mm phone connector is a common consumer-grade connection point, often found on smaller devices, headphone outputs, or compact audio equipment that doesn't use professional-grade connectors. Broadcast gear downstream of a console, on the other hand, is far more likely to expect a balanced XLR input for a clean, low-noise signal path. The ARC-8-SEND handles that conversion directly, taking a 3.5mm output signal and delivering it through a male XLR connector that plugs straight into professional equipment. Because it's built as a mono output cable specifically, it's the right choice for situations where a single mono audio feed needs to travel from a 3.5mm source to XLR-equipped equipment. This kind of targeted cable removes the mismatch between consumer-style connectors and professional broadcast wiring standards without requiring any custom cable work. A Practical Fit For Sending Audio To Downstream Equipment This cable is particularly useful for stations that need to send audio out of a 3.5mm connection point into equipment further down the signal chain, such as processors, recorders, or other studio gear wired with XLR inputs. Because it's built specifically as an output cable, it's suited for scenarios where audio needs to leave a smaller or consumer-style device and enter professional-grade equipment cleanly. Having this cable available means a station doesn't need to jury-rig a solution with adapters stacked together, which can introduce noise or an unreliable connection over time. It's a precise, single-purpose cable rather than a generic adapter that might work but wasn't built with broadcast-grade signal integrity in mind. Premade Cabling That Saves Setup Time And Reduces Errors Ordering a premade cable like the ARC-8-SEND is typically faster and more dependable than having station staff assemble custom wiring on site, especially for stations without a technician experienced in cable termination work. Since it's manufactured to match the wiring expectations of Arrakis console installations, there's no guesswork involved in getting the pinout or polarity correct. This matters most during a new studio build or console setup, when getting each connection right the first time keeps a project on schedule instead of stalling over a wiring detail. For stations that already know they'll need to send a 3.5mm signal into XLR-equipped equipment, ordering this cable ahead of time avoids scrambling for the right adapter mid-installation.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698761975,"sku":"ARC-8-SEND","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/arrakis-systems-logo_000c3b86-7147-49d2-aed6-1960102c8201.jpg?v=1785794582"},{"product_id":"arrakis-arc-blue-bluetooth-accessory","title":"Arrakis ARC-BLUE Bluetooth Accessory","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-BLUE Bluetooth Accessory\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eAn External Bluetooth Box That Adds Wireless Calling To Any Console The Arrakis ARC-Blue is an external Bluetooth device that connects to a mixer console's mix-minus I\/O channel, giving any existing board wireless calling and audio streaming capability without replacing the console itself. It's built to work with ARC-10 and ARC-15 series consoles, connecting through simple XLR cabling directly into the mix-minus channel rather than requiring internal modifications to the board. Once connected, any Bluetooth enabled device such as a cell phone, tablet, or MP3 player can pair to the console and be used for taking calls or streaming audio straight into the broadcast chain. This makes the ARC-Blue a practical upgrade path for stations running an older or non-Bluetooth ARC console that want modern wireless functionality without a full hardware replacement. For a station weighing whether to buy an entirely new Bluetooth-equipped console or simply add wireless capability to the one already installed, this accessory is built specifically for the second option. How The ARC-Blue Functions As A Phone Hybrid Replacement The ARC-Blue effectively works as a Bluetooth phone hybrid, letting a paired cell phone handle incoming calls without a traditional hybrid unit connected to the console. Calls are accepted using the green Call button and ended or rejected with the red Drop button, following the same simple workflow staff would expect from a standard phone hybrid setup. The caller receives a mix-minus feed of the console output, meaning they hear the program mix without their own audio looped back to them, which keeps calls sounding clean and free of feedback. Calls can be screened on the audition bus before being sent live, giving an operator a chance to check the caller before putting them on air. Depending on the phone carrier and device, up to four callers can potentially be connected at once for a conference call segment. Because the console still supports a standard external phone hybrid at the same time, a station isn't forced to choose between wired and wireless calling since both remain available side by side. Advanced Bluetooth Hardware Built For Broadcast Quality Audio The ARC-Blue is built around a BlueCore 5 Multimedia Bluetooth chip, engineered to deliver full bandwidth, high quality A2DP stereo streaming rather than the compressed, lower fidelity audio typical of basic consumer Bluetooth accessories. This matters for broadcast use, where audio quality directly affects what listeners hear on the other end of a stream or transmission. The unit operates in the 2.4GHz spectrum, which gives it solid resistance to RF interference, an important factor in studios located near transmission equipment or other wireless gear. Connection range covers a typical studio environment, so staff aren't tethered to the console just to keep a paired device connected. This level of hardware is what separates the ARC-Blue from an off-the-shelf Bluetooth adapter, since it's purpose built for the demands of a live broadcast signal chain. Practical Studio Uses Beyond Just Taking Phone Calls Beyond call handling, the ARC-Blue opens up a range of practical wireless uses for a studio. A DJ can bring a personal phone or tablet loaded with a playlist and stream it directly into the console without plugging in a cable or worrying about file compatibility. A reporter can record a phone interview through the Bluetooth connection and immediately play it back for editing or broadcast, all without wires. Staff can also connect a tablet wirelessly to trigger playback during a live segment, giving more physical freedom to move around the studio during a show. Because the device only pairs with one Bluetooth source at a time, there's no risk of a second device accidentally connecting and putting unintended audio on the air, which keeps live broadcasts secure. Pairing and unpairing is handled directly through the console's Call button, so switching between different hosts' phones between shifts takes only a few seconds. A Straightforward Upgrade Without Replacing Existing Equipment Because the ARC-Blue connects externally through the mix-minus channel using standard XLR cabling, adding it to an existing ARC-10 or ARC-15 console doesn't require rewiring the board or sending it out for factory modification. This makes it a cost effective way to bring wireless functionality into a studio that's already invested in its current console setup. Stations planning a new studio build can also add the ARC-Blue from day one, giving new installations wireless calling without needing to select a Bluetooth-specific console model. Special cabling options, including XLR to 1\/8 inch and XLR to RCA cables, are available separately to simplify connecting a wider range of devices. For any station wanting modern wireless connectivity without a larger equipment overhaul, the ARC-Blue delivers that upgrade in a single, self-contained accessory.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698794743,"sku":"ARC-BLUE","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Arrakis-ARC-Blue.jpg?v=1785794588"},{"product_id":"arrakis-arc-hp-headphone-amplifier","title":"Arrakis ARC-HP Headphone Amplifier","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-HP Headphone Amplifier\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA Compact Headphone Amplifier That Adds Outputs To Any Console The Arrakis ARC-HP is a compact stereo headphone amplifier built to connect directly to any broadcast console, giving a studio an additional headphone output without needing to rewire the board or add a separate audio distribution box. It's designed as a simple, purpose built accessory rather than a general purpose amplifier, so it drops into an existing ARC-series studio setup without complicating the signal chain. This makes it a practical solution for studios that have more staff or guests needing headphone monitoring than the console itself provides outputs for. Because it connects directly to the console output, staff get the same monitoring feed as the main board, keeping everyone on the same audio reference during a live show. For stations expanding a studio, adding an announce booth, or simply running out of headphone jacks during a busy shift, the ARC-HP is a straightforward way to solve that specific problem. Daisy Chain Multiple Units For As Many Outputs As Needed One of the more useful design choices behind the ARC-HP is that multiple units can be daisy chained together, letting a studio add as many headphone outputs as the situation requires. This means a station isn't limited to just one additional output per console, and can scale up headphone monitoring as a studio grows or as more people need to be wired in during a broadcast. This is particularly useful for larger talk formats, panel discussions, or remote broadcast setups where several people need independent headphone access to the same program feed. Because each unit connects the same way, adding a second or third ARC-HP doesn't require different wiring or configuration than the first one. This scalability is what makes the ARC-HP a practical long-term solution rather than something a station outgrows quickly. Built In Logic Control For Talkback And Cough Functions Beyond just headphone output, the ARC-HP includes built-in logic and audio interface functionality through two dedicated buttons, Talkback and Cough. The Talkback button lets a staff member communicate privately with someone else in the signal chain without that conversation going out over the air, which is useful for coordinating between a host and a producer or guest in another room. The Cough button provides a quick, momentary mute function, letting someone silence their mic instantly if they need to cough, sneeze, or step away from the conversation briefly without cutting their channel off entirely. These logic functions connect back into the console's existing control system, meaning the ARC-HP isn't just passing audio, it's also giving the person using it some direct control over their presence in the broadcast. This combination of headphone monitoring and logic control in a single compact unit is what separates the ARC-HP from a basic passive headphone splitter. A Practical Addition For Growing Or Multi Person Studios The ARC-HP is particularly useful in studios that regularly host more people than the console has built-in headphone jacks for, such as panel shows, sports coverage with multiple commentators, or interview segments with several guests at once. Rather than making people share a single output or take turns monitoring the program feed, additional ARC-HP units give everyone independent access to the same audio without compromise. This also matters for remote or on-location broadcasts, where a compact accessory like this is far easier to transport and set up than trying to run a full secondary console just for headphone distribution. Because it connects directly to the console output, there's no signal degradation or delay introduced by adding these extra outputs, keeping the monitoring experience consistent no matter how many units are chained together. Simple Installation That Keeps Studio Wiring Clean Setting up the ARC-HP is straightforward since it's designed to connect directly to a console's existing output rather than requiring a separate power source or complex configuration. This keeps studio wiring clean and avoids introducing extra equipment racks or cabling runs just to add headphone capacity. For stations already running an ARC-series console, the ARC-HP is built to integrate naturally rather than needing custom adaptation or third party parts. This ease of setup is particularly valuable for stations that want to expand headphone monitoring quickly, whether that's for a one-time event with extra guests or a permanent addition to a growing studio.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698860279,"sku":"ARC-HP","price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/ARC-HP-i6h99leg.jpg?v=1785794595"},{"product_id":"arrakis-arc-hyb-premade-cable","title":"Arrakis ARC-HYB Premade Cable","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-HYB Premade Cable\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA Purpose Built Cable For Connecting A JK Audio Host Hybrid The Arrakis ARC-HYB is a premade cable built specifically to connect a JK Audio broadcast host hybrid to ARC-10, ARC-15, and MARC series consoles, carrying both audio and RJ45 logic signals in a single connection. Rather than wiring audio and logic control separately, this cable combines them into one purpose built connector that matches the exact pin configuration these console families expect. JK Audio hybrids are widely used in broadcast studios for handling phone calls, and pairing one with an ARC-10, ARC-15, or MARC console requires more than just an audio connection, since proper hybrid control also depends on logic signaling passing between the two devices. The ARC-HYB is designed to deliver that complete connection in one cable, so a station doesn't need to piece together a custom logic and audio wiring solution on their own. For any studio running a JK Audio hybrid alongside one of these Arrakis consoles, this cable is the direct, factory recommended way to get the two devices talking to each other correctly. Why Logic Signaling Matters For Phone Hybrid Integration A phone hybrid does more than just pass audio between a caller and the console, it also needs logic signals to properly indicate call status and coordinate control between the hybrid and the board. Without that logic connection, a station might be able to hear a caller through the console, but functions tied to call status indication or hybrid control could behave inconsistently or require manual workarounds from the hybrid's own front panel. The ARC-HYB carries RJ45 logic specifically so this coordination happens automatically as part of the cable connection rather than needing a separate wiring run. This is particularly relevant for the ARC-10, ARC-15, and MARC console families, where consistent integration between the console and connected broadcast hardware is part of what makes the studio workflow feel seamless during a live show. Getting this logic connection right from the start avoids troubleshooting further down the line when a hybrid doesn't behave the way staff expect. Built To Match Exact Console And Hybrid Pin Configurations Because the ARC-HYB is built specifically for JK Audio hybrids paired with ARC-10, ARC-15, or MARC consoles, it eliminates the guesswork that comes with generic RJ45 cabling or a custom-built connector. Audio and broadcast logic wiring standards can vary meaningfully between manufacturers, so a cable that isn't matched to the exact pin configuration can cause subtle issues that are difficult to diagnose after installation. By using a cable engineered specifically for this hybrid and console pairing, a station gets a connection that's been designed to work correctly the first time, without needing an engineer to test and adjust wiring during setup. This kind of precision matters most during a new studio build or when adding a hybrid to an existing console setup, since a mismatched cable can cause a delay that a properly matched one avoids entirely. A Practical Time Saver During Studio Installation Ordering a premade cable like the ARC-HYB is significantly faster than having station staff build a custom logic and audio cable from scratch, particularly for stations without an engineer experienced in broadcast wiring standards. Since it's manufactured to match both the console side and the JK Audio hybrid side of the connection, there's no need to test continuity, confirm pinouts, or adjust wiring after the fact. This matters most when a station is racing to get a studio operational, whether that's a brand new build or an upgrade to an existing setup that's adding hybrid functionality for the first time. For stations that already know they're pairing a JK Audio hybrid with one of these Arrakis console families, ordering this cable ahead of time avoids a wiring delay partway through installation. A Small But Essential Piece Of A Complete Phone Hybrid Setup On its own, the ARC-HYB is a modest accessory, but it plays a specific and necessary role in properly integrating a JK Audio hybrid into an ARC-10, ARC-15, or MARC based studio. Anyone planning to add call-in capability to one of these consoles should factor this cable into their equipment list from the start rather than discovering the need for it after the hybrid and console have already arrived separately. Because Arrakis offers a range of other conversion and connection cables for different equipment pairings, it's worth confirming this is the correct cable for the specific hybrid and console combination being installed. For the cost of a simple cable, it removes a real point of friction in getting phone call functionality working correctly from day one.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698893047,"sku":"ARC-HYB","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/arrakis-systems-logo_b9c04aa6-108b-4f2c-a134-a01bfa4968bc.jpg?v=1785794600"},{"product_id":"arrakis-arc-hyb-2-h10-rj45-mix-to-xlr-m-f-hybrid","title":"Arrakis ARC-HYB-2 Premade Cable","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-HYB-2 Premade Cable\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA Premade Mix Minus Cable Built For The H10 Console The Arrakis ARC-HYB-2 is a premade cable that converts the RJ45 mix minus connection on an H10 console into male and female XLR connectors, giving stations a direct and reliable way to connect an external phone hybrid to the board. The H10 is part of the Arrakis H Series line of hybrid consoles, and like other Arrakis boards, it uses balanced RJ45 connectors for its core wiring rather than traditional XLR jacks. Since most external phone hybrids are built around XLR connections, this cable exists specifically to bridge that gap so a hybrid can be wired into the H10's mix minus channel without custom cable work. Having both a male and female XLR end on the same cable means it handles both directions of that connection, sending audio out to the hybrid while also bringing the caller's audio back into the console. For any station setting up call-in functionality on an H10, this cable is the direct, purpose built way to get that connection working correctly. Why The Mix Minus Connection Requires Specific Wiring A mix minus feed is what allows a caller to hear the console's program audio without hearing their own voice looped back to them, which is essential for keeping phone calls sounding clean and free of echo on air. Getting that feed to a hybrid correctly requires wiring that matches both the console's connector type and the hybrid's expected input and output format. Because the H10 carries this mix minus signal over RJ45 while most hybrids expect XLR, a cable like the ARC-HYB-2 removes the need to figure out that conversion through generic adapters or custom-built wiring. This matters because a mismatched or improvised cable can introduce noise, signal loss, or an unreliable connection that shows up as call quality issues during a live broadcast. Using a cable engineered specifically for this exact purpose avoids that kind of troubleshooting after the console and hybrid are already in place. Built To Match H10 Wiring Standards Precisely Since the ARC-HYB-2 is designed specifically for the H10 console's mix minus channel, it eliminates the uncertainty that comes with sourcing a generic RJ45 to XLR cable from a different supplier. Broadcast wiring standards can vary between manufacturers even when the connector types look similar, so a cable that isn't built to match the H10's specific pin configuration can cause subtle problems that are difficult to trace after installation. By using a cable engineered around the exact standard the H10 was designed with, a station gets a connection that works correctly from the first time it's plugged in, without needing to test or adjust wiring during setup. This precision matters most during a new studio installation or when adding hybrid functionality to an H10 that wasn't originally wired for it. A Practical Time Saver During Studio Setup Ordering a premade cable like the ARC-HYB-2 is considerably faster than having station staff build a custom mix minus cable from scratch, particularly for stations without an engineer experienced in broadcast-grade cable termination. Because it's manufactured to match the H10's connector standards on one end and standard XLR equipment on the other, there's no need to verify continuity or adjust wiring after the fact. This is especially useful when a station is trying to get an H10 fully operational quickly, whether that's part of a new studio build or an addition to an existing setup that's bringing in phone hybrid capability for the first time. For any station that already knows it's pairing an H10 with an external hybrid, having this cable ready ahead of time avoids a wiring delay in the middle of installation. A Small But Necessary Piece Of A Complete H10 Setup On its own, the ARC-HYB-2 is a modest accessory, but it plays a specific and necessary role in getting call-in functionality working correctly on an H10 console. Anyone planning to connect an external phone hybrid to an H10 should include this cable in their initial equipment order rather than discovering the connector mismatch after the hybrid has already arrived. Because Arrakis offers a range of similar conversion cables built for other console and hybrid pairings, it's worth confirming this is the correct cable for an H10 specifically before ordering. For the cost of a simple cable, it removes a real point of friction in getting phone hybrid functionality working reliably from day one.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698925815,"sku":"ARC-HYB-2","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/arrakis-systems-logo_a5391d4f-18bb-48f1-bb8f-a2ed6715a1a2.jpg?v=1785794605"},{"product_id":"arrakis-arc-mic-pre-2-channel-microphone-preamplifier","title":"Arrakis ARC-MIC-PRE 2 Channel Microphone Preamplifier","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-MIC-PRE 2 Channel Microphone Preamplifier\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA 2 Channel Mic Preamp That Expands Any ARC Console The Arrakis ARC-MIC-PRE is a 2 channel microphone preamplifier built to connect directly to the balanced RJ45 line inputs on an ARC series console, converting two standard line inputs into proper mic level inputs. This gives a station a straightforward way to add mic capacity to a board without replacing the console or rewiring the studio from scratch. It's designed specifically for the ARC-5, ARC-8, and ARC-10 series consoles, making it a natural fit for stations that already own one of these boards and need more microphone channels than the console originally shipped with. Because it uses the same RJ45 ethernet connection standard as the rest of the ARC line, installation is a matter of connecting the preamp to an existing line input rather than performing custom wiring work. For stations expanding from a two-host format to a panel discussion, or simply running out of mic inputs during a busy show, the ARC-MIC-PRE is a direct, cost effective way to solve that specific problem. How The ARC-MIC-PRE Converts Line Inputs Into Mic Inputs Microphones and line level sources operate at very different signal levels, which is why a console's line inputs generally can't accept a microphone directly without some form of preamplification in between. The ARC-MIC-PRE sits in that gap, taking a mic level signal and boosting it to line level before it reaches the console's RJ45 input, effectively turning two of a station's existing line channels into usable mic channels. This means a station doesn't need to physically modify the console itself or add a separate standalone mixer just to get more microphones working. Because the preamp connects using the same RJ45 ethernet output the console already expects, there's no adapter or unusual wiring involved, just a direct connection into an available line input. Straightforward Installation For Expanding Studio Capacity Setting up the ARC-MIC-PRE is designed to be simple, since it connects directly to a balanced RJ45 input on the console using the same connector standard used throughout the ARC series. This means a station doesn't need specialized tools or a dedicated technician to add the preamp to an existing setup, since the installation follows the same wiring pattern staff are likely already familiar with from other ARC accessories. For stations planning a studio expansion, whether that's adding a permanent co-host position or setting up a temporary panel for a special broadcast, this ease of installation matters because it keeps the upgrade from turning into a larger project than it needs to be. The preamp is a targeted solution to a specific need, rather than a piece of equipment that requires reworking other parts of the studio to accommodate it. Important Considerations For Condenser Microphone Use Stations planning to use condenser microphones with the ARC-MIC-PRE need to be aware that the preamp requires its own separate ARC-48V Phantom Power Supply, since it doesn't include phantom power internally. This is a distinct requirement from the console itself, so stations should factor in this additional accessory if condenser mics are part of the plan rather than assuming phantom power will already be available through the preamp. Dynamic microphones, which don't require phantom power to operate, can be used with the ARC-MIC-PRE without needing this additional purchase. Getting this detail right before installation avoids a situation where a station adds the preamp expecting full condenser mic support only to discover an additional accessory is needed to actually power those microphones. A Practical Upgrade Path Without Console Replacement The ARC-MIC-PRE gives stations a way to grow mic capacity over time rather than needing to predict every future studio need at the time of the original console purchase. This matters for stations that start with a simple host and guest format but later expand into panel discussions, additional co-hosts, or multi-person remote broadcasts. Rather than replacing an ARC-5, ARC-8, or ARC-10 console entirely to get more mic inputs, a station can add this preamp and repurpose existing line inputs for the additional microphones needed. This keeps the original console investment intact while still allowing the studio's capabilities to expand as programming needs change.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698958583,"sku":"ARC-MIC-PRE","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Arrakis-ARC-MIC-PRE.jpg?v=1785794614"},{"product_id":"arrakis-arc-talk-blue-8-channel-console","title":"Arrakis ARC-Talk-blue 8 Channel Console","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-Talk-blue 8 Channel Console\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA Compact News Talk Console Built For Multi Guest Broadcasting The Arrakis ARC-Talk-Blue is a compact, portable 8 channel console built specifically for news talk formats, journalism, and any production that needs to handle several voices and phone callers at once. With five microphone channels, a USB computer connection, and two Bluetooth phone channels, this board is designed around the reality of talk radio, where multiple hosts, guests, and callers often need to be managed simultaneously. It supports connecting to two separate Bluetooth callers or streaming from multiple wireless devices on independent channels, giving a station real flexibility during a fast moving segment. Despite its small footprint, the console includes a full mix of unbalanced RCA, balanced XLR, and RJ45 connections, so it fits into a wide range of studio setups without forcing a station to standardize on one connector type. This makes the ARC-Talk-Blue a strong fit for journalists, content creators, producers, and remote broadcasters who need serious functionality in a board they can pack up and take anywhere. Five Mic Channels Built For Hosting Multiple Guests The ARC-Talk-Blue includes five high-performance mic channels with XLR inputs, giving a station enough capacity to run a full panel discussion or a multi-host talk format without running out of inputs. Each channel includes a high-performance mic preamp, and 48 VDC phantom power is available directly on the mic channels for condenser microphones, so there's no need for a separate power accessory. Channels one and two include talkback functionality, letting hosts communicate privately with Bluetooth callers before putting them on air. LED illuminated switches across the mic channels give clear visual confirmation of channel status, which matters when several mics are active at once during a live segment. This configuration is built specifically around the demands of talk radio, where managing more than one or two voices at a time is the normal working condition rather than the exception. Two Bluetooth Channels For Conferencing And Wireless Streaming Channels six and seven on the ARC-Talk-Blue are dedicated Bluetooth channels, letting a station pair phones, tablets, or other Bluetooth enabled devices directly to the console for calls or audio playback. Having two separate Bluetooth channels means a station can conference two callers at once or stream from two different wireless devices simultaneously, which is a meaningful step up from a single Bluetooth channel found on smaller consoles. Bluetooth-enabled landline phones are also supported, giving stations in areas with unreliable cell service a more consistent, higher quality alternative for taking calls. A tablet can be connected wirelessly to play program audio or music beds, adding flexibility during a live show without needing a cable run to the board. Because the Bluetooth connections are wireless, staff aren't constantly plugging and unplugging devices during a busy shift, which matters for high traffic studios running back to back segments or guests throughout the day. Built In USB Sound Card For Direct Computer Play And Record The ARC-Talk-Blue includes a built-in USB sound card, connecting directly to a Windows or Mac computer with a standard USB cable for digital play and record. Audio can be played from the connected computer straight into the main bus, while console audio can be recorded back onto the computer using any compatible third-party software already in use at a station. Because this functions as a standard USB audio device, there's no need for specialized drivers or complicated setup to get the connection working. For producers running automation, voice tracking, or recording software through a studio computer, this built-in USB channel keeps the console and computer functioning as one connected system rather than two separately wired pieces of equipment. Ten Faders With Mute And Solo Control For Precise Studio Handling The ARC-Talk-Blue is built around ten robust up and down faders, each equipped with mute and solo switches, giving an operator precise, hands-on control over every channel during a live broadcast. This level of fader control is uncommon on a console this compact, and it gives producers and hosts the ability to quickly isolate or silence any individual source without disrupting the rest of the mix. The single main stereo output bus is available in both balanced and unbalanced formats, so the console connects easily to whatever transmission or recording equipment sits downstream. Channel five includes an A\/B input option, letting an operator choose between a mic or line level source on that same channel depending on what a particular segment requires. This combination of fader control and flexible channel configuration is what allows the ARC-Talk-Blue to punch above its compact size in terms of actual studio capability. Durable Portable Construction Built For Studio And Remote Use The ARC-Talk-Blue uses a steel chassis finished with two part epoxy paint, giving it the durability to handle both permanent studio installation and the wear of being packed up for remote broadcasts. Front panel graphics sit behind a polycarbonate overlay for scratch resistance, while switches are LED illuminated for clear status indication during a live show. Both balanced and unbalanced inputs and outputs make the console highly resistant to RF interference, which matters whether it's sitting in a permanent studio near transmission equipment or set up temporarily on location. Accessible internal components and socketed integrated circuits mean a technician can service or troubleshoot the board quickly, without needing to work around soldered-in parts. This construction approach is what allows the ARC-Talk-Blue to function reliably both as a fixed studio console and as a portable rig for field production.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995698991351,"sku":"ARC-Talk-blue","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/1778759587_1958553.jpg?v=1785794619"},{"product_id":"arrakis-arc-wave-1-console-and-automation-bundle","title":"Arrakis ARC-WAVE-1 Console And Automation Bundle","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-WAVE-1 Console And Automation Bundle\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA Complete Radio Console And Automation Software Package The Arrakis ARC-WAVE-1 bundles the ARC-8 broadcast console together with New~Wave automation software, giving a station a fully working on-air setup in a single purchase rather than sourcing hardware and software separately. The ARC-8 handles the physical side of a broadcast studio, with mic, line, phone, and USB inputs, while New~Wave runs the scheduling, playback, and voice tracking that keeps a station on the air even when no one is physically in the studio. When the two are connected via USB, they merge into a single integrated digital radio workstation, with New~Wave using the ARC-8's built-in sound card for both playback and recording. This kind of tight integration means a station isn't stitching together mismatched hardware and software from different vendors, hoping they work well together. For a new station getting started, or an existing one replacing aging equipment, this bundle removes the guesswork of matching a console to compatible automation software. The ARC-8 Console At The Core Of The Setup The ARC-8 is an 8 channel, 10 input broadcast console built for internet radio, broadcast radio, remote applications, production work, and station backup use. Two mic channels support a standard host and guest talk format, seven line level inputs handle other studio sources like CD players and media players, and a dedicated phone mix channel connects to an external hybrid for taking calls. Both balanced RJ45 and unbalanced RCA connections come standard, giving the console flexibility to work with professional or consumer-type source equipment. A built-in USB sound card on the console is what allows New~Wave to connect directly and use the console's audio hardware rather than relying on a computer's onboard sound card, which typically delivers noticeably worse audio quality for broadcast use. The console itself is built with the same durability standards found across the ARC line, using socketed ICs and switches rated for multi-million operations to hold up under daily studio use. New~Wave Automation For Unattended Scheduling And Playback New~Wave is built around a customizable automation schedule that plays music, spots, and other programming automatically while a studio is unattended, so a station can sound live around the clock without needing staff physically present at all hours. Its category based music scheduler lets a station organize songs into groups such as current hits, recurrents, or gold, then pull from those categories automatically as the schedule plays, with a refined shuffle that prevents the same artist or title from repeating back to back. Cart rotations handle commercial scheduling for stations without complex dayparting needs, while start and kill dates let promotional or seasonal content play only during the correct window before stopping automatically. The software is highly fault tolerant and specifically designed to prevent dead air, automatically moving to the next scheduled event if a file is missing rather than leaving silence on the air. This combination of scheduling tools is what lets a small station run a full broadcast day without a large staff constantly managing playback. Voice Tracking And Live Assist Tools Built For Everyday Use Beyond scheduled automation, New~Wave includes a built-in Hot Keys player that gives quick access to custom pages of audio files, useful for sound effects, liners, or short clips a host needs to trigger instantly during a live segment. Voice tracking lets a host record commentary ahead of time for the overnight or unattended hours, so the station still sounds live even when no one is actually in the studio during that shift. New~Wave Tools, included with the software, is where most background tasks happen, including building schedules, generating reports, voice tracking, and managing the audio library. Reports can be generated to show exactly what spots or music played and when, which matters for both traffic verification and royalty reporting. Because the software was designed to be quick to learn while still offering depth for advanced users, new staff can get on the air fast without a lengthy training period. Compatible With Existing Software And Ready For Internet Streaming New~Wave works with major third party traffic and music scheduling software, along with outside audio production tools, so a station isn't forced to abandon systems it may already rely on for other parts of its workflow. The software also includes a built-in encoder for internet streaming, sending audio along with title and artist metadata to a station's streaming service of choice, which matters for stations running online alongside or instead of traditional broadcast. Audio files can also be imported from nearly any external source, including FTP transfers, network shares, or files recorded elsewhere, with the software automatically detecting and importing completed files for playback. This flexibility means the ARC-WAVE-1 bundle isn't a closed system locked into only Arrakis tools, but rather a foundation that can expand alongside whatever other broadcast technology a station is already using or plans to add later. Support And Setup Included To Get A Station On The Air Quickly Every New~Wave purchase includes hours of video tutorials available around the clock, along with manuals and training material to help staff learn the system at their own pace. A free 30 minute computer configuration session is included, where Arrakis staff remotely connects to help set up the software correctly from the start. This kind of guided setup matters for stations without a dedicated engineer on staff, since it removes much of the trial and error that can come with configuring new automation software. Combined with the ARC-8's straightforward physical installation, the ARC-WAVE-1 bundle is built to get a station from unboxing to on-air with as little friction as possible.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995699024119,"sku":"ARC-WAVE-1","price":1499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Arrakis-ARC-WAVE-1.jpg?v=1785794625"},{"product_id":"arrakis-arc-wave-1-m2-console","title":"Arrakis ARC-WAVE-1-M2 Console","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-WAVE-1-M2 Console\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA Complete Station Package With Console Software And Music Included The Arrakis ARC-WAVE-1-M2 bundles the ARC-8 broadcast console, New~Wave automation software, and three complete music libraries into a single package, giving a new or growing station nearly everything needed to start broadcasting real programming right away. Rather than sourcing a console, automation software, and a music catalog separately from different vendors, this bundle brings the hardware, the software running it, and the actual content playing through it together in one purchase. The ARC-8 handles the physical studio side with mic, line, phone, and USB inputs, while New~Wave manages scheduling, playback, and voice tracking so the station can run unattended when needed. The included music libraries mean a station doesn't have to spend weeks or months building a catalog from scratch before it can start running a real broadcast day. For a startup station or an internet radio project trying to get on the air quickly, this bundle removes several of the biggest early hurdles in one package. The ARC-8 Console At The Core Of The Setup The ARC-8 is an 8 channel, 10 input broadcast console built for internet radio, broadcast radio, remote applications, production work, and station backup use. Two mic channels support a standard host and guest talk format, seven line level inputs handle other studio sources like CD players and media players, and a dedicated phone mix channel connects to an external hybrid for taking calls. Both balanced RJ45 and unbalanced RCA connections come standard, giving the console flexibility to work with professional or consumer-type source equipment. A built-in USB sound card on the console is what allows New~Wave to connect directly and use the console's own audio hardware rather than a computer's onboard sound card, which typically delivers noticeably worse audio quality for broadcast use. The console is built with the same durability standards found across the ARC line, using socketed ICs and switches rated for multi-million operations to handle daily studio use. New~Wave Automation For Scheduling And Unattended Playback New~Wave is built around a customizable automation schedule that plays music, spots, and other programming automatically while a studio is unattended, letting a station sound live around the clock without needing staff physically present at all hours. Its category based music scheduler organizes songs into groups and pulls from those categories automatically as the schedule plays, with a refined shuffle that prevents the same artist or title from repeating back to back. Cart rotations handle commercial scheduling, while start and kill dates let promotional or seasonal content play only during the correct window before stopping automatically. The software is highly fault tolerant and specifically designed to prevent dead air, moving on to the next scheduled event automatically if a file happens to be missing. This scheduling engine is what turns the ARC-8's raw audio inputs into an actual running station, rather than just a board someone has to sit behind all day. Three Complete Music Libraries Ready To Load And Play This bundle includes three of Arrakis's Masters Music Libraries, professionally remastered song collections built specifically for broadcast automation use rather than generic consumer audio files. Every track in these libraries has been recorded as a 256kbps MP3 for solid audio quality, with silence trimmed from the front and back of each file and audio levels normalized for consistent playback across an entire schedule. Files are named according to Arrakis's automation naming format, so New~Wave recognizes and organizes them correctly without any manual renaming or reformatting needed. Intro to voice and segue end-of-message times are already set on every file, which is what allows a host to talk over an intro or overlap songs cleanly without manually timing each transition. With libraries available across genres and decades, from classic rock and country hits to Christian music and world music collections, a station can select libraries that match its intended format and have real programming loaded and ready to schedule almost immediately. Getting A New Programming Format Running Fast Combining the console, the automation software, and a real music catalog in one bundle addresses a problem many new stations run into, which is having the technical setup ready long before there's enough content to actually fill a broadcast schedule. Because the included libraries are pre-processed and properly tagged for automation use, they can be imported directly into New~Wave's music category system and scheduled right alongside cart rotations and spots. This lets a station build out a functioning weekly schedule almost immediately after setup rather than spending significant time sourcing, converting, and tagging audio files before the automation software has anything usable to work with. It's worth noting that these library collections are licensed content rather than royalty free, so stations should confirm their own royalty reporting obligations, which New~Wave supports directly through its BMI and SoundExchange reporting tools. Support And Setup Included To Get On The Air Quickly Every New~Wave purchase includes hours of video tutorials available around the clock, along with manuals and training material to help staff learn the system at their own pace. A free 30 minute computer configuration session is included, where Arrakis staff remotely connects to help set up the software correctly from the start. Combined with the ARC-8's straightforward physical installation and the ready-to-use music libraries, this bundle is built to move a station from unboxing to a running broadcast schedule with as little delay as possible.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995699056887,"sku":"ARC-WAVE-1-M2","price":1949.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/arrakis-systems-logo_7400df28-f42f-4e50-a5f1-fb8d875daed4.jpg?v=1785794631"},{"product_id":"arrakis-arc-wave-10-new-wave-automation-software","title":"Arrakis ARC-WAVE-10 New~Wave Automation Software","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-WAVE-10 New~Wave Automation Software\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA Complete Wireless Ready Console And Automation Package The Arrakis ARC-WAVE-10 bundles the ARC-8-Blue broadcast console together with New~Wave automation software, giving a station a fully integrated on-air setup that includes Bluetooth calling right out of the box. The ARC-8-Blue handles the physical studio side with mic, line, phone, USB, and Bluetooth inputs, while New~Wave manages the scheduling, playback, and voice tracking that keeps a station running even when the studio is unattended. When connected via USB, the console and software merge into a single integrated digital radio workstation, with New~Wave using the ARC-8-Blue's built-in sound card for both playback and recording. This means a station gets wireless calling capability and full automation working together from day one, rather than adding Bluetooth as an afterthought once the core system is already in place. For a new station or one upgrading its existing gear, this bundle removes the guesswork of pairing a console to compatible software while also building in modern wireless connectivity from the start. The ARC-8-Blue Console At The Core Of The Setup The ARC-8-Blue is an 8 channel, 10 input broadcast console built on the same reliable platform as the standard ARC-8, with Bluetooth connectivity added directly to channel seven. Two mic channels support a standard host and guest talk format, seven line level inputs handle other studio sources like CD players and media players, and the Bluetooth-enabled channel manages both wireless calling and audio streaming from any paired device. Both balanced RJ45 and unbalanced RCA connections come standard, giving the console flexibility to work with professional or consumer-type source equipment. A built-in USB sound card on channel eight is what allows New~Wave to connect directly and use the console's own audio hardware rather than a computer's onboard sound card, which typically delivers noticeably worse audio quality for broadcast use. The console is built with the same durability standards found across the ARC line, using socketed ICs and switches rated for multi-million operations to hold up under daily studio use. Bluetooth Calling And Streaming Built Into The Console Channel seven on the ARC-8-Blue functions as a Bluetooth-enabled phone channel, letting any Bluetooth device such as a cell phone, tablet, or MP3 player pair directly to the console for calls or audio playback. Incoming calls are handled with a Call button to accept and a Drop button to reject or end, working just like a standard phone hybrid without needing one physically connected to the board. The caller receives a mix-minus feed of the console output, so they hear the program mix without hearing their own audio looped back, keeping calls sounding clean and free of feedback. Beyond phone calls, the same channel supports streaming audio wirelessly, letting a DJ play a personal playlist or a reporter record and immediately play back an interview without any cabling involved. Built around a BlueCore 5 Multimedia chip, the connection handles full bandwidth, high quality A2DP stereo audio rather than the lower fidelity streaming typical of basic Bluetooth accessories. Having this functionality built directly into the console means a station gets modern wireless calling without needing a separate external Bluetooth accessory taking up space near the board. New~Wave Automation For Unattended Scheduling And Playback New~Wave is built around a customizable automation schedule that plays music, spots, and other programming automatically while a studio is unattended, letting a station sound live around the clock without needing staff physically present at all hours. Its category based music scheduler organizes songs into groups and pulls from those categories automatically as the schedule plays, with a refined shuffle that prevents the same artist or title from repeating back to back. Cart rotations handle commercial scheduling, while start and kill dates let promotional or seasonal content play only during the correct window before stopping automatically. The software is highly fault tolerant and specifically designed to prevent dead air, moving on to the next scheduled event automatically if a file happens to be missing. This scheduling engine is what turns the ARC-8-Blue's inputs, including its Bluetooth channel, into an actual running station rather than just a board someone has to operate manually all day. Voice Tracking And Live Assist Tools For Everyday Use Beyond scheduled automation, New~Wave includes a built-in Hot Keys player that gives quick access to custom pages of audio files, useful for sound effects, liners, or short clips a host needs to trigger instantly during a live segment. Voice tracking lets a host record commentary ahead of time for overnight or unattended hours, so the station still sounds live even when no one is actually in the studio during that shift. New~Wave Tools, included with the software, is where most background tasks happen, including building schedules, generating reports, voice tracking, and managing the audio library. Because a Bluetooth-paired phone can bring in a live caller or a recorded interview at any point, staff can blend live wireless content with scheduled automation without needing to interrupt the broadcast to manually switch modes. Compatible With Existing Software And Ready For Internet Streaming New~Wave works with major third party traffic and music scheduling software, along with outside audio production tools, so a station isn't forced to abandon systems it may already rely on for other parts of its workflow. The software also includes a built-in encoder for internet streaming, sending audio along with title and artist metadata to a station's streaming service of choice. Audio files can also be imported from nearly any external source, including FTP transfers, network shares, or files recorded elsewhere, with the software automatically detecting and importing completed files for playback. This flexibility means the ARC-WAVE-10 bundle isn't a closed system locked into only Arrakis tools, but a foundation that can expand alongside whatever other broadcast technology a station is already using or plans to add later. Support And Setup Included To Get On The Air Quickly Every New~Wave purchase includes hours of video tutorials available around the clock, along with manuals and training material to help staff learn the system at their own pace. A free 30 minute computer configuration session is included, where Arrakis staff remotely connects to help set up the software correctly from the start. Combined with the ARC-8-Blue's straightforward physical installation and built-in Bluetooth functionality, this bundle is built to get a station from unboxing to a fully wireless-capable on-air setup with as little friction as possible.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995699089655,"sku":"ARC-WAVE-10","price":1749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Arrakis-ARC-WAVE-10.jpg?v=1785794637"},{"product_id":"arrakis-arc-wave-10-m2-console","title":"Arrakis ARC-WAVE-10-M2 Console","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-WAVE-10-M2 Console\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA Complete Wireless Station Package With Music Included The Arrakis ARC-WAVE-10-M2 bundles the ARC-8-Blue broadcast console, New~Wave automation software, and three complete music libraries into a single package, giving a new or growing station wireless calling, full automation, and a real music catalog all in one purchase. Rather than sourcing a console, automation software, and a song library separately from different vendors, this bundle brings everything together so a station can start running actual programming almost immediately. The ARC-8-Blue handles the physical studio side with mic, line, phone, USB, and Bluetooth inputs, while New~Wave manages scheduling, playback, and voice tracking so the station can run unattended when needed. The included music libraries mean a station doesn't have to spend weeks building a catalog from scratch before it can put together a real broadcast day. For a startup station or an internet radio project trying to get on the air quickly with modern wireless features, this bundle removes several of the biggest early hurdles at once. The ARC-8-Blue Console With Bluetooth Built In The ARC-8-Blue is an 8 channel, 10 input broadcast console built on the same reliable ARC-8 platform, with Bluetooth connectivity added directly to channel seven. Two mic channels support a standard host and guest talk format, seven line level inputs handle other studio sources, and the Bluetooth-enabled channel manages wireless calling and audio streaming from any paired device. Incoming calls are handled with a Call button to accept and a Drop button to end, working like a standard phone hybrid without needing one physically wired in, while a mix-minus feed keeps calls sounding clean and free of feedback. Both balanced RJ45 and unbalanced RCA connections come standard, and a built-in USB sound card on channel eight is what allows New~Wave to connect directly and use the console's own audio hardware instead of a computer's onboard sound card. The console is built with the same durability standards found across the ARC line, using socketed ICs and switches rated for multi-million operations to hold up under daily studio use. New~Wave Automation For Scheduling And Unattended Playback New~Wave is built around a customizable automation schedule that plays music, spots, and other programming automatically while a studio is unattended, letting a station sound live around the clock without needing staff physically present at all hours. Its category based music scheduler organizes songs into groups and pulls from those categories automatically as the schedule plays, with a refined shuffle that prevents the same artist or title from repeating back to back. Cart rotations handle commercial scheduling, while start and kill dates let promotional or seasonal content play only during the correct window before stopping automatically. The software is highly fault tolerant and specifically designed to prevent dead air, moving on to the next scheduled event automatically if a file happens to be missing. Because a Bluetooth-paired phone can bring live calls or recorded interviews into the mix at any point, staff can blend live wireless content with scheduled automation without interrupting the broadcast to manually switch modes. Three Complete Music Libraries Ready To Load And Play This bundle includes three of Arrakis's Masters Music Libraries, professionally remastered song collections built specifically for broadcast automation use rather than generic consumer audio files. Every track has been recorded as a 256kbps MP3 for solid audio quality, with silence trimmed from the front and back of each file and audio levels normalized for consistent playback across an entire schedule. Files are named according to Arrakis's automation naming format, so New~Wave recognizes and organizes them correctly without any manual renaming or reformatting needed. Intro to voice and segue end-of-message times are already set on every file, which is what allows a host to talk over an intro or overlap songs cleanly without manually timing each transition. With libraries available across genres and decades, from classic rock and country hits to Christian music and world music collections, a station can select libraries matching its intended format and have real programming loaded and ready to schedule almost immediately. Getting A New Programming Format Running Fast Combining the console, the automation software, and a real music catalog in one bundle addresses a problem many new stations run into, which is having the technical setup ready long before there's enough content to actually fill a broadcast schedule. Because the included libraries are pre-processed and properly tagged for automation use, they can be imported directly into New~Wave's music category system and scheduled right alongside cart rotations and spots. This lets a station build out a functioning weekly schedule almost immediately after setup rather than spending significant time sourcing, converting, and tagging audio files before the automation software has anything usable to work with. These library collections are licensed content rather than royalty free, so stations should confirm their own royalty reporting obligations, which New~Wave supports directly through its BMI and SoundExchange reporting tools. Support And Setup Included To Get On The Air Quickly Every New~Wave purchase includes hours of video tutorials available around the clock, along with manuals and training material to help staff learn the system at their own pace. A free 30 minute computer configuration session is included, where Arrakis staff remotely connects to help set up the software correctly from the start. Combined with the ARC-8-Blue's straightforward physical installation, its built-in Bluetooth functionality, and the ready-to-use music libraries, this bundle is built to move a station from unboxing to a running, wireless-capable broadcast schedule with as little delay as possible.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995699122423,"sku":"ARC-WAVE-10-M2","price":2199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/arrakis-systems-logo_e081bf04-6a33-466c-907b-7918540181d2.jpg?v=1785794642"},{"product_id":"arrakis-arc-wave-11-console-automation-bundle","title":"Arrakis ARC-WAVE-11 Console \u0026 Automation Bundle","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-WAVE-11 Console \u0026amp; Automation Bundle\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA Complete News Talk Console And Automation Package The Arrakis ARC-WAVE-11 bundles the ARC-Talk-Blue console together with New~Wave automation software, giving a talk-focused station a fully integrated setup built for handling multiple hosts, guests, and phone callers alongside real scheduling and playback. The ARC-Talk-Blue brings five mic channels, USB computer audio, and two Bluetooth phone channels to the physical side of the studio, while New~Wave manages the scheduling, music playback, and voice tracking that keeps a station running during unattended hours. When the two are connected via USB, they merge into a single integrated digital radio workstation, with New~Wave using the console's own sound card for both playback and recording. This pairing is aimed squarely at talk formats, news operations, and multi-guest programming where a station needs serious call handling capability alongside dependable automation, rather than a general music console paired with generic scheduling software. The ARC-Talk-Blue Console Built For Multi Guest Talk Formats The ARC-Talk-Blue is a compact 8 channel console purpose built for news talk, journalism, and any format that regularly juggles multiple voices and callers at once. Five high-performance mic channels with XLR inputs give a station enough capacity for a full panel discussion or multi-host show, each with 48 VDC phantom power available directly on the channel for condenser microphones. Two dedicated Bluetooth channels let the console conference two separate callers or stream from two wireless devices simultaneously, while Bluetooth-enabled landline phones are also supported for stations that want more consistent call quality than cellular alone provides. A built-in USB sound card connects the console directly to a Windows or Mac computer, which is exactly what allows New~Wave to use the console's own audio hardware instead of a computer's onboard sound card. Ten robust faders with individual mute and solo switches give an operator precise control over every channel during a live segment, a level of hands-on control that's uncommon on a console this compact. New~Wave Automation For Scheduling Around A Live Talk Format New~Wave is built around a customizable automation schedule that plays music, spots, and other programming automatically during unattended hours, letting a talk station fill overnight or off-peak time slots without needing a host physically present around the clock. Cart rotations handle commercial scheduling for stations without complex dayparting needs, while start and kill dates let promotional or seasonal content play only during the correct window before stopping automatically. The software is highly fault tolerant and specifically designed to avoid dead air, automatically moving to the next scheduled event if a file happens to be missing. For a talk station, this means the live, host-driven hours can run through the ARC-Talk-Blue's mic and Bluetooth channels while New~Wave handles the surrounding schedule, filling gaps with music, syndicated content, or pre-recorded segments without requiring constant manual intervention. Voice Tracking And Hot Keys Built For Fast Paced Talk Radio New~Wave includes a built-in Hot Keys player that gives quick access to custom pages of audio files, useful for sound effects, show intros, or short clips a host needs to trigger instantly during a live segment. Voice tracking lets a host record commentary ahead of time for hours when the studio is unattended, so the station still sounds live even outside its regular live broadcast hours. New~Wave Tools, included with the software, is where most background tasks happen, including building schedules, generating reports, and managing the audio library. Because the ARC-Talk-Blue's Bluetooth channels can bring in live callers at any point during a show, staff can move fluidly between scheduled content and live call segments without needing to reconfigure the system mid-broadcast. Compatible With Existing Software And Ready For Internet Streaming New~Wave works with major third party traffic and music scheduling software, along with outside audio production tools, so a station isn't forced to abandon systems it may already rely on. The software includes a built-in encoder for internet streaming, sending audio along with title and artist metadata to a station's streaming service of choice, which matters for talk stations building an online audience alongside or instead of traditional broadcast. Audio files can also be imported from nearly any external source, including FTP transfers, network shares, or recordings made elsewhere, with the software automatically detecting and importing completed files for playback. This flexibility means the ARC-WAVE-11 bundle can grow alongside a station's technology stack rather than locking it into only Arrakis tools. Support And Setup Included To Get On The Air Quickly Every New~Wave purchase includes hours of video tutorials available around the clock, along with manuals and training material to help staff learn the system at their own pace. A free 30 minute computer configuration session is included, where Arrakis staff remotely connects to help set up the software correctly from the start. Combined with the ARC-Talk-Blue's compact, portable design and straightforward installation, this bundle is built to get a talk-focused station from unboxing to a fully functioning, call-ready broadcast setup with minimal delay.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995699155191,"sku":"ARC-WAVE-11","price":1749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/arrakis-systems-logo_805509b9-32ef-4011-8fab-e3cdd8fe5823.jpg?v=1785794648"},{"product_id":"arrakis-arc-wave-11-m2-console","title":"Arrakis ARC-WAVE-11-M2 Console","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-WAVE-11-M2 Console\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA Complete Talk Station Package With Music Included The Arrakis ARC-WAVE-11-M2 bundles the ARC-Talk-Blue console, New~Wave automation software, and three complete music libraries into a single package, giving a talk-focused station wireless calling, full automation, and a real music catalog all in one purchase. Rather than sourcing a console, automation software, and a song library from separate vendors, this bundle brings everything together so a station can start running actual programming almost immediately. The ARC-Talk-Blue handles the physical studio side with five mic channels, USB computer audio, and two Bluetooth phone channels, while New~Wave manages scheduling, playback, and voice tracking so the station can fill unattended hours with real content. The included music libraries mean a talk station running music beds, transition segments, or off-peak programming doesn't have to build a catalog from scratch before putting together a working schedule. For a talk or news operation trying to get on the air quickly with modern calling features and real content ready to go, this bundle covers all three pieces at once. The ARC-Talk-Blue Console Built For Multi Guest Talk Formats The ARC-Talk-Blue is a compact 8 channel console purpose built for news talk, journalism, and any format that regularly juggles multiple voices and callers at once. Five high-performance mic channels with XLR inputs give a station enough capacity for a full panel discussion or multi-host show, each with 48 VDC phantom power available directly on the channel for condenser microphones. Two dedicated Bluetooth channels let the console conference two separate callers or stream from two wireless devices simultaneously, while Bluetooth-enabled landline phones are also supported for stations wanting more consistent call quality than cellular alone provides. A built-in USB sound card connects the console directly to a Windows or Mac computer, which is exactly what allows New~Wave to use the console's own audio hardware instead of a computer's onboard sound card. Ten robust faders with individual mute and solo switches give an operator precise control over every channel during a live segment. New~Wave Automation For Scheduling Around A Live Talk Format New~Wave is built around a customizable automation schedule that plays music, spots, and other programming automatically during unattended hours, letting a talk station fill overnight or off-peak time slots without needing a host physically present around the clock. Cart rotations handle commercial scheduling for stations without complex dayparting needs, while start and kill dates let promotional or seasonal content play only during the correct window before stopping automatically. The software is highly fault tolerant and specifically designed to avoid dead air, automatically moving to the next scheduled event if a file happens to be missing. For a talk station, this means the live, host-driven hours can run through the ARC-Talk-Blue's mic and Bluetooth channels while New~Wave handles the surrounding schedule, filling gaps with music or pre-recorded segments without requiring constant manual intervention. Three Complete Music Libraries Ready To Load And Play This bundle includes three of Arrakis's Masters Music Libraries, professionally remastered song collections built specifically for broadcast automation use rather than generic consumer audio files. Every track has been recorded as a 256kbps MP3 for solid audio quality, with silence trimmed from the front and back of each file and audio levels normalized for consistent playback across an entire schedule. Files are named according to Arrakis's automation naming format, so New~Wave recognizes and organizes them correctly without any manual renaming or reformatting needed. Intro to voice and segue end-of-message times are already set on every file, allowing a host to talk over an intro or overlap songs cleanly without manually timing each transition. For a talk station, having a ready-made library means music beds, transition segments, and off-peak filler programming are available immediately rather than needing to be sourced and prepared separately before the station can run a complete schedule. Bringing Live Calls And Scheduled Content Together Seamlessly Because the ARC-Talk-Blue's Bluetooth channels can bring in live callers or wireless streaming at any point during a show, staff can move fluidly between scheduled automated content and live call segments without needing to reconfigure the system mid-broadcast. New~Wave Tools, included with the software, is where most background tasks happen, including building schedules, generating reports, voice tracking, and managing the audio library alongside the included music collections. Voice tracking lets a host record commentary ahead of time for hours when the studio is unattended, so a talk station still sounds live and current even outside its regular live broadcast hours. This combination gives a talk-focused station the flexibility to run as a fully live operation during peak hours and shift into automated, music-supported programming the rest of the day. Support And Setup Included To Get On The Air Quickly Every New~Wave purchase includes hours of video tutorials available around the clock, along with manuals and training material to help staff learn the system at their own pace. A free 30 minute computer configuration session is included, where Arrakis staff remotely connects to help set up the software correctly from the start. Combined with the ARC-Talk-Blue's compact, portable design and the ready-to-use music libraries, this bundle is built to move a talk station from unboxing to a fully functioning, call-ready broadcast schedule with minimal delay.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995699187959,"sku":"ARC-WAVE-11-M2","price":2199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/arrakis-systems-logo_74e4db24-fd2a-413a-9102-8b3973806ee4.jpg?v=1785794653"},{"product_id":"arrakis-arc-wave-12-new-wave-automation-software","title":"Arrakis ARC-WAVE-12 Console And Automation Bundle","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-WAVE-12 Console And Automation Bundle\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA Compact Console And Automation Package For Small Studios The Arrakis ARC-WAVE-12 bundles the ARC-5 broadcast console together with New~Wave automation software, giving smaller stations, podcasters, and internet radio operations a fully working on-air setup without needing to source hardware and software separately. The ARC-5 handles the physical side of a compact studio with mic, line, phone, and USB inputs, while New~Wave manages the scheduling, playback, and voice tracking that keeps a station running even during unattended hours. When connected via USB, the console and software merge into a single integrated digital radio workstation, with New~Wave using the ARC-5's built-in sound card for both playback and recording. This pairing is aimed at stations that want real broadcast automation capability but don't need a large multi-channel board, making it a strong fit for podcasting setups, small internet stations, or remote production work. The ARC-5 Console At The Core Of The Setup The ARC-5 is an ultracompact 5 by 2 audio mixing console built for podcasting, small broadcast or internet radio, and remote applications where space and simplicity matter as much as functionality. Two high-performance mic channels support a standard host and guest format, a stereo line input handles other studio sources, and a dedicated phone mix channel connects to an external hybrid for taking calls with a proper mix-minus feed. Both balanced RJ45 and unbalanced RCA connections come standard, giving the console flexibility to work with professional or consumer-type source equipment. A built-in USB sound card on channel five is what allows New~Wave to connect directly and use the console's own audio hardware rather than a computer's onboard sound card, which typically delivers noticeably worse audio quality for broadcast use. The console is built with the same reliability standards found across the ARC line, using high-quality switches and faders engineered to endure multi-million operations. New~Wave Automation For Scheduling And Unattended Playback New~Wave is built around a customizable automation schedule that plays music, spots, and other programming automatically while a studio is unattended, letting even a small station sound live around the clock without needing staff physically present at all hours. Its category based music scheduler organizes songs into groups and pulls from those categories automatically as the schedule plays, with a refined shuffle that prevents the same artist or title from repeating back to back. Cart rotations handle commercial scheduling, while start and kill dates let promotional or seasonal content play only during the correct window before stopping automatically. The software is highly fault tolerant and specifically designed to prevent dead air, moving on to the next scheduled event automatically if a file happens to be missing. For a small station running lean, this kind of dependable automation matters even more, since there may not be staff available around the clock to catch and fix a scheduling gap manually. Voice Tracking And Live Assist Tools Built For Everyday Use New~Wave includes a built-in Hot Keys player that gives quick access to custom pages of audio files, useful for sound effects, liners, or short clips a host needs to trigger instantly during a live segment. Voice tracking lets a host record commentary ahead of time for the overnight or unattended hours, so the station still sounds live even when no one is actually in the studio during that shift. New~Wave Tools, included with the software, is where most background tasks happen, including building schedules, generating reports, voice tracking, and managing the audio library. For a small operation without a large staff, these tools mean one or two people can effectively run a full broadcast schedule that would otherwise require a much bigger team. Compatible With Existing Software And Ready For Internet Streaming New~Wave works with major third party traffic and music scheduling software, along with outside audio production tools, so a station isn't forced to abandon systems it may already rely on for other parts of its workflow. The software also includes a built-in encoder for internet streaming, sending audio along with title and artist metadata to a station's streaming service of choice, which matters for internet stations and podcasters distributing content online. Audio files can also be imported from nearly any external source, including FTP transfers, network shares, or files recorded elsewhere, with the software automatically detecting and importing completed files for playback. This flexibility means the ARC-WAVE-12 bundle can grow alongside a small station's needs rather than locking it into a fixed set of tools. Support And Setup Included To Get On The Air Quickly Every New~Wave purchase includes hours of video tutorials available around the clock, along with manuals and training material to help staff learn the system at their own pace. A free 30 minute computer configuration session is included, where Arrakis staff remotely connects to help set up the software correctly from the start. Combined with the ARC-5's compact, straightforward installation, this bundle is built to get a small station, podcast studio, or remote setup from unboxing to on-air with as little friction as possible.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995699220727,"sku":"ARC-WAVE-12","price":1249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/arrakis-systems-logo_f08fd6dc-76e6-43c9-95b7-30993e66447c.jpg?v=1785794658"},{"product_id":"arrakis-arc-wave-2-console-automation-bundle","title":"Arrakis ARC-WAVE-2 Console \u0026 Automation Bundle","description":"\u003ch1\u003e\u003cstrong\u003eArrakis ARC-WAVE-2 Console \u0026amp; Automation Bundle\u003c\/strong\u003e\u003c\/h1\u003e\u003cp\u003eA Complete 10 Channel Console And Automation Package The Arrakis ARC-WAVE-2 bundles the ARC-10U broadcast console together with New~Wave automation software, giving a station a more expansive on-air setup than an 8 channel bundle while still keeping hardware and software matched and ready to work together out of the box. The ARC-10U handles the physical side of the studio with mic, line, and phone inputs, while New~Wave manages the scheduling, playback, and voice tracking that keeps a station running even during unattended hours. Because the two are designed to complement each other, New~Wave and the ARC-10U create a powerful live content workflow once connected, rather than a station having to troubleshoot compatibility between mismatched equipment. This bundle is a strong fit for stations that want more input capacity than an 8 channel board provides, whether that's for additional line sources, a bigger production workload, or simply more room to grow as programming needs change. The ARC-10U Console At The Core Of The Setup The ARC-10U is a 10 channel, 10 input general purpose console built to handle most on-air radio and production studio applications. Two channels are dedicated high-performance mic inputs for a host and guest setup, seven channels handle stereo line level sources like CD players and network feeds, and channel ten is an advanced telephone interface for live callers or off-line contest calls. This model uses unbalanced RCA connections throughout, making it a natural fit for studios running consumer-type source gear, with sources plugging in using standard off the shelf cables similar to a home stereo setup. Two stereo Program output buses, each with mono mixdown capability, give a station flexibility to feed a transmitter and a separate destination simultaneously, with outputs available in both balanced XLR and unbalanced RCA formats. The console is built with the same reliability standards found across the ARC line, using socketed ICs, LED illuminated switches rated for roughly five million operations, and conductive plastic faders designed for long-term durability. New~Wave Automation For Scheduling And Unattended Playback New~Wave is built around a customizable automation schedule that plays music, spots, and other programming automatically while a studio is unattended, letting a station sound live around the clock without needing staff physically present at all hours. Its category based music scheduler organizes songs into groups and pulls from those categories automatically as the schedule plays, with a refined shuffle that prevents the same artist or title from repeating back to back. Cart rotations handle commercial scheduling, while start and kill dates let promotional or seasonal content play only during the correct window before stopping automatically. The software is highly fault tolerant and specifically designed to prevent dead air, moving on to the next scheduled event automatically if a file happens to be missing. With ten input channels on the console feeding into this scheduling engine, a station has more flexibility to route different sources into a single, dependable automated broadcast day. Voice Tracking And Live Assist Tools Built For Everyday Use New~Wave includes a built-in Hot Keys player that gives quick access to custom pages of audio files, useful for sound effects, liners, or short clips a host needs to trigger instantly during a live segment. Voice tracking lets a host record commentary ahead of time for the overnight or unattended hours, so the station still sounds live even when no one is actually in the studio during that shift. New~Wave Tools, included with the software, is where most background tasks happen, including building schedules, generating reports, voice tracking, and managing the audio library. With the ARC-10U's dedicated telephone channel available alongside the automation schedule, a station can also weave live caller segments into an otherwise automated broadcast day without needing separate equipment to handle that switch. Compatible With Existing Software And Ready For Internet Streaming New~Wave works with major third party traffic and music scheduling software, along with outside audio production tools, so a station isn't forced to abandon systems it may already rely on for other parts of its workflow. The software also includes a built-in encoder for internet streaming, sending audio along with title and artist metadata to a station's streaming service of choice, which matters for stations running online alongside or instead of traditional broadcast. Audio files can also be imported from nearly any external source, including FTP transfers, network shares, or files recorded elsewhere, with the software automatically detecting and importing completed files for playback. This flexibility means the ARC-WAVE-2 bundle can expand alongside whatever other broadcast technology a station is already using or plans to add later. Support And Setup Included To Get A Station On The Air Quickly Every New~Wave purchase includes hours of video tutorials available around the clock, along with manuals and training material to help staff learn the system at their own pace. A free 30 minute computer configuration session is included, where Arrakis staff remotely connects to help set up the software correctly from the start. Combined with the ARC-10U's straightforward physical installation, this bundle is built to get a station from unboxing to on-air with as little friction as possible, while providing more room to grow than a smaller console bundle would allow.\u003c\/p\u003e","brand":"Arrakis","offers":[{"title":"Default Title","offer_id":50995699253495,"sku":"ARC-WAVE-2","price":2449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/Arrakis-ARC-WAVE-2.jpg?v=1785794666"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/collections\/arrakis-systems-logo.jpg?v=1764280624","url":"https:\/\/www.305broadcast.com\/collections\/arrakis.oembed?page=5","provider":"305broadcast","version":"1.0","type":"link"}