{"title":"BLACK MAGIC DESIGN","description":"","products":[{"product_id":"blackmagic-design-teranex-express","title":"Blackmagic Design Teranex Express","description":"\u003cdiv class=\"title-container center-title\"\u003e\n\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design Teranex Express\u003c\/h1\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTeranex Express\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efrom\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBlackmagic Design\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis a real-time SD, HD, and Ultra HD broadcast up\/down converter. This lets you convert your SD and HD footage to Ultra HD 4K (3840 x 2160) for presentations on large high-resolution displays, or convert your Ultra HD footage for displaying on HD monitors.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Cgz6fipNxRc\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003e\u003cbr\u003eWith advanced processing technology developed and patented by Teranex, you get full 10-bit processing with high-quality de-interlace and Ultra HD scaling algorithms. You can also use the Teranex Express to synchronize non genlock external feeds or cameras into switchers for live production. Conversions retain timecode, include closed caption data, and maintain audio sync so your video is ready for real-time editing or broadcast.\u003cbr\u003e\u003cbr\u003eThe Teranex Express features two SDI input connectors -- one 12G and one 6G -- and matching output connectors, which support 12G-SDI and a Dual Link 6G-SDI signals. The in\/out connections also support SD-SDI, HD-SDI, and 3G-SDI signals, for compatibility with your existing SDI equipment. Loop outputs for each input and a genlock input are provided, as well as an industry standard socket so you can install an optional optical fiber module to run video up to 28 miles over fiber optic cable.\u003cbr\u003e\u003cbr\u003eUsing the same familiar control panel as the Teranex 2D and 3D, the Teranex Express puts all the controls you need at your fingertips. The built-in LCD monitor lets you navigate menus and see source format and frame rate with live video, so you don't need an external monitor for operation. The Teranex Express also features a machined metal front panel, compact 1RU size, and a built-in international power supply.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e12G-SDI and Dual-Link 6G\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e12G-SDI provides 12 Gb\/s of throughout, which is about 8 times faster than HD-SDI. The increased bandwidth lets you output Ultra HD (3840 x 2160) over a single cable and support Ultra HD 60p as well as other new formats as they become available. The 12G-SDI input\/output connectors, along with the 6G-SDI input\/output connectors (used for Dual Link signals), are also compatible with SD, HD, and 3G-SDI signals.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e10-Bit Image Processing\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eWith high-precision 10-bit image processing, you get four times the amount of colors than 8-bit, yielding smoother gradations and reducing color banding or other unwanted artifacts.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eControl Panel with On Screen Menus\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eThe Teranex Express features a logically designed front panel with back-illuminated buttons and an integrated LCD screen. You can use the soft buttons alongside the LCD screen and the control knob to fine tune settings and make precise adjustments with confidence during live broadcasts.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eDeinterlacing\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eUsing proprietary and patented PixelMotion deinterlacing algorithms, the Teranex Express creates progressive frames for conversion by adjusting the aperture on a pixel by pixel basis. This means you get improved image quality because the vertical resolution is maintained. PixelMotion deinterlacing preserves source detail and, when combined with multi-direction diagonal filters, helps eliminate jagged edges on conversion, yielding well-defined edges and sharp images.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eImage Scaling\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eWith all new real-time optical quality scaling algorithms that simulate an optical zoom, you get images with high detail and clarity. When converting between SD, HD, and Ultra HD resolution, sub-pixel processing and multi-directional diagonal filters to produce clean looking images.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eProc Amp Controls\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eA complete set of Pro Amp controls let you adjust luminace gain, black level, chroma saturation, chroma hue, R-Y\/B-Y color difference values, and sharpness of source feeds and make correction in real time during conveersions.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eAudio, Timecode and Subtitles\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eVideo includes a lot more than images, and Teranex also supports conversion of up to 16 audio channels plus timecode and closed caption VANC data. This means timecode matches during conversion to the 0 frames, and subtitles are retained. The Teranex Express is also compatible with Dolby encoded audio, letting it be passed to the output without having to decode or re-encoded during up an down conversions.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eOptional Optical Fiber Module\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003ethe Teranex Express can carry video signals up to 28 miles over fiber optic cables using the optional Optical Fiber Module.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eAFD\/WSS\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eActive Format Distribution (AFD) and Widescreen Signaling (WSS) are a standard set of codes that carry information about a video signal's aspect ratio and active picture characteristics. Ternanew Express preserves AFD and WSS information during the conversion process, so that means your screen will automatically select the correct aspect ratio for video playback.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eApects Ratio Conversions\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eThe Teranex Express supports a wide range of fixed aspect ratios as well as color fill, letting you conver between 4:3, 16:9, and more.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eClosed Caption\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eNow mandatory in many countries for broadcast distribution, captions are usually stored as ancillary data embedded into an SDI stream. The Teranex Express understands the different types of Closed Caption data found in SD and HD video streams, and will preserve and convert it into the proper CEA-608 or CEA-708 format for your output video.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eTimecode\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eATC\/VITC timecode is passed through and retained during the conversion process so source timecode is always preserved. You also have the option to jam sync of generate new timecode for sources that have inconsistent or unusable embedded timecode.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eTest Pattern Generator\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eFor color calibrating monitors or aligning digital projectors, the internal test pattern generator can display black burst and test patterns, including SMPTE color bars, grids, and resolution charts.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePower\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eA built-in 110\/240V international power supply with a standard IEC connection lets you use the Teranex Express anywhere in the world, when used with the appropriate power cord.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003caside class=\"rightNavbar_1yd0CDDKugyYbfeMldBz\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"included_w6g5Ks34VAHMzAA4D9xsM\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"image-container\" style=\"text-align: justify;\"\u003e\n\u003cdiv class=\"column-list\"\u003e\n\u003cdiv class=\"column-container\"\u003e\n\u003cdiv class=\"autocolumn\"\u003e\n\u003cdiv class=\"column\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115028086938,"sku":"BMD-TERANEXEXP12GDL","price":1535.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/Teranex__02134.jpg?v=1601997620"},{"product_id":"blackmagic-design-multiview-16","title":"Blackmagic Design MultiView 16","description":"\u003cdiv class=\"text\"\u003e\n\u003cdiv class=\"title-container center-title\"\u003e\n\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design MultiView 16\u003c\/h1\u003e\n\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAll Blackmagic MultiView models are designed to be durable and rugged enough for use out in the field or back in the studio, and are built for 24\/7 dependability! Choose from the compact Blackmagic MultiView 4 that can go anywhere, or the super strong industrial strength all metal design of the Blackmagic MultiView 16 for larger installations!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ADQMDFEXCuE\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design MultiView 16\u003c\/h1\u003e\n\u003ch3\u003eView up to 16 independent sources at the same time!\u003c\/h3\u003e\n\u003cp\u003eWith 16 completely independent 6G-SDI inputs, Blackmagic MultiView 16 is perfect for larger installations where you need to monitor up to 16 SD, HD and Ultra HD sources at the same time. You get full front panel router style controls, along with an LCD screen and spin knob to adjust settings, route sources to different views, turn on overlays, and more. MultiView 16 can display sources in a 2x2, 3x3 or 4x4 grid, or even in a SOLO view for full screen viewing of any single source!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eStudio or Live Use!\u003c\/h2\u003e\n\u003ch3\u003eMulti source monitoring designed for broadcasters\u003c\/h3\u003e\n\u003cp\u003eMulti view monitoring is perfect for massive control rooms with lots of incoming feeds, for live multi camera production or for use on location and in tight spaces that don’t have room for multiple monitors. With Blackmagic MultiViews you don’t need to connect multiple monitors, dozens of cables or run extra power to see all of your video sources! Simply plug your cameras, decks, switchers and routers into the SDI connections to see everything with amazing clarity and detail on a single HD or Ultra HD monitor!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eIndependent Monitoring\u003c\/h2\u003e\n\u003ch3\u003eMix any combination of SD, HD and Ultra HD sources\u003c\/h3\u003e\n\u003cp\u003eEach view on a Blackmagic MultiView works as a completely independent video monitor. You get full frame re-synchronization on all of the 6G-SDI inputs. That means they can be any video standard and frame rate, and each input is completely independent of the others. You can mix any combination of referenced or non-referenced NTSC, PAL, 720p, 1080i, 1080p, and Ultra HD up to 2160p30, all on the same display at the same time! It's like getting 4 or 16 independent monitors in one!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eHigh Resolution Monitoring\u003c\/h2\u003e\n\u003ch3\u003eThe world’s highest resolution multi viewer!\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eBlackmagic MultiView works with both HD as well as Ultra HD displays, so you get maximum compatibility with your existing HD equipment. That means you can use regular HD displays but you also have the choice to use an Ultra HD monitor for incredible sharpness! Ultra HD has four times the number of pixels of regular HD, so your video will look sharper and clearer than ever before! What this means is when displaying the 2x2 view on an Ultra HD monitor, each view is a full 1920 x 1080 HD resolution with no scaling! MultiView includes both 6G-SDI and HDMI outputs so you can connect to televisions, video projectors, broadcast monitors and more!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3 style=\"text-align: justify;\"\u003eSuper tough machined metal design!\u003c\/h3\u003e\n\u003cp style=\"text-align: justify;\"\u003eWith a front panel that's crafted from aircraft grade aluminum, Blackmagic MultiView 16 looks great and is rugged enough to withstand years of use in extremely tough environments. Designed for managing complex multi source productions, the front panel features illuminated buttons, a built in display and spin knob control. Whether you’re using it in the studio or on a truck, Blackmagic MultiView 16 can withstand the rigorous stress of professional production work!\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 style=\"text-align: justify;\"\u003eSuper fast flexible front panel control!\u003c\/h2\u003e\n\u003cp style=\"text-align: justify;\"\u003eWhen you’re working on a live production or in a master control room, you need to be able to quickly switch views on the fly. Setting up and using MultiView 16 couldn’t be easier! There are no confusing menus or cryptic buttons. The front panel has 16 simple buttons, one for each of your video sources and you can quickly place any source into any position on the grid by using the LCD, spin knob, and SRC\/VIEW buttons. There’s even a SOLO button for instantly viewing a single source!\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 style=\"text-align: justify;\"\u003eExternal Software Control\u003c\/h2\u003e\n\u003ch3 style=\"text-align: justify;\"\u003eGet full control form your Mac or Windows computer\u003c\/h3\u003e\n\u003cp style=\"text-align: justify;\"\u003eAll Blackmagic MultiViews can be connected to a standard Ethernet IP network and uses Bonjour so it’s automatically recognized by Mac and Windows computers running the control panel software! That means you can control them remotely, even if they're in a hard to reach rack, hidden in cable trays, or on the other side of the world! The software uses attractive, easy to understand icons and push buttons, making it simple and intuitive to use. You can easily add router labels to your outputs, view tally indicators and more!\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 style=\"text-align: justify;\"\u003eHardware Control Panels\u003c\/h2\u003e\n\u003ch3 style=\"text-align: justify;\"\u003eRemote control panels in your facility\u003c\/h3\u003e\n\u003cp style=\"text-align: justify;\"\u003eWhen you’re working in a larger facility, you may want to control your Blackmagic MultiView 16 from a location other than the front panel itself. That’s easy because MultiView 16 includes the Blackmagic Videohub protocol for external control over Ethernet, so you can control it using Blackmagic Design’s Videohub Smart Control or Videohub Master Control hardware panels! Simply plug the control panel into the Ethernet network for push button control! You can even use the Blackmagic Videohub Client software for on screen push button routing control with attractive buttons and icons. The Videohub software can also manage and create custom labels.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115028185242,"sku":"BMD-HDL-MULTIP6G\/16","price":1735.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/multiview-16w__12842.jpg?v=1601997621"},{"product_id":"blackmagic-design-multiview-4","title":"Blackmagic Design MultiView 4","description":"\u003cdiv class=\"text\"\u003e\n\u003cdiv class=\"title-container center-title\"\u003e\n\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design MultiView 4\u003c\/h1\u003e\n\u003ch3 style=\"text-align: justify;\"\u003eThe easiest multi view you'll ever use!\u003c\/h3\u003e\n\u003cp style=\"text-align: justify;\"\u003eBlackmagic MultiView 4 has four completely independent 6G-SDI inputs that work with all SD, HD and Ultra HD formats up to 2160p30. Simply connect your sources and you’ll get a standard 2x2 grid view, or even a SOLO view for full screen viewing of any single source, on an HD or Ultra HD television. Using the included Ethernet remote control software, you can turn on audio meters, choose which audio to output, as well as create custom labels, and more! MultiView 4 is compatible with the Teranex Mini Rack Shelf so you can use it on your desktop or rack mount it. You can also add an optional Teranex Mini Smart Panel for front panel control! For the ultimate in broadcast reliability and redundancy, you can power MultiView 4 via the AC connection as well as power over Ethernet!\u003c\/p\u003e\n\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan style=\"font-size: 10px;\"\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ItoGKMr3w6A\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cdiv class=\"column center\" style=\"text-align: justify;\"\u003e\n\u003ch2\u003eStudio or Live Use!\u003c\/h2\u003e\n\u003ch3\u003eMulti source monitoring designed for broadcasters\u003c\/h3\u003e\n\u003cp\u003eMulti view monitoring is perfect for massive control rooms with lots of incoming feeds, for live multi camera production or for use on location and in tight spaces that don’t have room for multiple monitors. With Blackmagic MultiViews you don’t need to connect multiple monitors, dozens of cables or run extra power to see all of your video sources! Simply plug your cameras, decks, switchers and routers into the SDI connections to see everything with amazing clarity and detail on a single HD or Ultra HD monitor!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"columns\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch2 style=\"text-align: justify;\"\u003eIndependent Monitoring\u003c\/h2\u003e\n\u003ch3 style=\"text-align: justify;\"\u003eMix any combination of SD, HD and Ultra HD sources\u003c\/h3\u003e\n\u003cp style=\"text-align: justify;\"\u003eEach view on a Blackmagic MultiView works as a completely independent video monitor. You get full frame re-synchronization on all of the 6G-SDI inputs. That means they can be any video standard and frame rate, and each input is completely independent of the others. You can mix any combination of referenced or non-referenced NTSC, PAL, 720p, 1080i, 1080p, and Ultra HD up to 2160p30, all on the same display at the same time! It's like getting 4 or 16 independent monitors in one!\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 style=\"text-align: justify;\"\u003eHigh Resolution Monitoring\u003c\/h2\u003e\n\u003ch3 style=\"text-align: justify;\"\u003eThe world’s highest resolution multi viewer!\u003c\/h3\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eBlackmagic MultiView works with both HD as well as Ultra HD displays, so you get maximum compatibility with your existing HD equipment. That means you can use regular HD displays but you also have the choice to use an Ultra HD monitor for incredible sharpness! Ultra HD has four times the number of pixels of regular HD, so your video will look sharper and clearer than ever before! What this means is when displaying the 2x2 view on an Ultra HD monitor, each view is a full 1920 x 1080 HD resolution with no scaling! MultiView includes both 6G-SDI and HDMI outputs so you can connect to televisions, video projectors, broadcast monitors and more!\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115125670042,"sku":"BMD-HDL-MULTIP6G\/04","price":605.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/multiview-4d__39779.jpg?v=1602002423"},{"product_id":"blackmagic-design-smartview-duo-rackmountable-dual-8-lcd-monitors","title":"Blackmagic Design SmartView Duo 2","description":"\u003cdiv class=\"heading left\" style=\"text-align: justify;\"\u003e\n\u003cdiv class=\"title_1S1JLm7P93Ohi6H_hq7wWh\"\u003e\n\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design SmartView Duo Rackmountable Dual 8\" LCD Monitors\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"meta_3kFuVz5DY2H2vHZJJF4TvC\"\u003e\n\u003cdiv class=\"element_1HAPAPizJYwUezZ27o4lCo\"\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eIntelligent SDI monitoring with broadcast quality scopes!\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003eWhen you need high quality SDI monitoring, SmartView monitors are the perfect solution! SmartView monitors are extremely thin and lightweight, so are perfect for both broadcast and portable use, and automatically switch between SD, HD and 3G-SDI video formats. There are 3 great models; SmartView HD features a large 17\" display, SmartView Duo has 2 independent 8\" displays and SmartScope Duo 4K adds the flexibility of built in waveform monitoring that can be assigned to either of its 8” displays!\u003c\/p\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 class=\"heading center\" style=\"text-align: justify;\"\u003ePerfect SDI Monitoring\u003c\/h2\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003eSmartView monitors are the perfect choice to add SDI monitoring anywhere you need it. You can use them for broadcast, post production, on set monitoring, flyaway kits, broadcast trucks and more! When you're working with live production switchers you can build a video wall of camera monitors in your control room and see all your sources. You can mix and match different SmartView models in a rack for a customized monitoring solution where you can view your images and choice of scope displays side by side!\u003c\/p\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 style=\"text-align: justify;\"\u003eChoose your Monitor!\u003c\/h2\u003e\n\u003ch2 class=\"columns auto\" style=\"text-align: justify;\"\u003eMonitoring anywhere you need it\u003c\/h2\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003eThere are 3 exciting SmartView models to choose from! SmartView HD has a large 17\" LCD for full HD 1920 x 1080 resolution monitoring, so you can see every single pixel in your image. SmartView Duo features two independent 8\" displays in a 3 RU design that’s less than one inch deep. SmartScope Duo 4K adds independent waveform monitoring and you can select between waveform, vectorscope, RGB parade, YUV parade, histogram and audio phase with audio level displays. Each SmartScope Duo 4K display is independent so can monitor any combination of scope or picture view!\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 class=\"heading left\" style=\"text-align: justify;\"\u003ePerfect Monitoring\u003c\/h2\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003eSmartView monitors are ideal for high end broadcast monitoring because they feature high quality filtering and scaling, so you retain fine detail in the image. The fully digital design with high quality SDI inputs ensures precise color that’s easy to manage across multiple displays. SmartView includes ethernet so you can connect them to your network and centrally control all your monitors from a single computer using the SmartView software utility. SmartView also includes integrated tally that is fully compatible with many switchers or automation systems.\u003c\/p\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 class=\"heading\" style=\"text-align: justify;\"\u003eAccurate Waveform Monitoring!\u003c\/h2\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003eWhen you need to analyze image quality more accurately than simply looking at the picture then use SmartScope Duo 4K’s built in waveform monitoring! You can view two independent sources simultaneously and conveniently switch between monitoring or scope views whenever you need! Choose from waveform, vectorscope, RGB parade, YUV parade, histogram and audio phase and level displays, and get broadcast accurate waveform monitoring that shows everything you need to know technically about your video and audio signals. SmartScope Duo 4K removes the need for separate expensive scopes!\u003c\/p\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 style=\"text-align: justify;\"\u003eUltra Thin Design\u003c\/h2\u003e\n\u003cp style=\"text-align: justify;\"\u003eSmartView monitors feature an elegant front panel that is designed to allow multiple SmartView HD, SmartView Duo and SmartScope Duo 4K models to be mounted next to each other to create a beautiful wall of monitors that share the same appearance and width! Lightweight and ultra thin, SmartView is perfect for broadcast trucks and fly away kits! When you need to mount SmartView in the extreme top or bottom of an equipment rack, the units can be rotated upside down and the images will automatically flip to provide the optimum viewing angle!\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 style=\"text-align: justify;\"\u003eGreater SDI Compatibility\u003c\/h2\u003e\n\u003ch3 style=\"text-align: justify;\"\u003eSmartView supports SD, HD and 3G-SDI formats\u003c\/h3\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eSmartView has been designed for broadcast as well as post production and includes support for multiple SDI video standards, including SD, HD and 3G-SDI formats. They support new advanced video standards used in post production including 1080 progressive HD rates and even 2K over 3G-SDI. All video formats can be connected and changed at any time, because SmartView will automatically switch in less than a second to the new format!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 style=\"text-align: justify;\"\u003eSmartView Duo Especifications\u003c\/h2\u003e\n\u003ch2 style=\"text-align: justify;\"\u003e\u003cspan\u003eDescription \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003e\u003cspan\u003eFeaturing two large independent 8 inch LCD screens in a compact rack mount design, SmartView Duo handles SD, HD and 3Gb\/s SDI video standards. SmartView Duo is perfect for post production, broadcast and live event monitoring. For easy setup, all screens can be remotely adjusted via ethernet connection. With SmartView Duo you can install SDI monitoring everywhere you need!\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003e\u003cspan\u003eConnections:\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"ts-column\" style=\"text-align: justify;\"\u003e\n\u003ch4\u003eSDI Video Input\u003c\/h4\u003e\n\u003cp\u003eAutomatically switches between SD, HD and 3G-SDI. Reclocked loop through output.\u003c\/p\u003e\n\u003ch4\u003eMulti Rate Support\u003c\/h4\u003e\n\u003cp\u003eAuto detection of 2K, HD or standard definition inputs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ts-column\" style=\"text-align: justify;\"\u003e\n\u003ch4\u003eUpdates and Configuration\u003c\/h4\u003e\n\u003cp\u003eVia \u003cspan\u003eUSB 2.0\u003c\/span\u003e high speed (480 Mb\/s)\u003c\/p\u003e\n\u003ch4\u003eEthernet\u003c\/h4\u003e\n\u003cp\u003e10\/100 BaseT with loop through.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eStandards\u003c\/h3\u003e\n\u003cdiv class=\"ts-3-column\"\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003eSDI Compliance\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eSMPTE 259M\u003c\/span\u003e, \u003cspan\u003eSMPTE 292M\u003c\/span\u003e,\u003cspan\u003eSMPTE 296M\u003c\/span\u003e, \u003cspan\u003eSMPTE 372M\u003c\/span\u003e,\u003cspan\u003eSMPTE 424M\u003c\/span\u003e Level B and\u003cspan\u003eSMPTE 425M\u003c\/span\u003e.\u003c\/p\u003e\n\u003ch4\u003eSDI Color Space\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eREC 601\u003c\/span\u003e, \u003cspan\u003eREC 709\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eSDI Auto Switching\u003c\/h4\u003e\n\u003cp\u003eAutomatically selects between SD, HD and \u003cspan\u003e3 Gb\/s SDI\u003c\/span\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003eVideo Sampling\u003c\/h4\u003e\n\u003cp\u003e4:2:2 and 4:4:4\u003c\/p\u003e\n\u003ch4\u003eSDI Format Support\u003c\/h4\u003e\n\u003cp\u003e525i59.94 NTSC, 625i50 PAL\u003cbr\u003e720p50, 720p59.94, 720p60\u003cbr\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003cbr\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003cbr\u003e1080i50, 1080i59.94, 1080i60\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003e2K Format Support\u003c\/h4\u003e\n\u003cp\u003e2K DCI 23.98p, 2K DCI 24p, 2K DCI 25p\u003cbr\u003e2K DCI 23.98PsF, 2K DCI 24PsF, 2K DCI 25PsF\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eSoftware\u003c\/h3\u003e\n\u003cdiv class=\"ts-3-column\"\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003eInternal Software Upgrade\u003c\/h4\u003e\n\u003cp\u003eVia included firmware updater software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003eSmartView Utility Software\u003c\/h4\u003e\n\u003cp\u003eVia USB or Ethernet.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 style=\"text-align: justify;\"\u003eDisplay\u003c\/h3\u003e\n\u003cdiv class=\"ts-3-column\" style=\"text-align: justify;\"\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003eDisplay Element\u003c\/h4\u003e\n\u003cp\u003eTFT Active Matrix LCD.\u003c\/p\u003e\n\u003ch4\u003eDisplay Resolution\u003c\/h4\u003e\n\u003cp\u003e800 x 480 pixels\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003eResponse\u003c\/h4\u003e\n\u003cp\u003e\u0026lt; 15 ms\u003c\/p\u003e\n\u003ch4\u003eContrast Ratio\u003c\/h4\u003e\n\u003cp\u003eTypically 500:1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003eColor Depth\u003c\/h4\u003e\n\u003cp\u003e16.7 Million Colors.\u003c\/p\u003e\n\u003ch4\u003eDisplay Orientation\u003c\/h4\u003e\n\u003cp\u003eDisplays can rotate upside down for optimum viewing angle.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115125801114,"sku":"BMD-HDL-SMTVDUO2","price":629.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/Smartview_Duo_1__60659.jpg?v=1602002425"},{"product_id":"blackmagic-design-smartscope-duo-4k-rack-mounted-dual-6g-sdi-monitors","title":"Blackmagic Design SmartScope Duo 4K 2","description":"\u003cdiv class=\"heading left\" style=\"text-align: justify;\"\u003e\n\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design SmartScope Duo 4K Rack-Mounted Dual 6G-SDI Monitors\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eIntelligent SDI monitoring with broadcast quality scopes!\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003eWhen you need high quality SDI monitoring, SmartView monitors are the perfect solution! SmartView monitors are extremely thin and lightweight, so are perfect for both broadcast and portable use, and automatically switch between SD, HD and 3G-SDI video formats. There are 3 great models; SmartView HD features a large 17\" display, SmartView Duo has 2 independent 8\" displays and SmartScope Duo 4K adds the flexibility of built in waveform monitoring that can be assigned to either of its 8” displays!\u003c\/p\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/oiro3rN5zVc\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2 class=\"heading center\" style=\"text-align: justify;\"\u003ePerfect SDI Monitoring\u003c\/h2\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003eSmartView monitors are the perfect choice to add SDI monitoring anywhere you need it. You can use them for broadcast, post production, on set monitoring, flyaway kits, broadcast trucks and more! When you're working with live production switchers you can build a video wall of camera monitors in your control room and see all your sources. You can mix and match different SmartView models in a rack for a customized monitoring solution where you can view your images and choice of scope displays side by side!\u003c\/p\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 style=\"text-align: justify;\"\u003eChoose your Monitor!\u003c\/h2\u003e\n\u003ch2 class=\"columns auto\" style=\"text-align: justify;\"\u003eMonitoring anywhere you need it\u003c\/h2\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003eThere are 3 exciting SmartView models to choose from! SmartView HD has a large 17\" LCD for full HD 1920 x 1080 resolution monitoring, so you can see every single pixel in your image. SmartView Duo features two independent 8\" displays in a 3 RU design that’s less than one inch deep. SmartScope Duo 4K adds independent waveform monitoring and you can select between waveform, vectorscope, RGB parade, YUV parade, histogram and audio phase with audio level displays. Each SmartScope Duo 4K display is independent so can monitor any combination of scope or picture view!\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 class=\"heading left\" style=\"text-align: justify;\"\u003ePerfect Monitoring\u003c\/h2\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003eSmartView monitors are ideal for high end broadcast monitoring because they feature high quality filtering and scaling, so you retain fine detail in the image. The fully digital design with high quality SDI inputs ensures precise color that’s easy to manage across multiple displays. SmartView includes ethernet so you can connect them to your network and centrally control all your monitors from a single computer using the SmartView software utility. SmartView also includes integrated tally that is fully compatible with many switchers or automation systems.\u003c\/p\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 class=\"heading\" style=\"text-align: justify;\"\u003eAccurate Waveform Monitoring!\u003c\/h2\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003eWhen you need to analyze image quality more accurately than simply looking at the picture then use SmartScope Duo 4K’s built in waveform monitoring! You can view two independent sources simultaneously and conveniently switch between monitoring or scope views whenever you need! Choose from waveform, vectorscope, RGB parade, YUV parade, histogram and audio phase and level displays, and get broadcast accurate waveform monitoring that shows everything you need to know technically about your video and audio signals. SmartScope Duo 4K removes the need for separate expensive scopes!\u003c\/p\u003e\n\u003cp class=\"columns auto\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 style=\"text-align: justify;\"\u003eUltra Thin Design\u003c\/h2\u003e\n\u003cp style=\"text-align: justify;\"\u003eSmartView monitors feature an elegant front panel that is designed to allow multiple SmartView HD, SmartView Duo and SmartScope Duo 4K models to be mounted next to each other to create a beautiful wall of monitors that share the same appearance and width! Lightweight and ultra thin, SmartView is perfect for broadcast trucks and fly away kits! When you need to mount SmartView in the extreme top or bottom of an equipment rack, the units can be rotated upside down and the images will automatically flip to provide the optimum viewing angle!\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 style=\"text-align: justify;\"\u003eGreater SDI Compatibility\u003c\/h2\u003e\n\u003ch3 style=\"text-align: justify;\"\u003eSmartView supports SD, HD and 3G-SDI formats\u003c\/h3\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eSmartView has been designed for broadcast as well as post production and includes support for multiple SDI video standards, including SD, HD and 3G-SDI formats. They support new advanced video standards used in post production including 1080 progressive HD rates and even 2K over 3G-SDI. All video formats can be connected and changed at any time, because SmartView will automatically switch in less than a second to the new format!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch2 style=\"text-align: justify;\"\u003e\u003cspan\u003eDescription \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003e\u003cspan\u003eFeaturing two large independent 8 inch LCD screens in a compact rack mount design, SmartView Duo handles SD, HD and 3Gb\/s SDI video standards. SmartView Duo is perfect for post production, broadcast and live event monitoring. For easy setup, all screens can be remotely adjusted via ethernet connection. With SmartView Duo you can install SDI monitoring everywhere you need!\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch1\u003eSmartScope Duo 4K\u003c\/h1\u003e\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ch3\u003eDescription\u003c\/h3\u003e\n\u003cdiv class=\"ts-two-thirds ts-divider-right\"\u003e\n\u003cp\u003eSmartScope Duo 4K looks like a SmartView Duo but adds independent waveform monitoring so you can select between waveform, vectorscope, RGB parade, YUV parade, histogram and audio phase level displays. Each monitor is independent so can display any combination of scope or picture view!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eConnections\u003c\/h3\u003e\n\u003cdiv class=\"ts-3-column\"\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003eSDI Video Input\u003c\/h4\u003e\n\u003cp\u003eAutomatically switches between SD, HD and 6G-SDI. Reclocked loop through output.\u003c\/p\u003e\n\u003ch4\u003eSDI Video Output\u003c\/h4\u003e\n\u003cp\u003e1 x 10 bit loop through SD, HD and\u003cbr\u003e6G-SDI switchable.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003eSDI Audio Input\u003c\/h4\u003e\n\u003cp\u003e16 channels embedded in SD, HD and UHD.\u003c\/p\u003e\n\u003ch4\u003eSDI Audio Output\u003c\/h4\u003e\n\u003cp\u003e16 channels embedded in SD, HD and UHD.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003eMulti Rate Support\u003c\/h4\u003e\n\u003cp\u003eStandard definition SDI, high definition SDI and 6G-SDI.\u003c\/p\u003e\n\u003ch4\u003eTally\u003c\/h4\u003e\n\u003cp\u003e9-pin D connector\u003c\/p\u003e\n\u003ch3\u003eStandards\u003c\/h3\u003e\n\u003cdiv class=\"ts-3-column\"\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003eSD Format Support\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003e525i29.97 NTSC\u003c\/span\u003e, \u003cspan\u003e625i25 PAL\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eHD Format Support\u003c\/h4\u003e\n\u003cp\u003e720p50, 59.94, 60\u003cbr\u003e1080p23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u003cbr\u003e1080PsF23.98, 24, 25, 29.97, 30\u003cbr\u003e1080i50, 59.94, 60\u003c\/p\u003e\n\u003ch4\u003e2K Format Support\u003c\/h4\u003e\n\u003cp\u003e2K DCI 23.98p, 2K DCI 24p, 2K DCI 25p\u003cbr\u003e2K DCI 23.98PsF, 2K DCI 24PsF, 2K DCI 25PsF\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003eUltra HD Format Support\u003c\/h4\u003e\n\u003cp\u003e2160p23.98, 24, 25, 29.97, 30\u003c\/p\u003e\n\u003ch4\u003eSDI Compliance\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eSMPTE 259M\u003c\/span\u003e, \u003cspan\u003eSMPTE 292M\u003c\/span\u003e,\u003cspan\u003eSMPTE 296M\u003c\/span\u003e, \u003cspan\u003eSMPTE 372M\u003c\/span\u003e,\u003cspan\u003eSMPTE 424M\u003c\/span\u003e Level B and\u003cspan\u003eSMPTE 425M\u003c\/span\u003e.\u003c\/p\u003e\n\u003ch4\u003eAudio Sampling\u003c\/h4\u003e\n\u003cp\u003eTelevision sample rate of 48KHz\u003c\/p\u003e\n\u003ch4\u003eVideo Sampling\u003c\/h4\u003e\n\u003cp\u003e4:2:2 and 4:4:4\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003eColor Precision\u003c\/h4\u003e\n\u003cp\u003e8-bit\u003c\/p\u003e\n\u003ch4\u003eColor Space\u003c\/h4\u003e\n\u003cp\u003eYUV and RGB\u003c\/p\u003e\n\u003ch4\u003eComputer Interface\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eUSB 2.0\u003c\/span\u003e for software updates and Ethernet for configuration\u003c\/p\u003e\n\u003ch4\u003eColorspace Conversion\u003c\/h4\u003e\n\u003cp\u003eHardware based real time.\u003c\/p\u003e\n\u003ch3\u003eScopes\u003c\/h3\u003e\n\u003cp\u003eLuminance Waveform, Vectorscope, RGB Parade, YUV Parade, Histogram, Audio phase and level.\u003c\/p\u003e\n\u003ch3\u003eSoftware\u003c\/h3\u003e\n\u003cdiv class=\"ts-3-column\"\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003eSoftware Included\u003c\/h4\u003e\n\u003cp\u003eConfiguration utility for MAC and Windows.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003eInternal Software Upgrade\u003c\/h4\u003e\n\u003cp\u003eVia included firmware updater software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ts-column\"\u003e\n\u003ch4\u003ePhysical Installation\u003c\/h4\u003e\n\u003cp\u003e3RU\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115125997722,"sku":"BMD-HDL-SMTWSCOPEDUO4K2","price":1019.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/SmartScope_4kK1__05869.jpg?v=1602002425"},{"product_id":"blackmagic-design-decklink-duo-2","title":"Blackmagic Design DeckLink Duo 2","description":"\u003ch3\u003e\u003c\/h3\u003e\n\u003cdiv class=\"title_wJnRisuaiX-cL7WCvemYN\"\u003e\n\u003ch2 data-selenium=\"overviewProductTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003e\u003cspan\u003eBlackmagic Design DeckLink Duo 2\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2 data-selenium=\"overviewProductTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003e\n\u003cspan\u003e \u003c\/span\u003eOverview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"overviewContent_29A9kOo2S5ZcuDmfNWh5OS\"\u003e\n\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eWith four bi-directional SDI interfaces, the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBlackmagic Design DeckLink Duo 2\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis a versatile video I\/O card for professional video workflows. Since each SDI interface can be configured to be either an input or an output, a computer with this card installed can be purposed as a media play-out system, a multi-screen digital signage server, a live keyer, a real-time multi-channel capture system, or a combination of the above to fit your specific workflow of the moment. A reference input is also available for syncing with other studio equipment.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eProcessing\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cul\u003e\n\u003cli\u003eColor space conversion: Hardware based real time\u003c\/li\u003e\n\u003cli\u003eHD down conversion: Built-in, high-quality software down converter from HD to SD on output. Down converted SD selectable between letterbox, anamorphic 16:9, and center cut 4:3 styles.\u003c\/li\u003e\n\u003cli\u003eHD up conversion: Built-in, high-quality software up conversion from SD to 720 or 1080 HD on input. Selectable between 4:3 pillarbox, 14:9 zoom, and 16:9 zoom.\u003c\/li\u003e\n\u003cli\u003eCross conversion: Built-in, high-quality hardware cross conversion from 720 to 1080 HD, and 1080 to 720 on playback.\u003c\/li\u003e\n\u003cli\u003eReal-time effects support: Final Cut Pro X internal effects, Premiere Pro CC Mercury Playback Engine effects, and Avid Media Composer internal effects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eSoftware Compatibility\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eThe DeckLink Duo 2 interfaces with many popular NLE, DAW, and professional software programs including:\n\u003cul\u003e\n\u003cli\u003eBlackmagic Design: DaVinci Resolve, Fusion 8\u003c\/li\u003e\n\u003cli\u003eApple: Final Cut Pro X\u003c\/li\u003e\n\u003cli\u003eAdobe: Premiere Pro CC, After Effects CC, Photoshop CC\u003c\/li\u003e\n\u003cli\u003eAvid: Media Composer, Pro Tools\u003c\/li\u003e\n\u003cli\u003eSteinberg: Cubase, Nuendo\u003c\/li\u003e\n\u003c\/ul\u003e\nFor an up-to-date list, see the Blackmagic Design website\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-BDLKDUO2\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115144216730,"sku":"BMD-BDLKDUO2","price":545.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/deckli__10581.jpg?v=1601999211"},{"product_id":"blackmagic-design-decklink-quad-2-8-channel-3g-sdi-capture-playback-card","title":"Blackmagic Design DeckLink Quad 2 8-Channel 3G-SDI Capture \u0026 Playback Card","description":"\u003ch3 data-selenium=\"miniProductPageName\" class=\"name_3sB5k2GmtJs4qwNfd9uZez\"\u003e\u003ca data-selenium=\"miniProductPageProductNameLink\" class=\"title_ip0F69brFR7q991bIVYh1\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1186263-REG\/blackmagic_design_bdlkdvqd2_decklink_quad_2_8_channel.html\"\u003e\u003cspan data-selenium=\"miniProductPageProductName\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eBlackmagic Design DeckLink Quad 2 8-Channel 3G-SDI Capture \u0026amp; Playback Card\u003c\/h2\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBlackmagic Design DeckLink Quad 2\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis an 8-lane PCIe card that features eight bi-directional 12-bit SD\/HD\/3G-SDI connectors that are independently configurable to provide any combination of eight capture or playback channels at up to 1080p60. The card supports compressed video formats such as ProRes and DNxHD, as well as uncompressed 10-bit 4:2:2 and 4:4:4 video, making it ideal for use in both live broadcast and post production. It is compatible with Mac, Windows, and Linux computers and is supported by a wide range of software applications. For use with applications that don't capture video on their own, Blackmagic's Media Express software is included, allow you to capture, organize, and manage your media.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eKey Features\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cul\u003e\n\u003cli\u003e8x Bi-directional 12-bit SD\/HD\/3G-SDI connectors\u003c\/li\u003e\n\u003cli\u003e8-lane PCIe interface compatible with Mac, Windows, and Linux based workstations and servers\u003c\/li\u003e\n\u003cli\u003eEach SDI input and output can be a different video standard as they are all completely independent\u003c\/li\u003e\n\u003cli\u003eSingle Blackburst\/Tri-Sync reference input\u003c\/li\u003e\n\u003cli\u003eSupports uncompressed 10-bit 4:2:2 and 10-bit 4:4:4 signals\u003c\/li\u003e\n\u003cli\u003eCross-conversion between 720p and 1080p on video capture\u003c\/li\u003e\n\u003cli\u003eSD up-conversion to 720p or 1080p on video capture\u003c\/li\u003e\n\u003cli\u003eHD to SD down-conversion on video capture or playback\u003c\/li\u003e\n\u003cli\u003eSupports 16 channels of embedded audio per input\/output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eIncluded Software\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eMedia Express\u003cbr\u003eDisk Speed Test\u003cbr\u003eLiveKey\u003cbr\u003eBlackmagic Desktop Video Utility\u003cbr\u003eDrivers for Mac OS X, Windows 8\/10, and Linux\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eSupported Software Applications\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eSupported Applications Include:\u003cbr\u003eDaVinci Resolve\u003cbr\u003eFusion\u003cbr\u003eApple Final Cut Pro X\u003cbr\u003eAdobe Premiere Pro CC\u003cbr\u003eAdobe After Effects CC\u003cbr\u003eAdobe Photoshop CC\u003cbr\u003eAvid Media Composer\u003cbr\u003eAvid Pro Tools\u003cbr\u003eAvid Symphony\u003cbr\u003eAvid News Cutter\u003cbr\u003eSteinberg Cubase\u003cbr\u003eSteinberg Nuendo\u003cbr\u003eNuke\u003cbr\u003eTools On Air just:in \u0026amp; live:cut \u0026amp; just:play \u0026amp; just:live\u003cbr\u003eSoftron OnTheAir\u003cbr\u003eMovieRecorder and OnTheAir CG\u003cbr\u003eFlash Media Live Encoder\u003cbr\u003eWirecast\u003cbr\u003eLivestream Procaster\u003cbr\u003eResolume Avenue 4\u003cbr\u003eSony Vegas Pro\u003cbr\u003eCorel VideoStudio Pro X4\u003cbr\u003eCyberLink Power Director\u003cbr\u003eMAGIX Video Pro X4\u003cbr\u003eVidblaster Pro \u0026amp; Studio \u0026amp; Broadcast\u003cbr\u003eUniplay\u003cbr\u003ePlaybox AirBox\u003cbr\u003eCasparCG\u003cbr\u003eMagicsoft CG\u003cbr\u003eXsplit Broadcaster\u003cbr\u003eImagine Communications Velocity \u0026amp; InfoCaster\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-BDLKDVQD2\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115145068698,"sku":"BMD-BDLKDVQD2","price":1095.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/decklink_1__08663.jpg?v=1601999214"},{"product_id":"blackmagic-design-decklink-4k-extreme-12g-capture-playback-card","title":"Blackmagic Design DeckLink 4K Extreme 12G Capture \u0026 Playback Card","description":"\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design DeckLink 4K Extreme 12G Capture \u0026amp; Playback Card\u003c\/h1\u003e\n\u003cp\u003eThe DeckLink 4K Extreme 12G is the ultimate digital cinema capture card featuring two full frame DCI 4K inputs and outputs! The multi rate 12G-SDI connections work with SD, HD and Ultra HD all the way up to full frame DCI 4K at 4096 x 2160 resolution at 60 frames per second. DeckLink 4K Extreme 12G supports 10-bit YUV and 8-bit, 10-bit and 12-bit RGB as well as 3D up to DCI 4K at 4096 x 2160 resolution at 60 frames per second.\u003c\/p\u003e\n\u003cp\u003eThe DeckLink 4K Extreme 12G includes a new mezzanine card design that adds HDMI in and out on a second daughter card along with sockets for adding 2 optical fiber modules for Dual Link optical fiber SDI in and out. SMPTE compatible optical modules can be added up to 12G-SDI speeds, allowing customers to choose to connect equipment using optical fiber connections instead of regular BNC copper cables for dramatically longer cable length, even at the faster 12 Gb\/s speeds.\u003c\/p\u003e\n\u003cp\u003eDeckLink 4K Extreme 12G is perfect for customers working on feature film, commercial, visual FX, and television productions that require high resolution, deep color, stereoscopic 3D and high frame rate support.\u003c\/p\u003e\n\u003cp\u003eDaVinci Resolve 11 customers will benefit from the simultaneous capture and playback support as this lets them capture direct from cameras on set, grade the live video with multiple nodes of correction and then to output the video to an on set monitor, all live and in real time! This makes lighting a film set easy and allows DOP’s, directors and colorists to work together to optimize the film’s look on set.\u003c\/p\u003e\n\u003cp\u003eOEM developers will also like the multiple new features in these models as they greatly benefit customized system development. These new features include full frame genlock timing, closed caption in all bit rates, automatic input detection support, better CRC input checking, extremely low latency and direct GPU support, plus the ability to write pixels directly into the card’s frame buffers and the ability to write their own custom drivers.\u003c\/p\u003e\n\u003cp\u003eDeckLink 4K Extreme 12G includes two 12G-SDI inputs and two 12G-SDI outputs, reference input and RS422 deck control ports for capture and playback of all SD, HD, Ultra HD and DCI 4K formats. The card also includes HDMI input and output, AES\/EBU balanced XLR and unbalanced RCA inputs\/outputs, and analog video I\/O via the included breakout cable.\u003c\/p\u003e\n\u003cp\u003e“In developing the DeckLink 4K Extreme 12G we set out to design a card that just had everything we needed for high end feature film work in DaVinci Resolve, and we said to the engineers, don’t worry about cost, just make it as awesome as you can!” said Grant Petty, CEO, Blackmagic Design. “This new DeckLink 4K Extreme 12G is the result and it’s got everything we could want! But at the same time it’s also compatible with analog equipment from decades ago, all in the single card! Plus it’s still an affordable US$1,495, which is exciting!”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDeckLink 4K Extreme 12G Key Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x 12G-SDI in and out, supports SD, HD up to 1080p60, 2K, Ultra HD and up to DCI 4K at 4096 x 2160 resolution at 60 frames per second.\u003c\/li\u003e\n\u003cli\u003eHDMI 4K in and out, supports SD and HD formats up to 1080p60.\u003c\/li\u003e\n\u003cli\u003eComponent analog in and out, supports SD and HD formats up to 1080p60, s-video and composite.\u003c\/li\u003e\n\u003cli\u003e4 channels of balanced analog audio in and out on jack connectors.\u003c\/li\u003e\n\u003cli\u003e2 channel AES\/EBU balanced audio in and out on jack connectors.\u003c\/li\u003e\n\u003cli\u003eGenlock\/tri-sync input.\u003c\/li\u003e\n\u003cli\u003eSony™ compatible RS-422 deck control.\u003c\/li\u003e\n\u003cli\u003eDual optical fiber sockets for adding optical fiber modules, up to 12 Gb\/s speeds.\u003c\/li\u003e\n\u003cli\u003eSupports uncompressed 8, 10 and 12 bit and compressed video capture and playback.\u003c\/li\u003e\n\u003cli\u003ePlugs into older model MacPro, Windows and Linux computers.\u003c\/li\u003e\n\u003cli\u003eSupports DaVinci Resolve, Final Cut Pro™, Adobe Premiere Pro™, Photoshop™, After Effects™ and more.\u003c\/li\u003e\n\u003cli\u003eIncludes free developer SDK for Windows, Mac and Linux.\u003c\/li\u003e\n\u003cli\u003eIncludes free Media Express capture and playback software for Windows, Mac and Linux.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-BDLKHDEXTR4K12G\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115145298074,"sku":"BMD-BDLKHDEXTR4K12G","price":1095.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/decklink4kextreme12g__87457.jpg?v=1601999215"},{"product_id":"blackmagic-design-decklink-mini-monitor-4k","title":"Blackmagic Design DeckLink Mini Monitor 4K","description":"\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design DeckLink Mini Monitor 4K\u003c\/h1\u003e\n\u003cp\u003eDeckLink Mini Monitor 4K is a low profile PCIe playback card, featuring 6G-SDI and the latest HDMI 2.0a connections so you can monitor all formats up to 2160p30 from your computer! The SDI and HDMI outputs let you connect to any television or monitor and automatically detect and switch between all video formats. You even get high dynamic range playback and metadata over HDMI, along with support for Rec. 2020 color space. You can even develop your own custom playback solutions using the Blackmagic Desktop Video SDK for Mac OS X, Windows and Linux! Includes two PCIe shields for both full height and low profile slots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSDI Video Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x 10 bit SD\/HD\/Ultra HD switchable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSDI Audio Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16 channels embedded in SD, HD, Ultra HD.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHDMI Video Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x HDMI 2.0a connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHDMI Audio Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8 Channels embedded in SD, HD, Ultra HD.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComputer Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGen 2 PCIe Express 4 lane, compatible with 4, 8 and 16 lane PCIe slots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCodecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSupports: AVC-Intra, AVCHD, Canon XF MPEG2, Digital SLR, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD, DPX, HDV, XDCAM EX, XDCAM HD, XDCAM HD422, Apple ProRes 4444, Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes LT, Apple ProRes 422 Proxy, Uncompressed 8-bit 4:2:2, Uncompressed 10-bit 4:2:2.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Standards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSD Format Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e525i59.94 NTSC, 625i50 PAL\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHD Format Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e720p50, 720p59.94, 720p60\u003cbr\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003cbr\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003cbr\u003e1080i50, 1080i59.94, 1080i60\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltra HD Format Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4K DCI Format Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4K DCI 23.98p, 4K DCI 24p, 4K DCI 25p\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSDI Compliance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSMPTE 259M and 292M.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Sampling\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTelevision standard sample rate of\u003cbr\u003e48 kHz and 24 bit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Sampling\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4:2:2\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColor Precision\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e10-bit\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColor Space\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eREC 601, REC 709, REC 2020\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHDMI Configuration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHDMI automatically configures to connected display.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHDMI Resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePixel for pixel HD resolution input to connected device.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHDMI Color Precision\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e10-bit\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultiple Rate support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSDI and HDMI are switchable between standard definitlon and high definition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-BDLKMINIMON4K\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115145363610,"sku":"BMD-BDLKMINIMON4K","price":215.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/minimon4k__56622.jpg?v=1601999216"},{"product_id":"blackmagic-design-decklink-mini-recorder-4k","title":"Blackmagic Design DeckLink Mini Recorder 4K","description":"\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design DeckLink Mini Recorder 4K\u003c\/h1\u003e\n\u003cp\u003eDeckLink Mini Recorder 4K is a low profile PCIe capture card, featuring 6G-SDI and the latest HDMI 2.0a connections so you can record all formats up to 2160p30 on your computer! The SDI and HDMI inputs automatically detect and switch between all video formats. You even get high dynamic range recording and metadata over HDMI, along with support for Rec. 2020 color space. The DeckLink Mini Recorder 4K is perfect for integrating into mobile live capture environments, broadcast trucks and more! You can even develop your own custom capture solutions using the Blackmagic Desktop Video SDK for Mac OS X, Windows and Linux! Includes two PCIe shields for both full height and low profile slots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCodecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSupports: AVC-Intra, AVCHD, Canon XF MPEG2, Digital SLR, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD, DPX, HDV, XDCAM EX, XDCAM HD, XDCAM HD422, Apple ProRes 4444, Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes LT, Apple ProRes 422 Proxy, Uncompressed 8-bit 4:2:2, Uncompressed 10-bit 4:2:2.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Standards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSD Format Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e525i59.94 NTSC, 625i50 PAL\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHD Format Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e720p50, 720p59.94, 720p60\u003cbr\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003cbr\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003cbr\u003e1080i50, 1080i59.94, 1080i60\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltra HD Format Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4K DCI Format Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4K DCI 23.98p, 4K DCI 24p, 4K DCI 25p\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSDI Compliance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSMPTE 259M and 292M.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSDI Metadata Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVITC read for 3:2 pulldown removal. VANC capture using up to 3 lines of video in file. HD RP188 and closed captioning.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Sampling\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTelevision standard sample rate of48 kHz and 24 bit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Sampling\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4:2:2\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColor Precision\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e10-bit\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColor Space\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eREC 601, REC 709, REC 2020\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHDMI Configuration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHDMI automatically configures to connected display.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHDMI Resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePixel for pixel HD resolution input to connected device.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHDMI Color Precision\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e10-bit\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultiple Rate support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSDI and HDMI are switchable between standard definitlon and high definition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCopy Protection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-BDLKMINIREC4K\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115145691290,"sku":"BMD-BDLKMINIREC4K","price":215.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/minirec4k__08092.jpg?v=1601999218"},{"product_id":"blackmagic-design-decklink-sdi-4k-capture-playback-card","title":"Blackmagic Design Decklink SDI 4K Capture \u0026 Playback Card","description":"\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design Decklink SDI 4K Capture \u0026amp; Playback Card\u003c\/h1\u003e\n\u003cdiv class=\"title_wJnRisuaiX-cL7WCvemYN\"\u003e\n\u003ch2 data-selenium=\"overviewProductTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eOverview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"overviewContent_29A9kOo2S5ZcuDmfNWh5OS\"\u003e\n\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDecklink SDI 4K Capture \u0026amp; Playback Card\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efrom\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBlackmagic Design\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efeatures a single multi-rate SDI input and multi-rate SDI output. These multi-rate connections accept single-link SD, HD, 3G, and 6G-SDI signals, providing support for resolutions from SD to Ultra HD 4K (3840x2160) and DCI 4K (4096x2160). Additionally, the Decklink SDI 4K includes RS-422 deck control, internal keying, and a reference input.\u003cbr\u003e\u003cbr\u003eDecklink SDI 4K offers flexible format and system support, letting you work with compressed video formats such as ProRes and DNxHD, as well as 10-bit uncompressed video. When working with uncompressed video, all images are pixel-for-pixel identical to the source, without any generational loss. This lets you get sharper keying with green screens, cleaner compositions, superior color correction, and more. Support for common file formats provides ready-to-edit files for use in popular editing, effects, and design software applications. Decklink SDI 4K is compatible with Mac, Windows, and Linux based workstations.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eKey Features\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cul\u003e\n\u003cli\u003ePCIe capture\/playback card compatible with Mac, Windows, and Linux based workstations and servers\u003c\/li\u003e\n\u003cli\u003e10-bit, 4:2:2 UHD 4K or DCI 4K by single-link 6G-SDI\u003c\/li\u003e\n\u003cli\u003e10-bit, 4:4:4 1080p by single-link 6G-SDI\u003c\/li\u003e\n\u003cli\u003eHD to SD down-conversion\u003c\/li\u003e\n\u003cli\u003eSD to HD up-conversion\u003c\/li\u003e\n\u003cli\u003eHardware cross conversion between 720p and 1080p on playback\u003c\/li\u003e\n\u003cli\u003eRS-422 deck control\u003c\/li\u003e\n\u003cli\u003eInternal keying\u003c\/li\u003e\n\u003cli\u003eReference input\u003c\/li\u003e\n\u003cli\u003eBlackburst and tri-sync\u003c\/li\u003e\n\u003cli\u003eSupports 16 channels of embedded SDI audio in HD, 2K, and 4K resolutions; 8 channels in SD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-BDLKSDI4K\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115145756826,"sku":"BMD-BDLKSDI4K","price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/decklinksdi4k_1__88184.jpg?v=1601999218"},{"product_id":"blackmagic-design-decklink-studio-4k-capture-playback-card","title":"Blackmagic Design DeckLink Studio 4K Capture \u0026 Playback Card","description":"\u003ch3\u003eBlackmagic Design DeckLink Studio 4K Capture \u0026amp; Playback Card\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"title_wJnRisuaiX-cL7WCvemYN\"\u003e\n\u003ch2 data-selenium=\"overviewProductTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eOverview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"overviewContent_29A9kOo2S5ZcuDmfNWh5OS\"\u003e\n\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDeckLink Studio 4K Capture \u0026amp; Playback Card\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efrom\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBlackmagic Design\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efeatures 6G-SDI and 4K HDMI inputs\/outputs which support resolutions from SD to Ultra HD 4K (3840x2160) and DCI 4K (4096x2160). Additionally, the DeckLink Studio 4K offers a wide range of video and audio connections via an included breakout cable. These connections consist of analog component, S-Video, composite video, two channels of AES\/EBU audio, and four channels of balanced analog audio. The card also provides RS-422 deck control, a reference input, and a down converted SD output.\u003cbr\u003e\u003cbr\u003eDeckLink Studio 4K offers flexible format and system support, letting you work with compressed video formats such as ProRes and DNxHD, as well as 10-bit uncompressed video. When working with uncompressed video, all images are pixel-for-pixel identical to the source, without any generational loss. This lets you get sharper keying with green screens, cleaner compositions, superior color correction, and more. Support for common file formats provides ready-to-edit files for use in popular editing, effects, and design software applications. DeckLink Studio 4K is compatible with Mac, Windows, and Linux based workstations.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eKey Features\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cul\u003e\n\u003cli\u003ePCIe capture\/playback card compatible with Mac, Windows, and Linux based workstations and servers\u003c\/li\u003e\n\u003cli\u003eMulti-rate SDI and HDMI connections accept SD, HD, 2K, and 4K resolutions\u003c\/li\u003e\n\u003cli\u003e10-bit, 4:2:2 UHD 4K or DCI 4K by single-link 6G-SDI\u003c\/li\u003e\n\u003cli\u003e10-bit, 4:4:4 1080p by single-link 6G-SDI\u003c\/li\u003e\n\u003cli\u003e8-bit RBG \/ 10-bit YUV HDMI output\u003c\/li\u003e\n\u003cli\u003eHD to SD down-conversion\u003c\/li\u003e\n\u003cli\u003eSD to HD up-conversion\u003c\/li\u003e\n\u003cli\u003eHardware cross conversion between 720p and 1080p on playback\u003c\/li\u003e\n\u003cli\u003eRS-422 deck control\u003c\/li\u003e\n\u003cli\u003eInternal SD keying\u003c\/li\u003e\n\u003cli\u003eReference input\u003c\/li\u003e\n\u003cli\u003eBlackburst and tri-sync\u003c\/li\u003e\n\u003cli\u003eSupports 16 channels of embedded SDI and 8 channels of embedded HDMI audio in HD, 2K, and 4K resolutions (8 channels of embedded SDI audio in SD)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-BDLKSTUDIO4K\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115145855130,"sku":"BMD-BDLKSTUDIO4K","price":655.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/decklinkstudio4k_1__77424.jpg?v=1601999219"},{"product_id":"blackmagic-design-ultrastudio-hd-mini","title":"Blackmagic Design UltraStudio HD Mini","description":"\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design UltraStudio HD Mini\u003c\/h1\u003e\n\u003cp\u003eUltraStudio HD Mini features professional broadcast quality connections that include 3G-SDI, analog YUV and composite NTSC\/PAL video inputs, along with a reference input. There are also two ¼” audio connections for analog audio input that work with balanced and HiFi sources. In addition, UltraStudio HD Mini can remote control professional broadcast decks using the built in RS-422 connection. For output, you get dual link 3G-SDI with fill and key, and an HDMI connection for monitoring video with a big screen television!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003cbr\u003eUse the DIP switches on the front panel or the RS-422 deck control port on the rear for software control. The separately available Teranex Mini Smart Panel can be purchased separately and can be used to control the UltraStudio Mini as well as for confidence monitoring.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProcessing\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eColor Space Conversion:\u003c\/strong\u003e Hardware based real time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHD Down Conversion:\u003c\/strong\u003e Real time 10-bit hardware down conversion on SDI B output, Composite and S-Video when working in HD video formats on playback. Selectable between letterbox, anamorphic 16:9 and center cut 4:3 styles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal-Time Effects Support\u003c\/strong\u003e\u003cbr\u003eFinal Cut Pro X internal effects\u003cbr\u003ePremiere Pro CC Mercury Playback Engine effects\u003cbr\u003eAvid Media Composer internal effects\u003cbr\u003eDaVinci Resolve\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThunderbolt 3 Connectivity\u003c\/strong\u003e\u003cbr\u003eConnects via Thunderbolt 3 to stream video. Bus-power over Thunderbolt 3 is sufficient to power the UltraStudio Mini, no separate power supply is required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSoftware Application Support\u003c\/strong\u003e\u003cbr\u003eBlackmagic Design: DaVinci Resolve, Fusion\u003cbr\u003eApple: Final Cut Pro X\u003cbr\u003eAdobe: Premiere Pro CC, After Effects CC, Photoshop CC\u003cbr\u003eAvid: Media Composer, Pro Tools\u003cbr\u003eAutodesk: Smoke\u003cbr\u003eSteinberg: Cubase, Nuendo\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-BDLKULSDMINHD\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115145887898,"sku":"BMD-BDLKULSDMINHD","price":605.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/ultrahdmini__64736.jpg?v=1601999220"},{"product_id":"blackmagic-design-pocket-cinema-camera-4k","title":"Blackmagic Design Pocket Cinema Camera 4K","description":"\u003ch3\u003eBlackmagic Pocket Cinema Camera 4K\u003c\/h3\u003e\n\u003cp\u003eAnnouncing the all Blackmagic Pocket Cinema Camera 4K, a handheld digital film camera with full 4\/3 HDR sensor, dual native ISO with up to 25600 ISO for incredible low light performance as well as 13 stops of dynamic range. It also eliminates expensive external recorders, as it features a unique new USB-C Expansion Port, which allows customers to record using the internal SD\/UHS-II and CFast recorders or directly to the same external disks they will use for editing and color correction. \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3BtT7Q5KGFQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe revolutionary Blackmagic Pocket Cinema Camera 4K is the handheld digital film camera that customers have been asking for. It packs incredibly high end imaging and professional features into a portable and affordable design that can be used anywhere. The compact body style is perfect for shooting independent films and documentaries, fashion shows, travel blogs, web videos, weddings, corporate video, sports and much more.\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera 4K features a full size 4\/3 HDR sensor with native 4096 x 2160 resolution and 13 stops of dynamic range for true digital film quality. The full size of the 4\/3 sensor is designed to perfectly match MFT lenses so the crop factor is greatly reduced, giving customers a wider field of view. It also features dual native ISO with up to 25600 ISO for incredible low light performance.\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera 4K is packed with features such as a MFT lens mount, large 5 inch touchscreen monitor, 10-bit ProRes and 12-bit RAW recording, 3D LUTs, 4 built in microphones, mini XLR audio input with phantom power, Bluetooth wireless camera control, HDMI on set monitoring output and more. The latest Blackmagic Design color science lets customers shoot images that are far better than DSLR cameras and even better than professional digital film cameras costing tens of thousands more.\u003c\/p\u003e\n\u003cp\u003eDesigned using a space age carbon fiber polycarbonate composite, the body of the Blackmagic Pocket Cinema Camera 4K is extremely strong and light. The carbon composite material consists of a high strength polymer that’s reinforced with carbon fibers. This gives the camera body incredible strength and rigidity to help protect it from accidental knocks and drops which can often result in damage. The handheld design features a multi function grip which has logically placed buttons and dials that allow super fast access to essential shooting functions such as recording start\/stop, still photos, ISO, shutter, aperture, white balance, power and more.\u003c\/p\u003e\n\u003cp\u003eFourth generation Blackmagic Design color science lets customers shoot HDR images in film, video and new extended video modes. The new extended mode combines the latitude of digital film with an optimized video file. This gives customers working on fast turnaround projects an ideal solution for shooting great looking images that don’t need a lot of color correction or post production work.\u003c\/p\u003e\n\u003cp\u003eImages can be recorded onto standard SD cards, faster UHS-II cards or CFast 2.0 cards in either ProRes or RAW formats. The Blackmagic Pocket Cinema Camera 4K can record 4K images at up to 60 frames per second and windowed HD at up to 120 frames per second. It’s also the first camera that lets customers record directly onto the same exact external USB-C media drives they use for editing and color correction. That means customers can turn projects around much more quickly because they don’t have to transfer files. All they need to do is unplug the USB-C drive and then connect it to their computer to start editing.\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera 4K uses the same MFT (Micro Four Thirds) lens mount as the original Pocket Cinema Camera so customers can use the investment in lenses they already own. The MFT mount is extremely flexible and allows for different lens adapters so customers can also use PL, C, EF and other types of lenses from manufacturers such as Canon, Nikon, Pentax, Leica and even Panavision.\u003c\/p\u003e\n\u003cp\u003eThe rear of the camera features a large bright 5 inch touchscreen that makes it easy to frame shots and accurately focus. It also uses the same Blackmagic OS as URSA Mini so customers can use simple tap and swipe gestures to adjust settings, add metadata and view recording status. On screen overlays make it easy to see recording parameters, status, histogram, focus and peaking indicators, and playback controls. In addition, 3D LUTs can be applied for both monitoring and recording.\u003c\/p\u003e\n\u003cp\u003eFor audio, the Blackmagic Pocket Cinema Camera 4K features multiple built in microphones with an extremely low noise floor, a mini XLR input with 48 volts of phantom power to connect professional lapel and boom mics, and a 3.5mm stereo audio jack for connecting different types of video camera microphones. The high quality built in audio recording means customers don’t have to carry around a separate recorder.\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera 4K also includes a full size HDMI connector which can output HDR video as well as a clean 10-bit video feed with optional on screen overlays. There’s also an innovative high speed USB-C Expansion Port for adding external accessories such as flash drives and an SSD for external recording. The camera uses standard LP-E6 batteries and can be charged via USB-C or the locking DC power connector, which protects the camera from being accidentally unplugged during a shoot.\u003c\/p\u003e\n\u003cp\u003e“Customers love the original Blackmagic Pocket Cinema Camera and have been asking us for a 4K version,” said Grant Petty, Blackmagic Design CEO. “We’ve listened and built a camera that combines all of our newest ideas and customer feedback from the previous model! The Blackmagic Pocket Cinema Camera 4K is exciting because it packs so much technology into an incredibly small design. We feel it will go well beyond what customers expected. It’s perfect for anyone that needs a truly professional ultra compact digital film camera. This is not a consumer camera that's trying to do high end work, it’s a true high end camera designed for high end work.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic Pocket Cinema Camera 4K Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFull size 4\/3 sized sensor with native 4096 x 2160 resolution sized sensor.\u003c\/li\u003e\n\u003cli\u003eCompatible with extremely high quality Micro Four Thirds lenses.\u003c\/li\u003e\n\u003cli\u003eSuper wide 13 stops of dynamic range allows capture for high end feature film look.\u003c\/li\u003e\n\u003cli\u003eUp to 25600 ISO for incredible low light performance.\u003c\/li\u003e\n\u003cli\u003eCarbon fiber polycarbonate composite body which makes it lightweight, portable and durable.\u003c\/li\u003e\n\u003cli\u003eMulti function grip for quick access to recording start\/stop, still photos, ISO, shutter, aperture, white balance, power and more.\u003c\/li\u003e\n\u003cli\u003eBuilt in SD, UHS-II and CFast card recorders.\u003c\/li\u003e\n\u003cli\u003eUSB-C expansion port allows longer duration recording directly to an external SSD or flash disk.\u003c\/li\u003e\n\u003cli\u003eStandard open file formats compatible with popular NLE software such as 10-bit ProRes and 12 bit RAW.\u003c\/li\u003e\n\u003cli\u003eFeatures full size HDMI output for monitoring with camera status graphic overlay.\u003c\/li\u003e\n\u003cli\u003eProfessional mini XLR input with 48 volts of phantom power for connecting to pro microphones.\u003c\/li\u003e\n\u003cli\u003e3.5mm audio jack, headphone jack, and locking DC 12 volt power connection.\u003c\/li\u003e\n\u003cli\u003eBuilt in 5” LCD touchscreen allows accurate focus when shooting 4K.\u003c\/li\u003e\n\u003cli\u003eLCD supports on screen overlays including status, histogram, focus peaking, and transport controls.\u003c\/li\u003e\n\u003cli\u003eRecords 4K images at up to 60 frames per second and windowed HD at up to 120 frames per second.\u003c\/li\u003e\n\u003cli\u003e3D LUTs can be applied for both monitoring and recording.\u003c\/li\u003e\n\u003cli\u003eBlackmagic OS as used in URSA Mini and URSA Broadcast cameras.\u003c\/li\u003e\n\u003cli\u003e4th generation Blackmagic color science.\u003c\/li\u003e\n\u003cli\u003eSupports remote camera control via Bluetooth.\u003c\/li\u003e\n\u003cli\u003eIncludes full license for DaVinci Resolve Studio editing, color, visual effects and audio post production.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-CINECAMPOCHDMFT4K\u003cbr\u003e\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115146641562,"sku":"BMD-CINECAMPOCHDMFT4K","price":1095.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/pktcincam4k__57122.jpg?v=1601999223"},{"product_id":"blackmagic-design-mini-converter-analog-to-sdi","title":"Blackmagic Design Mini Converter Analog to SDI","description":"\u003ch3\u003eBlackmagic Mini Converter - Analog to SDI\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog to SDI\u003c\/strong\u003e\u003cbr\u003eMini Converter Analog to SDI is perfect for converting from analog video in HD\/SD component, NTSC, PAL or S-Video to SDI video with the choice to embed SDI audio from balanced AES\/EBU or analog audio inputs. Now you can convert analog devices such as Betacam SP, VHS, Set top box's and HDV cameras to SDI video.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4dbFkzEQDPk\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuto Switching SD and HD\u003c\/strong\u003e\u003cbr\u003eMini Converters instantly switch between standard definition and high definition video formats and changeover is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i\/59.94, 1080i\/50, 1080psf\/23.98, 1080psf\/24, 720p\/59.94 and 720p\/50 formats, plus new formats can be added via USB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRedundant SDI Input\u003c\/strong\u003e\u003cbr\u003eMini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors. A loop though SDI output is also provided for connecting to other devices. 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Unlike other converters, Mini Converters don't need custom cables, as any balanced 1\/4 inch jack cable can be used. Mini Converters are also unique as the same 1\/4 inch jack connections can be switched between professional balanced analog audio, or AES\/EBU digital audio. This means you only need one model of Mini Converter for both analog and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES\/EBU digital audio in, a sample rate converter lets you connect to any AES\/EBU source, either synchronized, or un-syncronized. 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That means you get the highest quality, all in a very affordable and incredibly compact unit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-CONVMAAS2\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115150114970,"sku":"BMD-CONVMAAS2","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/convmaas2__22793.jpg?v=1601999227"},{"product_id":"blackmagic-design-mini-converter-sdi-to-analog","title":"Blackmagic Design Mini Converter SDI to Analog","description":"\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design Mini Converter SDI to Analog\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eSDI to Analog\u003c\/strong\u003e\u003cbr\u003eMini Converter SDI to Analog includes everything you need to convert from SDI to analog in HD\/SD component, NTSC and PAL video, plus balanced AES\/EBU and analog audio. Now you can easily connect equipment such as Betacam SP, VHS, and analog video monitors to SDI based equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuto Switching SD and HD\u003c\/strong\u003e\u003cbr\u003eMini Converters instantly switch between standard definition and high definition video formats and changeover is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i\/59.94, 1080i\/50, 1080psf\/23.98, 1080psf\/24, 720p\/59.94 and 720p\/50 formats, plus new formats can be added via USB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRedundant SDI Input\u003c\/strong\u003e\u003cbr\u003eMini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors. A loop though SDI output is also provided for connecting to other devices. 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Only Mini Converters include auto SD\/HD switching, redundant input, AES\/EBU and analog audio on standard 1\/4 inch jack connections, combined with advanced 3 Gb\/s SDI technology. There's 9 great models to choose from depending on the conversion you need, plus a sync generator model!\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/74kseX9kXW0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudio to SDI\u003c\/strong\u003e\u003cbr\u003eIncludes everything you need to embed 4 channels of analog audio, or 8 channels of AES\/EBU digital audio into any SDI video connection. Embed audio from devices such as audio mixers and analog decks into SDI video connections for use with SDI routers and decks or to add extra audio channels to video converters!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuto Switching SD and HD\u003c\/strong\u003e\u003cbr\u003eMini Converters instantly switch between standard definition and high definition video formats and changeover is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i\/59.94, 1080i\/50, 1080psf\/23.98, 1080psf\/24, 720p\/59.94 and 720p\/50 formats, plus new formats can be added via USB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRedundant SDI Input\u003c\/strong\u003e\u003cbr\u003eMini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors. A loop though SDI output is also provided for connecting to other devices. A loop-thru SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-thru to another Mini Converter to de-embedd extra audio channels!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew 3 Gb\/s SDI Technology\u003c\/strong\u003e\u003cbr\u003eOnly Mini Converters include the latest 3 Gb\/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb\/s SDI is also fully compatible with all your standard definition and high definition SDI equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in AES\/EBU or Analog Audio\u003c\/strong\u003e\u003cbr\u003eStandard 1\/4 inch jacks are built in for balanced analog or AES\/EBU audio. Because Mini Converters use standard 1\/4 inch jack connectors for all audio connections, you can use standard cables commonly available from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1\/4 inch jack cable can be used. Mini Converters are also unique as the same 1\/4 inch jack connections can be switched between professional balanced analog audio, or AES\/EBU digital audio. This means you only need one model of Mini Converter for both analog and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES\/EBU digital audio in, a sample rate converter lets you connect to any AES\/EBU source, either synchronized, or un-syncronized. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Quality\u003c\/strong\u003e\u003cbr\u003eMini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analog video and audio. Unlike other converters, Mini Converters don't use \"low grade\" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analog audio and video electronics. In fact, Mini Converters uses the same analog video design as our most expensive and award winning MultibridgeEclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-CONVMCAUDS2\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115150737562,"sku":"BMD-CONVMCAUDS2","price":245.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/miniconverteraudiotosdifront_2__00796.jpg?v=1601999231"},{"product_id":"blackmagic-design-mini-converter-audio-to-sdi-4k","title":"Blackmagic Design Mini Converter Audio to SDI 4K","description":"\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design Mini Converter Audio to SDI 4K\u003c\/h1\u003e\n\u003cp\u003e4K Mini Converters are the perfect solution for broadcast and post production engineers who need to install equipment that’s Ultra HD ready, as each converter operates as a normal SD or HD converter and then will automatically switch to Ultra HD when a 6G-SDI input is connected. Live production customers will love the ability to use these Mini Converters in all kinds of situations when doing Ultra HD live production work. Even connecting to old SD televisions from an Ultra HD program feed is possible, so customers don’t have to worry about what kind of equipment they might find at a venue they are integrating with.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/74kseX9kXW0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eMini Converter Heavy Duty models feature an aluminum design that is super tough yet compact and lightweight, making them perfect for use on location. 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Customers can embed professional audio from devices such as audio mixers and analog decks into SDI video connections for use with SDI routers and decks or to add extra audio channels to video converters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-CONVMCAUDS4K\u003c\/span\u003e\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115150770330,"sku":"BMD-CONVMCAUDS4K","price":359.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/miniconverteraudiotosdi4kangle__89177.jpg?v=1601999232"},{"product_id":"blackmagic-design-sdi-to-audio-mini-converter","title":"Blackmagic Design SDI to Audio Mini Converter","description":"\u003cdiv class=\"title_1S1JLm7P93Ohi6H_hq7wWh\"\u003e\n\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design SDI to Audio Mini Converter\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"meta_3kFuVz5DY2H2vHZJJF4TvC\"\u003e\n\u003cdiv class=\"element_1HAPAPizJYwUezZ27o4lCo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eSDI to Audio\u003c\/strong\u003e\u003cbr\u003eIncludes everything you need to de-embed 4 channels of analog audio or 8 channels of AES\/EBU digital audio from any SDI video connection. Now you can easily access the audio in any SDI video connection for output to audio equipment such as audio mixers, analog broadcast decks, audio monitors and more!\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/74kseX9kXW0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuto Switching SD and HD\u003c\/strong\u003e\u003cbr\u003eMini Converters instantly switch between standard definition and high definition video formats and changeover is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i\/59.94, 1080i\/50, 1080psf\/23.98, 1080psf\/24, 720p\/59.94 and 720p\/50 formats, plus new formats can be added via USB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRedundant SDI Input\u003c\/strong\u003e\u003cbr\u003eMini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors. A loop though SDI output is also provided for connecting to other devices. A loop-thru SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-thru to another Mini Converter to de-embedd extra audio channels!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew 3 Gb\/s SDI Technology\u003c\/strong\u003e\u003cbr\u003eOnly Mini Converters include the latest 3 Gb\/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb\/s SDI is also fully compatible with all your standard definition and high definition SDI equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in AES\/EBU or Analog Audio\u003c\/strong\u003e\u003cbr\u003eStandard 1\/4 inch jacks are built in for balanced analog or AES\/EBU audio. Because Mini Converters use standard 1\/4 inch jack connectors for all audio connections, you can use standard cables commonly available from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1\/4 inch jack cable can be used. Mini Converters are also unique as the same 1\/4 inch jack connections can be switched between professional balanced analog audio, or AES\/EBU digital audio. This means you only need one model of Mini Converter for both analog and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES\/EBU digital audio in, a sample rate converter lets you connect to any AES\/EBU source, either synchronized, or un-syncronized. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Quality\u003c\/strong\u003e\u003cbr\u003eMini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analog video and audio. Unlike other converters, Mini Converters don't use \"low grade\" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analog audio and video electronics. In fact, Mini Converters uses the same analog video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-CONVMCSAUD\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115150803098,"sku":"BMD-CONVMCSAUD","price":239.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/sdiaudio__70678.jpg?v=1601999233"},{"product_id":"blackmagic-design-mini-converter-sdi-to-audio-4k","title":"Blackmagic Design Mini Converter SDI to Audio 4K","description":"\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design Mini Converter SDI to Audio 4K\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"title_wJnRisuaiX-cL7WCvemYN\"\u003e\n\u003ch2 data-selenium=\"overviewProductTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eOverview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"overviewContent_29A9kOo2S5ZcuDmfNWh5OS\"\u003e\n\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMini Converter SDI to Audio 4K\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efrom\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBlackmagic Design\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eallows you to de-embed four channels of analog audio or eight channels of AES\/EBU digital audio from any SDI video signal. It features a 6G-SDI input that accepts resolutions up to Ultra HD (3840x2160) and DCI 4K (4096x2160), and provides four 1\/4\" audio jack connectors for outputting the embedded analog or digital audio channels to an audio monitor, mixer, or other audio equipment. The SDI signal is output over a single 6G-SDI connector, with the resolution and frame rate matching that of the original input source.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/74kseX9kXW0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003eUsing 6G-SDI technology, the Mini Converter supports UHD and DCI 4K resolutions at up to 30 fps. The Mini Converter also supports Single Link SD, HD, and 3G-SDI signals, automatically detecting and switching between the different formats. A redundant SDI input is provided as an optional back up; with the converter switching over if the main SDI input is lost.\u003cbr\u003e\u003cbr\u003eThe Mini Converter's settings are controlled using the built-in DIP switches or via USB using the included software for Max OS X or Windows computers. The USB port also enables the firmware to be updated. For powering the device, a 12VDC power supply is included with international socket adapters.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eAdditional Features\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cul\u003e\n\u003cli\u003e4:2:2 and 4:4:4 sampling and color precision\u003c\/li\u003e\n\u003cli\u003e24-bit, 48 kHz audio sampling\u003c\/li\u003e\n\u003cli\u003eCompliant with SMPTE 292M, SMPTE 259M, SMPTE 296M, SMPTE 372M, SMPTE 425M, SMPTE ST-2036, ITU-R BT.656 and ITU-R BT.601\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-CONVMCSAUD4K\u003c\/span\u003e\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115151098010,"sku":"BMD-CONVMCSAUD4K","price":359.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/miniconvertersditoaudio4kangle__73827.jpg?v=1601999234"},{"product_id":"blackmagic-design-mini-converter-optical-fiber-12g-sdi","title":"Blackmagic Design Mini Converter Optical Fiber 12G-SDI","description":"\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design Mini Converter Optical Fiber 12G-SDI\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"title_wJnRisuaiX-cL7WCvemYN\"\u003e\n\u003ch2 data-selenium=\"overviewProductTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eOverview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"overviewContent_29A9kOo2S5ZcuDmfNWh5OS\"\u003e\n\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMini Converter Optical F\u003c\/b\u003e\u003cb\u003eiber 12G-SDI\u003cspan\u003e \u003c\/span\u003efrom\u003cspan\u003e \u003c\/span\u003eBlackmagic Design\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoffers bidirectional, multi-rate SDI to optical fiber conversion capabilities with complete independence in each direction and support for up to DCI 4K25 and UHD 4K60 signals. This converter has one SFP optical fiber socket (requires a separate module), one 12G\/HD\/SD-SDI input, and one 12G\/HD\/SD-SDI output. With a 10-bit rate, you can take advantage of long fiber runs and compatibility with both studio and field HD-SDI and SD equipment.\u003cbr\u003e\u003cbr\u003eFeatures include automatic signal detection and support for up to 16-channel embedded audio. Settings can be easily changed using the diagrammed function switches, or via the macOS\/Windows-compatible converter software. This compact converter features a sturdy metal housing and includes a 12V universal power supply with a locking connection for added security.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eFeatures\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cul\u003e\n\u003cli\u003eBidirectional, multi-rate SDI to optical fiber conversion\u003c\/li\u003e\n\u003cli\u003eSupports video signals up to DCI 4K25 and UHD 4K60\u003c\/li\u003e\n\u003cli\u003eAutomatic signal detection\u003c\/li\u003e\n\u003cli\u003eSupports up to 16-channel embedded audio\u003c\/li\u003e\n\u003cli\u003eChange settings with function switches or the macOS\/Windows-compatible software\u003c\/li\u003e\n\u003cli\u003eUniversal power supply with locking connector\u003c\/li\u003e\n\u003cli\u003eRugged, compact metal housing\u003c\/li\u003e\n\u003cli\u003eOne SMPTE optical fiber SFP socket (requires separate module)\u003c\/li\u003e\n\u003cli\u003e12G\/6G\/3G-SDI input and output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-CONVMOF12G\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115152310426,"sku":"BMD-CONVMOF12G","price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/opticalfiber12g__09266.jpg?v=1601999234"},{"product_id":"blackmagic-design-mini-converter-sdi-distribution-4k","title":"Blackmagic Design Mini Converter SDI Distribution 4K","description":"\u003ch3\u003eBlackmagic Mini Converter - SDI Distribution 4K\u003c\/h3\u003e \u003cp\u003eThe \u003cstrong\u003eMini Converter SDI Distribution 4K\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e allows you to distribute a Single Link SD\/HD\/3G\/6G-SDI signal to eight SDI devices simultaneously. It automatically detects the input signal type, re-clocks it, and its eight outputs automatically match the SDI input video format. With a compact form factor and easy-to-use controls, the Mini Converter is ideal for a variety of broadcast, post production, and professional AV applications.\u003cbr\u003e\u003cbr\u003eUsing 6G-SDI technology, the Mini Converter supports resolutions up to Ultra HD 4K (3840 x 2160) at up to 30 fps and DCI 4K (4096 x 2160) at 24 fps, as well as SD, HD, and 3G-SDI signals. It supports all SDI-related transmission features, including embedded audio, ancillary data, and even handles ASI signals - asynchronous signals that carry multiple compressed programs that can be at varying transmission speeds. The Mini Converter's settings are controlled using the built-in DIP switches or via USB using the included software for Max OS X or Windows computers. The USB port also enables the firmware to be updated. For powering the device, a 12V power supply is included with international socket adapters.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eProduct Highlights\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eSingle Link SD\/HD\/3G\/6G6G-SDI Input\u003c\/li\u003e \u003cli\u003e8x Single Link SD\/HD\/3G\/6G-SDI Outputs\u003c\/li\u003e \u003cli\u003eRe-Clocked Outputs\u003c\/li\u003e \u003cli\u003eSupports SD, HD, UHD 4K \u0026amp; DCI 4K Signals\u003c\/li\u003e \u003cli\u003eAutomatic Input Signal Detection\u003c\/li\u003e \u003cli\u003eAncillary Data \u0026amp; Embedded Audio\u003c\/li\u003e \u003cli\u003eSupports ASI Signals\u003c\/li\u003e \u003cli\u003eControl via DIP Switches or Software\u003c\/li\u003e \u003cli\u003eUSB 2.0 Port for Firmware Updates\u003c\/li\u003e \u003cli\u003e12V Universal Power Supply Included\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eAdditional Features\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e4:2:2 and 4:4:4 sampling and color precision\u003c\/li\u003e \u003cli\u003e24-bit, 48 kHz audio sampling\u003c\/li\u003e \u003cli\u003eCompliant with SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M, and SMPTE 425M standards\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-CONVMSDIDA4K\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115153522842,"sku":"BMD-CONVMSDIDA4K","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/miniconvertersdidistribution4k_1__22390.jpg?v=1601999235"},{"product_id":"blackmagic-design-sync-generator","title":"Blackmagic Design Sync Generator","description":"\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design Sync Generator\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eMini Converter Sync Generator\u003c\/strong\u003e\u003cbr\u003eMini Converter SDI to Analog includes everything you need to convert from SDI to analog in HD\/SD component, NTSC and PAL video, plus balanced AES\/EBU and analog audio. Now you can easily connect equipment such as Betacam SP, VHS, and analog video monitors to SDI based equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuto Switching SD and HD\u003c\/strong\u003e\u003cbr\u003eMini Converters instantly switch between standard definition and high definition video formats and changeover is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i\/59.94, 1080i\/50, 1080psf\/23.98, 1080psf\/24, 720p\/59.94 and 720p\/50 formats, plus new formats can be added via USB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRedundant SDI Input\u003c\/strong\u003e\u003cbr\u003eMini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors. A loop though SDI output is also provided for connecting to other devices. A loop-thru SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-thru to another Mini Converter to de-embedd extra audio channels!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew 3 Gb\/s SDI Technology\u003c\/strong\u003e\u003cbr\u003eOnly Mini Converters include the latest 3 Gb\/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb\/s SDI is also fully compatible with all your standard definition and high definition SDI equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in AES\/EBU or Analog Audio\u003c\/strong\u003e\u003cbr\u003eStandard 1\/4 inch jacks are built in for balanced analog or AES\/EBU audio. Because Mini Converters use standard 1\/4 inch jack connectors for all audio connections, you can use standard cables commonly available from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1\/4 inch jack cable can be used. Mini Converters are also unique as the same 1\/4 inch jack connections can be switched between professional balanced analog audio, or AES\/EBU digital audio. This means you only need one model of Mini Converter for both analog and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES\/EBU digital audio in, a sample rate converter lets you connect to any AES\/EBU source, either synchronized, or un-syncronized. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Quality\u003c\/strong\u003e\u003cbr\u003eMini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analog video and audio. Unlike other converters, Mini Converters don't use \"low grade\" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analog audio and video electronics. In fact, Mini Converters uses the same analog video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-CONVMSYNC\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115153948826,"sku":"BMD-CONVMSYNC","price":239.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/convmsync__31449.jpg?v=1601999236"},{"product_id":"blackmagic-design-atem-1-m-e-production-studio-4k","title":"Blackmagic Design ATEM 1 M\/E Production Studio 4K","description":"\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design ATEM 1 M\/E Production Studio 4K\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eThe World's Most Advanced Live Production Switcher\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCreate stunning multi camera live production with the world’s most advanced production switchers! ATEM switches between SD, HD or Ultra HD video standards so you can connect a wide range of video sources such as cameras, disk recorders and computers.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/dHy7u8j-8vo\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eYou get powerful features such as chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view and more! The advanced ATEM 1 M\/E Production Studio 4K features extra inputs, full motion DVE, stinger transitions, larger media pool with full motion clips and 3 auxiliary outputs!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvanced Live Production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCreative features with advanced technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTake your live production beyond broadcast quality! ATEM Production Studio 4K has all the features you need for the most innovative live concerts, sporting events, theater productions, conferences and more! When you're doing live events with super large high resolution screens, then simply switch your ATEM Production Studio 4K to Ultra HD for incredible quality. Many live events now use massive high resolution LED screens and projectors and now you can drive those screens in full resolution!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eATEM Production Switchers\u003c\/strong\u003e\u003cbr\u003eThe perfect solution for live broadcast such as sports and news.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInnovative Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eElegant machined metal design in a super compact size!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesign Logos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Production Studio 4K switchers feature an elegant machined aluminum front panel with dedicated buttons to let you switch auxiliary outputs. You can use the built in video screen to monitor auxiliary outputs or as technical monitoring to help during set up! You get the highest quality video and audio connections that switch virtually all SD, 720p HD, 1080i HD, 1080p HD and Ultra HD formats, plus built in multi voltage power supply so you can take your switcher anywhere in the world!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Production Studio includes advanced 6G-SDI and HDMI 4K inputs that are SD, HD or Ultra HD switchable so you can connect to virtually anything! Every input supports embedded audio mixing and features a frame resynchronizer so you can use sources without genlock such as consumer HDMI cameras or even computers for live PowerPoint™ presentations! You also get 2 balanced XLR audio inputs for connecting professional mixers and a HiFi audio input for consumer equipment like an iPod®.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGet all the outputs you need to record your video master and to broadcast your program to the audience at the event! ATEM includes program and down converted program outputs plus auxiliary outputs allowing clean feeds, perfect for connecting to giant outdoor LED screens, projectors, disk recorders, monitors and broadcast decks! The multi view outputs are 1080i HD so you can use any TV or monitor. You also get a balanced XLR output of your audio mix, which is also embedded into all video outputs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-SWATEMPSW1ME4K\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115154243738,"sku":"BMD-SWATEMPSW1ME4K","price":2705.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/atem1meproductionstudio4kangle__45340.jpg?v=1601999238"},{"product_id":"blackmagic-design-atem-1-m-e-advanced-panel","title":"Blackmagic Design ATEM 1 M\/E Advanced Panel","description":"\u003ch1 data-selenium=\"productTitle\" class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP primary_ELb2ysditdCtk24iMBTUs\"\u003eBlackmagic Design ATEM 1 M\/E Advanced Panel\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eThe World's Most Advanced \u003cspan class=\"nb-md\"\u003eLive Production switchers!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"nb-md\"\u003eCreate stunning multi camera live production with the world’s most advanced production switchers! ATEM switches between SD, HD or Ultra HD video standards so you can form exciting live production with a wide range of video sources such as cameras, disk recorders and slide shows or animation from computers. You get powerful features such as chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view and more! The more advanced models include features such as up to 20 SDI inputs, SuperSource multi-layer engine, full motion DVE, stinger transitions, larger media pool with full motion clips and up to an incredible 6 auxiliary outputs!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"nb-md\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/se0CMombxgA\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCombine the elegance of modern \u003cspan class=\"nb-md\"\u003edesign with the power of broadcast production\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"nb-md\"\u003eThe ATEM 1 M\/E Advanced Panel is an elegantly designed professional hardware control panel for all \u003cspan class=\"nb-lg\"\u003eATEM switchers.\u003c\/span\u003e It combines modern design with the \u003cspan class=\"nb-lg\"\u003elatest broadcast\u003c\/span\u003e technology for faster workflows. \u003cspan class=\"nb-lg\"\u003eThe new design\u003c\/span\u003e features a built in LCD and high quality curved buttons that help reduce incorrect key presses. \u003cspan class=\"nb-lg\"\u003eThe buttons\u003c\/span\u003e also have color backlighting to help you quickly recognize important keys. You also get a professional joystick for DVE and camera adjustments, smooth weighted t‑bar fader and much more. The buttons feature dynamic displays that allow full customization of the labels as well as custom colors. The shift buttons allow you to double up the number of inputs by selecting a second set of shifted source buttons so you can control up to 20 inputs. The compact size and durable design of the ATEM 1 M\/E Advanced Panel fits in a standard equipment rack, making it perfect for shelf mounting in broadcast trucks, mobile racks and fly away kits.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCreative features with advanced technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTake your live production beyond broadcast quality! ATEM live production switchers have all the features you need for the most innovative live concerts, sporting events, theater productions, conferences and more! When you're doing live events with super large high resolution screens, then simply switch your ATEM live production switcher to Ultra HD for incredible quality. Many live events now use massive high resolution LED screens and projectors and now you can drive those screens in full resolution!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElegant machined metal \u003cspan class=\"nb-md\"\u003edesign in a super compact size!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"nb-md\"\u003eATEM live production switchers feature an elegant machined aluminum front panel with dedicated buttons to let you switch auxiliary outputs. You can use the built in video screen to monitor auxiliary outputs or as technical monitoring to help during set up! You get the highest quality video and audio connections that switch virtually all SD, 720p HD, 1080i HD, 1080p HD and Ultra HD formats, plus built in multi voltage power supplies so you can take your switcher anywhere in the world!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet innovative software \u003cspan class=\"nb-md\"\u003econtrol or choose a hardware panel\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"nb-md\"\u003eATEM live production switchers have the widest range of control options! You get full switcher control from any laptop or desktop computer with the included ATEM software control panel for both Mac and Windows. For demanding live production environments you can add a hardware based panel such as the ATEM 1 M\/E Advanced Panel or the ATEM 2 M\/E Broadcast Panel, which feature the highest quality buttons, knobs and faders for even faster switching! You also get an SDK for custom control. Only ATEM gives you such a wide range of control options!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"nb-md\"\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-SWPANELADV1ME\u003c\/span\u003e\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115155128474,"sku":"BMD-SWPANELADV1ME10","price":3379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/atem1advanced1__22250.jpg?v=1601999242"},{"product_id":"305p-avicast-pack","title":"305P-AVICAST-PACK","description":"\u003ch2\u003e305P-AVICAST-PACK\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp style=\"margin-bottom: 0.28cm; line-height: 108%;\"\u003eAVIcast-MIX AVIcast-Main Video Camera Mixer with Character generator\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"margin-bottom: 0.28cm; line-height: 108%;\"\u003eAOL Live HDMI Video Encoder for Social Media\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"margin-bottom: 0.28cm; line-height: 108%;\"\u003e\u003cspan lang=\"es-419\"\u003eAVICast- CAL Playlist Schedule\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"margin-bottom: 0.28cm; line-height: 108%;\"\u003eAVICast- PLAY OUT 1 CHANNEL AUTOMATION PLAYLIST\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"margin-bottom: 0.28cm; line-height: 108%;\"\u003eAVICast – Chroma Kit Chroma Key 4 LIVE INPUT WITH CHROMA KEY\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"margin-bottom: 0.28cm; line-height: 108%;\"\u003eAMC-A2001NV2 CAMERA 1.PTZ H.265 video compression, dual stream 3\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"margin-bottom: 0.28cm; line-height: 108%;\"\u003eBLACKMAGIC BMD-BDLKDUO2 DeckLink Duo 2\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"margin-bottom: 0.28cm; line-height: 108%;\"\u003e\u003cspan lang=\"es-419\"\u003eESI-M44EX ESI Maya44 eX 4-In\/4-Out PCIe Audio Interface\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"margin-bottom: 0.28cm; line-height: 108%;\"\u003e\u003cspan lang=\"es-419\"\u003eBELDEN 1583A004U1000 CAT5E 4PR U\/UTP CMR BOX cable\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"margin-bottom: 0.28cm; line-height: 108%;\"\u003eTECNEC 1505-B-B-100 Belden 1505A SDI-HDTV RG59 BNC Cable 100Ft. QTY 3\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"margin-bottom: 0.28cm; line-height: 108%;\"\u003eCisco SG110-16 110 Series 16-Port Unmanaged Network Switch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"margin-bottom: 0.28cm; line-height: 108%;\"\u003eVideo Server\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":36973489258650,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}]},{"product_id":"blackmagic-design-atem-mini-extreme","title":"Blackmagic Design ATEM Mini Extreme","description":"\u003cp class=\"page-title\"\u003e\u003cspan itemprop=\"name\"\u003e\u003cspan data-ui-id=\"page-title-wrapper\" class=\"base\"\u003eBlackmagic Design ATEM Mini Extreme\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv aria-hidden=\"false\" role=\"tabpanel\" aria-labelledby=\"tab-label-product.info.description\" data-role=\"content\" id=\"product.info.description\" class=\"data item content first\"\u003e\n\u003cp class=\"BodyA\"\u003eTrue professional model adds total of 8 HDMI inputs, 16 way multiview, 4 ATEM Advanced Chroma keyers, SuperSource with 4 extra DVE's, 2 HDMI outputs, 2 USB ports and a more powerful control panel. \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gYQP1fKAuY0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cstrong\u003eIntroducing low cost, multi camera, live production with advanced broadcast features.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eATEM Mini switchers make it easy to create professional multi camera productions for live streaming to YouTube and innovative business presentations using Skype or Zoom! Simply connect ATEM Mini and you can switch live up to 8 high quality video camera inputs for dramatically better quality images. Or connect a computer for PowerPoint slides or gaming consoles.\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe built in DVE allows exciting picture in picture effects, perfect for commentary! There are loads of video effects too! All ATEM Mini models have USB that works like a webcam so you can use any streaming software while the ATEM Mini Pro and ATEM Mini Extreme models add live streaming and recording to USB disks. ATEM Mini even has secret broadcast features for high end work!  \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eLightweight Carbon Fiber Polycarbonate Composite\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips.\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eBecause it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eMultifunction Grip with Fingertip Controls\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments! Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command!\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false color and more. The Blackmagic Pocket Cinema Camera 6K Pro also adds extra ND filter controls. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eSelf Contained Broadcast Quality Switcher\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eATEM Mini’s compact all in one design includes both a control panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. The source buttons are large so it’s possible to use it by feel, letting the presenter do the switching! You even get buttons for audio mixing! On the ATEM Mini Pro and Extreme models you also get buttons for record and streaming control, as well as output selection buttons that let you change the video output between cameras, program and multiview. On the rear panel there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out plus an HDMI \"aux\" output for program video. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eATEM Mini Extreme\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThis model is an advanced switcher for true professionals! You get all the ATEM Mini Pro features plus 8 HDMI inputs, 2 separate HDMI outputs, 2 USB ports and a headphone connection. There are also 4 chroma keyers, 6 picture in picture DVEs, 2 media players, and a multiview with up to 16 views! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eEasy to Use and Fast to Learn!\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThere's never been a switcher that’s easier to use, as you simply press any of the input buttons labelled by number on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM Mini to use a video effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to color, DVE squeeze and DVE push. Add a DVE effect for picture in picture effects with customized picture positions and background. There are even \"media players\" which are a still store for titles and graphics that you can load via external software control. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eStream Live Interviews\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eATEM Mini is perfect for interviews as you can connect multiple cameras for close ups of the host, or interviewee, as well as wide shots plus ATEM Mini is so small the host can even switch in small studios. Plus ATEM Mini Pro and Extreme models support live streaming to YouTube, Facebook and more! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eConnect up to 8 Independent Cameras\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWith 8 HDMI inputs, you can connect multiple cameras for different views. Video cameras with HDMI outputs are better quality than simple webcams as they use higher quality lenses and have better low light sensitivity. All video sources will re-sync to the switcher if they operate at different video standards so you don't have to worry about connecting video devices as they all just work! Cameras with HDMI often support interchangeable lenses so you can change to wide angle lenses for wide shots and zoom lenses for close ups. Imagine taking advantage of the low light capability of better cameras for theater production, weddings, school concerts and music videos! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eOutputs to HDMI Video and USB Webcam\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eTo ensure maximum compatibility, all ATEM Mini models feature USB that operates as a simple webcam source. That means you can plug into a computer and get working with any video software! The software is tricked into thinking the ATEM Mini is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style! The ATEM Mini webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eLive Stream via Ethernet on ATEM Mini Pro\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eATEM Mini Pro and ATEM Mini Extreme models have a built in hardware streaming engine for live streaming via their ethernet connections. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key! There are palettes in ATEM Software Control for streaming setup, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can update the streaming profiles in an XML settings file to load new services. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eIf you’re doing live production on location then the ATEM Mini Pro and Extreme models support connecting an Apple or Android phone to the USB port to use mobile data! It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones! The ATEM switcher will automatically detect when a phone is connected and switch its internet connection to use it, eliminating the need for changing settings. When connected, the phone will power from the USB port so it remains charged from the switcher. By using phone tethering and mobile data, ATEM Mini Pro and ATEM Mini Extreme become the perfect mobile production solutions! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eRecord Direct to USB Flash Disks with ATEM Mini Pro\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe ATEM Mini Pro and Extreme models also support direct recording of your streaming data to USB flash disks! That means you get very long recordings in the same H.264 video files with AAC audio that you streamed, so you can direct upload to any online video site, such as YouTube or Vimeo. Recording to multiple disks is also supported via a USB hub or Blackmagic MultiDock, so when a disk fills recording can continue to a second disk for non-stop recording. Record settings and disk selection are set up in ATEM Software Control and there's a record status view in the built-in multiview. You can even trigger recording on connected Blackmagic Pocket Cinema Cameras!\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eAdd Exciting Video Effects\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eOne of the benefits of ATEM Mini is the professional production values that are possible using the range of built in video effects! The cut button ensures an instant cut when switching between sources. The auto button is a professional term that's used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5, 1, 1.5 and 2 second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip which fades via a color during the transition. Or use fun DVE effects that move the image off screen when transitioning between sources! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eWork with Professional Microphones\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWith two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. Plus all models feature a Fairlight audio mixer with all HDMI inputs and both microphone inputs are all connected to the audio mixer so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eAutomatically Converts Any HDMI Input Format\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eEach of the HDMI inputs feature their own dedicated standards converter. That means ATEM Mini will automatically convert 1080p, 1080i and 720p sources to the switcher video standard! By default the switcher will set its video format automatically, however you can also set the switcher to any video standard! The HDMI outputs are a true \"aux\" output so you can clean switch each HDMI input to the output. You can even \"direct\" switch input 1 to the HDMI output for low latency eSport productions. Plus the ATEM Mini Extreme models support 2 low latency direct loops! On the more powerful ATEM Mini Pro and ATEM Mini Extreme models, the HDMI output can be selected to display a full multiview! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eSecret Broadcast Features Built In\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWhile ATEM Mini is easy to use, it's also hiding very powerful broadcast features! If you're interested in a career in the television industry, then ATEM Mini is perfect for training as it has the same features as switchers in high end broadcast studios. You get an ATEM Advanced Chroma Key, Fairlight audio mixer, DVE, still store for graphics and much more! Simply run the free ATEM Software Control app on Mac or Windows while connected via USB or Ethernet to access the extended features of the ATEM Mini. With a little experimentation you can learn how to produce broadcast quality live production. Only ATEM Mini is a true broadcast switcher hidden in a tiny and affordable design! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eIncludes Free ATEM Software Control Panel\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Mini and allows access to every feature in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making quick adjustments. Although you can normally connect via USB, if you connect using Ethernet it's possible for multiple users to connect to ATEM Mini using separate copies of ATEM Software Control on different computers! The software lets you access full audio mixing with effects, load still frames and even do advanced macro programming! You can even save the switcher state as an XML file! If you need clip playback, you can even control HyperDeck disk recorders via Ethernet. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eDVE for Picture in Picture, Transitions and Effects\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eOne of the most exciting features on ATEM Mini is the digital video effects processor, commonly referred to as a \"DVE\", that allows picture in picture effects and crazy DVE transitions! The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. The image quality is the same as high end ATEM switcher models and the DVE supports position, resize and scale, all in real time. The DVE can also be used to create amazing transitions with 16 different DVE squeeze and DVE push effects for adding excitement to your programming. The DVE features a \"fly key\" so you can use it with custom graphics to create graphic wipe transitions! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eProfessional Broadcast Transitions\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eATEM Mini includes a wide range of broadcast quality HD native transitions such as mix, dip, wipe and more. All transitions can be customized by adjusting parameters such as duration, border color, border width, position and direction. You can also use the DVE in transitions, allowing a graphic to be moved over the wipe edge which is called a graphic wipe, and is used in sports programming. To eliminate errors, ATEM Mini has a preview transition feature so you can check your transitions before putting them to air! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eBuilt-in Graphics with Photoshop Plug-In\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe built in \"media pool\" allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. The media player is used to output the selected image so it appears as an extra internal video source for use in graphics and titles. You can even use still frames for complex effects such as graphic wipes. ATEM Mini can also grab stills from the video output and add them to the internal media pool. Graphics can be loaded via ATEM Software Control or downloaded directly from Photoshop using the ATEM Photoshop plug-in. The Photoshop Plug-in is perfect for graphics that change often, such as scoreboards, as you can download directly into the media player. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eIncludes New ATEM Advanced Chroma Key\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eFor news or on-set presentation work, ATEM Mini is perfect as it features the powerful ATEM Advanced Chroma Key for green screen keying effects. The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. Plus the ATEM Mini Extreme includes a massive 4 ATEM Advanced Chroma Keyers, that’s a keyer per camera for fixed camera virtual set production! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eCreate Amazing Virtual Sets\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe ATEM Mini Extreme models include 4 upstream chroma keyers and this allows you to build exciting virtual sets! With 4 independent chroma keyers, you get a keyer per camera so you can build a virtual set for up to 4 cameras. With ATEM Mini Extreme you have 8 inputs, 4 to use for cameras and the other 4 can be connected to a virtual set computer for the rendered backgrounds. Or you don't need to move your cameras, you can do fixed camera virtual sets by loading pre rendered still image backgrounds from the media players and media pool. You can setup macros to change cameras and load the correct background into the media players! Or even use a DeckLink Quad HDMI and live virtual set software! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003ePowerful SuperSource Processing\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eIn addition to 2 independent DVEs in the ATEM Mini Extreme models, there's also a powerful SuperSource multi layer processor with 4 extra DVE layers plus a background layer, that all appear to ATEM Mini Extreme as an additional input source. Any ATEM Mini Extreme video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect before putting it to air, still keeping both main DVEs free for other tasks. SuperSource is just like having an extra multi-layer VFX switcher built in! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eTrue Broadcast Style Mix Effects Switching\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eAlthough ATEM Mini works in \"cut bus\" mode when first purchased, it can also be changed to \"program\/preview\" style operation, which is the way large broadcasters use live production switchers. Cut bus switching is easy and selecting any input will instantly switch to that source. However if you want to operate ATEM Mini like a true professional then you can change the switcher to program\/preview using ATEM Software Control. Mix effects operation allows a source to be selected but it won't be put on air until you press the cut or auto buttons. That 2 step program\/preview process means fewer mistakes. Program\/preview operation is best for training students for a career in broadcast! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eMonitor Sources and Status with ATEM Mini Pro Multiview\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWhen doing larger live productions with multiple cameras, it’s very useful to see all your video sources at the same time on a single monitor. The ATEM Mini Pro and ATEM Mini Extreme models include a professional multiview that lets you see all video inputs, preview and program on a single HDMI television or monitor! Simply select M\/V on the front panel video output control buttons to select multiview! Each camera view includes tally indicators so you know when each source is on-air, and each view also has custom labels and audio meters. Plus the ATEM Mini Extreme models allow you to select up to 16 custom views! Multiview even includes status for recording, streaming and the audio mixer! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eBuilt In Audio Mixer with 6 Band EQ, Compressor and Limiter\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWith a built in Fairlight audio mixer, ATEM Mini makes it possible to do complex live sound mixing. The internal mixer features enough channels for each HDMI input so you can mix audio from all sources! That’s audio from all HDMI sources and the 2 stereo mic inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You can even set up the software to auto mix between inputs as you switch \"AFV\" or to live mix multiple sources together all at once. All this audio power can be controlled via ATEM Software Control, or you can add a Mackie compatible panel or even a massive Fairlight Audio Console! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eControl and Color Balance Cameras\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eFor a more broadcast style workflow, you can remote control your cameras from ATEM Mini! Blackmagic Pocket Cinema Camera 4K and 6K models can work as studio cameras with control sent via the HDMI connection to ATEM Mini. That means you can control the camera settings as well as the camera’s color corrector from ATEM Software Control. Imagine changing ISO and tint, plus lens iris, focus and zoom, so camera operators can focus on the shot! There are two types of control interface, CCU layout for traditional tint color control and a DaVinci color corrector interface allowing the camera’s built in DaVinci color corrector to add incredible digital film \"looks\" to your live production! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eDevelopCustom Remote Control Solutions\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe Ethernet connection also allows customized control solutions! Even though ATEM Mini includes ATEM Software Control, you can use the Ethernet to control the ATEM remotely, anywhere in the world. A popular workflow is to use the Ethernet to allow the ATEM Mini to be positioned near the HDMI cameras, but the control is positioned remotely in a quieter space, such as a control room. Imagine using the switcher from a control room and building a professional broadcasting studio where the control room can be separated away from the performance or interviews. Ethernet allows you to add as many panels as you like all at the same time, or you can build custom solutions using the developer SDK! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eRecord to an External Recorder\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe HDMI program output is perfect for connecting ATEM Mini to an external recorder or monitor! ATEM Mini supports recorders such as Blackmagic Video Assist. You get a high quality output with switcher program video, plus live audio from the internal audio mixer. The HDMI output can even be connected to video projectors in large venues. If you connect ATEM Software Control you can even ISO record from one of the inputs. Plus, on the more advanced ATEM Mini Pro and ATEM Mini Extreme models, you can generate multiple formats by recording from the HDMI program output in ProRes, while simultaneously using the built-in recording to H.264 video stream on a USB flash disk!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":39463382778010,"sku":"BMD-SWATEMMINICEXT","price":1095.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/AtemMiniExtreme2.jpg?v=1616472177"},{"product_id":"blackmagic-design-atem-mini-extreme-iso","title":"Blackmagic Design ATEM Mini Extreme ISO","description":"\u003cp data-mce-fragment=\"1\" class=\"page-title\"\u003e\u003cspan data-mce-fragment=\"1\" itemprop=\"name\"\u003e\u003cspan data-mce-fragment=\"1\" data-ui-id=\"page-title-wrapper\" class=\"base\"\u003eBlackmagic Design ATEM Mini Extreme ISO\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eGet the features of ATEM Mini Extreme plus 9 record streams for clean feeds of all inputs. A DaVinci project is saved for editing and relinking to Blackmagic RAW files for Ultra HD finishing. \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gYQP1fKAuY0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cstrong\u003eIntroducing low cost, multi camera, live production with advanced broadcast features.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eATEM Mini switchers make it easy to create professional multi camera productions for live streaming to YouTube and innovative business presentations using Skype or Zoom! Simply connect ATEM Mini and you can switch live up to 8 high quality video camera inputs for dramatically better quality images. Or connect a computer for PowerPoint slides or gaming consoles.\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe built in DVE allows exciting picture in picture effects, perfect for commentary! There are loads of video effects too! All ATEM Mini models have USB that works like a webcam so you can use any streaming software while the ATEM Mini Pro and ATEM Mini Extreme models add live streaming and recording to USB disks. ATEM Mini even has secret broadcast features for high end work! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eEdit Live Production with Separate ISO Recordings\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe ATEM Mini Extreme ISO allow you to edit your live event as they can record multiple video streams, including clean feeds of all inputs and program, all at the same time! Media pool images used are also saved with the video files.\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing your show with new color grades, effects and graphics! Even the audio sources are all recorded so you can professionally remix your audio! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eEdit Live Production in DaVinci Resolve\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe ISO models also save a DaVinci Resolve project file, so with a single click you can open your live production as a video edit. All cuts, dissolves and media pool graphics will be loaded.\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThis means you can fine tune edit points or even completely replace shots! The DaVinci Resolve Sync Bin lets you select new shots via a multiview so it's very easy to use. You can even relink to Blackmagic RAW camera files for adding professional color correction and finishing in Ultra HD! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eLightweight Carbon Fiber Polycarbonate Composite\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips.\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eBecause it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eMultifunction Grip with Fingertip Controls\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments! Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command!\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false color and more. The Blackmagic Pocket Cinema Camera 6K Pro also adds extra ND filter controls. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eSelf Contained Broadcast Quality Switcher\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eATEM Mini’s compact all in one design includes both a control panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. The source buttons are large so it’s possible to use it by feel, letting the presenter do the switching!\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eYou even get buttons for audio mixing! On the ATEM Mini Pro and Extreme models you also get buttons for record and streaming control, as well as output selection buttons that let you change the video output between cameras, program and multiview. On the rear panel there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out plus an HDMI \"aux\" output for program video. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eATEM Mini Extreme\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThis model is an advanced switcher for true professionals! You get all the ATEM Mini Pro features plus 8 HDMI inputs, 2 separate HDMI outputs, 2 USB ports and a headphone connection. There are also 4 chroma keyers, 6 picture in picture DVEs, 2 media players, and a multiview with up to 16 views! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eEasy to Use and Fast to Learn!\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThere's never been a switcher that’s easier to use, as you simply press any of the input buttons labelled by number on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons.\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eUnlike cut, the auto button tells ATEM Mini to use a video effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to color, DVE squeeze and DVE push. Add a DVE effect for picture in picture effects with customized picture positions and background.\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThere are even \"media players\" which are a still store for titles and graphics that you can load via external software control. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eStream Live Interviews\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eATEM Mini is perfect for interviews as you can connect multiple cameras for close ups of the host, or interviewee, as well as wide shots plus ATEM Mini is so small the host can even switch in small studios.\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003ePlus ATEM Mini Pro and Extreme models support live streaming to YouTube, Facebook and more! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eConnect up to 8 Independent Cameras\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWith 8 HDMI inputs, you can connect multiple cameras for different views. Video cameras with HDMI outputs are better quality than simple webcams as they use higher quality lenses and have better low light sensitivity.\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eAll video sources will re-sync to the switcher if they operate at different video standards so you don't have to worry about connecting video devices as they all just work! Cameras with HDMI often support interchangeable lenses so you can change to wide angle lenses for wide shots and zoom lenses for close ups.\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eImagine taking advantage of the low light capability of better cameras for theater production, weddings, school concerts and music videos! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eOutputs to HDMI Video and USB Webcam\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eTo ensure maximum compatibility, all ATEM Mini models feature USB that operates as a simple webcam source. That means you can plug into a computer and get working with any video software! The software is tricked into thinking the ATEM Mini is a common webcam, but it's really a live production switcher.\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThat guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style! The ATEM Mini webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eLive Stream via Ethernet on ATEM Mini Pro\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eATEM Mini Pro and ATEM Mini Extreme models have a built in hardware streaming engine for live streaming via their ethernet connections. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key! There are palettes in ATEM Software Control for streaming setup, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can update the streaming profiles in an XML settings file to load new services. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eIf you’re doing live production on location then the ATEM Mini Pro and Extreme models support connecting an Apple or Android phone to the USB port to use mobile data! It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones! The ATEM switcher will automatically detect when a phone is connected and switch its internet connection to use it, eliminating the need for changing settings. When connected, the phone will power from the USB port so it remains charged from the switcher. By using phone tethering and mobile data, ATEM Mini Pro and ATEM Mini Extreme become the perfect mobile production solutions! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eRecord Direct to USB Flash Disks with ATEM Mini Pro\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe ATEM Mini Pro and Extreme models also support direct recording of your streaming data to USB flash disks! That means you get very long recordings in the same H.264 video files with AAC audio that you streamed, so you can direct upload to any online video site, such as YouTube or Vimeo. Recording to multiple disks is also supported via a USB hub or Blackmagic MultiDock, so when a disk fills recording can continue to a second disk for non-stop recording. Record settings and disk selection are set up in ATEM Software Control and there's a record status view in the built-in multiview. You can even trigger recording on connected Blackmagic Pocket Cinema Cameras!\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eAdd Exciting Video Effects\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eOne of the benefits of ATEM Mini is the professional production values that are possible using the range of built in video effects! The cut button ensures an instant cut when switching between sources. The auto button is a professional term that's used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5, 1, 1.5 and 2 second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip which fades via a color during the transition. Or use fun DVE effects that move the image off screen when transitioning between sources! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eWork with Professional Microphones\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWith two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. Plus all models feature a Fairlight audio mixer with all HDMI inputs and both microphone inputs are all connected to the audio mixer so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eAutomatically Converts Any HDMI Input Format\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eEach of the HDMI inputs feature their own dedicated standards converter. That means ATEM Mini will automatically convert 1080p, 1080i and 720p sources to the switcher video standard! By default the switcher will set its video format automatically, however you can also set the switcher to any video standard! The HDMI outputs are a true \"aux\" output so you can clean switch each HDMI input to the output. You can even \"direct\" switch input 1 to the HDMI output for low latency eSport productions. Plus the ATEM Mini Extreme models support 2 low latency direct loops! On the more powerful ATEM Mini Pro and ATEM Mini Extreme models, the HDMI output can be selected to display a full multiview! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eSecret Broadcast Features Built In\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWhile ATEM Mini is easy to use, it's also hiding very powerful broadcast features! If you're interested in a career in the television industry, then ATEM Mini is perfect for training as it has the same features as switchers in high end broadcast studios. You get an ATEM Advanced Chroma Key, Fairlight audio mixer, DVE, still store for graphics and much more! Simply run the free ATEM Software Control app on Mac or Windows while connected via USB or Ethernet to access the extended features of the ATEM Mini. With a little experimentation you can learn how to produce broadcast quality live production. Only ATEM Mini is a true broadcast switcher hidden in a tiny and affordable design! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eIncludes Free ATEM Software Control Panel\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Mini and allows access to every feature in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making quick adjustments. Although you can normally connect via USB, if you connect using Ethernet it's possible for multiple users to connect to ATEM Mini using separate copies of ATEM Software Control on different computers! The software lets you access full audio mixing with effects, load still frames and even do advanced macro programming! You can even save the switcher state as an XML file! If you need clip playback, you can even control HyperDeck disk recorders via Ethernet. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eDVE for Picture in Picture, Transitions and Effects\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eOne of the most exciting features on ATEM Mini is the digital video effects processor, commonly referred to as a \"DVE\", that allows picture in picture effects and crazy DVE transitions! The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. The image quality is the same as high end ATEM switcher models and the DVE supports position, resize and scale, all in real time. The DVE can also be used to create amazing transitions with 16 different DVE squeeze and DVE push effects for adding excitement to your programming. The DVE features a \"fly key\" so you can use it with custom graphics to create graphic wipe transitions! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eProfessional Broadcast Transitions\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eATEM Mini includes a wide range of broadcast quality HD native transitions such as mix, dip, wipe and more. All transitions can be customized by adjusting parameters such as duration, border color, border width, position and direction. You can also use the DVE in transitions, allowing a graphic to be moved over the wipe edge which is called a graphic wipe, and is used in sports programming. To eliminate errors, ATEM Mini has a preview transition feature so you can check your transitions before putting them to air! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eBuilt-in Graphics with Photoshop Plug-In\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe built in \"media pool\" allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. The media player is used to output the selected image so it appears as an extra internal video source for use in graphics and titles. You can even use still frames for complex effects such as graphic wipes. ATEM Mini can also grab stills from the video output and add them to the internal media pool. Graphics can be loaded via ATEM Software Control or downloaded directly from Photoshop using the ATEM Photoshop plug-in. The Photoshop Plug-in is perfect for graphics that change often, such as scoreboards, as you can download directly into the media player. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eIncludes New ATEM Advanced Chroma Key\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eFor news or on-set presentation work, ATEM Mini is perfect as it features the powerful ATEM Advanced Chroma Key for green screen keying effects. The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. Plus the ATEM Mini Extreme includes a massive 4 ATEM Advanced Chroma Keyers, that’s a keyer per camera for fixed camera virtual set production! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eCreate Amazing Virtual Sets\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe ATEM Mini Extreme models include 4 upstream chroma keyers and this allows you to build exciting virtual sets! With 4 independent chroma keyers, you get a keyer per camera so you can build a virtual set for up to 4 cameras. With ATEM Mini Extreme you have 8 inputs, 4 to use for cameras and the other 4 can be connected to a virtual set computer for the rendered backgrounds. Or you don't need to move your cameras, you can do fixed camera virtual sets by loading pre rendered still image backgrounds from the media players and media pool. You can setup macros to change cameras and load the correct background into the media players! Or even use a DeckLink Quad HDMI and live virtual set software! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003ePowerful SuperSource Processing\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eIn addition to 2 independent DVEs in the ATEM Mini Extreme models, there's also a powerful SuperSource multi layer processor with 4 extra DVE layers plus a background layer, that all appear to ATEM Mini Extreme as an additional input source. Any ATEM Mini Extreme video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect before putting it to air, still keeping both main DVEs free for other tasks. SuperSource is just like having an extra multi-layer VFX switcher built in! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eTrue Broadcast Style Mix Effects Switching\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eAlthough ATEM Mini works in \"cut bus\" mode when first purchased, it can also be changed to \"program\/preview\" style operation, which is the way large broadcasters use live production switchers. Cut bus switching is easy and selecting any input will instantly switch to that source. However if you want to operate ATEM Mini like a true professional then you can change the switcher to program\/preview using ATEM Software Control. Mix effects operation allows a source to be selected but it won't be put on air until you press the cut or auto buttons. That 2 step program\/preview process means fewer mistakes. Program\/preview operation is best for training students for a career in broadcast! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eMonitor Sources and Status with ATEM Mini Pro Multiview\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWhen doing larger live productions with multiple cameras, it’s very useful to see all your video sources at the same time on a single monitor. The ATEM Mini Pro and ATEM Mini Extreme models include a professional multiview that lets you see all video inputs, preview and program on a single HDMI television or monitor! Simply select M\/V on the front panel video output control buttons to select multiview! Each camera view includes tally indicators so you know when each source is on-air, and each view also has custom labels and audio meters. Plus the ATEM Mini Extreme models allow you to select up to 16 custom views! Multiview even includes status for recording, streaming and the audio mixer! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eBuilt In Audio Mixer with 6 Band EQ, Compressor and Limiter\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWith a built in Fairlight audio mixer, ATEM Mini makes it possible to do complex live sound mixing. The internal mixer features enough channels for each HDMI input so you can mix audio from all sources! That’s audio from all HDMI sources and the 2 stereo mic inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You can even set up the software to auto mix between inputs as you switch \"AFV\" or to live mix multiple sources together all at once. All this audio power can be controlled via ATEM Software Control, or you can add a Mackie compatible panel or even a massive Fairlight Audio Console! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eControl and Color Balance Cameras\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eFor a more broadcast style workflow, you can remote control your cameras from ATEM Mini! Blackmagic Pocket Cinema Camera 4K and 6K models can work as studio cameras with control sent via the HDMI connection to ATEM Mini. That means you can control the camera settings as well as the camera’s color corrector from ATEM Software Control. Imagine changing ISO and tint, plus lens iris, focus and zoom, so camera operators can focus on the shot! There are two types of control interface, CCU layout for traditional tint color control and a DaVinci color corrector interface allowing the camera’s built in DaVinci color corrector to add incredible digital film \"looks\" to your live production! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eDevelopCustom Remote Control Solutions\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe Ethernet connection also allows customized control solutions! Even though ATEM Mini includes ATEM Software Control, you can use the Ethernet to control the ATEM remotely, anywhere in the world. A popular workflow is to use the Ethernet to allow the ATEM Mini to be positioned near the HDMI cameras, but the control is positioned remotely in a quieter space, such as a control room. Imagine using the switcher from a control room and building a professional broadcasting studio where the control room can be separated away from the performance or interviews. Ethernet allows you to add as many panels as you like all at the same time, or you can build custom solutions using the developer SDK! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eRecord to an External Recorder\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eThe HDMI program output is perfect for connecting ATEM Mini to an external recorder or monitor! ATEM Mini supports recorders such as Blackmagic Video Assist. You get a high quality output with switcher program video, plus live audio from the internal audio mixer. The HDMI output can even be connected to video projectors in large venues. If you connect ATEM Software Control you can even ISO record from one of the inputs. Plus, on the more advanced ATEM Mini Pro and ATEM Mini Extreme models, you can generate multiple formats by recording from the HDMI program output in ProRes, while simultaneously using the built-in recording to H.264 video stream on a USB flash disk!\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eGet the features of ATEM Mini Extreme plus 9\u003cspan lang=\"DE\"\u003e \u003c\/span\u003erecord streams for clean feeds of all inputs. A\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eDaVinci project is saved for editing and relinking to Blackmagic RAW files for Ultra\u003cspan lang=\"DE\"\u003e HD finishing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eIntroducing low cost, multi camera, live production with advanced broadcast features.\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eATEM Mini switchers make it easy to create professional multi camera productions for live streaming to YouTube and innovative business presentations using Skype or Zoom! Simply connect ATEM Mini and you can switch live up to 8 high quality video camera inputs for dramatically better quality images. Or connect a computer for PowerPoint slides or gaming consoles. The built in DVE allows exciting picture in picture effects, perfect for commentary! There are loads of video effects too! All ATEM Mini models have USB that works like a webcam so you can use any streaming software while the ATEM Mini Pro and ATEM Mini Extreme models add live streaming and recording to USB disks. ATEM Mini even has secret broadcast features for high end work!\u003c\/p\u003e\n\u003cp class=\"Default\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eEdit Live Production with Separate ISO Recordings\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe ATEM Mini Extreme ISO allow you to edit your live event as they can record multiple video streams, including clean feeds of all inputs and program, all at the same time! Media pool images used are also saved with the video files. The video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing your show with new color grades, effects and graphics! Even the audio sources are all recorded so you can professionally remix your audio!\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eEdit Live Production in DaVinci Resolve\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe ISO models also save a DaVinci Resolve project file, so with a single click you can open your live production as a video edit. All cuts, dissolves and media pool graphics will be loaded. This means you can fine tune edit points or even completely replace shots! The DaVinci Resolve Sync Bin lets you select new shots via a multiview so it's very easy to use. You can even relink to Blackmagic RAW camera files for adding professional color correction and finishing in Ultra HD!\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eLightweight Carbon Fiber Polycarbonate Composite\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker.\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eMultifunction Grip with Fingertip Controls\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments! Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false color and more. The Blackmagic Pocket Cinema Camera 6K Pro also adds extra ND filter controls.\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eSelf Contained Broadcast Quality Switcher\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eATEM Mini\u003cspan lang=\"DE\"\u003e’\u003c\/span\u003es compact all in one design includes both a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003econtrol panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. The source buttons are large so it\u003cspan lang=\"DE\"\u003e’\u003c\/span\u003es possible to use it by feel, letting the presenter do the switching! You even get buttons for audio mixing! On the ATEM Mini Pro and Extreme models you also get buttons for record and streaming control, as well as output selection buttons that let you change the video output between cameras, program and multiview. On the rear panel there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out plus an HDMI \"aux\" output for program\u003cspan lang=\"DE\"\u003e video.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eATEM Mini Extreme\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThis model is an advanced switcher for true professionals! You get all the ATEM Mini\u003cspan lang=\"DE\"\u003e \u003c\/span\u003ePro features plus 8\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eHDMI inputs, 2\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eseparate HDMI outputs, 2\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eUSB ports and a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eheadphone connection. There are also 4\u003cspan lang=\"DE\"\u003e \u003c\/span\u003echroma keyers, 6\u003cspan lang=\"DE\"\u003e \u003c\/span\u003epicture in picture DVEs, 2\u003cspan lang=\"DE\"\u003e \u003c\/span\u003emedia players, and a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003emultiview with up to 16\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eviews!\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eEasy to Use and Fast to Learn!\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThere's never been a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eswitcher that\u003cspan lang=\"DE\"\u003e’\u003c\/span\u003es easier to use, as you simply press any of the input buttons labelled by number on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM Mini to use a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003evideo effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to color, DVE squeeze and DVE push. Add a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eDVE effect for picture in picture effects with customized picture positions and background. There are even \"media players\" which are a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003estill store for titles and graphics that you can load via external software\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003cspan lang=\"PT\"\u003econtrol.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eStream Live Interviews\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eATEM Mini is perfect for interviews as you can connect multiple cameras for close ups of the host, or interviewee, as well as wide shots plus ATEM Mini is so small the host can even switch in small studios. Plus ATEM Mini Pro and Extreme models support live streaming to YouTube, Facebook and\u003cspan lang=\"DE\"\u003e more!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eConnect up to 8 Independent Cameras\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWith 8 HDMI inputs, you can connect multiple cameras for different views. Video cameras with HDMI outputs are better quality than simple webcams as they use higher quality lenses and have better low light sensitivity. All video sources will re-sync to the switcher if they operate at different video standards so you don't have to worry about connecting video devices as they all just work! Cameras with HDMI often support interchangeable lenses so you can change to wide angle lenses for wide shots and zoom lenses for close ups. Imagine taking advantage of the low light capability of better cameras for theater production, weddings, school concerts and music\u003cspan lang=\"DE\"\u003e videos!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eOutputs to HDMI Video and USB Webcam\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eTo ensure maximum compatibility, all ATEM Mini models feature USB that operates as a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003esimple webcam source. That means you can plug into a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003ecomputer and get working with any video software! The software is tricked into thinking the ATEM Mini is a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003ecommon webcam, but it's really a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003elive production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003enew way to do presentations with a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eprofessional multi camera broadcast quality style! The ATEM Mini webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and\u003cspan lang=\"DE\"\u003e more!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eLive Stream via Ethernet on ATEM Mini Pro\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eATEM Mini Pro and ATEM Mini Extreme models have a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003ebuilt in hardware streaming engine for live streaming via their ethernet connections. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key! There are palettes in ATEM Software Control for streaming setup, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can update the streaming profiles in an XML settings file to load new\u003cspan lang=\"DE\"\u003e services.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eIf you\u003cspan lang=\"DE\"\u003e’\u003c\/span\u003ere doing live production on location then the ATEM Mini Pro and Extreme models support connecting an Apple or Android phone to the USB port to use mobile data! It's also a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003egreat backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones! The ATEM switcher will automatically detect when a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003ephone is connected and switch its internet connection to use it, eliminating the need for changing settings. When connected, the phone will power from the USB port so it remains charged from the switcher. By using phone tethering and mobile data, ATEM Mini Pro and ATEM Mini Extreme become the perfect mobile production\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003cspan lang=\"FR\"\u003esolutions!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eRecord Direct to USB Flash Disks with ATEM Mini Pro\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe ATEM Mini\u003cspan lang=\"DE\"\u003e \u003c\/span\u003ePro and Extreme models also support direct recording of your streaming data to USB flash disks! That means you get very long recordings in the same H.264 video files with AAC audio that you streamed, so you can direct upload to any online video site, such as YouTube or\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eVimeo. Recording to multiple disks is also supported via a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eUSB hub or Blackmagic MultiDock, so when a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003edisk fills recording can continue to a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003esecond disk for non-stop recording. Record settings and disk selection are set up in ATEM Software Control and there's a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003erecord status view in the built-in multiview. You can even trigger recording on connected Blackmagic Pocket Cinema\u003cspan lang=\"DE\"\u003e Cameras!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eAdd Exciting Video Effects\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eOne of the benefits of ATEM Mini is the professional production values that are possible using the range of built in video effects! The cut button ensures an instant cut when switching between sources. The auto button is a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eprofessional term that's used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5, 1, 1.5 and 2\u003cspan lang=\"DE\"\u003e \u003c\/span\u003esecond settings. You can also select the type of effect you want including mix, which does a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003esmooth transition between sources, and dip which fades via a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003ecolor during the transition. Or\u003cspan lang=\"DE\"\u003e \u003c\/span\u003euse fun DVE effects that move the image off screen when transitioning between\u003cspan lang=\"DE\"\u003e \u003c\/span\u003esources!\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eWork with Professional Microphones\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWith two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. Plus all models feature a Fairlight audio mixer with all HDMI inputs and both microphone inputs are all connected to the audio mixer so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output.\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eAutomatically Converts Any HDMI Input Format\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eEach of the HDMI inputs feature their own dedicated standards converter. That means ATEM Mini will automatically convert 1080p, 1080i and 720p sources to the switcher video standard! By default the switcher will set its video format automatically, however you can also set the switcher to any video standard! The HDMI outputs are a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003etrue \"aux\" output so you can clean switch each HDMI input to the output. You can even \"direct\" switch input 1 to the HDMI output for low latency eSport productions. Plus the ATEM Mini Extreme models support 2 low latency direct loops! On the more powerful ATEM Mini Pro and ATEM Mini Extreme models, the HDMI output can be selected to display a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003efull\u003cspan lang=\"DE\"\u003e \u003c\/span\u003emultiview!\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eSecret Broadcast Features Built In\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWhile ATEM Mini is easy to use, it's also hiding very powerful broadcast features! If you're interested in a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003ecareer in the television industry, then ATEM Mini is perfect for training as it has the same features as switchers in high end broadcast studios. You get an ATEM Advanced Chroma Key, Fairlight audio mixer, DVE, still store for graphics and much more! Simply run the free ATEM Software Control app on Mac or Windows while connected via USB or Ethernet to access the extended features of the ATEM Mini. With a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003elittle experimentation you can learn how to produce broadcast quality live production. Only ATEM Mini is a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003etrue broadcast switcher hidden in a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003etiny and affordable\u003cspan lang=\"DE\"\u003e design!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eIncludes Free ATEM Software Control Panel\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Mini and allows access to every feature in the switcher. ATEM Software Control features a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003evisual switcher user interface with parameter palettes for making quick adjustments. Although you can normally connect via USB, if you connect using Ethernet it's possible for multiple users to connect to ATEM Mini using separate copies of ATEM Software Control on different computers! The software lets you access full audio mixing with effects, load still frames and even do advanced macro programming! You can even save the switcher state as an XML file! If you need clip playback, you can even control HyperDeck disk recorders via\u003cspan lang=\"DE\"\u003e Ethernet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eDVE for Picture in Picture, Transitions and Effects\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eOne of the most exciting features on ATEM Mini is the digital video effects processor, commonly referred to as a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\"DVE\", that allows picture in picture effects and crazy DVE transitions! The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. The image quality is the same as high end ATEM switcher models and the DVE supports position, resize and scale, all in real time. The DVE can also be used to create amazing transitions with 16 different DVE squeeze and DVE push effects for adding excitement to your programming. The DVE features a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\"fly key\" so you can use it with custom graphics to create graphic wipe\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003cspan lang=\"FR\"\u003etransitions!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Default\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eProfessional Broadcast Transitions\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eATEM Mini includes a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003ewide range of broadcast quality HD native transitions such as mix, dip, wipe and more. All transitions can be customized by adjusting parameters such as duration, border color, border width, position and direction. You can also use the DVE in transitions, allowing a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003egraphic to be moved over the wipe edge which is called a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003egraphic wipe, and is used in sports programming. To eliminate errors, ATEM Mini has a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003epreview transition feature so you can check your transitions before putting them to\u003cspan lang=\"DE\"\u003e air!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eBuilt-in Graphics with Photoshop Plug-In\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe built in \"media pool\" allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. The media player is used to output the selected image so it appears as an extra internal video source for use in graphics and titles. You can even use still frames for complex effects such as graphic wipes. ATEM Mini can also grab stills from the video output and add them to the internal media pool. Graphics can be loaded via ATEM Software Control or downloaded directly from Photoshop using the ATEM Photoshop\u003cspan lang=\"DE\"\u003e plug-in. \u003c\/span\u003eThe Photoshop\u003cspan lang=\"DE\"\u003e Plug-in \u003c\/span\u003eis perfect for graphics that change often, such as scoreboards, as you can download directly into the media\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eplayer.\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eIncludes New ATEM Advanced Chroma Key\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eFor news or on-set presentation work, ATEM Mini is perfect as it features the powerful ATEM Advanced Chroma Key for green screen keying effects. The chroma keyer is incredibly powerful and features a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003ecolor picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eforeground color corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003egreen or blue background. Plus the ATEM Mini Extreme includes a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003emassive 4 ATEM Advanced Chroma Keyers, that\u003cspan lang=\"DE\"\u003e’\u003c\/span\u003es a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003ekeyer per camera for fixed camera virtual set\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003cspan lang=\"FR\"\u003eproduction!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eCreate Amazing Virtual Sets\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe ATEM Mini Extreme models include 4 upstream chroma keyers and this allows you to build exciting virtual sets! With 4\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eindependent chroma keyers, you get a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003ekeyer per camera so you can build a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003evirtual set for up\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eto 4 cameras. With ATEM Mini Extreme you have 8\u003cspan lang=\"DE\"\u003e \u003c\/span\u003einputs, 4\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eto use for cameras and the other 4 can be connected to a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003evirtual set computer for the rendered backgrounds. Or\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eyou don't need to move your cameras, you can do fixed camera virtual sets by loading pre rendered still image backgrounds from the media players and media pool. You can setup macros to change cameras and load the correct background into the media players! Or\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eeven use a\u003cspan lang=\"DE\"\u003e \u003c\/span\u003eDeckLink Quad HDMI and live virtual set\u003cspan lang=\"DE\"\u003e \u003c\/span\u003esoftware!\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003ePowerful SuperSource Processing\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eIn addition to 2 independent DVEs in the ATEM Mini Extreme models, there's also a powerful SuperSource multi layer processor with 4 extra DVE layers plus a background layer, that all appear to ATEM Mini Extreme as an additional input source. Any ATEM Mini Extreme video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect before putting it to air, still keeping both main DVEs free for other tasks. SuperSource is just like having an extra multi-layer VFX switcher built in!\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eTrue Broadcast Style Mix Effects Switching\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eAlthough ATEM Mini works in \"cut bus\" mode when first purchased, it can also be changed to \"program\/preview\" style operation, which is the way large broadcasters use live production switchers. Cut bus switching is easy and selecting any input will instantly switch to that source. However if you want to operate ATEM Mini like a true professional then you can change the switcher to program\/preview using ATEM Software Control. Mix effects operation allows a source to be selected but it won't be put on air until you press the cut or auto buttons. That 2 step program\/preview process means fewer mistakes. Program\/preview operation is best for training students for a career in broadcast!\u003c\/p\u003e\n\u003cp class=\"Default\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eMonitor Sources and Status with ATEM Mini Pro Multiview\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWhen doing larger live productions with multiple cameras, it’s very useful to see all your video sources at the same time on a single monitor. The ATEM Mini Pro and ATEM Mini Extreme models include a professional multiview that lets you see all video inputs, preview and program on a single HDMI television or monitor! Simply select M\/V on the front panel video output control buttons to select multiview! Each camera view includes tally indicators so you know when each source is on-air, and each view also has custom labels and audio meters. Plus the ATEM Mini Extreme models allow you to select up to 16 custom views! Multiview even includes status for recording, streaming and the audio mixer!\u003c\/p\u003e\n\u003cp class=\"Default\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eBuilt In Audio Mixer with 6 Band EQ, Compressor and Limiter\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWith a built in Fairlight audio mixer, ATEM Mini makes it possible to do complex live sound mixing. The internal mixer features enough channels for each HDMI input so you can mix audio from all sources! That’s audio from all HDMI sources and the 2 stereo mic inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You can even set up the software to auto mix between inputs as you switch \"AFV\" or to live mix multiple sources together all at once. All this audio power can be controlled via ATEM Software Control, or you can add a Mackie compatible panel or even a massive Fairlight Audio Console!\u003c\/p\u003e\n\u003cp class=\"Default\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eControl and Color Balance Cameras\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eFor a more broadcast style workflow, you can remote control your cameras from ATEM Mini! Blackmagic Pocket Cinema Camera 4K and 6K models can work as studio cameras with control sent via the HDMI connection to ATEM Mini. That means you can control the camera settings as well as the camera’s color corrector from ATEM Software Control. Imagine changing ISO and tint, plus lens iris, focus and zoom, so camera operators can focus on the shot! There are two types of control interface, CCU layout for traditional tint color control and a DaVinci color corrector interface allowing the camera’s built in DaVinci color corrector to add incredible digital film \"looks\" to your live production!\u003c\/p\u003e\n\u003cp class=\"Default\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eDevelopCustom Remote Control Solutions\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe Ethernet connection also allows customized control solutions! Even though ATEM Mini includes ATEM Software Control, you can use the Ethernet to control the ATEM remotely, anywhere in the world. A popular workflow is to use the Ethernet to allow the ATEM Mini to be positioned near the HDMI cameras, but the control is positioned remotely in a quieter space, such as a control room. Imagine using the switcher from a control room and building a professional broadcasting studio where the control room can be separated away from the performance or interviews. Ethernet allows you to add as many panels as you like all at the same time, or you can build custom solutions using the developer SDK!\u003c\/p\u003e\n\u003cp class=\"Default\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003eRecord to an External Recorder\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cspan lang=\"DE\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe HDMI program output is perfect for connecting ATEM Mini to an external recorder or monitor! ATEM Mini supports recorders such as Blackmagic Video Assist. You get a high quality output with switcher program video, plus live audio from the internal audio mixer. The HDMI output can even be connected to video projectors in large venues. If you connect ATEM Software Control you can even ISO record from one of the inputs. Plus, on the more advanced ATEM Mini Pro and ATEM Mini Extreme models, you can generate multiple formats by recording from the HDMI program output in ProRes, while simultaneously using the built-in recording to H.264 video stream on a USB flash disk!\u003c\/span\u003e\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":39463483539610,"sku":"BMD-SWATEMMINICEXTISO","price":2195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/AtemMiniExtreme4.jpg?v=1616473256"},{"product_id":"blackmagic-design-pocket-cinema-camera-6k-pro","title":"Blackmagic Design Pocket Cinema Camera 6K Pro","description":"\u003cp\u003eBlackmagic Design Pocket Cinema Camera 6K Pro\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eMost advanced digital film camera features 6K sensor with EF lens mount, built in motorized ND filters at 0, 2, 4 and 6 stops, tilt adjustable 1500 nit LCD and a larger battery. Supports optional EVF. \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gYQP1fKAuY0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eLightweight Carbon Fiber Polycarbonate Composite\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eMultifunction Grip with Fingertip Controls\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments! Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false color and more. The Blackmagic Pocket Cinema Camera 6K Pro also adds extra ND filter controls. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eHigh Resolution Cinematic Digital Film Sensor\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe 6K models have a native resolution of 6144 x 3456. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus the 6K models feature a larger Super 35 sensor that allows shooting with a shallow depth of field and anamorphic lenses. All models let you shoot up to 60 fps in full resolution or 120 fps windowed. An amazing sensor combined with Blackmagic color science means you get the same imaging technology as the most expensive digital film cameras. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eBuilt in ND Filters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe Blackmagic Pocket Cinema Camera 6K Pro features high quality, motorized IR ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical and IR wavelengths evenly, eliminating IR contamination of the images. Activation buttons are located on the rear of the camera body, placed within easy reach of your thumb from the multi function hand grip. User selectable filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Pocket Cinema Cameras have an incredible 13 stops of dynamic range which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! The Pocket Cinema Cameras feature dual gain ISO up to 25,600, which means they're optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003ePost Production Friendly File Formats\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eBlackmagic Pocket Cinema Camera records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, or use the included DaVinci Resolve Studio. Recording works in industry standard 10-bit Apple ProRes files in all formats up to 4K or 12-bit Blackmagic RAW in all formats up to 6K. Blackmagic RAW is the fastest growing RAW format. Developers can download and use the free Blackmagic RAW SDK to add support into their applications. Best of all media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eUse Standard SD Cards, UHS‑II or CFast 2.0 Media\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe Blackmagic Pocket Cinema Camera features built in CFast and SD UHS-II card recorders, and a USB-C expansion port for recording direct to an external media disk. You can use regular SD cards for HD or higher performance UHS-II and CFast cards for native 4K or 6K when using Blackmagic RAW. Imagine capturing over an hour of full resolution 6K images on a single 256GB SD UHS-II card! The ProRes and Blackmagic RAW files work with all video software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eBlackmagic Raw\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Video formats such as H.264 are highly compressed, plus add noise and weird artifacts, causing original sensor detail to be lost forever. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eTouchscreen for Fast Setup\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus! You can also access settings such as the digital slate, to quickly add metadata to any shot. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eLarge 5\" LCD Monitor\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eBlackmagic Pocket Cinema Camera features a large, bright 5 inch touchscreen that makes it easy for you to frame shots and accurately focus. That means you don’t have to carry around an external monitor! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired color and look. The Pocket Cinema Camera 6K Pro LCD monitor is a more advanced HDR display that can be tilted up and down so it's easy to monitor your shot from any position. Plus the 6K Pro model’s HDR display features 1500 nits of brightness, ideal for use in bright sunlight! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eAdvanced OS withFeatures from URSA Mini Pro\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eLatest Generation 5 Color Science\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cstrong\u003eStunning Skin Tones and Faithful Color Reproduction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eFeaturing the same generation 5 color science as the high end URSA Mini Pro 12K, the new Pocket Cinema Camera 6K Pro delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve Studio. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eOptional Viewfinder for Professional Shooting\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe Pocket Cinema Camera 6K Pro supports an optional viewfinder to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1280 x 960 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K Pro via a single connector. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eProfessional Connections for Custom Rigs\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThough small and portable, the Blackmagic Pocket Cinema Camera features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also a mini XLR connection with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector! The USB-C connection lets you connect and record direct to your media disk! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003e4 Built-in Microphones and Professional Audio Inputs\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic Pocket Cinema Cameras feature a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The 6K Pro model features 2 mini XLR connections, allowing you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack.\u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eUSB-C for Recording Direct to External Media Disks\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe Blackmagic Pocket Cinema Camera features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and SSDs for significantly longer recording times. A high speed external disk allows shooting 6K in the highest constant quality 12-bit Blackmagic RAW in the Q0 setting or at high frame rates. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk, eliminating file copying. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eBuilt In Timecode Generator\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cstrong\u003eGet Fast Multi Camera Shoots in Perfect Sync!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eProfessional cameras include professional features and you also get a built in timecode generator, allowing shooting with more than one camera while keeping perfect sync! Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras! Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003ePower from Batteries,12V DC and Recharge via USB‑C\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eThe 6K Pro model uses larger NP-F570 batteries. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera and charge the battery simultaneously. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eUse Pocket Cinema Camera as a Live Studio Camera\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eBlackmagic Pocket Cinema Camera now works as a studio camera for live production when used with ATEM Mini! Video and control is via the HDMI connection, which is available as soon as you plug the cameras in. The record light becomes a tally light so you can see which camera is on air! The ATEM Software Control camera page has a camera control unit (CCU) style interface for adjusting and matching your cameras. Move the CCU control vertically for iris and left to right to adjust black level. It's the same as a broadcast CCU! There are also controls for color tint to balance cameras as well as focus, gain and shutter speed. You can even ISO record Blackmagic RAW in the camera for editing later! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e\u003cstrong\u003eGet Professional Editing, Color Correction, Audio Post and VFX!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003eAll Pocket Cinema Camera models include a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the the same high end software that professional editors and colorists use!\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":39463527874714,"sku":"BMD-CINECAMPOCHDEF06P","price":2789.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/bmd-cinecampochdef06p.jpg?v=1616473766"},{"product_id":"blackmagic-design-pocket-cinema-camera-pro-evf","title":"Blackmagic Design Pocket Cinema Camera Pro EVF","description":"\u003cdiv class=\"data item content first\" id=\"product.info.description\" data-role=\"content\" aria-labelledby=\"tab-label-product.info.description\" role=\"tabpanel\" aria-hidden=\"false\"\u003e\n\u003cp\u003eBlackmagic Design Pocket Cinema Camera Pro EVF\u003c\/p\u003e\n\u003cp class=\"Body\"\u003eYou can add an optional viewfinder to the Blackmagic Pocket Cinema Camera 6K Pro for a more immersive shooting experience! With an extra 33% of the OLED display dedicated to critical information such as frame rate, histogram, record status, audio meters and more, you’ll never need to take your eye away from the shot.\u003c\/p\u003e\n\u003cp class=\"Body\"\u003eThe Blackmagic Pocket Cinema Camera Pro EVF has a 70 degree range of motion and 4 different types of eyecups, with options for left or right eyes. The built in proximity sensor not only activates the viewfinder, but also switches off the LCD touchscreen.\u003c\/p\u003e\n\u003cp class=\"Body\"\u003eThis conserves battery power and prevents you from accidentally changing camera setup by pressing the touchscreen controls! \u003c\/p\u003e\n\u003cp class=\"Body\"\u003eThe Blackmagic Pocket Cinema Camera Pro EVF is the perfect accessory to make outdoors and handheld shooting easy! You get a high quality viewfinder with built in proximity sensor, 4 element glass diopter with an incredible -4 to +4 adjustment, built in status information, and a digital focus chart.\u003c\/p\u003e\n\u003cp class=\"Body\"\u003eThe Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K Pro via a single connector. The viewfinder has up to 70 degree swivel, and comes with a set of 4 eyecups including left and right eye.\u003c\/p\u003e\n\u003cp class=\"Default\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gYQP1fKAuY0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"Default\"\u003eCamera not included*\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":39463626703002,"sku":"BMD-CINECAMPOCHDMFTEVF","price":545.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/bmd-cinecampochdmftevf-3_1.jpg?v=1616474443"},{"product_id":"blackmagic-design-web-presenter-hd","title":"Blackmagic Design Web Presenter HD","description":"\u003cp data-mce-fragment=\"1\" class=\"page-title\"\u003e\u003cspan data-mce-fragment=\"1\" itemprop=\"name\"\u003e\u003cspan data-mce-fragment=\"1\" data-ui-id=\"page-title-wrapper\" class=\"base\"\u003eBlackmagic Design Web Presenter HD\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003eLive stream from any 12G‑SDI video source direct to YouTube, Facebook, Twitter and more! \u003c\/p\u003e\n\u003cp class=\"Body\"\u003eNow you can live stream to the world! Blackmagic Web Presenter is a complete streaming solution that includes a professional hardware streaming engine for direct streaming via Ethernet to YouTube, Facebook, Twitter and more! It’s just like a modern broadcast television transmitter for a new global streaming audience! Plus the built in USB connections work like a webcam, so you can connect a computer and use any streaming software, or even Skype or Zoom.\u003c\/p\u003e\n\u003cp class=\"Body\"\u003eFor redundancy, you can stream to the internet via Ethernet or connect a 5G or 4G phone to use mobile data! Web Presenter also includes a technical monitoring output that includes video, audio meters, trend graphs and even SDI technical data! \u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gYQP1fKAuY0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003eBlackmagic Web Presenter supports the most popular streaming platforms. Plus the built in hardware streaming engine has been designed for live streaming at professional broadcast quality. That means you get a self contained solution for live streaming that works without dropped frames.\u003c\/p\u003e\n\u003cp class=\"Body\"\u003eYou only need to connect it to the internet! Setup is easy, as the Web Presenter Utility software lets you select the streaming platform and update the streaming key. The utility works on Mac and Windows and connects directly via USB or remotely via Ethernet.\u003c\/p\u003e\n\u003cp class=\"Body\"\u003eIf you're technically minded, you can even manually update the XML settings file to change specific settings or to add new streaming platforms. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eMake Live Streaming Easy!\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"Body\"\u003eBlackmagic Web Presenter is a self contained solution that includes a powerful hardware encoder, software for connecting to streaming platforms, and network connections. That means you don’t need to buy an expensive computer or use complicated streaming software.\u003c\/p\u003e\n\u003cp class=\"Body\"\u003eSimply connect an SDI video source such as a live production switcher or a camera, then connect to the internet using the built in Ethernet connection. Or plug in a mobile phone to use mobile data! With settings built in for popular streaming platforms, you simply need to enter a streaming key and press on air! Plus you can simultaneously use the USB webcam output to connect to a computer, allowing other video software to be used! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"Body\"\u003eIf you're streaming from a remote location, or you need a backup for the main Ethernet connection, you can plug in an Apple or Android phone to connect to the internet via mobile data. For convenience, there are USB connections on both the front and rear panel that can be used for tethering phones. Plus it works with the latest high speed 5G phones, as well as 4G phones! Blackmagic Web Presenter will auto detect when a phone is connected and switch its internet connection to use it. You can select Ethernet or phone priority, which makes phone internet backup fully automatic. Plus, by using phone tethering and mobile data, Web Presenter becomes the perfect remote location streaming solution! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"Body\"\u003eFor increased compatibility, Blackmagic Web Presenter also features two USB connections that operate as a simple webcam source. That means you can plug into any computer and work with any video software. The software is tricked into thinking the web presenter is a common webcam, but it's really a broadcast quality SDI video source! That guarantees full compatibility with any video software and in full resolution 1080 HD quality. Imagine connecting web presenter to a camera and then Skype or Zoom calling your client with live video of a shoot! Web Presenter works with any video software including Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster and more! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eBuilt-in Technical Monitoring\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"Body\"\u003eTraditional broadcast transmitters are critical equipment in a television station, however now the streaming server is just as critical because millions of viewers can be watching globally! To help, Blackmagic Web Presenter includes a feature rich technical monitoring output. The graphics based monitoring output includes a video view, audio meters with accurate ballistics, trend graphs for codec data rates and cache fill, plus a summary of the streaming settings and detailed SDI technical information. Plus the technical monitoring output works in full 1080 HD and outputs to both SDI and HDMI. That means you can use an SDI router for monitoring multiple units, or connect a simple HDMI TV! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eIncludes Web Presenter Utility\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"Body\"\u003eThe Blackmagic Web Presenter Utility software provides a single place to manage multiple web presenters and to update the settings and software. Simply plug directly into the front of the web presenter’s USB connection, or connect using Ethernet so you can configure remotely, which is important when you're managing multiple remote sites. The familiar menus and controls make it very easy to set up a live event, so you can get started fast! Plus the front panel LCD menus have the same settings and controls! You can even load additional services for ATEM Streaming Bridge. The Blackmagic Web Presenter Utility software is included free and runs on both Mac andWindows platforms. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003e12G-SDI Supports 720 HD, 1080 HD and Ultra HD\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"Body\"\u003eBlackmagic Web Presenter includes a 12G‑SDI input with support for all HD and Ultra HD formats up to 2160p60. A 12G‑SDI loop output is included enabling you to loop video through more than one web presenter, so you can stream to multiple services. Blackmagic Web Presenter features Teranex conversion technology on the SDI input for incredibly clean looking video. Blackmagic Web Presenter takes the incoming HD or Ultra HD input signal and automatically converts it to high quality, low data rate 1080p HD, which is sent to the hardware H.264 encoder for streaming and to the computer when using the USB webcam outputs. All this means you can use any HD or Ultra HD source for streaming! \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eBuilt in Redundancy Keeps You On Air\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"Body\"\u003eSerious broadcasters love redundancy because it increases reliability. Blackmagic Web Presenter includes redundant features to help ensure you stay online. You get dual internet connections, so you connect to the internet using the built in Ethernet or a tethered phone for 5G or 4G mobile data. Plus the internet automatically switches in case of an outage! Or you can use 2 separate units to stream to both the primary and secondary YouTube servers. With both AC and DC inputs, you can use a broadcast battery pack for redundant power. There are even front panel buttons and menus, plus the Blackmagic Web Presenter Utility software for control. \u003c\/p\u003e\n\u003cp class=\"Heading\"\u003e\u003cstrong\u003eBroadcast Links with ATEM Streaming Bridge\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"Body\"\u003eWhile Blackmagic Web Presenter can send video to a wide range of streaming services, it can also be used as a private broadcast SDI video link between studios! The ATEM Streaming Bridge is a video converter that lets you receive the H.264 stream from Blackmagic Web Presenter and then convert it back to SDI video. This means you can send video between remote locations across your local Ethernet network, or via the internet globally! That's all possible due to the built in H.264 hardware codec that decodes the Web Presenter stream. Imagine setting up multiple television studios and using ATEM Streaming Bridge and Web Presenter for video links between sites.\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":39463702888602,"sku":"BMD-BDLKWEBPTRPRO","price":569.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/bmd-bdlkwebptrpro.jpg?v=1616475486"},{"product_id":"blackmagic-design-atem-mini-pro-iso-1","title":"Blackmagic Design ATEM Mini Pro ISO","description":"\u003cp class=\"page-title\"\u003e\u003cspan itemprop=\"name\"\u003e\u003cspan class=\"base\" data-ui-id=\"page-title-wrapper\"\u003eBlackmagic Design ATEM Mini Pro ISO\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"data item content first\" id=\"product.info.description\" data-role=\"content\" aria-labelledby=\"tab-label-product.info.description\" role=\"tabpanel\" aria-hidden=\"false\"\u003e\n\u003cp\u003e\u003cspan\u003eAffordable live switcher with 4 standards converted HDMI inputs, USB webcam out, audio mixer with EQ and dynamics, 2D DVE, transitions, green screen chroma key, 20 stills for titles and much more! ATEM Mini Pro also includes recording to USB disks in H.264 format, a built in hardware streaming engine for YouTube Live, Facebook, Twitch and more, plus multiview to see all cameras on a single monitor.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlus with the ATEM Mini Pro ISO model you also get recording of 5 streams including all input as clean feeds for editing, plus a DaVinci project file for fast edit turnaround and Blackmagic RAW file relinking for finishing in Ultra HD.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gYQP1fKAuY0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":39463748731034,"sku":"BMD-SWATEMMINIBPRISO","price":545.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/AtemMiniProISO2.jpg?v=1617039839"},{"product_id":"blackmagic-design-fairlight-desktop-console","title":"Blackmagic Design Fairlight Desktop Console","description":"\u003cp class=\"page-title\"\u003eBlackmagic Design Fairlight Desktop Console\u003c\/p\u003e\n\u003cdiv class=\"data item content first\" id=\"product.info.description\" data-role=\"content\" aria-labelledby=\"tab-label-product.info.description\" role=\"tabpanel\" aria-hidden=\"false\"\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe Fairlight Desktop Console is a full audio control surface featuring a bank of 12 touch sensitive faders and pan knobs, built in LCDs above each channel strip, channel control buttons, automation transport and navigation controls, HDMI graphical interface output for connecting a monitor, and more. \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/gYQP1fKAuY0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe Fairlight Desktop Console is a complete audio mixing control surface for mixing multiple tracks at once, automating a variety of parameters and plug‑in settings, controlling channel functions, recording, monitoring, and navigating your project. It’s ideal for new users, smaller studios, commercials, online and independent work. You get a familiar mixer design with 12 motorized faders, precision control knobs and illuminated buttons for quickly identifying channels! You can use the knobs and buttons to control channel parameters, EQ, dynamics, plug-ins and more. The built in HDMI output lets you connect a display, giving you the same interactive graphical feedback as the larger consoles! \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCompact and Professional\u003c\/strong\u003e\u003c\/b\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe Fairlight Desktop Console uses the same high quality faders as the full size modular consoles. The sculpted faders are smooth and provide the perfect amount of resistance for making subtle adjustments. The precision engineered encoder knobs ensure a long life of noiseless operation, and the console buttons are rated at a million presses. Individual LCDs display track information for each channel. The high quality search dial is extremely responsive and is much faster than a mouse. The soft front panel bumper makes long sessions more comfortable, the console can be installed flush in a custom desk, and there’s even a built in power supply, which means no power brick! \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChannel Strips\u003c\/strong\u003e\u003c\/b\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe Fairlight Desktop Console features 12 channel strips that can be used in a variety of ways for mixing audio. Each channel strip has a motorized fader for adjusting levels, a series of buttons for solo, mute and other parameters, a multifunction pan knob, and an LCD that shows you information about the channel or track on which you are working. Channel strips can be used to control an individual track and any strip can be assigned to any track in the project. You can also use a single strip to control multiple tracks in a group, or you can use the channel strips to control buses. This gives you the speed and flexibility you need for total control over your recording and mixing sessions! \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChannel Status Displays\u003c\/strong\u003e\u003c\/b\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThere are independent high resolution LCD screens located above each of the 12 fader strips. These displays include track name, number, and color, along with panning status, channel level meters, automation state, bus routing and more. \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMultifunction Pan Knob\u003c\/strong\u003e\u003c\/b\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe multifunction pan knob can be used for panning or assigned to control other Fairlight parameters. Hold control and tap to reset, or hold shift for refined control. As it’s a rotary encoder it won’t introduce signal noise like mechanical knobs. \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChannel Strip Controls\u003c\/strong\u003e\u003c\/b\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eEach of the 12 fader channel strips has its own dedicated solo and mute buttons for quickly isolating or temporarily turning tracks off. Multi function select buttons can be used to load track parameters, and activate automation and plug‑in controls. \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMotorized Faders\u003c\/strong\u003e\u003c\/b\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eTwelve belt driven 100mm motorized faders offer precision volume control for adjusting levels. The bank control buttons let you switch between fader sets to control different channels. Faders can even be assigned to adjust send and record levels. \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNavigation and Transport Controls\u003c\/strong\u003e\u003c\/b\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eWhen you’re working on a tight deadline and have a large project with a lot of tracks, you don’t want to waste time scrolling through the timeline or hunting for a clip. The Fairlight Desktop Console helps you work faster because it includes transport buttons and a high quality jog shuttle wheel. That means you’ll be able to quickly move around the timeline and navigate clips, scrub, start or stop playback, or jump to a new position with incredible speed. The controls are logically grouped, allowing you to keep your hand in one position while navigating the timeline from end to end, or anywhere in between, in seconds. The search dial can also be used for timeline zooming, clip levels and more. \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTask Based Controls\u003c\/strong\u003e\u003c\/b\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eControl function selector buttons let you assign the buttons and knobs on the panel for different purposes. You can quickly select between master and channel controls, panning, plug‑in control, EQ, dynamics and more. By default, the console works in strip mode, giving you one channel strip per track. Focus mode lets you assign all of the select buttons and knobs on the console to work on the parameters or plug-ins for a single track. That means you can adjust the EQ, dynamics or any other plug-in parameter for a track using all of the select buttons and knobs on the console. For example, you can adjust multiple frequency ranges in the EQ at the same time, which is impossible to do with a mouse! \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRecording Automation\u003c\/strong\u003e\u003c\/b\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eFairlight’s powerful automation lets you record parameter changes you make over time. For example, you can record level changes as you move the faders on the console. Fader adjustments are saved and can be edited later. Fairlight lets you automate anything from simple level changes to complex plug‑in, EQ and dynamics changes. That means you can use the console to create and save live adjustments. The faders and knobs are touch sensitive, activating the moment you touch them, so you don’t have to move them for the console to know you want to work on that parameter. Six automation buttons enable and disable automation, set recording method, and which automation curves show in the timeline tracks. \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMonitoring Controls\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e The Fairlight page has incredibly flexible monitoring so you can preview your sound from a variety of different speaker sets. You can listen and switch between everything from headphones, near field or main stereo monitors, all the way up to immersive 3D surround systems. The monitoring controls on the Fairlight Desktop Console let you quickly switch between sources, control both your studio and booth levels, or even control talkback if you have a Fairlight Audio Interface installed with your computer! You also get a level knob along with buttons for dimming and muting your speakers, allowing you to instantly cut or reduce the sound so you can have a conversation in your studio or suite. \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eExternal HDMI Monitoring\u003c\/strong\u003e\u003c\/b\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eFor direct visual feedback you can add an HDMI display to the Fairlight Desktop Console. This allows you to see an extensive graphical display of everything happening on the console. You’ll be able to see channel strip information, levels, equalization, dynamics processing, plug-in interfaces and more. That means you don’t have to open pop-up windows on top of your timeline. For example, when you adjust EQ settings, its interface will be displayed on the screen as you turn the knob. The screen automatically switches to show you buses, inline channel strip controls or single channel controls when in focus mode. There’s no configuration needed, simply plug in an HDMI monitor and start working! \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eComputer Interface\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eUSB Type‑C.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEthernet\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eEthernet supports 10\/100\/1000 BaseT.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHDMI Video Output\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e1 x HDMI Type A.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUpdates and Configuration\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e1 x USB Type‑C for software configuration and software updates.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eStandards\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHDMI Video Standards\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSoftware\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eInternal software upgrade via updater application.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOperating Systems\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eMac 10.15 Catalina or later.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eWindows 10, 64-bit.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSettings Control\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eFairlight Studio and Console setup utility software when connected by USB.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePower Requirements\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePower Supply\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eInternal 100 - 240V AC 50\/60Hz with IEC C14 mains input.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePower Usage\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e20W max.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEnvironmental Specifications\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOperating Temperature\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e0° to 40°C (32° to 104°F)\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eStorage Temperature\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e-20° to 60°C (-4° to 140°F)\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRelative Humidity\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e0% to 90% non-condensing\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe Fairlight Desktop Console is a full audio control surface featuring a bank of 12 touch sensitive faders and pan knobs, built in LCDs above each channel strip, channel control buttons, automation transport and navigation controls, HDMI graphical interface output for connecting a monitor, and more.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe Fairlight Desktop Console is a complete audio mixing control surface for mixing multiple tracks at once, automating a variety of parameters and plug‑in settings, controlling channel functions, recording, monitoring, and navigating your project. It’s ideal for new users, smaller studios, commercials, online and independent work. You get a familiar mixer design with 12 motorized faders, precision control knobs and illuminated buttons for quickly identifying channels! You can use the knobs and buttons to control channel parameters, EQ, dynamics, plug-ins and more. The built in HDMI output lets you connect a display, giving you the same interactive graphical feedback as the larger consoles!\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eCompact and Professional\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe Fairlight Desktop Console uses the same high quality faders as the full size modular consoles. The sculpted faders are smooth and provide the perfect amount of resistance for making subtle adjustments. The precision engineered encoder knobs ensure a long life of noiseless operation, and the console buttons are rated at a million presses. Individual LCDs display track information for each channel. The high quality search dial is extremely responsive and is much faster than a mouse. The soft front panel bumper makes long sessions more comfortable, the console can be installed flush in a custom desk, and there’s even a built in power supply, which means no power brick!\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eChannel Strips\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe Fairlight Desktop Console features 12 channel strips that can be used in a variety of ways for mixing audio. Each channel strip has a motorized fader for adjusting levels, a series of buttons for solo, mute and other parameters, a multifunction pan knob, and an LCD that shows you information about the channel or track on which you are working. Channel strips can be used to control an individual track and any strip can be assigned to any track in the project. You can also use a single strip to control multiple tracks in a group, or you can use the channel strips to control buses. This gives you the speed and flexibility you need for total control over your recording and mixing sessions!\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eChannel Status Displays\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThere are independent high resolution LCD screens located above each of the 12 fader strips. These displays include track name, number, and color, along with panning status, channel level meters, automation state, bus routing and more.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eMultifunction Pan Knob\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe multifunction pan knob can be used for panning or assigned to control other Fairlight parameters. Hold control and tap to reset, or hold shift for refined control. As it’s a rotary encoder it won’t introduce signal noise like mechanical knobs.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eChannel Strip Controls\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eEach of the 12 fader channel strips has its own dedicated solo and mute buttons for quickly isolating or temporarily turning tracks off. Multi function select buttons can be used to load track parameters, and activate automation and plug‑in controls.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eMotorized Faders\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eTwelve belt driven 100mm motorized faders offer precision volume control for adjusting levels. The bank control buttons let you switch between fader sets to control different channels. Faders can even be assigned to adjust send and record levels.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eNavigation and Transport Controls\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eWhen you’re working on a tight deadline and have a large project with a lot of tracks, you don’t want to waste time scrolling through the timeline or hunting for a clip. The Fairlight Desktop Console helps you work faster because it includes transport buttons and a high quality jog shuttle wheel. That means you’ll be able to quickly move around the timeline and navigate clips, scrub, start or stop playback, or jump to a new position with incredible speed. The controls are logically grouped, allowing you to keep your hand in one position while navigating the timeline from end to end, or anywhere in between, in seconds. The search dial can also be used for timeline zooming, clip levels and more.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eTask Based Controls\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eControl function selector buttons let you assign the buttons and knobs on the panel for different purposes. You can quickly select between master and channel controls, panning, plug‑in control, EQ, dynamics and more. By default, the console works in strip mode, giving you one channel strip per track. Focus mode lets you assign all of the select buttons and knobs on the console to work on the parameters or plug-ins for a single track. That means you can adjust the EQ, dynamics or any other plug-in parameter for a track using all of the select buttons and knobs on the console. For example, you can adjust multiple frequency ranges in the EQ at the same time, which is impossible to do with a mouse!\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eRecording Automation\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eFairlight’s powerful automation lets you record parameter changes you make over time. For example, you can record level changes as you move the faders on the console. Fader adjustments are saved and can be edited later. Fairlight lets you automate anything from simple level changes to complex plug‑in, EQ and dynamics changes. That means you can use the console to create and save live adjustments. The faders and knobs are touch sensitive, activating the moment you touch them, so you don’t have to move them for the console to know you want to work on that parameter. Six automation buttons enable and disable automation, set recording method, and which automation curves show in the timeline tracks.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eMonitoring Controls\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe Fairlight page has incredibly flexible monitoring so you can preview your sound from a variety of different speaker sets. You can listen and switch between everything from headphones, near field or main stereo monitors, all the way up to immersive 3D surround systems. The monitoring controls on the Fairlight Desktop Console let you quickly switch between sources, control both your studio and booth levels, or even control talkback if you have a Fairlight Audio Interface installed with your computer! You also get a level knob along with buttons for dimming and muting your speakers, allowing you to instantly cut or reduce the sound so you can have a conversation in your studio or suite.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eExternal HDMI Monitoring\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eFor direct visual feedback you can add an HDMI display to the Fairlight Desktop Console. This allows you to see an extensive graphical display of everything happening on the console. You’ll be able to see channel strip information, levels, equalization, dynamics processing, plug-in interfaces and more. That means you don’t have to open pop-up windows on top of your timeline. For example, when you adjust EQ settings, its interface will be displayed on the screen as you turn the knob. The screen automatically switches to show you buses, inline channel strip controls or single channel controls when in focus mode. There’s no configuration needed, simply plug in an HDMI monitor and start working!\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eConnections\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eComputer Interface\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eUSB Type‑C.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEthernet\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eEthernet supports 10\/100\/1000 BaseT.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHDMI Video Output\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e1 x HDMI Type A.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUpdates and Configuration\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e1 x USB Type‑C for software configuration and software updates.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eStandards\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHDMI Video Standards\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSoftware\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eInternal software upgrade via updater application.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOperating Systems\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eMac 10.15 Catalina or later.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eWindows 10, 64-bit.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSettings Control\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eFairlight Studio and Console setup utility software when connected by USB.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePower Requirements\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePower Supply\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eInternal 100 - 240V AC 50\/60Hz with IEC C14 mains input.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePower Usage\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e20W max.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEnvironmental Specifications\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOperating Temperature\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e0° to 40°C (32° to 104°F)\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eStorage Temperature\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e-20° to 60°C (-4° to 140°F)\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRelative Humidity\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e0% to 90% non-condensing\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: rgb(255, 255, 255);\"\u003eAir-4, Air-1, Wheatstone, Audio Arts, Axia, IP-12, LX-24, LXi, Vorsis, AEQ, Axel Oxygen\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":39463780745370,"sku":"BMD-DV\/RESF\/EDTAUSMIN","price":3445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/BlackmagicDesignFairlightDesktopConsole2.jpg?v=1616476927"},{"product_id":"blackmagic-bmd-convcmic-hs-wpsu-micro-converter-hdmi-to-sdi-w-power-supply","title":"BLACKMAGIC BMD-CONVCMIC\/HS\/WPSU Micro Converter - HDMI to SDI w\/Power Supply","description":"\u003ch2\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eBLACKMAGIC BMD-CONVCMIC\/HS\/WPSU Micro Converter - HDMI to SDI w\/Power Supply\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe world’s smallest HDMI to 12G-SDI broadcast quality converter! Blackmagic Micro Converter HDMI to SDI 12G is a miniaturized broadcast quality video converter that’s perfect for connecting HDMI cameras and computers to professional SDI equipment! You get two 12G-SDI outputs which can be set to level A or B for 3G-SDI signals. Micro Converters feature full size HDMI and professional 12G-SDI connections for working with all NTSC, PAL, 720p, 1080p, 1080i, 2160p rates, including 4Kp24\/47.95\/48 DCI. You can power it over USB from a laptop or a mobile phone charger!\u003c\/span\u003e\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":44161714553079,"sku":"BMD-CONVCMIC\/HS\/WPSU","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/micro-converter-hdmi-to-sdi-12g.png?v=1700850883"},{"product_id":"blackmagic-design-bmd-hyperd-rstex8khdr-hyperdeck-extreme-8k-hdr","title":"Blackmagic Design BMD-HYPERD\/RSTEX8KHDR HyperDeck Extreme 8K HDR","description":"\u003ch3\u003eBlackmagic Design BMD-HYPERD\/RSTEX8KHDR HyperDeck Extreme 8K HDR\u003c\/h3\u003e\n\u003cp\u003e8K broadcast deck with the trusted reliability of HyperDeck combined with advanced H.265 recording, internal cache, 3D LUTs, native 8K and HDR support. Large touch screen to view your recording with dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog! The LCD includes a heads up display of timecode, video standard, media status and audio meters and more!\u003c\/p\u003e\n\u003ch4\u003eCompatible Cfast 2.0 cards\u003c\/h4\u003e\n\u003ch5\u003e\u003ca shop=\"\" https:=\"\"\u003e\u003cspan text-decoration:=\"\"\u003e\u003cstrong\u003eExascend 256GB Essential Cfast 2.0 Memory Card\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/h5\u003e\n\u003ch5\u003e\u003ca shop=\"\" https:=\"\"\u003e\u003cspan text-decoration:=\"\"\u003e\u003cstrong\u003eExascend 512GB Essential Cfast 2.0 Memory Card\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/h5\u003e\n\u003ch5\u003e\u003ca shop=\"\" https:=\"\"\u003e\u003cspan text-decoration:=\"\"\u003e\u003cstrong\u003eExascend 1TB Essential Cfast 2.0 Memory Card\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/h5\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49104848290039,"sku":"BMD-HYPERD\/RSTEX8KHDR","price":5495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_35.png?v=1727241773"},{"product_id":"blackmagic-design-bmd-swatemtvstc-k4k8-atem-television-studio-4k8","title":"Blackmagic Design BMD-SWATEMTVSTC\/K4K8 ATEM Television Studio 4K8","description":"\u003ch3\u003eBlackmagic Design BMD-SWATEMTVSTC\/K4K8 ATEM Television Studio 4K8\u003c\/h3\u003e\n\u003cp\u003eThis is a powerful Ultra  HD live production switcher similar to the non ISO HD model, however includes 8  x  12G-SDI inputs, 10 12G-SDI aux outputs for external recorders, 4  port 10G Ethernet switch and  more!\u003c\/p\u003e\n\u003cp\u003eThe World’s Most Portable All-In-One Television Studio!\u003c\/p\u003e\n\u003cp\u003eThe new ATEM Television Studio is a  professional live production switcher built into a  broadcast control panel so it can be used for high end work while being extremely portable. This means you can use it in small venues that don't have the access for equipment racks or broadcast vans. You  get a  powerful switcher with 8  standards converted SDI inputs, aux outputs, 4  chroma keyers, 2  downstream keyers, SuperSource, 2  media players and lots of transitions! Plus it includes a  whole television studio of features such as hardware streaming, recording, audio mixer, talkback, multiview and optional internal network shared storage. There's even an ISO model that records all 8  inputs for  editing!\u003c\/p\u003e\n\u003cp\u003eBring Multi-Camera Live Production To Any Location!\u003c\/p\u003e\n\u003cp\u003eCompact Broadcast Vans\u003c\/p\u003e\n\u003cp\u003eWith the all in one design, you can build a  new generation of ultra compact broadcast vans! You  don't need racks of equipment, so you can eliminate clutter for a  much nicer work environment. For  stability, you can even mount the switcher inset into the  desk!\u003c\/p\u003e\n\u003cp\u003eMusic Venues and Clubs\u003c\/p\u003e\n\u003cp\u003eSome of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However ATEM Television Studio can be carried into any venue! It’s also easy to pack up, even if the venue is still  crowded.\u003c\/p\u003e\n\u003cp\u003eOnline Education\u003c\/p\u003e\n\u003cp\u003eATEM Television Studio is perfect for creating education content! As  the ISO model records the video inputs, you can finesse edits, replace shots and even add color correction! Plus you can even connect to Zoom to incorporate live chat with  students!\u003c\/p\u003e\n\u003cp\u003eLive Sports\u003c\/p\u003e\n\u003cp\u003eATEM Television Studio is perfect for live sports because it has a  simple design that's easy for community volunteers to use. It  can be installed into sports clubs or taken on the road with the team! With up to 8  cameras, you'll catch all the exciting  angles!\u003c\/p\u003e\n\u003cp\u003eSelf Contained Broadcast Quality Switcher\u003c\/p\u003e\n\u003cp\u003eThe ATEM Television Studio combines a  switcher and control panel into the same unit, so it’s extremely portable. You  get everything you need! The  front panel includes buttons for selecting sources, triggering transitions and setting up video effects. Plus the buttons are the same high-end type used on expensive broadcast switchers! You  also get a  built in t-bar for manual transition control! The  front panel even has an innovative audio mixer control area with live metering on a  dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8  cameras, program, preview or the  multiview. \u003c\/p\u003e\n\u003cp\u003eConnect up to 8 Broadcast Cameras\u003c\/p\u003e\n\u003cp\u003eWith 8  SDI video inputs, ATEM Television Studio lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs, such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2, are much better quality as they have better low light performance and use professional lenses. All  video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater productions, music performances, sports and  more!\u003c\/p\u003e\n\u003cp\u003eIncludes Production, Post Production and Distribution!\u003c\/p\u003e\n\u003cp\u003eLive Production\u003c\/p\u003e\n\u003cp\u003eYou get an incredibly powerful 8  input switcher with both program and aux outputs so you have everything you need for mobile production. That means you can connect up to 8  cameras! Plus you get professional camera control, talkback and audio mixing all designed into a  familiar broadcast  panel.\u003c\/p\u003e\n\u003cp\u003ePost Production\u003c\/p\u003e\n\u003cp\u003eThe ISO model records all inputs into separate files so you can edit using any NLE that supports multi-cam! That's possible because all files have perfect timecode sync! Plus with built in network storage, you can edit while recording! Multiple users can even share media and  collaborate!\u003c\/p\u003e\n\u003cp\u003eDistribution\u003c\/p\u003e\n\u003cp\u003eWith a  built in hardware streaming engine, you can live stream your event to a  global audience! Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus you share live broadcasts with your audience by using the aux outputs and large screens and  projectors!\u003c\/p\u003e\n\u003cp\u003eEasy to Use and Fast to  Learn!\u003c\/p\u003e\n\u003cp\u003eThere's never been a  switcher that’s easier to use, as you simply press any of the program row buttons on the front panel to cut between video sources. Or  you can pre select a  source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You  can select from exciting transitions such as dissolve, or more dramatic effects such as dip to color, DVE squeeze and DVE push. You  can even add a  DVE for picture in picture effects with customized graphics. There are also media players which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then you can live stream the  results!\u003c\/p\u003e\n\u003cp\u003eTrue Broadcast Style Mix Effects Switching\u003c\/p\u003e\n\u003cp\u003eATEM Television Studio uses a  professional program\/preview style of operation, which is exactly the way large broadcasters use live production switchers! However ATEM Television Studio can be switched to A\/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a  broadcast professional then the program\/preview is perfect! This means a  source won't be put on air until you press the cut or auto button. This 2  step process means you see what you are selecting before putting it to air, so you get fewer mistakes. Plus program\/preview operation is a  fantastic way to train students for a  career in broadcast  television!\u003c\/p\u003e\n\u003cp\u003eEasy to Add Exciting Video Effects!\u003c\/p\u003e\n\u003cp\u003eOne of the benefits of ATEM Television Studio is the range of professional built in video effects! The  cut button ensures an instant cut when switching between sources. The  t-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You  can also select the type of effect you want including mix, which does a  smooth transition between sources, or dip which transitions via a  third video source, such as a  color generator. There is a  wide range of SMPTE wipes included, plus fun DVE effects that slide or squeeze the image off screen when transitioning between video  sources!\u003c\/p\u003e\n\u003cp\u003eIncludes Loads of Extremely Creative Transitions!\u003c\/p\u003e\n\u003cp\u003eATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them! That’s because all transitions can be customized by adjusting parameters such as duration, border color, border width, position and direction. You  can even use the DVE with a  wipe transition, where the DVE moves a  graphic over the wipe edge. That's called a  graphic wipe and it’s often used in sports broadcasting. The  preview transition button can be used to set up effects offline, which is great for eliminating  mistakes.\u003c\/p\u003e\n\u003cp\u003eBuilt in DVE for Broadcast Video Effects\u003c\/p\u003e\n\u003cp\u003eATEM Television Studio features an independent DVE that lets you reposition graphics and create picture in picture compositions. You  get amazing quality and the DVE supports position, resize and scale, all in real time. The  DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh and push effects for adding excitement to your programming. You  can even combine DVE transitions with custom graphics to create your own graphic wipe  transitions! Pus  there is also a  SuperSource multi layer processing engine with 4  extra  DVEs!\u003c\/p\u003e\n\u003cp\u003eSupports Internal Media for Stills and Motion Graphics\u003c\/p\u003e\n\u003cp\u003eThe built in media pool stores broadcast quality graphics and animations that can be played back using the built in media players. Media players appear as independent sources so you don't need to waste any of the SDI inputs for graphics. For  highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The  media pool can hold 20 HD or Ultra  HD resolution stills. Depending on the model, motion graphics clips for animations and stingers can be up to 720 frames in 720HD, 360 frames in 1080HD and 90 frames in 2160 Ultra  HD. The  ATEM Software Control allows you to upload and manage media. You  can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop  plug-in!\u003c\/p\u003e\n\u003cp\u003eIncludes 4 ATEM Advanced Chroma Keyers\u003c\/p\u003e\n\u003cp\u003eATEM Television Studio is perfect for news and on-set presentation work because it features 4  ATEM Advanced Chroma Keyers for green screen keying effects. The  chroma keyers are incredibly powerful and include features such as a  color picker to sample background colors for automatic generation of the key parameters. You  get precise controls for edge and flare, and there is even a  foreground color corrector so you can match the foreground and background layers for seamless compositions. You  can even use it for title overlays by creating graphics with a  green or blue background. With 4  ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual  sets!\u003c\/p\u003e\n\u003cp\u003ePowerful SuperSource Processing!\u003c\/p\u003e\n\u003cp\u003eIn addition to the DVE in the ATEM Television Studio, there is also a  powerful SuperSource multi layer processor! SuperSource gives you 4  extra DVE layers plus a  background layer, all layered together as an additional input source. Any  video input can be used as sources for each DVE, then it’s all layered together over a  media pool custom background or live video. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect so the viewer can see each person being interviewed all within a  stylish graphic. SuperSource  is just like having a  completely independent multi-layer VFX switcher built  in!\u003c\/p\u003e\n\u003cp\u003eUp to 8 Standards Converted SDI Inputs!\u003c\/p\u003e\n\u003cp\u003eThe ATEM Television Studio HD models feature 8  independent 3G-SDI inputs, and the 4K model has 8  12G-SDI inputs. Each SDI input has a  dedicated standards converter so any 720 HD, 1080 HD or 2160 Ultra  HD input source will be converted to the standard of the switcher! That means each SDI input could have a  different television standard and all inputs will just work! SDI  input audio channels 1, 2, 3  and 4  can also be manually routed to various embedded audio channels in the program and aux outputs. Plus you can even router out audio channels 1  and 2  from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for  mixing.\u003c\/p\u003e\n\u003cp\u003eProfessional SDI Outputs with 16 Channel Embedded Audio\u003c\/p\u003e\n\u003cp\u003eThe ATEM Television Studio includes up to nine SDI program outputs so you get enough connections to send a  separate program return feed to all of your cameras! That’s important because the SDI program return is used to send tally, talkback and control information back to the cameras! You  also get dedicated aux outputs for driving stage monitors and master recorders. Two  of the aux outputs can be live switched using dedicated buttons on the control panel! One  of the aux outputs also includes an on screen counter for presenter monitoring. Plus you can manually route audio into all 16 embedded audio channels in the SDI outputs! There's also a  dedicated 3G-SDI and HDMI output for the  multiview.\u003c\/p\u003e\n\u003cp\u003eBuilt In Audio Mixer with 6  B and EQ, Compressor and Limiter\u003c\/p\u003e\n\u003cp\u003eWith a  built in Fairlight audio mixer, ATEM Television Studio makes it possible to do complex live sound mixing. The  internal mixer features enough channels for all SDI inputs, as well as extra channels for the XLR, RCA and MADI inputs! Each input channel features the highest quality 6  band parametric EQ, compressor, limiter, expander and noise gate as well as level and pan controls. You  can mix all these input channels together at the same time, or you can set video sources to \"\"audio follow video\"\". The  audio mixer is extremely powerful and it can be adjusted from the front panel using the dedicated audio mixer controls and LCD. Plus you can also mix audio using ATEM Software  Control!\u003c\/p\u003e\n\u003cp\u003eBuilt-in Multiview Supports16 Sources on a  Single Monitor\u003c\/p\u003e\n\u003cp\u003eWhen doing larger live productions with multiple cameras, it’s vital to see all your video sources at the same time on a  single monitor. ATEM Television Studio includes a  professional multiview that lets you see all video inputs, preview and program on a  single SDI or HDMI monitor. You  can even send the multiview to the aux outputs! Each camera view includes tally indicators so you know when each source is on-air, plus each view has custom labels and audio meters. You  can fully customize the multiview layout with up to 16 simultaneous views! You  can also select one of the additional status views that lets you track recording, streaming and the audio mixer status, right from the  multiview! \u003c\/p\u003e\n\u003cp\u003eLive Stream to a Global Audience!\u003c\/p\u003e\n\u003cp\u003eATEM Television Studio has a  built in hardware streaming engine for live streaming to a  global audience! That means you can live stream to services such as YouTube, Facebook and Twitch in better video quality and without dropped frames. Streaming works using the Ethernet connection to the internet, or you can connect a  smartphone to use mobile data! Then you simply select the streaming service and enter the streaming key using ATEM Software Control. This makes streaming easy to setup, and the convenient data rate indicator shows the internet speed required. If  you're technically minded, you can even update the streaming profiles in an XML settings file to add new  services!\u003c\/p\u003e\n\u003cp\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/p\u003e\n\u003cp\u003eIf you’re doing live production on location then the ATEM Television Studio supports mobile data by connecting an Apple or Android phone to the USB port. It's also a  great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones! The  ATEM switcher will detect when a  phone is connected and automatically switch its internet connection to use it if the Ethernet connection is lost. When connected, the phone will also power from the USB port so it always remains charged and ready to go. By  using phone tethering and mobile data, you get the perfect mobile production solution that can be transported  anywhere!\u003c\/p\u003e\n\u003cp\u003eOutputs to Any Software that Supports USB Webcams!\u003c\/p\u003e\n\u003cp\u003eYou can use any video software with ATEM Television Studio because the USB connection will emulate a  webcam! That means you can plug into a  computer and use any video software that works with a  webcam. The  software is tricked into thinking the ATEM Television Studio is a  common webcam, but it's really a  live production switcher! That guarantees full compatibility with any video software and in full resolution 1080HD quality. Imagine doing a  presentation from a  professional broadcast studio to software such as Zoom, Teams or Skype! For  streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and  more!\u003c\/p\u003e\n\u003cp\u003eRecord to Internal Storageor USB Disks!\u003c\/p\u003e\n\u003cp\u003eATEM Television Studio supports recording to external USB flash disks! Or  if an optional M.2 flash disk is installed, you can record directly to internal network shared storage! The  internal storage plus any external USB disks will be available to share over the local Ethernet network so other people can work on post production tasks such as editing, color correction and graphics preparation. All  recordings are in H.264 format with AAC audio for broadcast quality video and small file sizes. You  can also connect multiple USB disks, so recording will continue if a  disk becomes full. You  even get buttons on the control panel to start recording and you can see record status in the  multiview!\u003c\/p\u003e\n\u003cp\u003eInternal Storage Supports Multiple  Users\u003c\/p\u003e\n\u003cp\u003eThe ATEM Television Studio is also a  fast network disk if you install an optional M.2 flash memory card inside the switcher! Flash memory is extremely fast so it can keep up with recording multiple ISO video files while lots of external simultaneous users all work on separate computers for editing, color correction, VFX and audio post production. Plus the internal network storage is extremely easy to set up! You  can also sync the storage to Dropbox and Google Drive, so recordings can be distributed between other ATEM Television Studios or Blackmagic Cloud Stores in different locations, even on lower cost internet connections. That’s the perfect global media sync  solution!\u003c\/p\u003e\n\u003cp\u003eEdit Live Production with Separate ISO Recordings!\u003c\/p\u003e\n\u003cp\u003eThe ATEM Television Studio HD ISO model allows you to edit your live event as it can record all inputs to separate video files! You get 8 separate video input files with matching timecode and sync, plus the program video is also recorded into a separate master video file. This means you can edit using any NLE software that supports multi-cam editing! You can use any edit software that supports multi-cam because all input ISO video files will have matching timecode and be in perfect sync! Now it's easy to re-edit your show after the event, so your work will be absolutely perfect! Plus audio is recorded into separate WAV files so you can even professionally remix your  audio! \u003c\/p\u003e\n\u003cp\u003eDistribute Files  Globally\u003c\/p\u003e\n\u003cp\u003eWith support for Dropbox and Google Drive sync, you can share files globally. That’s extremely important when working with video files that have long record durations so become large. If  you need to work in multiple locations, then each user needs to have instant access to these files, even when most internet connections are too slow. While the internet is often too slow to access large video files in real time, it is perfect for syncing files to a  storage provider such as Dropbox or Google Drive. Multiple Blackmagic Cloud Stores can sync down for local access in each location. Then everyone has a  copy of their media on local network storage. It's the simplest solution for global media  sync!\u003c\/p\u003e\n\u003cp\u003eAdd Cloud Service\u003c\/p\u003e\n\u003cp\u003eMake sure your ATEM Television Studio is connected to the internet. Enter in your Dropbox or Google Drive account details, so the switcher can get access to allow sync.\u003c\/p\u003e\n\u003cp\u003eSet Sync  Folders\u003c\/p\u003e\n\u003cp\u003eNext you need to set the sync folders. That tells the ATEM Television Studio where to sync its files to the remote Dropbox or Google Drive. You  can have multiple sync folders for different  jobs!\u003c\/p\u003e\n\u003cp\u003eSet Sync  Direction\u003c\/p\u003e\n\u003cp\u003eNow set the sync direction. One  direction is good when you have local files you want to share, but not enough room for everyone’s files. Both directions means everyone gets the same set of  files.\u003c\/p\u003e\n\u003cp\u003eConnect to Remote Internet  Cameras!\u003c\/p\u003e\n\u003cp\u003eIncludes Free ATEM Software Control  Panel\u003c\/p\u003e\n\u003cp\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Television Studio by allowing access to all the features in the switcher. ATEM Software Control features a  visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet you can run multiple copies of ATEM Software Control on different computers! The  software lets you live switch, mix audio, color correct in the cameras and manage media. You  can also build and run complex macros from the software! Plus you can save the switcher state as an XML file for recalling jobs later! You  can even control trigger external HyperDeck  recorders.\u003c\/p\u003e\n\u003cp\u003eLocalized for 13 Popular  Languages\u003c\/p\u003e\n\u003cp\u003eATEM Television Studio supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You  get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a  language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio is perfect for doing live production work anywhere in the world and with any  crew!\u003c\/p\u003e\n\u003cp\u003eDesigned to Be Easy to  Repair\u003c\/p\u003e\n\u003cp\u003eWith so many features built in, it’s vital that ATEM Television Studio can be easily repaired! Plus, there is already a  lot of built in redundancy, with 4  Ethernet connections, up to 9  program SDI outputs, 2  USB ports and 2  power connections! However if someone trips on a  cable and breaks a  connector, then you need to be able to repair the connector at low cost. All  the internal electronic PCBs are modular, so any qualified technician can buy a  replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All  the technician needs to do is remove the bottom cover and replace the PCB! A  large broadcaster could even buy the boards as a  spare parts  kit!\u003c\/p\u003e\n\u003cp\u003eFlexible and Redundant  Power\u003c\/p\u003e\n\u003cp\u003eThe all in one design of ATEM Television Studio includes a  built in power supply so you don’t have to carry around an external power brick! Simply plug it into any AC mains outlet and start live production. The  international power supply automatically works from 100 to 240V AC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections. A  broadcast standard XLR 12V DC power connection is included which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations! Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep  running!\u003c\/p\u003e\n\u003cp\u003eAdd Audio Expansion for More Microphones\u003c\/p\u003e\n\u003cp\u003eIf you're building a  podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It  connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy chain units to add more inputs. Each converter has 4  analog inputs that are mic\/line selectable and have phantom power. The  design features amazing quality with an extremely low noise floor of -129dBV, a  dynamic range of 131dB(A), low distortion of 0.002% and uniform tolerances across all channels. It  even uses 8  separate ADCs on each input to collectively extend the dynamic range! Plus it has a  fun HDMI monitoring output with scrolling audio  waveforms!\u003c\/p\u003e\n\u003cp\u003eAdd The Ultimate Compact Studio  Camera!\u003c\/p\u003e\n\u003cp\u003eWhen you need cameras that are perfectly designed for ATEM Television Studio then the new Blackmagic Studio Cameras are an ideal choice! Blackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a  single compact and portable design. Plus with digital film camera dynamic range and color science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The  sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. Advanced features include talkback, tally, camera control, built in color corrector and Blackmagic RAW recording. You  can even add focus and zoom  controllers!\u003c\/p\u003e\n\u003cp\u003eMatch Cameras with an ATEM Camera Control  Panel\u003c\/p\u003e\n\u003cp\u003eWhen working on live production, it’s  critical all cameras are perfectly color matched for a  consistent look as you transition between different sources. ATEM Television Studio has camera control built in, however if you add a  dedicated ATEM Camera Control Panel then you can adjust cameras using the same style of controls that are standard in the broadcast industry. Each camera controller includes an LCD screen with buttons and knobs for live camera adjustments, so you get a  very clear indication of each camera’s parameters. The  large joystick allows direct adjustment of iris and rotates to set black level. There are even red, green and blue knobs for fine control of camera color  tint!\u003c\/p\u003e\n\u003cp\u003eCompatible with Blackmagic Cameras, Panels, Decks and  More!\u003c\/p\u003e\n\u003cp\u003eATEM Television Studio is even more powerful as it can be expanded to grow with you. Blackmagic Studio Cameras are a  great solution as they are a  professional broadcast studio cameras with tally, talkback and camera control, all miniaturized into a  small and portable design. Of  course, the full URSA Broadcast G2 is a  broadcast style camera that uses B4 lenses, and has optional SMPTE fiber connections. If  you want to control cameras using the same style of control broadcasters use, then you can add an ATEM Camera Control Panel for control and color balancing of up to four cameras. For  mastering, Blackmagic HyperDeck Studio recorders allow you to add recording in ProRes and DNx  formats.\u003c\/p\u003e\n\u003cp\u003e1.Blackmagic URSA Broadcast G2\u003c\/p\u003e\n\u003cp\u003eDesigned for broadcast and live production, you get a  6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Records internally in Blackmagic RAW, ProRes, H.264 and H.265 file  formats.\u003c\/p\u003e\n\u003cp\u003e2.Blackmagic Studio Viewfinder G2\u003c\/p\u003e\n\u003cp\u003eTurn URSA Broadcast G2 into the ultimate live camera with a  large professional 7  inch studio  viewfinder!\u003c\/p\u003e\n\u003cp\u003e3.Blackmagic Camera Fiber  Converter\u003c\/p\u003e\n\u003cp\u003eConnect cameras to live switchers up to 2 km away using SMPTE fiber, with all video, control and power, connected over a single cable!\u003c\/p\u003e\n\u003cp\u003e4.Blackmagic Studio Fiber Converter\u003c\/p\u003e\n\u003cp\u003eConnects to remote cameras up to 2  km away while converting the SMPTE fiber signals to regular 12G-SDI and multiple channels of return video, control and power all over the SMPTE fiber cable!\u003c\/p\u003e\n\u003cp\u003e5.Blackmagic Studio Camera 4K Pro G2\u003c\/p\u003e\n\u003cp\u003eCompact studio camera with cinematic low light 4K sensor, MFT lens mount, HDMI, 12G-SDI, 10G Ethernet IP link, bright HDR LCD, talkback, color corrector, recording to USB disks and HD live  streaming.\u003c\/p\u003e\n\u003cp\u003e6.HyperDeck Studio HD Mini\u003c\/p\u003e\n\u003cp\u003eMiniaturized deck records H.264, ProRes or DNxHD files onto SD\/UHS-II cards or external USB disks in SD\/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in\/out and HDMI  out.\u003c\/p\u003e\n\u003cp\u003e7.HyperDeck Studio HD Pro\u003c\/p\u003e\n\u003cp\u003eIncludes all the features of HyperDeck Studio Mini, but adds 2  SSD slots and 2  SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode  connections.\u003c\/p\u003e\n\u003cp\u003e8.ATEM Camera Control Panel\u003c\/p\u003e\n\u003cp\u003eControl up to 4  cameras at the same time using the same controls used on high end broadcast camera controllers. Controls iris, shutter speed, white balance, master gain, pedestal, RGB and  more!\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49108449689847,"sku":"BMD-SWATEMTVSTC\/K4K8","price":6575.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_cae3dec9-0070-4bd4-a030-52e78b9badf2.png?v=1727334041"},{"product_id":"blackmagic-design-bmd-dv-resfa-edtcs-fairlight-console-audio-editor","title":"Blackmagic Design BMD-DV\/RESFA\/EDTCS Fairlight Console Audio Editor","description":"\u003ch3\u003eBlackmagic Design BMD-DV\/RESFA\/EDTCS Fairlight Console Audio Editor\u003c\/h3\u003e\n\u003cp\u003eGet quick access to virtually every Fairlight feature! Includes a 12” LCD, graphical keyboard, macro keys, transport controls and more.\u003c\/p\u003e\n\u003cp\u003e* NOTE: Resellers ordering Blackmagic Design Fairlight products must first be approved by Blackmagic Design in order to do so. We will not accept orders without signed off approval by Blackmagic Design.\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49108456866039,"sku":"BMD-DV\/RESFA\/EDTCS","price":5115.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/blackmagic-design-fairlight-console-audio-editor_209043_1.webp?v=1727334622"},{"product_id":"blackmagic-design-bmd-dv-resf-edtdsktop-fairlight-desktop-audio-editor","title":"Blackmagic Design BMD-DV\/RESF\/EDTDSKTOP Fairlight Desktop Audio Editor","description":"\u003ch3\u003eBlackmagic Design BMD-DV\/RESF\/EDTDSKTOP Fairlight Desktop Audio Editor\u003c\/h3\u003e\n\u003cp\u003eGet incredibly fast audio editing for sound engineers working on tight deadlines! Includes LCD screen, touch sensitive control knobs, built in search dial and full keyboard with multi function keys.\u003c\/p\u003e\n\u003cp\u003e* NOTE: Resellers ordering Blackmagic Design Fairlight products must first be approved by Blackmagic Design in order to do so. We will not accept orders without signed off approval by Blackmagic Design.\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49108460470519,"sku":"BMD-DV\/RESF\/EDTDSKTOP","price":5055.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_98cdf76f-4881-44ef-ac08-a53cd2ca9efc.png?v=1727334839"},{"product_id":"blackmagic-design-bmd-cineursamwc6kg2-ursa-broadcast-g2","title":"Blackmagic Design BMD-CINEURSAMWC6KG2 URSA Broadcast G2","description":"\u003ch3\u003eBlackmagic Design BMD-CINEURSAMWC6KG2 URSA Broadcast G2\u003c\/h3\u003e\n\u003cp class=\"\"\u003eThe new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The  3  cameras in 1  design allows it to work as a  4K production camera, a  4K studio camera or a  6K digital film camera! You  can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You  can even change the lens mount! No  other broadcast camera is so  flexible!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cb\u003eThree Cameras in One!\u003c\/b\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cb\u003eBroadcast  Production Camera:\u003c\/b\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. It  also features a  low light sensor so you get amazing images using natural light. That's the perfect combination for broadcast news and  programming.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cb\u003eLive Studio Camera:\u003c\/b\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eURSA Broadcast includes an advanced YRGB color corrector built in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens! Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripod  handles.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cb\u003eDigital Cinema Camera:\u003c\/b\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eURSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount! Use  a  PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance and Blackmagic RAW means you get a  true \"\"Hollywood\"\" quality digital film  camera.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eGet Digital Film  Quality for  Broadcast  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe large 6K sensor combined with Blackmagic generation 5  color science gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in broadcast! The  6K sensor features a  resolution of 6144 x  3456 so it's flexible enough for broadcast and digital film work. When using B4 lenses, you get a  4K window of the sensor for Ultra  HD broadcast use. Then if you change to a  PL or EF lens mount, you can use the full 6K resolution of the sensor for digital film! With 13 stops of dynamic range, you get darker blacks and brighter whites, so it's perfect for color correction. Using digital film in broadcast is a  revolution in image  quality!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eExceptional  Low Light  Performance\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe new URSA Broadcast features incredible low light performance so you can shoot using ambient light or even under moonlight! In  advanced cameras, ISO is a  measurement of the image sensor’s sensitivity to light. The  Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The  primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The  gain can be set via a  camera switch, the LCD menu or remotely using the SDI remote camera control  protocol.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eCompatible with  B4 Broadcast  Lenses\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe URSA Broadcast G2 features a  B4 broadcast lens mount that includes optics specifically designed to match the camera’s sensor. The  B4 lens mount lets you use modern Ultra  HD lenses or lower cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at low cost! B4  lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don't need to constantly chase focus as you shoot. That lets you work much faster! You  also get full electronic lens control to adjust focus, iris and zoom using the camera’s controls, or remotely! Plus if you want to use alternative lenses, you can change the mount to PL, EF and  more!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBuilt In Optical ND  Filters\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eURSA Broadcast G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The   ¼, 1\/16th and 1\/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast G2, providing you with additional latitude and better colorimetry. This lets you use different combinations of aperture and shutter angle, in a  wider range of situations. The  IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus the filter status on the LCD can be displayed as a  fraction, number, or stop  reduction!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eUse Common Media and File  Formats!\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eURSA Broadcast is designed to work with standard file formats that are used by all broadcast systems and editing software. You  can record in ProRes 422 HQ and ProRes 422 into QuickTime files. The  new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality. Plus you can record to Blackmagic RAW files, a  revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types of  workflows.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDual Media Slots  for Non‑Stop Recording\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eWith dual CFast 2.0 recorders and dual SD\/UHS-II card recorders, you can choose the media that's best for you! Both types of media are standard, inexpensive and readily available at computer and camera stores. Plus with dual media slots, URSA Broadcast gives you non stop recording! When a  card is full, recording automatically continues onto the next card so you can swap a  full card while recording continues. You  get enough speed to record high quality ProRes and H.265 video file formats, even when working in Ultra  HD at high frame rates. That means URSA Broadcast G2 is easy to integrate into your existing broadcast systems. You  can even record 12-bit Blackmagic RAW cinema  files!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eUSB-C for Recording  Direct to External Media Disks\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Blackmagic URSA Broadcast G2 features a  high speed USB-C expansion port on the rear of the camera that allows you to record to external disks or connect to a  wide range of accessories. If  you plug in a  large and low cost external USB flash disk, you can record ProRes, H.265 or even high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a  computer to work, and you don't need to waste time with file copying. Plus the USB port will power the disk that’s plugged in! You  can even plug in optional focus and zoom demands to allow full lens  control.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eStrong and Lightweight Magnesium Design\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eURSA Broadcast G2 features a  super strong, lightweight magnesium alloy body that’s perfectly balanced and designed to be comfortable to use all day! It  features familiar externally mounted switches and controls that give you direct access to the most important camera settings. The  controls are laid out logically, making them easy to locate by feel, so you can adjust settings without having to look at the buttons. You  also get a  foldout touchscreen for monitoring, viewing camera status and changing settings using on screen menus. URSA Broadcast G2 also includes standard 12G-SDI connections, XLR audio inputs, USB-C and an industry standard 4  pin XLR broadcast 12V DC  connection!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBuilt in LCD with Touch  Controls\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eWith a  built in LCD that folds out, you can both monitor and control the camera. While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on screen status and touch screen controls. The  built in touchscreen also includes a  heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets. Plus behind the LCD there are extra buttons, as well as knobs for audio levels. There's even programmable function buttons that can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the on screen  menus.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eExternal Status Display\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe status display is a  high visibility LCD screen that’s designed to be easily seen, even in bright light! The  status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, gain and iris. It  also features a  battery indicator, card recording status and audio meters for monitoring levels. The  screen’s backlight can be turned on when you are shooting in dimly lit locations, and off when you are shooting outdoors and in bright light to increase contrast, making it easy to read under any  condition!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eProgram Video Monitoring\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eIf you're doing live production, sometimes you need to monitor program video back from the switcher. Simply press the camera’s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. A  built in speaker also lets you monitor the switcher audio as well. Program return is a  fantastic feature as sometimes on large live shows, camera operators can be left waiting a  long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a  large distance away from the switcher, they can still keep up with what is happening and remain  alert.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLoad Custom 3D  LUTs to Recreate Film  Looks!\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eDigital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production. However, when these files are viewed on a  monitor they can look flat and  washed out. 3D  LUTs solve this problem as they allow you to apply a  \"\"look\"\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The  URSA Broadcast G2 works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and  more.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eStandard Television Industry Connections\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eBlackmagic URSA Broadcast G2 features the latest technology and connections such as 12G-SDI. This includes 12G-SDI connections for both video output and return program feed input. The  12G-SDI connections are multi rate and switch between all HD and Ultra  HD formats up to 2160p60. Other connections include a  headphone connection, USB-C, balanced XLR audio with phantom power, and timecode\/reference input. There's also a  front mounted 12 pin Hirose connector for broadcast lens control which can also power the lens. Plus for connecting a  viewfinder or on set monitor there's even an HD-SDI monitoring output and a  broadcast style 4  pin XLR 12V DC power  output!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eSupports All  Broadcast Frame  Rates\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eWhether you’re shooting a  sporting event or a  breaking news story, Blackmagic URSA Broadcast G2 can shoot super smooth, crystal clear slow motion video. To  shoot slow motion video, URSA Broadcast supports the higher broadcast frame rates of 60 frames per second, but it can also record this high frame rate into a  lower frame rate file, for smooth slow motion shooting. You  can set up your preferred high speed frame rate using the camera’s on screen menus, then switch between standard sync speed and off speed frame rates using the HFR button on the side of the camera. That means you can have a  higher frame rate setup and ready to go, so its instantly available when the action gets  exciting!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eProfessional Audio Connections and Built  In Microphones\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eURSA Broadcast G2 has a  high quality microphone and professional audio recorder built in so you don’t have to carry any extra sound equipment! That means you can use the built in stereo microphone or you can connect external microphones. The  XLR connections have 48V phantom power so you can plug in everything from shotgun to wireless clip on mics. You  can also select to link audio inputs on the camera so you can plug in lapel microphones that often only have a  single mono connection, if you want to record the mic onto both channels of the recorded file. URSA Broadcast G2 also features knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder  mounted.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eGet Studio Camera  Control via  SDI\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eAll Blackmagic Design ATEM switchers can control cameras via a  protocol embedded into the URSA Broadcast G2's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher’s SDI program output to the camera via the SDI program input. The  switcher can perform color correction, tally and lens control and these are sent to all cameras. All  you need to do is select the correct camera number and it all works. This means someone can manage the image color and gain so the camera operator is not distracted trying to adjust their camera, and they are then free to focus on framing the  shots.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eWork in Both  HD or Ultra  HD\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Blackmagic URSA Broadcast  G2 is not just a great Ultra  HD camera, but it’s also an amazing HD  camera too! The high resolution sensor and generation  5 color science creates amazing images with high dynamic range and wide color fidelity. But when you need to do HD work, the camera will scale the image sensor down to 1080HD video standards. This  helps you get stories on air fast, in  HD or Ultra  HD video standards, anywhere in the world! Plus when working in HD, the high resolution sensor allows sub pixel image processing for superior anti-aliasing and sharp images. Blackmagic URSA Broadcast  G2 is a future proof camera that's perfect for both HD and Ultra  HD  production!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eChange to PL, EF  and F  Lens  Mounts!\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eURSA Broadcast G2 features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL or even F  mount. URSA Broadcast G2 comes with a  B4 mount already installed, plus a  spare EF mount is included. That means if you’re starting out you can change the mount and use low cost photographic lenses. Photographic lenses are incredible quality because they're designed for high resolution photography. You  can also purchase optional PL and F  mounts separately. If  you're shooting for digital film, the PL mount is best as it's the most common lens mount for cinema lenses. With URSA Broadcast G2, you get a  single camera that works with virtually all modern  lenses!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLatest Generation 5  Color  Science\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e Featuring the same generation 5  color science as the high end URSA Mini Pro 12K, the new URSA Broadcast G2 delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You  get a  new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The  color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a  natural, film like response to color adjustments in post with DaVinci Resolve  Studio.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eIncredible  Blackmagic RAW  Quality\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eBlackmagic RAW is a  revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Common video files have a  lot of video processing, so you can lose some of the original sensor detail. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest  performance!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePowered by Blackmagic  OS\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eWith the advanced Blackmagic  OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic  OS is a  true modern operating system where all camera features run independently for smoother control, plus URSA Broadcast G2 powers on virtually instantly. It  features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The  interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You  also get full control over advanced camera features such as on screen focus and exposure tools, 3D  LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and  more!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBuilt in Timecode Generator\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eAll models of Blackmagic URSA Broadcast G2 have a  built in time of day timecode generator, so you can sync all the cameras and then do multi-cam editing later because all the recordings will have the same timecode. Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now  each camera can start and stop recording and the shots from all cameras will have matched timecode. Imagine shooting a  music festival with multiple cameras! Then the DaVinci Resolve sync bin can be used to automatically sync the recordings and display them in a  multiview for easy editing.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eFocus and Zoom  Demands\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe optional zoom and focus demands allow you to use photography lenses for live production! The  focus and zoom demands have USB-C connections so they control the lens via the camera’s electronic lens control. Each zoom and focus demand has 2  USB-C ports, so you can daisy chain them then connect to the camera with a  single USB connection. The  design has an incredibly precise feel so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. The  buttons can be customized so you can assign different camera functions to them! Plus, hardware is included for mounting the focus and zoom demands onto tripod  handles.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAdd Viewfinders, SMPTE Fiber and Lens  Mounts\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThere's a  wide range of accessories that are specifically designed to work perfectly with URSA Broadcast G2. However, a  shoulder mount kit, V-Lock battery plate and top handle are included so you don't need to purchase anything extra! Plus you get a  spare EF lens mount if you don't own a  B4 lens and would like to start out using a  photography lens. You  can add the optional Blackmagic URSA Viewfinder, or for live production you can add a  Blackmagic URSA Studio Viewfinder! There's also an optional fiber converter that can power the camera from 2  km away via the single SMPTE fiber! For  long duration recording, URSA Mini Recorder gives you the option to record to external  SSDs!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eRecord to SSDs and U.2  Media\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe optional Blackmagic URSA Mini Recorder lets you record files onto large 2.5 inch SSDs, as well as the latest U.2 NVMe Enterprise SSDs! SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB\/s! This blazing fast performance allows you longer recording times for full resolution 4K and 6K 12-bit Blackmagic RAW files in the highest quality Q0 encoding. The  unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Broadcast G2 between the camera and the battery. It’s controlled via the USB-C so you don’t have to worry about manually starting or stopping the SSD recorder.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLocalized in 13 Popular  Languages\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eAll Blackmagic Design cameras are designed to be used worldwide so they support 13 popular languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Russian, Polish, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language simply by going into the menu settings. When switching between languages, all the on screen overlays, heads up display, and setup menus will be displayed in the selected language and you can change languages any time you  like!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote  Control\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eIf you're positioning the camera on the end of a  boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You  can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a  free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The  possibilities are  endless!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eCompatible with Industry Standard Batteries\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eAll URSA cameras support a  wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. A  V-Lock battery plate is installed on the camera, or you can change to an optional Blackmagic URSA Gold Battery Plate. All  Blackmagic battery plates are designed to mount directly onto the camera. URSA Broadcast G2 includes a  4-pin XLR power connector that supports 12V to 18V for connecting external power supplies and battery packs. The  standard power connector also means you can use the camera with your existing power supplies and batteries. For  live production, the optional fiber converter can power the camera from up to 2  km away via a  single SMPTE fiber  cable!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eIncludes DaVinci Resolve  Studio. Get Professional Editing, Color Correction, Audio Post and  VFX!\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eURSA Broadcast G2 includes a  full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In  addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a  single software application! Now  you can use the the same high end software that professional editors and colorists  use!\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49108497662199,"sku":"BMD-CINEURSAMWC6KG2","price":4615.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_1_2666dad9-2421-42fd-a961-e8f6510c310f.png?v=1727336418"},{"product_id":"blackmagic-design-bmd-dv-resfa-fadcs-fairlight-console-channel-fader","title":"Blackmagic Design BMD-DV\/RESFA\/FADCS Fairlight Console Channel Fader","description":"\u003ch3\u003eBlackmagic Design BMD-DV\/RESFA\/FADCS Fairlight Console Channel Fader\u003c\/h3\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eFeatures 12 motorized faders, rotary control knobs illuminated buttons for pan, solo, mute and call, plus bank select buttons.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e* NOTE: Resellers ordering Blackmagic Design Fairlight products must first be approved by Blackmagic Design in order to do so. We will not accept orders without signed off approval by Blackmagic Design.\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49108531871991,"sku":"BMD-DV\/RESFA\/FADCS","price":4595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_5.png?v=1727336852"},{"product_id":"blackmagic-design-bmd-swatemtvstc-hd08iso-atem-television-studio-hd8-iso","title":"Blackmagic Design BMD-SWATEMTVSTC\/HD08ISO ATEM Television Studio HD8 ISO","description":"\u003ch3\u003eBlackmagic Design BMD-SWATEMTVSTC\/HD08ISO ATEM Television Studio HD8 ISO\u003c\/h3\u003e\n\u003cp\u003eThe more advanced ISO model includes all the features of ATEM Television Studio HD8 plus adds ISO recording of all 8 inputs to separate video files. Also supports up to 8 remote cameras via local Ethernet or globally via the internet. Remote cameras even support tally and camera control!\u003c\/p\u003e\n\u003cp\u003eThe new ATEM Television Studio HD is a professional live production switcher built into a broadcast control panel so it can be used for high end work while being extremely portable. This means you can use it in small venues that don't have the access for equipment racks or broadcast vans. You get a powerful switcher with 8 standards converted SDI inputs, 2 aux outputs, 4 chroma keyers, 2 downstream keyers, SuperSource, 2 media players and lots of transitions! Plus it includes a whole television studio of features such as hardware streaming, recording, audio mixer, talkback, multiview and optional internal cloud storage. There's even an ISO model that records all 8 inputs for editing!\u003c\/p\u003e\n\u003cp\u003eYou get an incredibly powerful 8 input switcher with both program and two aux outputs so you have everything you need for mobile production. That means you can connect up to 8 cameras! Plus you get professional camera control, talkback and audio mixing all designed into a familiar broadcast panel.\u003c\/p\u003e\n\u003cp\u003eThe ISO model records all inputs into separate files so you can edit using any NLE that supports multi-cam! That's possible because all files have perfect timecode sync! Plus with built in network storage, you can edit while recording! Multiple users can even share media and collaborate!\u003c\/p\u003e\n\u003cp\u003eWith a built in hardware streaming engine, you can live stream your event to a global audience! Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus you share live broadcasts with your audience by using the aux outputs and large screens and projectors!\u003c\/p\u003e\n\u003cp\u003eWhile ATEM Television Studio HD is a compact design, it still includes very powerful broadcast features! If you're interested in a career in the television industry, then it's perfect for training as it has the same features as switchers in high end broadcast studios. You get an advanced broadcast grade switcher, with built in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics and much more! Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on Mac or Windows to access even more features! With a little fun experimentation it’s possible for anyone to create high end broadcast quality live television!\u003c\/p\u003e\n\u003cp\u003eThere's never been a switcher that’s easier to use, as you simply press any of the program row buttons on the front panel to cut between video sources. Or you can pre select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to color, DVE squeeze and DVE push. You can even add a DVE for picture in picture effects with customized graphics. There are also media players which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then you can live stream the results!\u003c\/p\u003e\n\u003cp\u003eWith the all in one design, you can build a new generation of ultra compact broadcast vans! You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk!\u003c\/p\u003e\n\u003cp\u003eSome of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However ATEM Television Studio can be carried into any venue! It’s also easy to pack up, even if the venue is still crowded.\u003c\/p\u003e\n\u003cp\u003eATEM Television Studio is perfect for creating education content! As the ISO model records the video inputs, you can finesse edits, replace shots and even add color correction! Plus you can even connect to Zoom to incorporate live chat with students!\u003c\/p\u003e\n\u003cp\u003eATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team! With up to 8 cameras, you'll catch all the exciting angles!\u003c\/p\u003e\n\u003cp\u003eThe ATEM Television Studio HD combines a switcher and control panel into the same unit, so it’s extremely portable. You get everything you need! The front panel includes buttons for selecting sources, triggering transitions and setting up video effects. Plus the buttons are the same high-end type used on expensive broadcast switchers! You also get a built in t-bar for manual transition control! The front panel even has an innovative audio mixer control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview or the multiview.\u003c\/p\u003e\n\u003cp\u003eWith 8 3G-SDI video inputs, ATEM Television Studio HD lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs, such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2, are much better quality as they have better low light performance and use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater productions, music performances, sports and more!\u003c\/p\u003e\n\u003cp\u003eOne of the benefits of ATEM Television Studio is the range of professional built in video effects! The cut button ensures an instant cut when switching between sources. The t-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus fun DVE effects that slide or squeeze the image off screen when transitioning between video sources!\u003c\/p\u003e\n\u003cp\u003eATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them! That’s because all transitions can be customized by adjusting parameters such as duration, border color, border width, position and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it’s often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.\u003c\/p\u003e\n\u003cp\u003eATEM Television Studio HD features an independent DVE that lets you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions! Pus there is also a SuperSource multi layer processing engine with 4 extra DVEs!\u003c\/p\u003e\n\u003cp\u003eThe built in media pool stores broadcast quality graphics and animations that can be played back using the built in media players. Media players appear as independent sources so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 400 frames in 720HD and 200 frames in 1080HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in!\u003c\/p\u003e\n\u003cp\u003eATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49108555104503,"sku":"BMD-SWATEMTVSTC\/HD08ISO","price":4409.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_41e5e5c6-bbe2-4062-92bb-0504ba7b30cf.png?v=1727339996"},{"product_id":"blackmagic-design-bmd-swpaneladv1me20-atem-1-m-e-advanced-panel-20","title":"Blackmagic Design BMD-SWPANELADV1ME20 ATEM 1 M\/E Advanced Panel 20","description":"\u003ch3\u003eBlackmagic Design BMD-SWPANELADV1ME20 ATEM 1 M\/E Advanced Panel 20\u003c\/h3\u003e\n\u003cp class=\"\"\u003eThe ATEM 1 M\/E Advanced Panel 20 is a single M\/E, 20 input button switching panel that includes the features and flexibility needed for switching big and small productions in a highly portable and compact design. It has 2 independent system control LCDs plus it can control up to 4 M\/Es in larger switchers. All input buttons include LCDs for custom labeling and there is an independent select bus. Dual power inputs provide redundancy and the built-in 4 port Ethernet switch means no additional network equipment is needed so it will fit even the most challenging live production spaces!\u003c\/p\u003e\n\u003cp class=\"\"\u003eFor the ultimate in professional control you can add an optional ATEM Advanced Panel! Although you can use ATEM Constellation with the software control panel, using an ATEM Advanced Panel is so much faster! ATEM Advanced Panels open up the power of your ATEM Constellation because they give you an enormous amount of control, allowing you to setup more complex effects. It's also a nicer way to work because you have physical broadcast quality buttons, knobs and a t‑bar fader so you can access all features in the switcher, all at the same time!\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49108662747383,"sku":"BMD-SWPANELADV1ME20","price":4279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_85653c36-c964-4d0c-a336-480213dd20e6.png?v=1727340517"},{"product_id":"blackmagic-design-bmd-swatemscn2-2me2-4k-atem-2-m-e-constellation-4k","title":"Blackmagic Design BMD-SWATEMSCN2\/2ME2\/4K ATEM 2 M\/E Constellation 4K","description":"\u003ch3\u003eBlackmagic Design BMD-SWATEMSCN2\/2ME2\/4K ATEM 2 M\/E Constellation 4K\u003c\/h3\u003e\n\u003cp\u003eAdvanced 2 M\/E live production switcher includes 20 standards converted 12G-SDI inputs, 12 x 12G-SDI aux outputs, 2 DVEs, 8 ATEM Advanced Keyers, 2 multiviews and a SuperSource for a total of 6 DVEs.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Design™s ATEM Constellation devices are the world’s most powerful HD and 4K live production switchers! These incredibly powerful switchers are available in 1 M\/E models with 10 inputs, 2 M\/E models with 20 inputs and massive 4 M\/E models with 40 inputs! Plus each SDI input features a full standards converter! ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma keyers, media players, multiviews, and SuperSource processors! Plus the built in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ and expander on each input. The free ATEM Software Control is included, or you can add a 1 M\/E, 2 M\/E or 4 M\/E ATEM Advanced Panel!\u003c\/p\u003e\n\u003cp\u003eATEM Constellation switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including connections for 3G-SDI or 12G-SDI inputs, aux outputs, balanced audio and Ethernet for control. The top 4 M\/E models even include RS-422 for serial control and MADI digital audio connections. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system.\u003c\/p\u003e\n\u003cp\u003eATEM Constellation switchers are ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage! Even live sports benefit from the huge number of inputs and DVEs let you build multi-layer compositions to cover the action. The fastest way to produce programming is live! With powerful internal graphics and lots of ATEM advanced chroma keyers, you get everything you need for complex program production. ATEM Constellation is also perfect for house of worship programming as it’s big enough to allow professional results, but it’s very simple to learn so it’s easy to train a volunteer crew!\u003c\/p\u003e\n\u003cp\u003eATEM Constellation uses a professional \"\"program\/preview\"\" style operation, which is the exact same way large broadcasters use live production switchers. This means you are using the same type of switcher used by the television industry. Both the free ATEM Software Control and the optional hardware ATEM Advanced Panels will allow program\/preview style switching. This means you can select a source on the preview bus to ensure it’s correct before pushing the CUT or AUTO button to switch it on air. This 2 step program\/preview process means far fewer mistakes! Program\/preview operation means ATEM Constellation is the best solution for training students for a career in broadcast television!\u003c\/p\u003e\n\u003cp\u003eWith a control panel built into the front panel, you can simply walk up and operate the ATEM Constellation at any time. ATEM Constellation has similar features to ATEM Mini, so it’s a fantastic upgrade when you need a bigger switcher! Plus the front panel control buttons are the same premium type used on full sized panels so they are extremely reliable. You can even control keyers, media and fade to black from the front panel! There is an industry standard 5 pin talkback headset connector on the front panel, with controls for talkback control. Plus the front panel LCD and menu buttons also allow almost every single operational feature of the switcher to be accessed!\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49112359665911,"sku":"BMD-SWATEMSCN2\/2ME2\/4K","price":4175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_6.png?v=1727524359"},{"product_id":"blackmagic-design-bmd-swatemscn2-1me4-hd-atem-4-m-e-constellation-hd","title":"Blackmagic Design BMD-SWATEMSCN2\/1ME4\/HD ATEM 4 M\/E Constellation HD","description":"\u003ch3\u003eBlackmagic Design BMD-SWATEMSCN2\/1ME4\/HD ATEM 4 M\/E Constellation HD\u003c\/h3\u003e\n\u003cp\u003eThe massive 4 M\/E model doubles the features of the 2 M\/E model with 40 x 3G-SDI inputs, 24 x 3G-SDI outputs, 4 DVEs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for 12 x DVEs in total.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIntroducing ATEM Constellation HD, the world's most powerful HD live production switchers! These incredibly powerful HD switchers are available in 3 great models, including a 1 M\/E model with 10 inputs, a 2 M\/E model with 20 inputs and a massive 4 M\/E model with 40 inputs! Plus each SDI input features a full standards converter! ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma keyers, media players, multiviews, and SuperSource processors! Plus the built in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ and expander on each input. The free ATEM Software Control is included, or you can add a 1 M\/E, 2 M\/E or 4 M\/E ATEM Advanced Panel!\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cspan background:=\"\"\u003eSeriously Advanced Broadcast Power\u003c\/span\u003e\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan background:=\"\"\u003eATEM Constellation HD switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including the connections for 3G-SDI inputs, 3G-SDI aux outputs, balanced audio and Ethernet for control. The top 4 M\/E model even includes RS-422 for serial control and MADI digital audio connections. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDesigned for Massive Live Events!\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eWith 3 powerful models, ATEM Constellation HD switchers are ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage! Even live sports benefit from the huge number of inputs and DVEs let you build multi-layer compositions to cover the action. The fastest way to produce programming is live! With powerful internal graphics and lots of ATEM advanced chroma keyers, you get everything you need for complex program production. ATEM Constellation is also perfect for house of worship programming as it ™s big enough to allow professional results, but it ™s very simple to learn so it ™s easy to train a volunteer crew!\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eTrue Broadcast Style Mix Effects Switching\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eATEM Constellation HD uses a professional \"\"program\/preview\"\" style operation, which is the exact same way large broadcasters use live production switchers. This means you are using the same type of switcher used by the television industry. Both the free ATEM Software Control and the optional hardware ATEM Advanced Panels will allow program\/preview style switching. This means you can select a source on the preview bus to ensure it ™s correct before pushing the CUT or AUTO button to switch it on air. This 2 step program\/preview process means far fewer mistakes! Program\/preview operation means ATEM Constellation is the best solution for training students for a career in broadcast television!\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eFull Front Panel Control\u003c\/strong\u003e\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eWith a control panel built into the front panel, you can simply walk up and operate the ATEM Constellation at any time. ATEM Constellation HD has similar features to ATEM Mini, so it ™s a fantastic upgrade when you need a bigger switcher! Plus the front panel control buttons are the same premium type used on full sized panels so they are extremely reliable. You can even control keyers, media and fade to black from the front panel! There is an industry standard 5 pin talkback headset connector on the front panel, with controls for talkback control. Plus the front panel LCD and menu buttons also allow almost every single operational feature of the switcher to be accessed!\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eUp to 40 Standards Converted 3G-SDI Inputs!\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe ATEM Constellation HD family features models that have up to 40 independent 3G-SDI inputs, with each input featuring its own dedicated up and cross converter. That means it ™s possible to convert any 1080p input source to the video standard of the switcher! That means you could have each switcher SDI input running a different television standard and all the inputs will just work! On the ATEM 4 M\/E Constellation HD model, you can even loop out audio channels 1, 2, 3 and 4 from SDI inputs 1 to 30 to the two MADI digital audio outputs, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eUp to 24 3G ‘SDI Outputs\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe ATEM Constellation HD family have a massive number of fully independent 3G-SDI outputs. Even the small 1 M\/E model has 6 x 3G-SDI outputs! Then the 2 M\/E model has 12 x 3G-SDI outputs and the 4 M\/E model has a massive 24 x 3G-SDI outputs. These SDI outputs are very powerful because you can independently route any SDI input or any internal source to each SDI output. That ™s perfect for running independent feeds to stage screens, master recorders and streaming processors. Or use the SDI outputs for ISO recorders, where each deck will get a resynchronized switcher input with matching timecode. All SDI outputs contain program audio, RP-188 timecode, SDI camera control, tally and talkback.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eTo help with live streaming, the USB-C connection on ATEM Constellation HD operates as a webcam source. That means you can plug into a computer and get working with any video software! The software is tricked into thinking the ATEM Constellation HD is a common webcam, but it's really a live production switcher! That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style! The ATEM Constellation HD webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more!\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cspan background:=\"\"\u003eChoose from Hardware or Software Control Panels\u003c\/span\u003e\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan background:=\"\"\u003eAll ATEM switchers feature a wide range of hardware and software control options, plus it ™s possible to share control panels between all ATEM models for different events. Included with ATEM Constellation HD is a free software based control panel for Mac and Windows. The software connects to the switcher via Ethernet or USB and you can control the switcher, upload media, mix audio and control cameras. Then, when you need more power, you can add an ATEM Advanced Panel for professional switching or an ATEM Camera Control Panel for controlling cameras. There's even an ATEM developer SDK so you can build your own custom automation control solution!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eIncludes Multiview with Labels, Tally and Meters\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe built in multiview lets you monitor multiple sources on a single monitor. The 1 M\/E model includes 1 multiview, the 2 M\/E model has 2 independent multiviews and the 4 M\/E model has 4 independent multiviews! All external SDI inputs, plus all internal video sources can be routed to any view. All multiviews are fully customizable and can be independently set to 4, 7, 10, 13 or 16 simultaneous views. That ™s up to 32 views in total on the 2 M\/E model and a massive 64 views across 4 monitors with the 4 M\/E model! You can add the tally border plus source label and VU meters as an overlay on each view. Plus a red and green border will show tally on each view, so you know what sources are on air.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cspan background:=\"\"\u003eBroadcast Transitions, DVE, Stingers and More!\u003c\/span\u003e\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan background:=\"\"\u003eATEM Constellation HD includes a wide range of broadcast quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction and a lot more! The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture off screen revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation HD features a preview transition feature so you can setup your transitions before you switch it on air!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cspan background:=\"\"\u003eBuilt in DVE for Video Effects\u003c\/span\u003e\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan background:=\"\"\u003eATEM Constellation features up to 4 independent DVEs, depending on the model, that let you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions! Then the 2 and 4 M\/E models include SuperSource processors for even more DVEs!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eProfessional Broadcast Talkback\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eTo keep crews working as a single creative team, ATEM Constellation features built in talkback. Talkback supports a 5 pin XLR headset connector, plus a rear mounted RJ12 connector for interfacing with industry standard talkback systems such as ClearCom or RTS. You get full talkback control including program and engineering loops, sidetone control for hearing the headset mic into the headphones and program mix. ATEM Constellation HD also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It ™s even possible to mix the talkback mic into the program audio for voiceovers!\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cspan background:=\"\"\u003eInternal Media for Stills and Motion Graphics\u003c\/span\u003e\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan background:=\"\"\u003eThe built in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the 2 or 4 media players. Media players simply appear as additional input sources on the ATEM Constellation HD, so you don ™t have to use extra SDI inputs for graphics. The built in media pool holds graphics for use with the media players and the 1 M\/E model can hold 20 stills and 200 frame animations, the 2 M\/E model can hold 40 stills and 400 frame animations and the 4 M\/E model can hold 60 stills and 600 frame animations. You can easily manage all of your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug ‘in.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eIncludes New ATEM Advanced Chroma Keyers!\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eFor news or virtual set work, ATEM Constellation HD is perfect as it features lots of ATEM advanced keyers for high quality chroma or luminance keying! The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the \"\"look\"\" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying! You get 4 ATEM Advanced Keyers on the 1 M\/E model, 8 ATEM Advanced Keyers on the 2 M\/E model and 16 ATEM Advanced Keyers on the 4 M\/E model.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cspan background:=\"\"\u003eCreate Amazing Virtual Sets\u003c\/span\u003e\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan background:=\"\"\u003eWith 4 upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets! With so many ATEM Advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. Even the 1 M\/E model has enough keyers to generate a 4 camera virtual set! You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre rendered still image backgrounds from the media players and media pool. You can setup macros to change cameras and load the correct background into the media players! With so much flexibility, you can experiment to try out different studio setups!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePowerful SuperSource Processing!\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn addition to the DVEs in the M\/E rows, the 2 M\/E and 4 M\/E models include powerful SuperSource multi layer processors with 4 extra DVE layers plus a background layer, that all appear to ATEM Constellation HD as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it ™s all layered together over a media pool custom background. SuperSource is just like having an extra multi-layer VFX switcher built in! SuperSource is perfect for doing picture in picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks. The ATEM 4 M\/E Constellation even has 2 completely independent SuperSource processors!\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cspan background:=\"\"\u003eMulti Rate 3G-SDI for all HD Video Standards\u003c\/span\u003e\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan background:=\"\"\u003eWith up to 40 multi rate 3G-SDI input connections, depending on the model, the ATEM Constellation HD is compatible with all types of HD video sources. You can connect equipment in all HD television standards including 720p, 1080i and 1080p formats. Only multi rate 3G-SDI allows switching between HD formats so you can instantly adapt to the needs of the job you are doing anywhere in the world! The SDI inputs will also handle embedded audio and mix audio from all video inputs. Plus the program outputs include talkback, tally and camera control information. That means you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.\u003c\/span\u003e\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eThe First Switcher with Big Professional Audio\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eATEM Constellation HD is the world ™s first live production switcher that fully embraces live professional audio production! All SDI inputs are connected to a built in Fairlight audio mixer that features 6 band parametric EQ, compressor, limiter, noise gate and expander on each input. On the ATEM 4 M\/E Constellation HD model there are 2 MADI outputs for breaking out channels 1, 2, 3 and 4 of the first 30 SDI inputs out to an external audio engineer, plus a MADI input for allowing an extra 32 external audio channels in to the audio mixer. The Fairlight audio mixer even has additional inputs for mixing audio from analog inputs, talkback microphones for voice over and more!\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cspan background:=\"\"\u003eProfessional Fairlight Audio Mixer\u003c\/span\u003e\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan background:=\"\"\u003eWith a built in Fairlight audio mixer, the ATEM Constellation makes it possible to do extremely complex live sound mixing. The internal mixer has up to 156 input channels, for the biggest audio mixer in a live production switcher! Audio is de-embedded from all the SDI video inputs and passed to the audio mixer. Then the 4 M\/E model has extra audio mixer input channels for the MADI audio inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. All this audio power can be controlled via the ATEM Software Control or a Mackie compatible panel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cspan background:=\"\"\u003eIncludes Free Software Control Panel\u003c\/span\u003e\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan background:=\"\"\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time! The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. Plus you can run the software on Mac or Windows!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAdd the Speed and Power of an ATEM Hardware Panel\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eOnly ATEM Constellation HD has such as wide range of control panel options with 3 models of ATEM Advanced Panels available. ATEM Advanced Panels feature an industry standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high quality buttons with customizable illumination color, a DVE joystick plus T-bar fader. You can even setup and trigger Macros! All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features 4 M\/E rows with 40 input buttons per row and 4 independent system control LCD screens.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eGet Industry Standard Professional Camera Control\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe new ATEM Camera Control Panel provides 4 industry standard camera controllers for the same workflow as camera chains costing hundreds of thousands of dollars! Designed to be portable, ATEM Camera Control Panel can be placed on a desktop or on a slide out rack shelf. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera color, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced or new operators!\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eCompatible with Blackmagic Cameras, Panels, Decks and More!\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eATEM switchers are powerful because they can grow and expand with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and color balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally, talkback and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter! Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring!\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e1.Blackmagic URSA Broadcast G2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eDesigned for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats.\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e2.Blackmagic Studio Viewfinder G2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eTurn URSA Mini into the ultimate live camera with a professional 7 inch studio viewfinder!\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e3.Blackmagic Camera Fiber Converter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eConnect cameras to live switchers up to 2 km away with video, talkback, control and power, all over a single cable!\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e4.Blackmagic Studio Fiber Converter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eConnect to remote cameras up to 2 km away with multiple channels of video, talkback, control and power all over a single cable!\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e5.Blackmagic Studio Camera 4K Pro\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eDesigned for professional SDI or HDMI switchers, you get all the features of the Plus model, as well as 12G-SDI, professional XLR audio, brighter HDR LCD, 5 pin talkback and 10G Ethernet IP link.\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e6.HyperDeck Studio HD Mini\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eMiniaturized deck records H.264, ProRes or DNxHD files onto SD\/UHS-II cards or external USB disks in SD\/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in\/out and HDMI out.\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e7.HyperDeck Studio HD Pro\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eIncludes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections.\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e8.ATEM Camera Control Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eControl up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more!\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAll Features Included. No Hidden Costs!\u003c\/strong\u003e\u003cspan background:=\"\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eUnlike other switchers, all features are included in the purchase price. That means you get all features fully enabled and always ready for use! There are no license fees to allow you to use features and no ongoing monthly costs. This means you'll never experience a license expiring 5 minutes before your program starts! Advanced features such as multiview, SuperSource, DVEs or the ATEM Advanced Keyers are always enabled and always ready to use! Plus, you can use the free ATEM Software Control on an unlimited number of computers. That ™s important when you divide up the workload with separate people for audio mix, graphics prep, camera control and switcher operation!\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49112360354039,"sku":"BMD-SWATEMSCN2\/1ME4\/HD","price":4065.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_1_7f599bba-b27d-41e2-8da5-b3977f6d2d72.png?v=1727530504"},{"product_id":"blackmagic-design-bmd-cintelsnaudkcscan-cintel-audio-and-keycode-reader","title":"Blackmagic Design BMD-CINTELSNAUDKCSCAN Cintel Audio and KeyCode Reader","description":"\u003ch3\u003eBlackmagic Design BMD-CINTELSNAUDKCSCAN Cintel Audio and KeyCode Reader\u003c\/h3\u003e\n\u003cp\u003eThe Cintel Audio and Key-code reader supports key code reading of both 16 and 35mm tapes directly to DaVinci Resolve. The reader also supports optical reading of the audio while scanning in real time, you get sound when you play the tape.\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49112462065911,"sku":"BMD-CINTELSNAUDKCSCAN","price":3915.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_3_ab08d860-1e12-4eb3-91e0-4286a8ccc6b0.png?v=1727530733"},{"product_id":"blackmagic-design-bmd-cineursanwfrstud-studio-fiber-converter","title":"Blackmagic Design BMD-CINEURSANWFRSTUD Studio Fiber Converter","description":"\u003ch3\u003eBlackmagic Design BMD-CINEURSANWFRSTUD Studio Fiber Converter\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe Blackmagic Studio Fiber Converter is used at the other end of your broadcast camera chain back in the studio or outside broadcast truck. It converts signals from the remote camera back into standard television industry connections that can be used with your live production switchers, audio mixers and talkback interfaces. It features a high capacity power supply to drive the cable so it can provide enough power for your camera and any accessories that you might add. The studio fiber converter includes connections for tally, two dual channel intercoms for industry standard 3rd party talkback systems, and even a backup engineering talkback channel in case the fiber goes down. You get a main Ultra HD camera feed plus 3 independent HD return feeds with full remote camera control, PTZ, tracker talkback and ethernet, all through a single SMPTE fiber cable. Plus, there is a large 5 inch LCD screen right next to the SMPTE fiber connection on the front panel for monitoring signals from the remote camera. This allows for easy patching and verification of the remote camera function!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExtend and fully power cameras up to 2 kmaway using an open standard SMPTE fiber cable!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet cameras much closer to the action!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in multi layer fail safe instantlycuts power to eliminate danger\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransform broadcast camerasinto dedicated studio cameras!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuper fast, low latency ethernetlink for video, audio and control!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo dual channel talkbackintercoms with backup!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDurable metal design,\u003cspan class=\"br-md br-lg\"\u003ehigh end components\u003cspan class=\"br-lg\"\u003eand\u003cspan class=\"br-md\"\u003e professional connections\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"br-md br-lg\"\u003e\u003cspan class=\"br-lg\"\u003e\u003cspan class=\"br-md\"\u003eThe Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24\/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed!\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"br-md br-lg\"\u003e\u003cspan class=\"br-lg\"\u003e\u003cspan class=\"br-md\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49112497160439,"sku":"BMD-CINEURSANWFRSTUD","price":3659.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_5_080fcb00-ec19-416d-9fb7-df1bed65c7ef.png?v=1727534697"},{"product_id":"blackmagic-design-bmd-cineursanwfrcam-camera-fiber-converter","title":"Blackmagic Design BMD-CINEURSANWFRCAM Camera Fiber Converter","description":"\u003ch3\u003eBlackmagic Design BMD-CINEURSANWFRCAM Camera Fiber Converter\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe Blackmagic Camera Fiber Converter attaches to the back of your URSA Mini or URSA Broadcast camera. In addition to converting all of the audio, video, camera control and talkback into fiber, it also adds professional studio camera controls to the back of your camera. You get control for return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more. The camera converter also includes a VLock mount plate on the top for attaching accessories such as a professional Blackmagic Studio Viewfinder. The Blackmagic Camera Fiber Converter has connections for your Ultra HD camera feed, 3 HD return feeds, full remote camera control, PTZ, multiple channels of talkback, tally and more!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExtend and fully power cameras up to 2 kmaway using an open standard SMPTE fiber cable!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet cameras much closer to the action!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in multi layer fail safe instantlycuts power to eliminate danger\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransform broadcast camerasinto dedicated studio cameras!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuper fast, low latency ethernetlink for video, audio and control!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo dual channel talkbackintercoms with backup!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDurable metal design,\u003cspan class=\"br-md br-lg\"\u003ehigh end components\u003cspan class=\"br-lg\"\u003eand\u003cspan class=\"br-md\"\u003e professional connections\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"br-md br-lg\"\u003e\u003cspan class=\"br-lg\"\u003e\u003cspan class=\"br-md\"\u003eThe Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24\/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed!\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"br-md br-lg\"\u003e\u003cspan class=\"br-lg\"\u003e\u003cspan class=\"br-md\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49112502599927,"sku":"BMD-CINEURSANWFRCAM","price":3575.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_2_065e049d-8718-41ab-ae83-9de4a34af046.png?v=1727535040"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/collections\/Diseno_sin_titulo_36.png?v=1774989209","url":"https:\/\/www.305broadcast.com\/collections\/black-magic-design.oembed?page=5","provider":"305broadcast","version":"1.0","type":"link"}