{"title":"Consumer Video Cameras","description":"","products":[{"product_id":"blackmagic-design-pocket-cinema-camera-4k","title":"Blackmagic Design Pocket Cinema Camera 4K","description":"\u003ch3\u003eBlackmagic Pocket Cinema Camera 4K\u003c\/h3\u003e\n\u003cp\u003eAnnouncing the all Blackmagic Pocket Cinema Camera 4K, a handheld digital film camera with full 4\/3 HDR sensor, dual native ISO with up to 25600 ISO for incredible low light performance as well as 13 stops of dynamic range. It also eliminates expensive external recorders, as it features a unique new USB-C Expansion Port, which allows customers to record using the internal SD\/UHS-II and CFast recorders or directly to the same external disks they will use for editing and color correction. \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3BtT7Q5KGFQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe revolutionary Blackmagic Pocket Cinema Camera 4K is the handheld digital film camera that customers have been asking for. It packs incredibly high end imaging and professional features into a portable and affordable design that can be used anywhere. The compact body style is perfect for shooting independent films and documentaries, fashion shows, travel blogs, web videos, weddings, corporate video, sports and much more.\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera 4K features a full size 4\/3 HDR sensor with native 4096 x 2160 resolution and 13 stops of dynamic range for true digital film quality. The full size of the 4\/3 sensor is designed to perfectly match MFT lenses so the crop factor is greatly reduced, giving customers a wider field of view. It also features dual native ISO with up to 25600 ISO for incredible low light performance.\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera 4K is packed with features such as a MFT lens mount, large 5 inch touchscreen monitor, 10-bit ProRes and 12-bit RAW recording, 3D LUTs, 4 built in microphones, mini XLR audio input with phantom power, Bluetooth wireless camera control, HDMI on set monitoring output and more. The latest Blackmagic Design color science lets customers shoot images that are far better than DSLR cameras and even better than professional digital film cameras costing tens of thousands more.\u003c\/p\u003e\n\u003cp\u003eDesigned using a space age carbon fiber polycarbonate composite, the body of the Blackmagic Pocket Cinema Camera 4K is extremely strong and light. The carbon composite material consists of a high strength polymer that’s reinforced with carbon fibers. This gives the camera body incredible strength and rigidity to help protect it from accidental knocks and drops which can often result in damage. The handheld design features a multi function grip which has logically placed buttons and dials that allow super fast access to essential shooting functions such as recording start\/stop, still photos, ISO, shutter, aperture, white balance, power and more.\u003c\/p\u003e\n\u003cp\u003eFourth generation Blackmagic Design color science lets customers shoot HDR images in film, video and new extended video modes. The new extended mode combines the latitude of digital film with an optimized video file. This gives customers working on fast turnaround projects an ideal solution for shooting great looking images that don’t need a lot of color correction or post production work.\u003c\/p\u003e\n\u003cp\u003eImages can be recorded onto standard SD cards, faster UHS-II cards or CFast 2.0 cards in either ProRes or RAW formats. The Blackmagic Pocket Cinema Camera 4K can record 4K images at up to 60 frames per second and windowed HD at up to 120 frames per second. It’s also the first camera that lets customers record directly onto the same exact external USB-C media drives they use for editing and color correction. That means customers can turn projects around much more quickly because they don’t have to transfer files. All they need to do is unplug the USB-C drive and then connect it to their computer to start editing.\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera 4K uses the same MFT (Micro Four Thirds) lens mount as the original Pocket Cinema Camera so customers can use the investment in lenses they already own. The MFT mount is extremely flexible and allows for different lens adapters so customers can also use PL, C, EF and other types of lenses from manufacturers such as Canon, Nikon, Pentax, Leica and even Panavision.\u003c\/p\u003e\n\u003cp\u003eThe rear of the camera features a large bright 5 inch touchscreen that makes it easy to frame shots and accurately focus. It also uses the same Blackmagic OS as URSA Mini so customers can use simple tap and swipe gestures to adjust settings, add metadata and view recording status. On screen overlays make it easy to see recording parameters, status, histogram, focus and peaking indicators, and playback controls. In addition, 3D LUTs can be applied for both monitoring and recording.\u003c\/p\u003e\n\u003cp\u003eFor audio, the Blackmagic Pocket Cinema Camera 4K features multiple built in microphones with an extremely low noise floor, a mini XLR input with 48 volts of phantom power to connect professional lapel and boom mics, and a 3.5mm stereo audio jack for connecting different types of video camera microphones. The high quality built in audio recording means customers don’t have to carry around a separate recorder.\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera 4K also includes a full size HDMI connector which can output HDR video as well as a clean 10-bit video feed with optional on screen overlays. There’s also an innovative high speed USB-C Expansion Port for adding external accessories such as flash drives and an SSD for external recording. The camera uses standard LP-E6 batteries and can be charged via USB-C or the locking DC power connector, which protects the camera from being accidentally unplugged during a shoot.\u003c\/p\u003e\n\u003cp\u003e“Customers love the original Blackmagic Pocket Cinema Camera and have been asking us for a 4K version,” said Grant Petty, Blackmagic Design CEO. “We’ve listened and built a camera that combines all of our newest ideas and customer feedback from the previous model! The Blackmagic Pocket Cinema Camera 4K is exciting because it packs so much technology into an incredibly small design. We feel it will go well beyond what customers expected. It’s perfect for anyone that needs a truly professional ultra compact digital film camera. This is not a consumer camera that's trying to do high end work, it’s a true high end camera designed for high end work.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic Pocket Cinema Camera 4K Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFull size 4\/3 sized sensor with native 4096 x 2160 resolution sized sensor.\u003c\/li\u003e\n\u003cli\u003eCompatible with extremely high quality Micro Four Thirds lenses.\u003c\/li\u003e\n\u003cli\u003eSuper wide 13 stops of dynamic range allows capture for high end feature film look.\u003c\/li\u003e\n\u003cli\u003eUp to 25600 ISO for incredible low light performance.\u003c\/li\u003e\n\u003cli\u003eCarbon fiber polycarbonate composite body which makes it lightweight, portable and durable.\u003c\/li\u003e\n\u003cli\u003eMulti function grip for quick access to recording start\/stop, still photos, ISO, shutter, aperture, white balance, power and more.\u003c\/li\u003e\n\u003cli\u003eBuilt in SD, UHS-II and CFast card recorders.\u003c\/li\u003e\n\u003cli\u003eUSB-C expansion port allows longer duration recording directly to an external SSD or flash disk.\u003c\/li\u003e\n\u003cli\u003eStandard open file formats compatible with popular NLE software such as 10-bit ProRes and 12 bit RAW.\u003c\/li\u003e\n\u003cli\u003eFeatures full size HDMI output for monitoring with camera status graphic overlay.\u003c\/li\u003e\n\u003cli\u003eProfessional mini XLR input with 48 volts of phantom power for connecting to pro microphones.\u003c\/li\u003e\n\u003cli\u003e3.5mm audio jack, headphone jack, and locking DC 12 volt power connection.\u003c\/li\u003e\n\u003cli\u003eBuilt in 5” LCD touchscreen allows accurate focus when shooting 4K.\u003c\/li\u003e\n\u003cli\u003eLCD supports on screen overlays including status, histogram, focus peaking, and transport controls.\u003c\/li\u003e\n\u003cli\u003eRecords 4K images at up to 60 frames per second and windowed HD at up to 120 frames per second.\u003c\/li\u003e\n\u003cli\u003e3D LUTs can be applied for both monitoring and recording.\u003c\/li\u003e\n\u003cli\u003eBlackmagic OS as used in URSA Mini and URSA Broadcast cameras.\u003c\/li\u003e\n\u003cli\u003e4th generation Blackmagic color science.\u003c\/li\u003e\n\u003cli\u003eSupports remote camera control via Bluetooth.\u003c\/li\u003e\n\u003cli\u003eIncludes full license for DaVinci Resolve Studio editing, color, visual effects and audio post production.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePart Number:\u003c\/strong\u003e BMD-CINECAMPOCHDMFT4K\u003cbr\u003e\u003c\/p\u003e","brand":"Black Magic","offers":[{"title":"Default Title","offer_id":35115146641562,"sku":"BMD-CINECAMPOCHDMFT4K","price":1095.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/pktcincam4k__57122.jpg?v=1601999223"},{"product_id":"marantz-pro-avs","title":"Marantz Pro AVS - Audio-Video Streamer","description":"\u003ch2\u003eMarantz Pro AVS - Audio-Video Streamer\u003c\/h2\u003e\n\u003cp\u003eThe Marantz AVS is an all-in-one broadcast system that offers the live streamer professional components in a compact, free-standing array.\u003c\/p\u003e\n\u003cp\u003eThe AVS features a full HD webcam compatible with H.264 video compression, a high-quality 48kHz\/16-bit USB condenser boundary microphone conveniently integrated into the base of the unit, and an LED light ring, daylight-balanced, with both cool and warm filter accessories for the look of a studio production. The Marantz AVS is a unique, all-in-one broadcast tool that is designed for live-streaming, video calling and gaming applications. It is compact and simple, perfect on a desktop, and the lightweight design makes it portable enough to take on location.\u003c\/p\u003e\n\u003cp\u003eTo make the system truly self-contained and capable of handling any streaming\/podcast task without the need for additional equipment, the AVS has a high-speed USB-C computer output for low latency and an internal USB hub. There is even an onboard headphone amplifier so audio monitoring is simple. Everything the demanding streaming\/broadcasting enthusiast needs is right here, in one convenient, high-performance package.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/MUz2_WvgYFE\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Marantz Professional","offers":[{"title":"Default Title","offer_id":35115205656730,"sku":"AVS","price":219.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/AVS_Angle-Left_web__80717.jpg?v=1602000957"},{"product_id":"marantz-pro-turret","title":"Marantz Pro Turret - Broadcast Video Streaming System","description":"\u003ch2\u003eMarantz Pro Turret - Broadcast Video Streaming System\u003c\/h2\u003e\n\u003cp\u003eThe Turret delivers a unique, easy-to-use solution for users who need for a complete high-performance equipment system for streaming and podcasting. The Turret has a full HD webcam with built-in H.264 video compression, a high-quality 48kHz\/16-bit USB condenser microphone with pop filter and an LED light ring, daylight-balanced, with both cool and warm filter accessories.\u003c\/p\u003e\n\u003cp\u003eThe Marantz Professional Turret is a unique, all-in-one broadcast tool that gives any podcaster, gamer or live internet streamer high-quality components with a multitude of configurations for creating a professional presentation. It’s compact and simple, perfect on a desktop and portable enough to take on location.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5JkixzSIk9M\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003eFeatures :\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cdiv class=\"features-copy-container text-center\"\u003e\n\u003cul id=\"feats\"\u003e\n\u003cli style=\"text-align: left;\"\u003eAll-in-one, freestanding broadcasting system\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eFull HD webcam with H.264 video compression\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eHigh-quality USB condenser microphone (48kHz\/16-bit) with pop filter\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eDimmable LED light ring \/ daylight-balanced with cool, warm and diffusion filter accessories\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eUSB-C output to computer for high-speed, low-latency\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eInternal USB hub\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eHeadphone amplifier\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Marantz Professional","offers":[{"title":"Default Title","offer_id":35115205722266,"sku":"Turret","price":319.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/Turret_1_Web_award8__81106.jpg?v=1602000958"},{"product_id":"marantz-pro-pod-pack-1","title":"Marantz Pro Pod Pack 1 - USB Microphone with Broadcast Stand and Cable","description":"\u003ch2\u003e\u003cspan\u003eMarantz Pro Pod Pack 1 - USB Microphone with Broadcast Stand and Cable\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe Pod Pack 1 is a professional upgrade to any announce studio.  The kit consists of a high-quality USB condenser microphone paired with a fully-adjustable suspension boom arm, keeping the desk clear and the microphone always in position for podcasting, on-air or voice-over applications. Assembly is a snap and the articulating boom clamps securely to nearly any desk or table surface.\u003c\/span\u003e\u003c\/p\u003e","brand":"Marantz Professional","offers":[{"title":"Default Title","offer_id":35115205787802,"sku":"Pod Pack 1","price":59.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/PodPack1_hero_web__77455.jpg?v=1602000958"},{"product_id":"sony-pxw-fx9v","title":"Sony PXW-FX9V","description":"\u003cdiv data-selenium=\"overviewLongDescription\"\u003e \u003cdiv class=\"js-injected-html\"\u003e \u003cp\u003eWhether you're shooting documentaries, events, reality TV, education, or corporate productions, the \u003cspan\u003ePXW-FX9 XDCAM 6K Full-Frame Camera System\u003c\/span\u003e from \u003cspan\u003eSony\u003c\/span\u003e has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses.\u003c\/p\u003e \u003cp\u003eThe PXW-FX9 input and output features include 12G-SDI and HDMI outputs for 4K, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9's internal gyroscope for shots so smooth it'll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.\u003c\/p\u003e \u003cp\u003eThe camera features a 15-stop dynamic range and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. And with a future firmware update, it will be able to record HD at up to 180 fps and output 16-bit raw 4K\/2K footage up to 120 fps. In addition to its wide dynamic range, its enhanced color and light features include a dual base ISO of 800\/4000, which is helpful when in low-light situations or using a slower lens. Its 7-stop electronic variable ND filter can perform in auto or manual mode, smoothly adjusting from 1\/4 to 1\/128 density. The camera's default S-Cinetone color look offers the same soft, vivid tone as with Sony's VENICE camera.\u003c\/p\u003e \u003cp\u003eThe FX9 includes an integrated Multi-Interface (MI) shoe and comes with a BP-U35 battery, BC-U1A battery charger, AC adapter with two power cords, body cap, viewfinder, eyepiece, remote control, and USB cable. The PXW-FX9 is also compatible with the separately available XDCA-FX9 extension unit which provides ENG shoulder-style support, networking features, and a slot for an optional wireless audio receiver.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"SONY","offers":[{"title":"Default Title","offer_id":35115249041562,"sku":"PXW-FX9V","price":10850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/products\/1568344897_1506002_front__55600.jpg?v=1602001699"},{"product_id":"movmax-blade-arm","title":"Movmax Blade Arm","description":"\u003ciframe src=\"https:\/\/youtube.com\/embed\/OfBXFu7WsNQ\" width=\"560\" height=\"315\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cdiv class=\"data item title active\" aria-labeledby=\"tab-label-description-title\" data-role=\"collapsible\" id=\"tab-label-description\" role=\"tab\" data-collapsible=\"true\" aria-controls=\"description\" aria-selected=\"false\" aria-expanded=\"true\" tabindex=\"0\"\u003e\u003ca class=\"data switch\" data-toggle=\"switch\" href=\"https:\/\/1sourcevideo.com\/shop\/movmax-blade-arm.html#description\" id=\"tab-label-description-title\" tabindex=\"-1\"\u003eDETAILS\u003c\/a\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"data item content first\" id=\"description\" data-role=\"content\" aria-labelledby=\"tab-label-description\" role=\"tabpanel\" aria-hidden=\"false\"\u003e\n\u003ch3\u003eMovmax Blade Arm\u003c\/h3\u003e\n\u003cp\u003eFilm dynamic vehicle-mounted shots with your compact action camera using the MOVMAX Blade Arm. This vibration reducing arm is designed to support your DJI Pocket 3 or similar compact camera thanks to its 5.3 to 17.6 oz load capacity. A suction cup secures the arm to your vehicle while a 1\/4\" screw connector secures your camera of choice. Counterweight blocks are included for improved performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3 to 17.6 oz Load Capacity\u003c\/li\u003e\n\u003cli\u003eVibration Reducing Arm\u003c\/li\u003e\n\u003cli\u003eSuction Cup\u003c\/li\u003e\n\u003cli\u003e1\/4\"-20 Screw, Counterweights\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"movmax","offers":[{"title":"Default Title","offer_id":45062793560311,"sku":"","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/movmax-81-0059.jpg?v=1719762336"},{"product_id":"blackmagic-design-bmd-cineursamwc6kg2-ursa-broadcast-g2","title":"Blackmagic Design BMD-CINEURSAMWC6KG2 URSA Broadcast G2","description":"\u003ch3\u003eBlackmagic Design BMD-CINEURSAMWC6KG2 URSA Broadcast G2\u003c\/h3\u003e\n\u003cp class=\"\"\u003eThe new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The  3  cameras in 1  design allows it to work as a  4K production camera, a  4K studio camera or a  6K digital film camera! You  can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You  can even change the lens mount! No  other broadcast camera is so  flexible!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cb\u003eThree Cameras in One!\u003c\/b\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cb\u003eBroadcast  Production Camera:\u003c\/b\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. It  also features a  low light sensor so you get amazing images using natural light. That's the perfect combination for broadcast news and  programming.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cb\u003eLive Studio Camera:\u003c\/b\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eURSA Broadcast includes an advanced YRGB color corrector built in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens! Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripod  handles.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cb\u003eDigital Cinema Camera:\u003c\/b\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eURSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount! Use  a  PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance and Blackmagic RAW means you get a  true \"\"Hollywood\"\" quality digital film  camera.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eGet Digital Film  Quality for  Broadcast  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe large 6K sensor combined with Blackmagic generation 5  color science gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in broadcast! The  6K sensor features a  resolution of 6144 x  3456 so it's flexible enough for broadcast and digital film work. When using B4 lenses, you get a  4K window of the sensor for Ultra  HD broadcast use. Then if you change to a  PL or EF lens mount, you can use the full 6K resolution of the sensor for digital film! With 13 stops of dynamic range, you get darker blacks and brighter whites, so it's perfect for color correction. Using digital film in broadcast is a  revolution in image  quality!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eExceptional  Low Light  Performance\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe new URSA Broadcast features incredible low light performance so you can shoot using ambient light or even under moonlight! In  advanced cameras, ISO is a  measurement of the image sensor’s sensitivity to light. The  Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The  primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The  gain can be set via a  camera switch, the LCD menu or remotely using the SDI remote camera control  protocol.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eCompatible with  B4 Broadcast  Lenses\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe URSA Broadcast G2 features a  B4 broadcast lens mount that includes optics specifically designed to match the camera’s sensor. The  B4 lens mount lets you use modern Ultra  HD lenses or lower cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at low cost! B4  lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don't need to constantly chase focus as you shoot. That lets you work much faster! You  also get full electronic lens control to adjust focus, iris and zoom using the camera’s controls, or remotely! Plus if you want to use alternative lenses, you can change the mount to PL, EF and  more!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBuilt In Optical ND  Filters\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eURSA Broadcast G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The   ¼, 1\/16th and 1\/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast G2, providing you with additional latitude and better colorimetry. This lets you use different combinations of aperture and shutter angle, in a  wider range of situations. The  IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus the filter status on the LCD can be displayed as a  fraction, number, or stop  reduction!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eUse Common Media and File  Formats!\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eURSA Broadcast is designed to work with standard file formats that are used by all broadcast systems and editing software. You  can record in ProRes 422 HQ and ProRes 422 into QuickTime files. The  new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality. Plus you can record to Blackmagic RAW files, a  revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types of  workflows.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDual Media Slots  for Non‑Stop Recording\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eWith dual CFast 2.0 recorders and dual SD\/UHS-II card recorders, you can choose the media that's best for you! Both types of media are standard, inexpensive and readily available at computer and camera stores. Plus with dual media slots, URSA Broadcast gives you non stop recording! When a  card is full, recording automatically continues onto the next card so you can swap a  full card while recording continues. You  get enough speed to record high quality ProRes and H.265 video file formats, even when working in Ultra  HD at high frame rates. That means URSA Broadcast G2 is easy to integrate into your existing broadcast systems. You  can even record 12-bit Blackmagic RAW cinema  files!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eUSB-C for Recording  Direct to External Media Disks\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Blackmagic URSA Broadcast G2 features a  high speed USB-C expansion port on the rear of the camera that allows you to record to external disks or connect to a  wide range of accessories. If  you plug in a  large and low cost external USB flash disk, you can record ProRes, H.265 or even high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a  computer to work, and you don't need to waste time with file copying. Plus the USB port will power the disk that’s plugged in! You  can even plug in optional focus and zoom demands to allow full lens  control.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eStrong and Lightweight Magnesium Design\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eURSA Broadcast G2 features a  super strong, lightweight magnesium alloy body that’s perfectly balanced and designed to be comfortable to use all day! It  features familiar externally mounted switches and controls that give you direct access to the most important camera settings. The  controls are laid out logically, making them easy to locate by feel, so you can adjust settings without having to look at the buttons. You  also get a  foldout touchscreen for monitoring, viewing camera status and changing settings using on screen menus. URSA Broadcast G2 also includes standard 12G-SDI connections, XLR audio inputs, USB-C and an industry standard 4  pin XLR broadcast 12V DC  connection!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBuilt in LCD with Touch  Controls\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eWith a  built in LCD that folds out, you can both monitor and control the camera. While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on screen status and touch screen controls. The  built in touchscreen also includes a  heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets. Plus behind the LCD there are extra buttons, as well as knobs for audio levels. There's even programmable function buttons that can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the on screen  menus.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eExternal Status Display\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe status display is a  high visibility LCD screen that’s designed to be easily seen, even in bright light! The  status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, gain and iris. It  also features a  battery indicator, card recording status and audio meters for monitoring levels. The  screen’s backlight can be turned on when you are shooting in dimly lit locations, and off when you are shooting outdoors and in bright light to increase contrast, making it easy to read under any  condition!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eProgram Video Monitoring\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eIf you're doing live production, sometimes you need to monitor program video back from the switcher. Simply press the camera’s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. A  built in speaker also lets you monitor the switcher audio as well. Program return is a  fantastic feature as sometimes on large live shows, camera operators can be left waiting a  long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a  large distance away from the switcher, they can still keep up with what is happening and remain  alert.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLoad Custom 3D  LUTs to Recreate Film  Looks!\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eDigital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production. However, when these files are viewed on a  monitor they can look flat and  washed out. 3D  LUTs solve this problem as they allow you to apply a  \"\"look\"\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The  URSA Broadcast G2 works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and  more.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eStandard Television Industry Connections\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eBlackmagic URSA Broadcast G2 features the latest technology and connections such as 12G-SDI. This includes 12G-SDI connections for both video output and return program feed input. The  12G-SDI connections are multi rate and switch between all HD and Ultra  HD formats up to 2160p60. Other connections include a  headphone connection, USB-C, balanced XLR audio with phantom power, and timecode\/reference input. There's also a  front mounted 12 pin Hirose connector for broadcast lens control which can also power the lens. Plus for connecting a  viewfinder or on set monitor there's even an HD-SDI monitoring output and a  broadcast style 4  pin XLR 12V DC power  output!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eSupports All  Broadcast Frame  Rates\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eWhether you’re shooting a  sporting event or a  breaking news story, Blackmagic URSA Broadcast G2 can shoot super smooth, crystal clear slow motion video. To  shoot slow motion video, URSA Broadcast supports the higher broadcast frame rates of 60 frames per second, but it can also record this high frame rate into a  lower frame rate file, for smooth slow motion shooting. You  can set up your preferred high speed frame rate using the camera’s on screen menus, then switch between standard sync speed and off speed frame rates using the HFR button on the side of the camera. That means you can have a  higher frame rate setup and ready to go, so its instantly available when the action gets  exciting!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eProfessional Audio Connections and Built  In Microphones\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eURSA Broadcast G2 has a  high quality microphone and professional audio recorder built in so you don’t have to carry any extra sound equipment! That means you can use the built in stereo microphone or you can connect external microphones. The  XLR connections have 48V phantom power so you can plug in everything from shotgun to wireless clip on mics. You  can also select to link audio inputs on the camera so you can plug in lapel microphones that often only have a  single mono connection, if you want to record the mic onto both channels of the recorded file. URSA Broadcast G2 also features knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder  mounted.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eGet Studio Camera  Control via  SDI\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eAll Blackmagic Design ATEM switchers can control cameras via a  protocol embedded into the URSA Broadcast G2's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher’s SDI program output to the camera via the SDI program input. The  switcher can perform color correction, tally and lens control and these are sent to all cameras. All  you need to do is select the correct camera number and it all works. This means someone can manage the image color and gain so the camera operator is not distracted trying to adjust their camera, and they are then free to focus on framing the  shots.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eWork in Both  HD or Ultra  HD\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Blackmagic URSA Broadcast  G2 is not just a great Ultra  HD camera, but it’s also an amazing HD  camera too! The high resolution sensor and generation  5 color science creates amazing images with high dynamic range and wide color fidelity. But when you need to do HD work, the camera will scale the image sensor down to 1080HD video standards. This  helps you get stories on air fast, in  HD or Ultra  HD video standards, anywhere in the world! Plus when working in HD, the high resolution sensor allows sub pixel image processing for superior anti-aliasing and sharp images. Blackmagic URSA Broadcast  G2 is a future proof camera that's perfect for both HD and Ultra  HD  production!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eChange to PL, EF  and F  Lens  Mounts!\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eURSA Broadcast G2 features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL or even F  mount. URSA Broadcast G2 comes with a  B4 mount already installed, plus a  spare EF mount is included. That means if you’re starting out you can change the mount and use low cost photographic lenses. Photographic lenses are incredible quality because they're designed for high resolution photography. You  can also purchase optional PL and F  mounts separately. If  you're shooting for digital film, the PL mount is best as it's the most common lens mount for cinema lenses. With URSA Broadcast G2, you get a  single camera that works with virtually all modern  lenses!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLatest Generation 5  Color  Science\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e Featuring the same generation 5  color science as the high end URSA Mini Pro 12K, the new URSA Broadcast G2 delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You  get a  new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The  color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a  natural, film like response to color adjustments in post with DaVinci Resolve  Studio.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eIncredible  Blackmagic RAW  Quality\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eBlackmagic RAW is a  revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Common video files have a  lot of video processing, so you can lose some of the original sensor detail. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest  performance!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePowered by Blackmagic  OS\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eWith the advanced Blackmagic  OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic  OS is a  true modern operating system where all camera features run independently for smoother control, plus URSA Broadcast G2 powers on virtually instantly. It  features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The  interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You  also get full control over advanced camera features such as on screen focus and exposure tools, 3D  LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and  more!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBuilt in Timecode Generator\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eAll models of Blackmagic URSA Broadcast G2 have a  built in time of day timecode generator, so you can sync all the cameras and then do multi-cam editing later because all the recordings will have the same timecode. Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now  each camera can start and stop recording and the shots from all cameras will have matched timecode. Imagine shooting a  music festival with multiple cameras! Then the DaVinci Resolve sync bin can be used to automatically sync the recordings and display them in a  multiview for easy editing.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eFocus and Zoom  Demands\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe optional zoom and focus demands allow you to use photography lenses for live production! The  focus and zoom demands have USB-C connections so they control the lens via the camera’s electronic lens control. Each zoom and focus demand has 2  USB-C ports, so you can daisy chain them then connect to the camera with a  single USB connection. The  design has an incredibly precise feel so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. The  buttons can be customized so you can assign different camera functions to them! Plus, hardware is included for mounting the focus and zoom demands onto tripod  handles.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAdd Viewfinders, SMPTE Fiber and Lens  Mounts\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThere's a  wide range of accessories that are specifically designed to work perfectly with URSA Broadcast G2. However, a  shoulder mount kit, V-Lock battery plate and top handle are included so you don't need to purchase anything extra! Plus you get a  spare EF lens mount if you don't own a  B4 lens and would like to start out using a  photography lens. You  can add the optional Blackmagic URSA Viewfinder, or for live production you can add a  Blackmagic URSA Studio Viewfinder! There's also an optional fiber converter that can power the camera from 2  km away via the single SMPTE fiber! For  long duration recording, URSA Mini Recorder gives you the option to record to external  SSDs!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eRecord to SSDs and U.2  Media\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe optional Blackmagic URSA Mini Recorder lets you record files onto large 2.5 inch SSDs, as well as the latest U.2 NVMe Enterprise SSDs! SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB\/s! This blazing fast performance allows you longer recording times for full resolution 4K and 6K 12-bit Blackmagic RAW files in the highest quality Q0 encoding. The  unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Broadcast G2 between the camera and the battery. It’s controlled via the USB-C so you don’t have to worry about manually starting or stopping the SSD recorder.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLocalized in 13 Popular  Languages\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eAll Blackmagic Design cameras are designed to be used worldwide so they support 13 popular languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Russian, Polish, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language simply by going into the menu settings. When switching between languages, all the on screen overlays, heads up display, and setup menus will be displayed in the selected language and you can change languages any time you  like!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote  Control\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eIf you're positioning the camera on the end of a  boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You  can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a  free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The  possibilities are  endless!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eCompatible with Industry Standard Batteries\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eAll URSA cameras support a  wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. A  V-Lock battery plate is installed on the camera, or you can change to an optional Blackmagic URSA Gold Battery Plate. All  Blackmagic battery plates are designed to mount directly onto the camera. URSA Broadcast G2 includes a  4-pin XLR power connector that supports 12V to 18V for connecting external power supplies and battery packs. The  standard power connector also means you can use the camera with your existing power supplies and batteries. For  live production, the optional fiber converter can power the camera from up to 2  km away via a  single SMPTE fiber  cable!  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eIncludes DaVinci Resolve  Studio. Get Professional Editing, Color Correction, Audio Post and  VFX!\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp class=\"\"\u003eURSA Broadcast G2 includes a  full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In  addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a  single software application! Now  you can use the the same high end software that professional editors and colorists  use!\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49108497662199,"sku":"BMD-CINEURSAMWC6KG2","price":4615.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_1_2666dad9-2421-42fd-a961-e8f6510c310f.png?v=1727336418"},{"product_id":"blackmagic-design-bmd-cineursanwfrstud-studio-fiber-converter","title":"Blackmagic Design BMD-CINEURSANWFRSTUD Studio Fiber Converter","description":"\u003ch3\u003eBlackmagic Design BMD-CINEURSANWFRSTUD Studio Fiber Converter\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe Blackmagic Studio Fiber Converter is used at the other end of your broadcast camera chain back in the studio or outside broadcast truck. It converts signals from the remote camera back into standard television industry connections that can be used with your live production switchers, audio mixers and talkback interfaces. It features a high capacity power supply to drive the cable so it can provide enough power for your camera and any accessories that you might add. The studio fiber converter includes connections for tally, two dual channel intercoms for industry standard 3rd party talkback systems, and even a backup engineering talkback channel in case the fiber goes down. You get a main Ultra HD camera feed plus 3 independent HD return feeds with full remote camera control, PTZ, tracker talkback and ethernet, all through a single SMPTE fiber cable. Plus, there is a large 5 inch LCD screen right next to the SMPTE fiber connection on the front panel for monitoring signals from the remote camera. This allows for easy patching and verification of the remote camera function!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExtend and fully power cameras up to 2 kmaway using an open standard SMPTE fiber cable!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet cameras much closer to the action!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in multi layer fail safe instantlycuts power to eliminate danger\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransform broadcast camerasinto dedicated studio cameras!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuper fast, low latency ethernetlink for video, audio and control!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo dual channel talkbackintercoms with backup!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDurable metal design,\u003cspan class=\"br-md br-lg\"\u003ehigh end components\u003cspan class=\"br-lg\"\u003eand\u003cspan class=\"br-md\"\u003e professional connections\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"br-md br-lg\"\u003e\u003cspan class=\"br-lg\"\u003e\u003cspan class=\"br-md\"\u003eThe Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24\/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed!\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"br-md br-lg\"\u003e\u003cspan class=\"br-lg\"\u003e\u003cspan class=\"br-md\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49112497160439,"sku":"BMD-CINEURSANWFRSTUD","price":3659.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_5_080fcb00-ec19-416d-9fb7-df1bed65c7ef.png?v=1727534697"},{"product_id":"blackmagic-design-bmd-cineursanwfrcam-camera-fiber-converter","title":"Blackmagic Design BMD-CINEURSANWFRCAM Camera Fiber Converter","description":"\u003ch3\u003eBlackmagic Design BMD-CINEURSANWFRCAM Camera Fiber Converter\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe Blackmagic Camera Fiber Converter attaches to the back of your URSA Mini or URSA Broadcast camera. In addition to converting all of the audio, video, camera control and talkback into fiber, it also adds professional studio camera controls to the back of your camera. You get control for return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more. The camera converter also includes a VLock mount plate on the top for attaching accessories such as a professional Blackmagic Studio Viewfinder. The Blackmagic Camera Fiber Converter has connections for your Ultra HD camera feed, 3 HD return feeds, full remote camera control, PTZ, multiple channels of talkback, tally and more!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExtend and fully power cameras up to 2 kmaway using an open standard SMPTE fiber cable!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet cameras much closer to the action!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in multi layer fail safe instantlycuts power to eliminate danger\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransform broadcast camerasinto dedicated studio cameras!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuper fast, low latency ethernetlink for video, audio and control!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo dual channel talkbackintercoms with backup!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDurable metal design,\u003cspan class=\"br-md br-lg\"\u003ehigh end components\u003cspan class=\"br-lg\"\u003eand\u003cspan class=\"br-md\"\u003e professional connections\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"br-md br-lg\"\u003e\u003cspan class=\"br-lg\"\u003e\u003cspan class=\"br-md\"\u003eThe Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24\/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed!\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"br-md br-lg\"\u003e\u003cspan class=\"br-lg\"\u003e\u003cspan class=\"br-md\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49112502599927,"sku":"BMD-CINEURSANWFRCAM","price":3575.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_2_065e049d-8718-41ab-ae83-9de4a34af046.png?v=1727535040"},{"product_id":"blackmagic-design-bmd-cinecamcpyxh60lfpl-pyxis-6k-pl-mount","title":"Blackmagic Design BMD-CINECAMCPYXH60LFPL PYXIS 6K (PL Mount)","description":"\u003ch3\u003eBlackmagic Design BMD-CINECAMCPYXH60LFPL PYXIS 6K (PL Mount)\u003c\/h3\u003e\n\u003cp\u003eBlackmagic Design™s PYXIS 6K is an advanced digital film camera with an incredibly versatile design that lets you build the perfect camera rig for your production. This new model features a 6048 x 4032 full frame HDR sensor with built in optical low pass filter, dual native ISO, dual CFexpress media slots, all in a customizable body with flexible mounting options and side plates. The PYXIS 6K is available in three different models with fixed L-Mount, PL or locking EF lens mounts!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCamera Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEffective Sensor Size\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e36mm x 24mm (Full Frame)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePL Mount\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIris and focus on supported lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13 Stops.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Native ISO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e400 and 3200\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShooting Resolutions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6048 x 4032 (Open Gate 3:2) up to 36 fps\u003cbr\u003e4832 x 4032 (Anamorphic 6:5) up to 36 fps\u003cbr\u003e6048 x 3200 (6K DCI 17:9) up to 48 fps\u003cbr\u003e6048 x 2520 (6K 2.4:1) up to 60 fps\u003cbr\u003e4096 x 3072 (Super 35 4:3) up to 50 fps\u003cbr\u003e4096 x 2160 (4K DCI 17:9) up to 60 fps\u003cbr\u003e2112 x 1184 (Super 16 16:9) up to 100 fps\u003cbr\u003e1920 x 1080 (1080 HD 16:9) up to 120 fps\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame Rates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMaximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.\u003c\/p\u003e\n\u003cp\u003eOff-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in 1080HD.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFocus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAuto focus available using compatible lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScreen Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4 1920 x 1080.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScreen Brightness\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1500 nits\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScreen Type\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLCD capacitive touchscreen.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMetadata Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAutomatically populated lens data from electronic PL-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTouchscreen menus on 4 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 1 x Focus Button, 1 x IRIS Button, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button, 1 x Playback Button, 1 x Next Clip Button, 1 x Previous Clip Button, 1 x Lock Switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTimecode Clock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHighly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Video Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNone\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Video Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x 12G-SDI up to 2160p60\u003c\/p\u003e\n\u003cp\u003e1 x Viewfinder USB-C with power,\u003cbr\u003edata, video and locking connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x mini XLR analog audio in, switchable between\u003cbr\u003emic with phantom power support and line level\u003cbr\u003e(up to +14dBu).\u003c\/p\u003e\n\u003cp\u003e1 x 3.5mm Stereo Input.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Audio Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x 3.5mm headphone jack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReference Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTri-Sync\/Black Burst and Timecode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComputer Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUSB Type-C for external drive recording,\u003cbr\u003ePTP camera control and software updates.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEthernet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x 1Gb\/s RJ‘45 connector supporting\u003c\/p\u003e\n\u003cp\u003e10\/100\/1000 BASE-T.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIntegrated stereo microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in Speaker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x mono speaker.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2 x CFexpress Type B card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and H.264 Proxy Recording.\u003c\/p\u003e\n\u003cp\u003e\u003ca faq=\"\" support=\"\" www.blackmagicdesign.com=\"\" https:=\"\"\u003ePlease click here for a summary of compatible media.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Format\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCan format media to ExFAT (Windows\/Mac)\u003c\/p\u003e\n\u003cp\u003eor HFS+ (Mac) file systems.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupported Codecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCodecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW Constant Bitrate 3:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 5:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 8:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 12:1,\u003cbr\u003eBlackmagic RAW Constant Quality Q0,\u003cbr\u003eBlackmagic RAW Constant Quality Q1,\u003cbr\u003eBlackmagic RAW Constant Quality Q3,\u003cbr\u003eBlackmagic RAW Constant Quality Q5,\u003cbr\u003eH.264 Proxy in 1920 x 1080, 8-bit 4:2:0\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExternal Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.\u003c\/p\u003e\n\u003cp\u003eiPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over Ethernet for external control via HTTP when used with REST client applications such as Postman.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Type\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x CFexpress Type B\u003c\/p\u003e\n\u003cp\u003e1 x high speed USB-C expansion port for external media.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecording Formats\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6048 x 4032, 4832 x 4032, 6048 x 3200, 6048 x 2520, 4096 x 3072, 4096 x 2160, 2112 x 1184 and 1920 x 1080 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.\u003c\/p\u003e\n\u003cp\u003eSupports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and H.264 Proxies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Rates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStorage rates based on 30 frames per second.\u003c\/p\u003e\n\u003cp\u003e6048 x 4032 (6K Open Gate 3:2)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 370 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 223 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 140 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 94 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 278 to 555 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 186 to 444 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 124 to 318 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 75 to 186 MB\/s\u003c\/p\u003e\n\u003cp\u003e4832 x 4032 (Anamorphic 6:5)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 297 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 179 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 112 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 75 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 223 to 445 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 149 to 356 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 100 to 255 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 60 to 149 MB\/s\u003c\/p\u003e\n\u003cp\u003e6048 x 3200 (6K DCI 17:9)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 295 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 177 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 111 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 75 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 221 to 441 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 148 to 353 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 99 to 253 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 60 to 148 MB\/s\u003c\/p\u003e\n\u003cp\u003e6048 x 2520 (6K 2.4:1)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 233 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 140 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 88 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 59 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 175 to 348 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 117 to 279 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 78 to 199 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 47 to 117 MB\/s\u003c\/p\u003e\n\u003cp\u003e4096 x 3072 (Super 35 4:3)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 192 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 116 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 73 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 49 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 145 to 288 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 97 to 231 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 65 to 165 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 39 to 97 MB\/s\u003c\/p\u003e\n\u003cp\u003e4096 x 2160 (4K DCI 17:9)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 136 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 82 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 52 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 35 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 102 to 203 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 69 to 163 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 46 to 117 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 28 to 69 MB\/s\u003c\/p\u003e\n\u003cp\u003e2112 x 1184 (Super 16 16:9)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 40 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 24 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 16 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 11 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 30 to 59 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 21 to 48 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 14 to 34 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 9 to 21 MB\/s\u003c\/p\u003e\n\u003cp\u003e1920 x 1080\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 33 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 20 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 13 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 9 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 25 to 49 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 17 to 40 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 12 to 29 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 8 to 17 MB\/s\u003c\/p\u003e\n\u003cp\u003eConstant Quality storage rates quoted are indicative only.\u003c\/p\u003e\n\u003cp\u003eActual storage rates are entirely dependent on image subject matter.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSoftware\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSoftware Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic OS\u003c\/p\u003e\n\u003cp\u003eDaVinci Resolve Studio for Mac and Windows including activation key\u003c\/p\u003e\n\u003cp\u003eBlackmagic Camera Setup\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW Player\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW QuickLook Plugin\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW SDK\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW Speed Test\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Systems\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMac 13.0 Ventura,\u003cbr\u003eMac 14.0 Sonoma or later.\u003c\/p\u003e\n\u003cp\u003eWindows 10 and 11.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x External 12V power supply.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExternal Power Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x 2‘pin locking connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBattery Type\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBP-U\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11-19.5V\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAccessories\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOptional Accessories\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic URSA Cine Handle\u003c\/p\u003e\n\u003cp\u003eBlackmagic URSA Cine EVF\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS Rosette Plate\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Temperature\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0°to 40°C (32° to 104°F)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Temperature\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e-20°to 45°C (-4° to 113°F)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelative Humidity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0% to 90% non-condensing\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS 6K\u003c\/p\u003e\n\u003cp\u003eLens turret dust cap\u003c\/p\u003e\n\u003cp\u003ePYXIS Standard Plate\u003c\/p\u003e\n\u003cp\u003ePYXIS SSD Plate\u003c\/p\u003e\n\u003cp\u003e60W power supply with locking connector and international adapters\u003c\/p\u003e\n\u003cp\u003eWelcome booklet\u003c\/p\u003e\n\u003cp\u003eDaVinci Resolve Studio activation key\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12 Month Limited Manufacturer™s Warranty.\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49112518033655,"sku":"BMD-CINECAMCPYXH60LFPL","price":3515.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_6_edd8f92c-24aa-4c49-89c0-bf631efa3252.png?v=1727536425"},{"product_id":"blackmagic-design-bmd-swpaneladv1me10-atem-1-m-e-advanced-panel-10","title":"Blackmagic Design BMD-SWPANELADV1ME10 ATEM 1 M\/E Advanced Panel 10","description":"\u003ch3\u003eBlackmagic Design BMD-SWPANELADV1ME10 ATEM 1 M\/E Advanced Panel 10\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eThe World's Most Advanced \u003cspan class=\"\"\u003eLive Production switchers!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"\"\u003eCreate stunning multi camera live production with the world™s most advanced production switchers! ATEM switches between SD, HD or Ultra HD video standards so you can form exciting live production with a wide range of video sources such as cameras, disk recorders and slide shows or animation from computers. You get powerful features such as chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view and more! The more advanced models include features such as up to 20 SDI inputs, SuperSource multi-layer engine, full motion DVE, stinger transitions, larger media pool with full motion clips and up to an incredible 6 auxiliary outputs!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCombine the elegance of modern \u003cspan class=\"\"\u003edesign with the power of broadcast production\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"\"\u003eThe ATEM 1 M\/E Advanced Panel is an elegantly designed professional hardware control panel for all \u003cspan class=\"\"\u003eATEM switchers.\u003c\/span\u003e It combines modern design with the \u003cspan class=\"\"\u003elatest broadcast\u003c\/span\u003e technology for faster workflows. \u003cspan class=\"\"\u003eThe new design\u003c\/span\u003e features a built in LCD and high quality curved buttons that help reduce incorrect key presses. \u003cspan class=\"\"\u003eThe buttons\u003c\/span\u003e also have color backlighting to help you quickly recognize important keys. You also get a professional joystick for DVE and camera adjustments, smooth weighted t‘bar fader and much more. The buttons feature dynamic displays that allow full customization of the labels as well as custom colors. The shift buttons allow you to double up the number of inputs by selecting a second set of shifted source buttons so you can control up to 20 inputs. The compact size and durable design of the ATEM 1 M\/E Advanced Panel fits in a standard equipment rack, making it perfect for shelf mounting in broadcast trucks, mobile racks and fly away kits.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCreative features with advanced technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTake your live production beyond broadcast quality! ATEM live production switchers have all the features you need for the most innovative live concerts, sporting events, theater productions, conferences and more! When you're doing live events with super large high resolution screens, then simply switch your ATEM live production switcher to Ultra HD for incredible quality. Many live events now use massive high resolution LED screens and projectors and now you can drive those screens in full resolution!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElegant machined metal \u003cspan class=\"\"\u003edesign in a super compact size!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"\"\u003eATEM live production switchers feature an elegant machined aluminum front panel with dedicated buttons to let you switch auxiliary outputs. You can use the built in video screen to monitor auxiliary outputs or as technical monitoring to help during set up! You get the highest quality video and audio connections that switch virtually all SD, 720p HD, 1080i HD, 1080p HD and Ultra HD formats, plus built in multi voltage power supplies so you can take your switcher anywhere in the world!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet innovative software \u003cspan class=\"\"\u003econtrol or choose a hardware panel\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"\"\u003eATEM live production switchers have the widest range of control options! You get full switcher control from any laptop or desktop computer with the included ATEM software control panel for both Mac and Windows. For demanding live production environments you can add a hardware based panel such as the ATEM 1 M\/E Advanced Panel or the ATEM 2 M\/E Broadcast Panel, which feature the highest quality buttons, knobs and faders for even faster switching! You also get an SDK for custom control. Only ATEM gives you such a wide range of control options!\u003c\/span\u003e\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49112529961207,"sku":"BMD-SWPANELADV1ME10","price":3379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_8.png?v=1727536690"},{"product_id":"blackmagic-design-bmd-swpanelccu4-atem-camera-control-panel","title":"Blackmagic Design BMD-SWPANELCCU4 ATEM Camera Control Panel","description":"\u003ch3\u003eBlackmagic Design BMD-SWPANELCCU4 ATEM Camera Control Panel\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eRemote control four cameras, \u003cspan class=\"nb-md\"\u003eall from a single control panel!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"nb-md\"\u003eThe ATEM Camera Control Panel is a compact remote camera control unit designed to control \u003cspan class=\"nb-md\"\u003eup to\u003c\/span\u003e four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. The control panel features traditional broadcast style controls and adjustments so a single person can monitor and adjust a wide range of technical parameters such as black levels, gain, color balance, shutter speed and more. This leaves your camera operators free to focus on the more creative aspects of live production such as framing and composition. Unlike traditional CCU controllers, which have to be installed into a desk, the ATEM Camera Control Panel has been designed to be portable so it can simply be placed on any desktop or bolted down so it can be mounted in a slide out rack shelf. The controls are arranged in a familiar and logical layout, making it perfect for both experienced and new operators. Plus, it works with all ATEM switcher models!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne person can \u003cspan class=\"nb-lg\"\u003econtrol 4 cameras!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003eWhen working on live multi camera programs, it™s important to make sure all of the cameras are properly balanced and set up correctly so that you get consistent video from every angle. The ATEM Camera Control Panel features 4 camera controllers \u003cspan class=\"nb-md\"\u003ein one\u003c\/span\u003e panel. Each camera controller includes a large LCD screen with soft buttons and knobs at the top of the panel, and a full set of professional controls below, on the main body of the panel.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp data-section-jump-id=\"3\"\u003e\u003cstrong\u003eScene and Camera Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe top section lets you save and recall scene presets so you can quickly adjust \u003cspan class=\"nb-md\"\u003ecameras based\u003c\/span\u003e on changes in the scene such as lighting. This section also includes controls for adjusting master gain, white balancing the camera and changing the camera™s shutter speed.\u003c\/p\u003e\n\u003cp data-section-jump-id=\"4\"\u003e\u003cstrong\u003eGain and Pedestal Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe center section features independent RGB controls for gain and pedestal, or white and black. This allows you to adjust the individual red, green and blue levels in your blacks and whites to compensate for unwanted color.\u003c\/p\u003e\n\u003cdiv class=\"content\" txt-center-xs=\"\"\u003e\n\u003cp\u003e\u003cem\u003eWhite\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIndependent RGB control for gain\/whites.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlack\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAdjust the RGB values for pedestal\/blacks.\u003c\/p\u003e\n\u003cp data-section-jump-id=\"5\"\u003e\u003cstrong\u003eLens and Iris Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe bottom section features an LED camera number that indicates preview and on air status, along with a high quality professional joystick that™s used to precisely adjust the iris and master black. It also features a call button for talkback with the operator, along with a panel lock button and indicators for the network, power and cable connection to the camera.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eWorks seamlessly with ATEM switchers!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Camera Control Panel connects directly to your ATEM live production switcher or \u003cspan class=\"nb-lg\"\u003eATEM hardware\u003c\/span\u003e control panel via Ethernet. In many setups, you may be using multiple ATEM products such as an ATEM 4 M\/E Broadcast Studio 4K switcher with an ATEM 1 M\/E Advanced Panel and the ATEM Camera Control Panel. Ethernet can simply be looped from one \u003cspan class=\"nb-lg\"\u003eATEM device to another.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWith traditional CCU controls, you can \u003cspan class=\"nb-md\"\u003ework much faster\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Camera Control is incredibly fast to use as it features traditional broadcast CCU controls so you get the benefit of years of broadcast experience. You can use the knob on the LCD to set the camera number, which turns red when a camera is on the air. The main joystick control can be moved vertically to adjust the camera iris while the knob can then be rotated to change the master black level. Pressing down on the knob will let you monitor the camera you™re currently controlling via the aux output of the switcher. Simply push the knobs to rapidly switch between cameras to ensure all your cameras match color. The ATEM Camera Control Panel is fast to set up so you can instantly start controlling the cameras that are connected to your switcher!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49112531861751,"sku":"BMD-SWPANELCCU4","price":3379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_1_13aebdc4-8f0b-495a-97ae-3e3069dfab1c.png?v=1727536900"},{"product_id":"blackmagic-design-bmd-cinecamcpyxa60lfl-pyxis-6k-l-mount","title":"Blackmagic Design BMD-CINECAMCPYXA60LFL PYXIS 6K (L-Mount)","description":"\u003ch3\u003eBlackmagic Design BMD-CINECAMCPYXA60LFL PYXIS 6K (L-Mount)\u003c\/h3\u003e\n\u003cp\u003eBlackmagic Design™s PYXIS 6K is an advanced digital film camera with an incredibly versatile design that lets you build the perfect camera rig for your production. This new model features a 6048 x 4032 full frame HDR sensor with built in optical low pass filter, dual native ISO, dual CFexpress media slots, all in a customizable body with flexible mounting options and side plates. The PYXIS 6K is available in three different models with fixed L-Mount, PL or locking EF lens mounts!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCamera Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEffective Sensor Size\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e36mm x 24mm (Full Frame)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eActive L-Mount.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIris and focus on supported lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13 Stops.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Native ISO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e400 and 3200\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShooting Resolutions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6048 x 4032 (Open Gate 3:2) up to 36 fps\u003cbr\u003e4832 x 4032 (Anamorphic 6:5) up to 36 fps\u003cbr\u003e6048 x 3200 (6K DCI 17:9) up to 48 fps\u003cbr\u003e6048 x 2520 (6K 2.4:1) up to 60 fps\u003cbr\u003e4096 x 3072 (Super 35 4:3) up to 50 fps\u003cbr\u003e4096 x 2160 (4K DCI 17:9) up to 60 fps\u003cbr\u003e2112 x 1184 (Super 16 16:9) up to 100 fps\u003cbr\u003e1920 x 1080 (1080 HD 16:9) up to 120 fps\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame Rates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMaximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.\u003c\/p\u003e\n\u003cp\u003eOff-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in 1080HD.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFocus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAuto focus available using compatible lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScreen Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4 1920 x 1080.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScreen Brightness\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1500 nits\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScreen Type\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLCD capacitive touchscreen.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMetadata Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAutomatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTouchscreen menus on 4 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 1 x Focus Button, 1 x IRIS Button, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button, 1 x Playback Button, 1 x Next Clip Button, 1 x Previous Clip Button, 1 x Lock Switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTimecode Clock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHighly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Video Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNone\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Video Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x 12G-SDI up to 2160p60\u003c\/p\u003e\n\u003cp\u003e1 x Viewfinder USB-C with power,\u003cbr\u003edata, video and locking connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x mini XLR analog audio in, switchable between\u003cbr\u003emic with phantom power support and line level\u003cbr\u003e(up to +14dBu).\u003c\/p\u003e\n\u003cp\u003e1 x 3.5mm Stereo Input.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Audio Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x 3.5mm headphone jack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReference Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTri-Sync\/Black Burst and Timecode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComputer Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUSB Type-C for external drive recording,\u003cbr\u003ePTP camera control and software updates.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEthernet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x 1Gb\/s RJ‘45 connector supporting\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e10\/100\/1000 BASE-T.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIntegrated stereo microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in Speaker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x mono speaker.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2 x CFexpress Type B card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and H.264 Proxy Recording.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.blackmagicdesign.com\/support\/faq\/59043\"\u003ePlease click here for a summary of compatible media.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Format\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCan format media to ExFAT (Windows\/Mac)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eor HFS+ (Mac) file systems.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupported Codecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCodecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW Constant Bitrate 3:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 5:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 8:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 12:1,\u003cbr\u003eBlackmagic RAW Constant Quality Q0,\u003cbr\u003eBlackmagic RAW Constant Quality Q1,\u003cbr\u003eBlackmagic RAW Constant Quality Q3,\u003cbr\u003eBlackmagic RAW Constant Quality Q5,\u003cbr\u003eH.264 Proxy in 1920 x 1080, 8-bit 4:2:0\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExternal Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.\u003c\/p\u003e\n\u003cp\u003eiPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over Ethernet for external control via HTTP when used with REST client applications such as Postman.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Type\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x CFexpress Type B\u003c\/p\u003e\n\u003cp\u003e1 x high speed USB-C expansion port for external media.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecording Formats\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6048 x 4032, 4832 x 4032, 6048 x 3200, 6048 x 2520, 4096 x 3072, 4096 x 2160, 2112 x 1184 and 1920 x 1080 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.\u003c\/p\u003e\n\u003cp\u003eSupports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and H.264 Proxies.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Rates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStorage rates based on 30 frames per second.\u003c\/p\u003e\n\u003cp\u003e6048 x 4032 (6K Open Gate 3:2)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 370 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 223 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 140 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 94 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 278 to 555 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 186 to 444 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 124 to 318 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 75 to 186 MB\/s\u003c\/p\u003e\n\u003cp\u003e4832 x 4032 (Anamorphic 6:5)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 297 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 179 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 112 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 75 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 223 to 445 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 149 to 356 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 100 to 255 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 60 to 149 MB\/s\u003c\/p\u003e\n\u003cp\u003e6048 x 3200 (6K DCI 17:9)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 295 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 177 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 111 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 75 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 221 to 441 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 148 to 353 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 99 to 253 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 60 to 148 MB\/s\u003c\/p\u003e\n\u003cp\u003e6048 x 2520 (6K 2.4:1)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 233 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 140 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 88 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 59 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 175 to 348 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 117 to 279 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 78 to 199 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 47 to 117 MB\/s\u003c\/p\u003e\n\u003cp\u003e4096 x 3072 (Super 35 4:3)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 192 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 116 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 73 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 49 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 145 to 288 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 97 to 231 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 65 to 165 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 39 to 97 MB\/s\u003c\/p\u003e\n\u003cp\u003e4096 x 2160 (4K DCI 17:9)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 136 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 82 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 52 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 35 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 102 to 203 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 69 to 163 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 46 to 117 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 28 to 69 MB\/s\u003c\/p\u003e\n\u003cp\u003e2112 x 1184 (Super 16 16:9)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 40 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 24 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 16 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 11 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 30 to 59 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 21 to 48 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 14 to 34 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 9 to 21 MB\/s\u003c\/p\u003e\n\u003cp\u003e1920 x 1080\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 33 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 20 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 13 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 9 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 25 to 49 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 17 to 40 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 12 to 29 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 8 to 17 MB\/s\u003c\/p\u003e\n\u003cp\u003eConstant Quality storage rates quoted are indicative only.\u003c\/p\u003e\n\u003cp\u003eActual storage rates are entirely dependent on image subject matter.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSoftware\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSoftware Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic OS\u003c\/p\u003e\n\u003cp\u003eDaVinci Resolve Studio for Mac and Windows including activation key\u003c\/p\u003e\n\u003cp\u003eBlackmagic Camera Setup\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW Player\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW QuickLook Plugin\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW SDK\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW Speed Test\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Systems\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMac 13.0 Ventura,\u003cbr\u003eMac 14.0 Sonoma or later.\u003c\/p\u003e\n\u003cp\u003eWindows 10 and 11.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x External 12V power supply.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExternal Power Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x 2‘pin locking connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBattery Type\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBP-U\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11-19.5V\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAccessories\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOptional Accessories\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic URSA Cine Handle\u003c\/p\u003e\n\u003cp\u003eBlackmagic URSA Cine EVF\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS Rosette Plate\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Temperature\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0°to 40°C (32° to 104°F)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Temperature\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e-20°to 45°C (-4° to 113°F)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelative Humidity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0% to 90% non-condensing\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS 6K\u003c\/p\u003e\n\u003cp\u003eLens turret dust cap\u003c\/p\u003e\n\u003cp\u003ePYXIS Standard Plate\u003c\/p\u003e\n\u003cp\u003ePYXIS SSD Plate\u003c\/p\u003e\n\u003cp\u003e60W power supply with locking connector and international adapters\u003c\/p\u003e\n\u003cp\u003eWelcome booklet\u003c\/p\u003e\n\u003cp\u003eDaVinci Resolve Studio activation key\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12 Month Limited Manufacturer™s Warranty.\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49112533500151,"sku":"BMD-CINECAMCPYXA60LFL","price":3295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_3_de67ae90-31e2-4cf3-be87-68f5e56ce2a8.png?v=1727542080"},{"product_id":"blackmagic-design-bmd-cinecamcpyxd60lfef-pyxis-6k-ef-mount","title":"Blackmagic Design BMD-CINECAMCPYXD60LFEF PYXIS 6K (EF Mount)","description":"\u003ch3\u003eBlackmagic Design BMD-CINECAMCPYXD60LFEF PYXIS 6K (EF Mount)\u003c\/h3\u003e\n\u003cp\u003eBlackmagic Design™s PYXIS 6K is an advanced digital film camera with an incredibly versatile design that lets you build the perfect camera rig for your production. This new model features a 6048 x 4032 full frame HDR sensor with built in optical low pass filter, dual native ISO, dual CFexpress media slots, all in a customizable body with flexible mounting options and side plates. The PYXIS 6K is available in three different models with fixed L-Mount, PL or locking EF lens mounts!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCamera Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEffective Sensor Size\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e36mm x 24mm (Full Frame)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEF Mount\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIris and focus on supported lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13 Stops.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Native ISO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e400 and 3200\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShooting Resolutions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6048 x 4032 (Open Gate 3:2) up to 36 fps\u003cbr\u003e4832 x 4032 (Anamorphic 6:5) up to 36 fps\u003cbr\u003e6048 x 3200 (6K DCI 17:9) up to 48 fps\u003cbr\u003e6048 x 2520 (6K 2.4:1) up to 60 fps\u003cbr\u003e4096 x 3072 (Super 35 4:3) up to 50 fps\u003cbr\u003e4096 x 2160 (4K DCI 17:9) up to 60 fps\u003cbr\u003e2112 x 1184 (Super 16 16:9) up to 100 fps\u003cbr\u003e1920 x 1080 (1080 HD 16:9) up to 120 fps\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame Rates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMaximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.\u003c\/p\u003e\n\u003cp\u003eOff-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in 1080HD.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFocus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAuto focus available using compatible lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScreen Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4 1920 x 1080.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScreen Brightness\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1500 nits\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScreen Type\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLCD capacitive touchscreen.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMetadata Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAutomatically populated lens data from electronic EF-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTouchscreen menus on 4 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 1 x Focus Button, 1 x IRIS Button, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button, 1 x Playback Button, 1 x Next Clip Button, 1 x Previous Clip Button, 1 x Lock Switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTimecode Clock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHighly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Video Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNone\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Video Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x 12G-SDI up to 2160p60\u003c\/p\u003e\n\u003cp\u003e1 x Viewfinder USB-C with power,\u003cbr\u003edata, video and locking connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x mini XLR analog audio in, switchable between\u003cbr\u003emic with phantom power support and line level\u003cbr\u003e(up to +14dBu).\u003c\/p\u003e\n\u003cp\u003e1 x 3.5mm Stereo Input.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Audio Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x 3.5mm headphone jack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReference Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTri-Sync\/Black Burst and Timecode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComputer Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUSB Type-C for external drive recording,\u003cbr\u003ePTP camera control and software updates.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEthernet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x 1Gb\/s RJ‘45 connector supporting\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e10\/100\/1000 BASE-T.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIntegrated stereo microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in Speaker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x mono speaker.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2 x CFexpress Type B card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and H.264 Proxy Recording.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.blackmagicdesign.com\/support\/faq\/59043\"\u003ePlease click here for a summary of compatible media.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Format\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCan format media to ExFAT (Windows\/Mac)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eor HFS+ (Mac) file systems.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupported Codecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCodecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW Constant Bitrate 3:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 5:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 8:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 12:1,\u003cbr\u003eBlackmagic RAW Constant Quality Q0,\u003cbr\u003eBlackmagic RAW Constant Quality Q1,\u003cbr\u003eBlackmagic RAW Constant Quality Q3,\u003cbr\u003eBlackmagic RAW Constant Quality Q5,\u003cbr\u003eH.264 Proxy in 1920 x 1080, 8-bit 4:2:0\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExternal Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.\u003c\/p\u003e\n\u003cp\u003eiPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over Ethernet for external control via HTTP when used with REST client applications such as Postman.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Type\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x CFexpress Type B\u003c\/p\u003e\n\u003cp\u003e1 x high speed USB-C expansion port for external media.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecording Formats\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6048 x 4032, 4832 x 4032, 6048 x 3200, 6048 x 2520, 4096 x 3072, 4096 x 2160, 2112 x 1184 and 1920 x 1080 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.\u003c\/p\u003e\n\u003cp\u003eSupports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and H.264 Proxies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Rates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStorage rates based on 30 frames per second.\u003c\/p\u003e\n\u003cp\u003e6048 x 4032 (6K Open Gate 3:2)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 370 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 223 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 140 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 94 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 278 to 555 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 186 to 444 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 124 to 318 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 75 to 186 MB\/s\u003c\/p\u003e\n\u003cp\u003e4832 x 4032 (Anamorphic 6:5)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 297 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 179 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 112 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 75 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 223 to 445 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 149 to 356 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 100 to 255 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 60 to 149 MB\/s\u003c\/p\u003e\n\u003cp\u003e6048 x 3200 (6K DCI 17:9)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 295 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 177 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 111 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 75 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 221 to 441 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 148 to 353 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 99 to 253 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 60 to 148 MB\/s\u003c\/p\u003e\n\u003cp\u003e6048 x 2520 (6K 2.4:1)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 233 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 140 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 88 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 59 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 175 to 348 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 117 to 279 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 78 to 199 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 47 to 117 MB\/s\u003c\/p\u003e\n\u003cp\u003e4096 x 3072 (Super 35 4:3)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 192 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 116 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 73 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 49 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 145 to 288 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 97 to 231 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 65 to 165 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 39 to 97 MB\/s\u003c\/p\u003e\n\u003cp\u003e4096 x 2160 (4K DCI 17:9)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 136 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 82 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 52 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 35 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 102 to 203 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 69 to 163 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 46 to 117 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 28 to 69 MB\/s\u003c\/p\u003e\n\u003cp\u003e2112 x 1184 (Super 16 16:9)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 40 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 24 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 16 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 11 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 30 to 59 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 21 to 48 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 14 to 34 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 9 to 21 MB\/s\u003c\/p\u003e\n\u003cp\u003e1920 x 1080\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 33 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 20 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 13 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 9 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 25 to 49 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 17 to 40 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 12 to 29 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 8 to 17 MB\/s\u003c\/p\u003e\n\u003cp\u003eConstant Quality storage rates quoted are indicative only.\u003c\/p\u003e\n\u003cp\u003eActual storage rates are entirely dependent on image subject matter.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSoftware\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSoftware Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic OS\u003c\/p\u003e\n\u003cp\u003eDaVinci Resolve Studio for Mac and Windows including activation key\u003c\/p\u003e\n\u003cp\u003eBlackmagic Camera Setup\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW Player\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW QuickLook Plugin\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW SDK\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW Speed Test\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Systems\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMac 13.0 Ventura,\u003cbr\u003eMac 14.0 Sonoma or later.\u003c\/p\u003e\n\u003cp\u003eWindows 10 and 11.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x External 12V power supply.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExternal Power Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 x 2‘pin locking connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBattery Type\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBP-U\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11-19.5V\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAccessories\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOptional Accessories\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic URSA Cine Handle\u003c\/p\u003e\n\u003cp\u003eBlackmagic URSA Cine EVF\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS Rosette Plate\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Temperature\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0°to 40°C (32° to 104°F)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Temperature\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e-20°to 45°C (-4° to 113°F)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelative Humidity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0% to 90% non-condensing\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS 6K\u003c\/p\u003e\n\u003cp\u003eLens turret dust cap\u003c\/p\u003e\n\u003cp\u003ePYXIS Standard Plate\u003c\/p\u003e\n\u003cp\u003ePYXIS SSD Plate\u003c\/p\u003e\n\u003cp\u003e60W power supply with locking connector and international adapters\u003c\/p\u003e\n\u003cp\u003eWelcome booklet\u003c\/p\u003e\n\u003cp\u003eDaVinci Resolve Studio activation key\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12 Month Limited Manufacturer™s Warranty.\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49112612929783,"sku":"BMD-CINECAMCPYXD60LFEF","price":3295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_3_ea8d9d45-4bbb-4567-9051-f010341ebddc.png?v=1727542643"},{"product_id":"blackmagic-design-bmd-swrconvrckt4k8-atem-talkback-converter-4k","title":"Blackmagic Design BMD-SWRCONVRCKT4K8 ATEM Talkback Converter 4K","description":"\u003ch3\u003eBlackmagic Design BMD-SWRCONVRCKT4K8 ATEM Talkback Converter 4K\u003c\/h3\u003e\n\u003cp\u003eATEM Talkback Converter 4K handles up to 8 cameras for SDI talkback using embedded audio channels 15 and 16 as used on the Blackmagic Studio Cameras and ATEM Camera Converter. Supports 12G-SDI for all SD, HD and Ultra HD formats up to 2160p60 and provides BNC connections to each camera, and an optical fiber socket for adding an optical fiber SFP module for extending camera distances when required. 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Blackmagic Cinema Camera 6K features an OLPF for better detail handling, records stunning 12-bit Blackmagic RAW for cinematic images as well as real time H.264 proxies!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCamera Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEffective Sensor Size\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e36mm x 24mm (Full Frame)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eActive L-Mount.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIris and focus on supported lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13 Stops.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Native ISO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e400 and 3200\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShooting Resolutions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6048 x 4032 (Open Gate 3:2) up to 36 fps\u003cbr\u003e4838 x 4032 (Anamorphic 6:5) up to 36 fps\u003cbr\u003e6048 x 3200 (6K DCI 17:9) up to 48 fps\u003cbr\u003e6048 x 2520 (6K 2.4:1) up to 60 fps\u003cbr\u003e4096 x 3072 (Super 35 4:3) up to 50 fps\u003cbr\u003e4096 x 2160 (4K DCI 17:9) up to 60 fps\u003cbr\u003e2112 x 1184 (Super 16 16:9) up to 100 fps\u003cbr\u003e1920 x 1080 (1080 HD 16:9) up to 120 fps\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame Rates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMaximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.\u003c\/p\u003e\n\u003cp\u003eOff-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in 1080HD.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFocus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAuto focus available using compatible lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScreen Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5 1920 x 1080.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScreen Brightness\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1500 nits\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScreen Type\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLCD capacitive touchscreen.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMetadata Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAutomatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTouchscreen menus on 5 inch screen.  Power Switch,  Record Button,  Stills Button,  Scroll Wheel with push integrated into handgrip,  ISO Button,  White Balance,  Shutter Button, 3 x software configurable Fn buttons,  Focus Button,  IRIS Button,  High Frame Rate (HFR) Button,  Zoom Button,  Menu Button and  Playback Button.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTimecode Clock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHighly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Video Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNone\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Video Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e HDMI up to 1080p60\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu).  3.5mm Stereo Input.\u003c\/p\u003e\n\u003cp\u003eAll audio inputs can also be used for Timecode input.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Audio Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e 3.5mm headphone jack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComputer Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUSB Type-C for external drive recording, PTP camera control and software updates.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIntegrated stereo microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in Speaker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e mono speaker.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e CFexpress Type B card slot,  USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and H.264 Proxy Recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Format\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCan format media to ExFAT (Windows\/Mac) or HFS+ (Mac) file systems.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupported Codecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCodecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW Constant Bitrate 3:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 5:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 8:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 12:1,\u003cbr\u003eBlackmagic RAW Constant Quality Q0,\u003cbr\u003eBlackmagic RAW Constant Quality Q1,\u003cbr\u003eBlackmagic RAW Constant Quality Q3,\u003cbr\u003eBlackmagic RAW Constant Quality Q5,\u003cbr\u003eH.264 Proxy in 1920 x 1080, 8-bit 4:2:0\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExternal Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.\u003c\/p\u003e\n\u003cp\u003eiPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over USB Ethernet for external control via HTTP when used with REST client applications such as Postman.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Type\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e CFexpress Type B\u003c\/p\u003e\n\u003cp\u003e high speed USB-C expansion port for external media.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecording Formats\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6048 x 4032, 4838 x 4032, 6048 x 3200, 6048 x 2520, 4096 x 3072, 4096 x 2160, 2112 x 1184 and 1920 x 1080 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.\u003c\/p\u003e\n\u003cp\u003eSupports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and H.264 Proxies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Rates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStorage rates based on 30 frames per second.\u003c\/p\u003e\n\u003cp\u003e6048 x 4032 (6K Open Gate 3:2)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 370 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 223 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 140 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 94 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 278 to 555 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 186 to 444 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 124 to 318 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 75 to 186 MB\/s\u003c\/p\u003e\n\u003cp\u003e4838 x 4032 (Anamorphic 6:5)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 297 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 179 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 112 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 75 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 223 to 445 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 149 to 356 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 100 to 255 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 60 to 149 MB\/s\u003c\/p\u003e\n\u003cp\u003e6048 x 3200 (6K DCI 17:9)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 295 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 177 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 111 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 75 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 221 to 441 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 148 to 353 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 99 to 253 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 60 to 148 MB\/s\u003c\/p\u003e\n\u003cp\u003e6048 x 2520 (6K 2.4:1)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 233 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 140 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 88 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 59 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 175 to 348 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 117 to 279 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 78 to 199 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 47 to 117 MB\/s\u003c\/p\u003e\n\u003cp\u003e4096 x 3072 (Super 35 4:3)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 192 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 116 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 73 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 49 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 145 to 288 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 97 to 231 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 65 to 165 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 39 to 97 MB\/s\u003c\/p\u003e\n\u003cp\u003e4096 x 2160 (4K DCI 17:9)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 136 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 82 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 52 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 35 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 102 to 203 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 69 to 163 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 46 to 117 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 28 to 69 MB\/s\u003c\/p\u003e\n\u003cp\u003e2112 x 1184 (Super 16 16:9)\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 40 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 24 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 16 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 11 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 30 to 59 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 21 to 48 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 14 to 34 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 9 to 21 MB\/s\u003c\/p\u003e\n\u003cp\u003e1920 x 1080\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW 3:1 - 33 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 20 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 13 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 9 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 25 to 49 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 17 to 40 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 12 to 29 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 8 to 17 MB\/s\u003c\/p\u003e\n\u003cp\u003eConstant Quality storage rates quoted are indicative only.\u003c\/p\u003e\n\u003cp\u003eActual storage rates are entirely dependent on image subject matter.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSoftware\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSoftware Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic OS\u003c\/p\u003e\n\u003cp\u003eDaVinci Resolve Studio for Mac and Windows including activation key\u003c\/p\u003e\n\u003cp\u003eBlackmagic Camera Setup\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW Player\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW QuickLook Plugin\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW SDK\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW Speed Test\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e External 12V power supply.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExternal Power Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e 2-pin locking connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBattery Type\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNP-F570\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBattery Life\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eApproximately 60 minutes (recording 6K RAW at 24 fps to CFexpress with screen brightness at 50%)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12V-20V.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAccessories\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOptional Accessories\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Pocket Cinema Camera Pro EVF\u003c\/p\u003e\n\u003cp\u003eBlackmagic Pocket Camera Battery Pro Grip\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Temperature\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0°to 40°C (32° to 104°F)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Temperature\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e-20°to 45°C (-4° to 113°F)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelative Humidity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0% to 90% non-condensing\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Cinema Camera 6K\u003c\/p\u003e\n\u003cp\u003eLens turret dust cap\u003c\/p\u003e\n\u003cp\u003eCamera strap\u003c\/p\u003e\n\u003cp\u003e30W power supply with locking connector and international adapters\u003c\/p\u003e\n\u003cp\u003eNP-F570 battery\u003c\/p\u003e\n\u003cp\u003eNP-F series battery USB charger\u003c\/p\u003e\n\u003cp\u003eWelcome booklet\u003c\/p\u003e\n\u003cp\u003eDaVinci Resolve Studio activation key\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12 Month Limited Manufacturer's Warranty.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49113062408439,"sku":"BMD-CINECAM60KLFL","price":2855.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_1_b1aeef81-b756-4735-9a93-5300a2c64e23.png?v=1727580018"},{"product_id":"blackmagic-design-bmd-convnvipc8-12gsfp-2110-ip-converter-8x12g-sfp","title":"Blackmagic Design BMD-CONVNVIPC8\/12GSFP 2110 IP Converter 8x12G SFP","description":"\u003ch3\u003eBlackmagic Design BMD-CONVNVIPC8\/12GSFP 2110 IP Converter 8x12G SFP\u003c\/h3\u003e\n\u003cp\u003eBlackmagic Design has a wide range of SMPTE-2110 IP video products, including converters, video monitors, audio monitors and even cameras! Plus they support Ultra HD using low cost 10G Ethernet! Most converter models are bidirectional, so they're fantastic to use on cameras when you need an extra program return! The rack mount models have an elegant design with a color LCD for monitoring, menus and diagnostics. All models conform to the SMPTE ST-2110 standard for IP video, including PTP clocks and even NMOS support so you can make connections using a video router panel. The Blackmagic 2110 IP Converter 3x3G model even includes a reference video output, timed to the 2110 PTP clock!\u003c\/p\u003e\n\u003cp\u003eThis converter is designed to add SMPTE-2110 IP video to 12G-SDI broadcast equipment. It features a 1RU design with 8 independent bidirectional 12G-SDI to SMPTE-2110 IP video converters using SFP modules so it can use optical fiber Ethernet modules for long distances. Each channel has a 12G-SDI input, but there's even a 12G-SDI program return input that sends to all channels. This means you can send a single 12G-SDI input to all the connected devices from the single connection!\u003c\/p\u003e\n\u003cp\u003e** Shipping in July\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49113072533751,"sku":"BMD-CONVNVIPC8\/12GSFP","price":2855.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_3_4eb544da-10ee-4f65-afc4-9595637fb1fe.png?v=1727580308"},{"product_id":"blackmagic-design-bmd-cinecampochdef06p-pocket-cinema-camera-6k-pro","title":"Blackmagic Design BMD-CINECAMPOCHDEF06P Pocket Cinema Camera 6K Pro","description":"\u003ch3\u003eBlackmagic Design BMD-CINECAMPOCHDEF06P Pocket Cinema Camera 6K Pro\u003c\/h3\u003e\n\u003cp class=\"\"\u003eMost advanced digital film camera features 6K sensor with EF lens mount, built in motorized ND filters at 0, 2, 4 and 6 stops, tilt adjustable 1500 nit LCD and a larger battery. Supports optional EVF. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLightweight Carbon Fiber Polycarbonate Composite\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMultifunction Grip with Fingertip Controls\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments! Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false color and more. The Blackmagic Pocket Cinema Camera 6K Pro also adds extra ND filter controls. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eHigh Resolution Cinematic Digital Film Sensor\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe 6K models have a native resolution of 6144 x 3456. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus the 6K models feature a larger Super 35 sensor that allows shooting with a shallow depth of field and anamorphic lenses. All models let you shoot up to 60 fps in full resolution or 120 fps windowed. An amazing sensor combined with Blackmagic color science means you get the same imaging technology as the most expensive digital film cameras. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBuilt in ND Filters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Blackmagic Pocket Cinema Camera 6K Pro features high quality, motorized IR ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical and IR wavelengths evenly, eliminating IR contamination of the images. Activation buttons are located on the rear of the camera body, placed within easy reach of your thumb from the multi function hand grip. User selectable filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Pocket Cinema Cameras have an incredible 13 stops of dynamic range which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! The Pocket Cinema Cameras feature dual gain ISO up to 25,600, which means they're optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePost Production Friendly File Formats\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eBlackmagic Pocket Cinema Camera records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, or use the included DaVinci Resolve Studio. Recording works in industry standard 10-bit Apple ProRes files in all formats up to 4K or 12-bit Blackmagic RAW in all formats up to 6K. Blackmagic RAW is the fastest growing RAW format. Developers can download and use the free Blackmagic RAW SDK to add support into their applications. Best of all media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eUse Standard SD Cards, UHS‑II or CFast 2.0 Media\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Blackmagic Pocket Cinema Camera features built in CFast and SD UHS-II card recorders, and a USB-C expansion port for recording direct to an external media disk. You can use regular SD cards for HD or higher performance UHS-II and CFast cards for native 4K or 6K when using Blackmagic RAW. Imagine capturing over an hour of full resolution 6K images on a single 256GB SD UHS-II card! The ProRes and Blackmagic RAW files work with all video software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBlackmagic Raw\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Video formats such as H.264 are highly compressed, plus add noise and weird artifacts, causing original sensor detail to be lost forever. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eTouchscreen for Fast Setup\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus! You can also access settings such as the digital slate, to quickly add metadata to any shot. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLarge 5\"\" LCD Monitor\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eBlackmagic Pocket Cinema Camera features a large, bright 5 inch touchscreen that makes it easy for you to frame shots and accurately focus. That means you don’t have to carry around an external monitor! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired color and look. The Pocket Cinema Camera 6K Pro LCD monitor is a more advanced HDR display that can be tilted up and down so it's easy to monitor your shot from any position. Plus the 6K Pro model’s HDR display features 1500 nits of brightness, ideal for use in bright sunlight! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAdvanced OS withFeatures from URSA Mini Pro\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLatest Generation 5 Color Science\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eStunning Skin Tones and Faithful Color Reproduction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eFeaturing the same generation 5 color science as the high end URSA Mini Pro 12K, the new Pocket Cinema Camera 6K Pro delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve Studio. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eOptional Viewfinder for Professional Shooting\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Pocket Cinema Camera 6K Pro supports an optional viewfinder to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1280 x 960 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K Pro via a single connector. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eProfessional Connections for Custom Rigs\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eThough small and portable, the Blackmagic Pocket Cinema Camera features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also a mini XLR connection with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector! The USB-C connection lets you connect and record direct to your media disk! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e4 Built-in Microphones and Professional Audio Inputs\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic Pocket Cinema Cameras feature a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The 6K Pro model features 2 mini XLR connections, allowing you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eUSB-C for Recording Direct to External Media Disks\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Blackmagic Pocket Cinema Camera features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and SSDs for significantly longer recording times. A high speed external disk allows shooting 6K in the highest constant quality 12-bit Blackmagic RAW in the Q0 setting or at high frame rates. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk, eliminating file copying. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBuilt In Timecode Generator\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eGet Fast Multi Camera Shoots in Perfect Sync!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eProfessional cameras include professional features and you also get a built in timecode generator, allowing shooting with more than one camera while keeping perfect sync! Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras! Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePower from Batteries,12V DC and Recharge via USB‑C\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe 6K Pro model uses larger NP-F570 batteries. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera and charge the battery simultaneously. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eUse Pocket Cinema Camera as a Live Studio Camera\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eBlackmagic Pocket Cinema Camera now works as a studio camera for live production when used with ATEM Mini! Video and control is via the HDMI connection, which is available as soon as you plug the cameras in. The record light becomes a tally light so you can see which camera is on air! The ATEM Software Control camera page has a camera control unit (CCU) style interface for adjusting and matching your cameras. Move the CCU control vertically for iris and left to right to adjust black level. It's the same as a broadcast CCU! There are also controls for color tint to balance cameras as well as focus, gain and shutter speed. You can even ISO record Blackmagic RAW in the camera for editing later! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eGet Professional Editing, Color Correction, Audio Post and VFX!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eAll Pocket Cinema Camera models include a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the the same high end software that professional editors and colorists use!\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49113079709943,"sku":"BMD-CINECAMPOCHDEF06P","price":2789.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_6864f220-a938-4b9b-97f5-6b79312b2d21.png?v=1727580605"},{"product_id":"blackmagic-design-bmd-cinstudmft-g26pdk-studio-camera-6k-pro","title":"Blackmagic Design BMD-CINSTUDMFT\/G26PDK Studio Camera 6K Pro","description":"\u003ch3\u003eBlackmagic Design BMD-CINSTUDMFT\/G26PDK Studio Camera 6K Pro\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNative 6K sensor with 13 stops of dynamic range.\u003c\/li\u003e\n\u003cli\u003eCompatible with a wide range of popular EF \u003c\/li\u003e\n\u003cli\u003eLive streaming for global remote cameras via Ethernet of mobile \u003c\/li\u003e\n\u003cli\u003eBuilt in 2, 4 and 6 stop remote controllable ND \u003c\/li\u003e\n\u003cli\u003eLarge 7 inch high brightness viewfinder.\u003c\/li\u003e\n\u003cli\u003eIncludes 12G-SDI, HDMI, 10G Ethernet connections.\u003c\/li\u003e\n\u003cli\u003eSingle 10G Ethernet allows SMPTE fiber style workflow.\u003c\/li\u003e\n\u003cli\u003eProfessional mini XLR inputs with 48 volt phantom power.\u003c\/li\u003e\n\u003cli\u003eOptional focus and zoom demands for lens \u003c\/li\u003e\n\u003cli\u003eBlackmagic Studio Converter allows all connections via Ethernet.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDesigned as the most advanced ultra portable studio camera, this model has the features of the Studio Camera 4K Pro G2 model plus a larger 6K sensor, EF lens mount and remote controllable ND filters.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and color science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. It even works under moonlight! Advanced features include talkback, tally, camera control, built in color corrector, Blackmagic RAW recording to USB disks, live streaming and more! You can even add a focus and zoom demand for lens control!\u003c\/p\u003e\n\u003cp\u003eWhile Blackmagic Studio Camera is designed for live production, it’s not limited to use with a live switcher! That’s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7\"\" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings! The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because it’s so lightweight, it’s perfect when you're constantly changing locations and doing different kinds of work.\u003c\/p\u003e\n\u003cp\u003eLarge broadcasters use expensive studio cameras that are extremely large, so they’re not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it’s a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it’s easy to track and frame shots with its large 7\"\" viewfinder. The touchscreen has menus for camera settings, and there's knobs for brightness, contrast and focus peaking. Plus a tripod mount with mounting plate is included for fast setup!\u003c\/p\u003e\n\u003cp\u003eIn advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO the more gain can be added so it’s possible to shoot in natural light, or even at night! The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/p\u003e\n\u003cp\u003eAmazing sensors combined with Blackmagic generation 5 color science give you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. Great for both HD and Ultra HD production, the 4K models feature a resolution of 3840 x 2160 and the 6K model has a resolution of 6144 x 3456. Plus, all models support 23.98 to 60 fps.\u003c\/p\u003e\n\u003cp\u003eWith the popular EF or MFT lens mounts, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely! To eliminate the need to reach around to adjust the lens manually, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera! This means you avoid camera shake when adjusting the lens so you can track shots and operate the camera without taking your hands off the tripod! It gives you the same feel as an expensive B4 broadcast lens!\u003c\/p\u003e\n\u003cp\u003eThe large 7\"\" high resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro models feature an HDR display with extremely high brightness, perfect outdoors in sunlight! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun shade can be folded to protect the screen for transport plus it's compatible with sun shades from the Blackmagic Studio Viewfinder!\u003c\/p\u003e\n\u003cp\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast and focus peaking. The focus peaking knob is incredibly useful as it lets you fine tune the detail highlight so you can get perfect focus as you zoom. The 3 function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the menus. The touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on air, green for preview and orange for ISO recording. The tally light also includes clip on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20 feet away! The Blackmagic Studio Cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring so job setup is faster.\u003c\/p\u003e\n\u003cp\u003eUnlike consumer cameras, the Blackmagic Studio Camera 4K Pro G2 and 6K Pro models have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot, at the same time! The talkback connector is built into the side of the camera and supports standard 5 pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback!\u003c\/p\u003e\n\u003cp\u003eBlackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI with tally, camera control and record trigger, so are perfect for ATEM Mini switchers! You also get headphone and mic connections, and 2 USB-C expansion ports. The advanced Blackmagic Studio Camera Pro models are designed for broadcast workflows so have 12G-SDI, 10GBASE-T Ethernet, talkback and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback and camera power via a single connection so setup is much faster! That's just like a SMPTE fiber workflow, but using standard Category 6A copper Ethernet cable so it's much lower cost.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Studio Cameras can be connected in lots of different ways! All models feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control and record trigger for a broadcast style workflow using a single HDMI cable. The Blackmagic Studio Camera Pro models have 12G-SDI so you can connect it to SDI based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera video, and one for program return. The program return also includes tally, talkback and remote camera control. Or you can use 10G Ethernet to get camera video, program return, tally, talkback, camera control and even power using a regular Cat6A Ethernet cable!\u003c\/p\u003e\n\u003cp\u003eUsing the HDMI output, you can connect to switchers such as ATEM Mini! Plus the HDMI connection supports sending tally, color corrector control and record trigger back to the camera from the switcher.\u003c\/p\u003e\n\u003cp\u003eThe SDI model uses the SDI output and the SDI program return for 2 way talkback between the camera and any SDI ATEM switcher. Tally and control is also sent to the camera via the SDI program return.\u003c\/p\u003e\n\u003cp\u003eThe 10G Ethernet connection allows all signals and camera power using a single Cat 6A copper Ethernet cable! That includes the camera video, program return, tally, talkback, camera control and more!\u003c\/p\u003e\n\u003cp\u003eYou can even shoot without a switcher as the large screen makes the camera fantastic for shooting while recording to Blackmagic RAW on a USB flash disk. The big screen makes framing shots very easy!\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49113086460151,"sku":"BMD-CINSTUDMFT\/G26PDK","price":2745.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_3_d9009825-a239-46e0-9d6c-e3fcc57d47ce.png?v=1727580912"},{"product_id":"blackmagic-design-bmd-swrconvrck2-atem-studio-converter","title":"Blackmagic Design BMD-SWRCONVRCK2 ATEM Studio Converter","description":"\u003ch3\u003eBlackmagic Design BMD-SWRCONVRCK2 ATEM Studio Converter\u003c\/h3\u003e\n\u003cp\u003eATEM Studio Converter is the ideal partner for the ATEM Camera Converter. Connect up to four Camera Converters via optical fiber up to 28 miles away with bi-directional video plus tally and talkback! Connect your ATEM switcher program output to the ATEM Studio Converter and this is distributed to the four Camera Converters. Multiple Studio converters can be cascaded together when more than 4 cameras are needed.\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49113240109303,"sku":"BMD-SWRCONVRCK2","price":2239.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_2e279efb-c92c-4e9a-b14d-758e3b849d6b.png?v=1727590092"},{"product_id":"blackmagic-design-bmd-cinecampochdef6k2-pocket-cinema-camera-6k-g2","title":"Blackmagic Design BMD-CINECAMPOCHDEF6K2 Pocket Cinema Camera 6K G2","description":"\u003ch3\u003eBlackmagic Design BMD-CINECAMPOCHDEF6K2 Pocket Cinema Camera 6K G2\u003c\/h3\u003e\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera 6K G2 is an advanced technology, handheld 6K digital film camera with 6144 x 3456 Super 35 high resolution HDR sensor, dual native ISO, EF lens mount and direct recording to USB-C disks! This powerful model adds an adjustable touchscreen, and a larger battery for longer run time. You can even add an optional OLED viewfinder!  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight Carbon Fiber Polycarbonate Composite\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultifunction Grip with Fingertip Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There™s even a scroll wheel under your index finger for making quick iris adjustments! Additional controls go beyond those found on a DSLR, which means you don™t have to go hunting through menus on a tiny screen to find a command! The Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false color and more. The Blackmagic Pocket Cinema Camera 6K Pro also adds extra ND filter controls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Resolution Cinematic Digital Film Sensor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 6K models have a native resolution of 6144 x 3456. Whether you™re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus the 6K models feature a larger Super 35 sensor that allows shooting with a shallow depth of field and anamorphic lenses. All models let you shoot up to 60 fps in full resolution or 120 fps windowed. An amazing sensor combined with Blackmagic color science means you get the same imaging technology as the most expensive digital film cameras.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatible with Cinema and Photographic Lenses!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera 4K features a native sensor resolution of 4096 x 2160, while the 6K models have a native resolution of 6144 x 3456. Whether you™re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus the 6K models feature a larger Super 35 sensor that allows shooting with a shallow depth of field and anamorphic lenses. All models let you shoot up to 60 fps in full resolution or 120 fps windowed. An amazing sensor combined with Blackmagic color science means you get the same imaging technology as the most expensive digital film cameras.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Pocket Cinema Cameras have an incredible 13 stops of dynamic range which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn digital film ISO is a measurement of the image sensor™s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it™s possible to shoot using natural light even at night! The Pocket Cinema Cameras feature dual gain ISO up to 25,600, which means they're optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don™t have time to set up lights.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePost Production Friendly File Formats\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Pocket Cinema Camera records using standard open file formats so you don™t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, or use the included DaVinci Resolve Studio. Recording works in industry standard 10-bit Apple ProRes files in all formats up to 4K or 12-bit Blackmagic RAW in all formats up to 6K. Blackmagic RAW is the fastest growing RAW format. Developers can download and use the free Blackmagic RAW SDK to add support into their applications. Best of all media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDepending on the model, the Blackmagic Pocket Cinema Camera can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can shoot stills at 21.2 megapixels on the 6K models and 8.8 megapixels on the 4K model. The 6K models will shoot up to 50 fps at 6144 x 3456 16:9 or 60 fps at 6144 x 2560 2.4:1 and 60 fps at 5744 x 3024 17:9. For higher frame rates you can window the sensor and shoot up to 120 fps at 2.8K 2868 x 1512 17:9. You can even work in true anamorphic 6:5 using anamorphic lenses in 3.7K 60 fps at 3728 x 3104. On the 4K model you can shoot up to 60 fps 4K DCI at 4096 x 2160 and 60 fps in Ultra HD at 3840 x 2160. You can even shoot 120 fps in 1080HD!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse Standard SD Cards, UHS‘II or CFast 2.0 Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera features built in CFast and SD UHS-II card recorders, and a USB-C expansion port for recording direct to an external media disk. You can use regular SD cards for HD or higher performance UHS-II and CFast cards for native 4K or 6K when using Blackmagic RAW. Imagine capturing over an hour of full resolution 6K images on a single 256GB SD UHS-II card! The ProRes and Blackmagic RAW files work with all video software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic Raw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Video formats such as H.264 are highly compressed, plus add noise and weird artifacts, causing original sensor detail to be lost forever. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTouchscreen for Fast Setup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus! You can also access settings such as the digital slate, to quickly add metadata to any shot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarge 5\"\" LCD Monitor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Pocket Cinema Camera features a large, bright 5 inch touchscreen that makes it easy for you to frame shots and accurately focus. That means you don™t have to carry around an external monitor! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired color and look. The LCD monitor on the Pocket Cinema Camera 6K G2 and Pro models is a more advanced HDR display that can be tilted up and down so it's easy to monitor your shot from any position. Plus the 6K Pro model™s HDR display features 1500 nits of brightness, ideal for use in bright sunlight!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvanced OS withFeatures from URSA Mini Pro\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLatest Generation 5 Color Science\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStunning Skin Tones and Faithful Color Reproduction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing the same generation 5 color science as the high end URSA Mini Pro 12K, the new Pocket Cinema Camera 6K Pro delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve Studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOptional Viewfinder for Professional Shooting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Pocket Cinema Camera 6K G2 and 6K Pro supports an optional viewfinder to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1280 x 960 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K G2 and 6K Pro via a single connector. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Connections for Custom Rigs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThough small and portable, the Blackmagic Pocket Cinema Camera features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There™s also a mini XLR connection with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector! The USB-C connection lets you connect and record direct to your media disk!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4 Built-in Microphones and Professional Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic Pocket Cinema Cameras feature a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The 6K Pro model features 2 mini XLR connections, allowing you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There™s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB-C for Recording Direct to External Media Disks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and SSDs for significantly longer recording times. A high speed external disk allows shooting 6K in the highest constant quality 12-bit Blackmagic RAW in the Q0 setting or at high frame rates. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk, eliminating file copying.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt In Timecode Generator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Fast Multi Camera Shoots in Perfect Sync!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProfessional cameras include professional features and you also get a built in timecode generator, allowing shooting with more than one camera while keeping perfect sync! Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras! Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShoots Still Frames up to 21.2 Megapixels!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn addition to shooting video, the Blackmagic Pocket Cinema Camera can also capture high resolution stills. Simply press the dedicated stills button to record 21.2 megapixel images on the 6K models or 8 megapixel images on the 4K model. Still images are saved as fully uncompressed DNG frames, so you get the maximum image quality, which is perfect for making professional prints. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There™s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower from Batteries,12V DC and Recharge via USB‘C\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 6K G2 and 6K Pro models use larger NP-F570 batteries. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera and charge the battery simultaneously. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse Pocket Cinema Camera as a Live Studio Camera\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Pocket Cinema Camera now works as a studio camera for live production when used with ATEM Mini! Video and control is via the HDMI connection, which is available as soon as you plug the cameras in. The record light becomes a tally light so you can see which camera is on air! The ATEM Software Control camera page has a camera control unit (CCU) style interface for adjusting and matching your cameras. Move the CCU control vertically for iris and left to right to adjust black level. It's the same as a broadcast CCU! There are also controls for color tint to balance cameras as well as focus, gain and shutter speed. You can even ISO record Blackmagic RAW in the camera for editing later!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Professional Editing, Color Correction, Audio Post and VFX!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll Pocket Cinema Camera models include a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci™s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the the same high end software that professional editors and colorists use!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCamera Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEffective Sensor Size\u003c\/li\u003e\n\u003cli\u003e23.10mm x 12.99mm (Super 35)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eActive EF mount.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLens Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIris, focus and zoom on supported lenses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e13 Stops.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDual Native ISO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e400 and 3200\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eShooting Resolutions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e6144 x 3456 (6K) up to 50 fps\u003cbr\u003e6144 x 2560 (6K 2.4:1) up to 60 fps\u003cbr\u003e5744 x 3024 (5.7K 17:9) up to 60 fps\u003cbr\u003e4096 x 2160 (4K DCI) up to 60 fps\u003cbr\u003e3840 x 2160 (Ultra HD) up to 60 fps\u003cbr\u003e3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps\u003cbr\u003e2868 x 1512 (2.8K 17:9) up to 120 fps\u003cbr\u003e1920 x 1080 (HD) up to 120 fps\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFrame Rates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.\u003c\/li\u003e\n\u003cli\u003eOff-speed frame rates up to 60 fps in 6K 2.4:1, 120 fps in 2.8K 17:9 and 1080HD.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in ND Filters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFocus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAuto focus available using compatible lenses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eScreen Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5 1920 x 1080.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eScreen Type\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLCD capacitive touchscreen.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMetadata Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAutomatically populated lens data from electronic EF lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTouchscreen menus on 5 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push integrated into handgrip, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 1 x IRIS Button, 1 x Focus Button, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button and 1 x Playback Button.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTimecode Clock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHighly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Video Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNone\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Video Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x HDMI up to 1080p60\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu). 1 x 3.5mm Stereo Input.\u003c\/li\u003e\n\u003cli\u003eAll audio inputs can also be used for Timecode input.\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Audio Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x 3.5mm headphone jack.\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eComputer Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUSB Type-C for external drive recording, PTP camera control and software updates.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIntegrated stereo microphone.\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in Speaker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x mono speaker.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eStandards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSD Video Standards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNone\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHD Video Standards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eUltra HD Video Standards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e4K DCI Standards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x CFast card slot, 1 x SD UHS‘II card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and ProRes Recording.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Format\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCan format media to ExFAT (Windows\/Mac) or HFS+ (Mac) file systems.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSupported Codecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCodecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic RAW Constant Bitrate 3:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 5:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 8:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 12:1,\u003cbr\u003eBlackmagic RAW Constant Quality Q0,\u003cbr\u003eBlackmagic RAW Constant Quality Q1,\u003cbr\u003eBlackmagic RAW Constant Quality Q3,\u003cbr\u003eBlackmagic RAW Constant Quality Q5,\u003cbr\u003eProRes 422 HQ QuickTime,\u003cbr\u003eProRes 422 QuickTime,\u003cbr\u003eProRes 422 LT QuickTime,\u003cbr\u003eProRes 422 Proxy QuickTime.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExternal Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.\u003c\/li\u003e\n\u003cli\u003eiPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and internal record start and stop when used with a compatible ATEM and ATEM Software Control.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eColor Corrector\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDaVinci YRGB.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Type\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x CFast 2.0.\u003c\/li\u003e\n\u003cli\u003e1 x SD UHS-II card.\u003c\/li\u003e\n\u003cli\u003e1 x high speed USB-C expansion port for external media.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRecording Formats\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6144 x 3456, 6144 x 2560, 5744 x 3024, 4096 x 2160, 3728 x 3104 and 2868 x 1512 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.\u003c\/li\u003e\n\u003cli\u003eProRes at 4096 x 2160, 3840 x 2160 and 1920 x 1080 with film, extended video or video dynamic range or custom 3D LUT.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Rates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStorage rates based on 30 frames per second.\u003c\/li\u003e\n\u003cli\u003e6144 x 3456 (6K)\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic RAW 3:1 - 323 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 194 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 121 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 81 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 242 to 483 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 162 to 387 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 108 to 277 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 65 to 162 MB\/s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e6144 x 2560 (6K 2.4:1)\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic RAW 3:1 - 240 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 144 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 90 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 60 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 180 to 359 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 120 to 287 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 80 to 205 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 49 to 120 MB\/s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e5744 x 3024 (5.7K 17:9)\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic RAW 3:1 - 264 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 159 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 100 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 67 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 198 to 396 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 133 to 317 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 89 to 227 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 54 to 133 MB\/s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e4096 x 2160 (4K DCI)\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic RAW 3:1 - 136 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 82 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 51 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 35 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 102 to 203 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 68 to 163 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 46 to 116 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 28 to 68 MB\/s\u003cbr\u003eApple ProRes 422 HQ - 117.88 MB\/s\u003cbr\u003eApple ProRes 422 - 78.63 MB\/s\u003cbr\u003eApple ProRes 422 LT - 54.63 MB\/s\u003cbr\u003eApple ProRes Proxy - 24.25 MB\/s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 (Ultra HD)\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eApple ProRes 422 HQ - 110 MB\/s\u003cbr\u003eApple ProRes 422 - 73.6 MB\/s\u003cbr\u003eApple ProRes 422 LT - 51 MB\/s\u003cbr\u003eApple ProRes Proxy - 22.4 MB\/s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e3728 x 3104 (3.7K 6:5 anamorphic)\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic RAW 3:1 - 177 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 106 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 67 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 45 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 133 to 265 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 89 to 212 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 60 to 152 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 36 to 89 MB\/s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2868 x 1512 (2.8K 17:9)\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic RAW 3:1 - 67 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 41 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 26 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 17 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 51 to 101 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 34 to 81 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 23 to 58 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 14 to 34 MB\/s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1920 x 1080\n\u003cul\u003e\n\u003cli\u003eApple ProRes 422 HQ - 27.5 MB\/s\u003cbr\u003eApple ProRes 422 - 18.4 MB\/s\u003cbr\u003eApple ProRes 422 LT - 12.75 MB\/s\u003cbr\u003eApple ProRes Proxy - 5.6 MB\/s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eConstant Quality storage rates quoted are indicative only.\u003c\/p\u003e\n\u003cp\u003eActual storage rates are entirely dependent on image subject matter.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSoftware\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSoftware Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic OS\u003c\/li\u003e\n\u003cli\u003eDaVinci Resolve Studio for Mac and Windows including activation key\u003c\/li\u003e\n\u003cli\u003eBlackmagic Camera Setup\u003c\/li\u003e\n\u003cli\u003eBlackmagic RAW Player\u003c\/li\u003e\n\u003cli\u003eBlackmagic RAW QuickLook Plugin\u003c\/li\u003e\n\u003cli\u003eBlackmagic RAW SDK\u003c\/li\u003e\n\u003cli\u003eBlackmagic RAW Speed Test\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Systems\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMac 11.1 Big Sur,\u003c\/li\u003e\n\u003cli\u003eMac 12.0 Monterey or later.\u003c\/li\u003e\n\u003cli\u003eWindows 10 and 11.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x External 12V power supply.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eExternal Power Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x 2‘pin locking connector.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBattery Type\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNP-F570\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBattery Life\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eApproximately 60 minutes\u003cbr\u003e(recording 6K RAW at 24 fps to CFast 2.0 with screen brightness at 50%)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12V-20V.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Temperature\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e0°to 40°C (32° to 104°F)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Temperature\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e-20°to 45°C (-4° to 113°F)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRelative Humidity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e0% to 90% non-condensing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12 Month Limited Manufacturer's Warranty.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49113240207607,"sku":"BMD-CINECAMPOCHDEF6K2","price":2195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_577383af-b0fa-47ec-9426-4c018f119cb8.png?v=1727590357"},{"product_id":"blackmagic-design-bmd-cinstudmft-g24pdfg2-studio-camera-4k-pro-g2","title":"Blackmagic Design BMD-CINSTUDMFT\/G24PDFG2 Studio Camera 4K Pro G2","description":"\u003ch3\u003eBlackmagic Design BMD-HYPERD\/VDUP25\/12G Duplicator 4K\u003c\/h3\u003e\n\u003cp\u003eDesigned for professional SDI switchers, you get the features of the Studio Camera Plus model, as well as 12G-SDI, XLR audio, bright HDR LCD, talkback, 10G Ethernet IP link and HD live streaming.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and color science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. It even works under moonlight! Advanced features include talkback, tally, camera control, built in color corrector, Blackmagic RAW recording to USB disks, live streaming and more! You can even add a focus and zoom demand for lens control!\u003c\/p\u003e\n\u003cp\u003eWhile Blackmagic Studio Camera is designed for live production, it™s not limited to use with a live switcher! That™s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7\"\" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings! The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because it™s so lightweight, it™s perfect when you're constantly changing locations and doing different kinds of work.\u003c\/p\u003e\n\u003cp\u003eLarge broadcasters use expensive studio cameras that are extremely large, so they™re not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it™s a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it™s easy to track and frame shots with its large 7\"\" viewfinder. The touchscreen has menus for camera settings, and there's knobs for brightness, contrast and focus peaking. Plus a tripod mount with mounting plate is included for fast setup!\u003c\/p\u003e\n\u003cp\u003eIn advanced cameras, ISO is a measurement of the image sensor™s sensitivity to light. This means the higher the ISO the more gain can be added so it™s possible to shoot in natural light, or even at night! The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/p\u003e\n\u003cp\u003eAmazing sensors combined with Blackmagic generation 5 color science give you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. Great for both HD and Ultra HD production, the 4K models feature a resolution of 3840 x 2160 and the 6K model has a resolution of 6144 x 3456. Plus, all models support 23.98 to 60 fps.\u003c\/p\u003e\n\u003cp\u003eWith the popular EF or MFT lens mounts, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely! To eliminate the need to reach around to adjust the lens manually, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera! This means you avoid camera shake when adjusting the lens so you can track shots and operate the camera without taking your hands off the tripod! It gives you the same feel as an expensive B4 broadcast lens!\u003c\/p\u003e\n\u003cp\u003eThe large 7\"\" high resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro models feature an HDR display with extremely high brightness, perfect outdoors in sunlight! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun shade can be folded to protect the screen for transport plus it's compatible with sun shades from the Blackmagic Studio Viewfinder!\u003c\/p\u003e\n\u003cp\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast and focus peaking. The focus peaking knob is incredibly useful as it lets you fine tune the detail highlight so you can get perfect focus as you zoom. The 3 function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the menus. The touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on air, green for preview and orange for ISO recording. The tally light also includes clip on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20 feet away! The Blackmagic Studio Cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring so job setup is faster.\u003c\/p\u003e\n\u003cp\u003eUnlike consumer cameras, the Blackmagic Studio Camera 4K Pro G2 and 6K Pro models have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot, at the same time! The talkback connector is built into the side of the camera and supports standard 5 pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback!\u003c\/p\u003e\n\u003cp\u003eBlackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI with tally, camera control and record trigger, so are perfect for ATEM Mini switchers! You also get headphone and mic connections, and 2 USB-C expansion ports. The advanced Blackmagic Studio Camera Pro models are designed for broadcast workflows so have 12G-SDI, 10GBASE-T Ethernet, talkback and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback and camera power via a single connection so setup is much faster! That's just like a SMPTE fiber workflow, but using standard Category 6A copper Ethernet cable so it's much lower cost.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Studio Cameras can be connected in lots of different ways! All models feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control and record trigger for a broadcast style workflow using a single HDMI cable. The Blackmagic Studio Camera Pro models have 12G-SDI so you can connect it to SDI based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera video, and one for program return. The program return also includes tally, talkback and remote camera control. Or you can use 10G Ethernet to get camera video, program return, tally, talkback, camera control and even power using a regular Cat6A Ethernet cable!\u003c\/p\u003e\n\u003cp\u003eUsing the HDMI output, you can connect to switchers such as ATEM Mini! Plus the HDMI connection supports sending tally, color corrector control and record trigger back to the camera from the switcher.\u003c\/p\u003e\n\u003cp\u003eThe SDI model uses the SDI output and the SDI program return for 2 way talkback between the camera and any SDI ATEM switcher. Tally and control is also sent to the camera via the SDI program return.\u003c\/p\u003e\n\u003cp\u003eThe 10G Ethernet connection allows all signals and camera power using a single Cat 6A copper Ethernet cable! That includes the camera video, program return, tally, talkback, camera control and more!\u003c\/p\u003e\n\u003cp\u003eYou can even shoot without a switcher as the large screen makes the camera fantastic for shooting while recording to Blackmagic RAW on a USB flash disk. The big screen makes framing shots very easy!\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49113240797431,"sku":"BMD-CINSTUDMFT\/G24PDFG2","price":2055.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_2_6cb0a8c5-3135-4389-816c-b9b5e15e580d.png?v=1727591433"},{"product_id":"blackmagic-design-bmd-cineursab-evf-ursa-cine-evf","title":"Blackmagic Design BMD-CINEURSAB\/EVF URSA Cine EVF","description":"\u003ch3\u003eBlackmagic Design BMD-CINEURSAB\/EVF URSA Cine EVF\u003c\/h3\u003e\n\u003cp\u003eBlackmagic URSA Cine EVF makes outdoors and handheld shooting with your Blackmagic URSA Cine or Blackmagic PYXIS digital film camera easy! You get a high quality 1920 x 1080 color OLED display with 4 element glass diopter for incredible accuracy with a wide focus adjustment, assignable function buttons and more. URSA Cine EVF is easy to set up with a single USB-C cable connection for video, power and camera control and can be position in multiple different ways. It also includes an extension arm to position it on a dolly or geared head.\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49113242140919,"sku":"BMD-CINEURSAB\/EVF","price":1865.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_e6360183-f519-4760-9d61-b8de8fab1abd.png?v=1727591976"},{"product_id":"blackmagic-design-bmd-cineursanevfp-ursa-viewfinder","title":"Blackmagic Design BMD-CINEURSANEVFP URSA Viewfinder","description":"\u003ch3\u003eBlackmagic Design BMD-CINEURSANEVFP URSA Viewfinder\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eBlackmagic URSA Viewfinder\u003c\/strong\u003e is designed specifically for use with the URSA and URSA mini digital film cameras. It features a high-resolution 1920 x 1080 color OLED display, precision glass optics, and an adjustable diopter to fine tune to your vision. It also has a built-in digital focus chart to help when focusing on your subjects. To boost the longevity of the OLED screen, the viewfinder uses a built-in sensor that only turns the screen on when your looking through it. It screws directly onto the top of your URSA camera and is adjustable, so it can be used with the left or the right eye.\u003c\/p\u003e\n\u003cdiv data-selenium=\"\" class=\"\" sectionheaders=\"\"\u003e\n\u003cdl class=\"\"\u003e\n\u003cdt class=\"\"\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd class=\"\"\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eDesigned for Blackmagic URSA and URSA Mini\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e1920 x 1080 OLED screen\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eGlass optics\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAdjustable diopter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eDigital focus chart\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eEye-sensor turns OLED screen off when not in use to preserve screen life\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt-in record light\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eLeft and right eye switchable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49113245679863,"sku":"BMD-CINEURSANEVFP","price":1679.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_193c1c56-dd5c-4877-a6ce-90fea8f2b3c7.png?v=1727593546"},{"product_id":"blackmagic-design-bmd-cineursansvf2-ursa-studio-viewfinder-g2","title":"Blackmagic Design BMD-CINEURSANSVF2 URSA Studio Viewfinder G2","description":"\u003ch3\u003eBlackmagic Design BMD-CINEURSANSVF2 URSA Studio Viewfinder G2\u003c\/h3\u003e\n\u003cp class=\"\"\u003eWhen you™re working live in the studio or out at an event in a large venue such as a stadium, the URSA Studio Viewfinder gives you everything you need to comfortably operate your URSA Mini in live production! The bright 7 screen has a detachable sunshade and includes large handles and an articulated pivot mount that let you position and move the viewfinder independent of the camera! The large rotary control dials and customizable function buttons let you make on the fly adjustments without having to take your eyes off the action! Set up is quick and easy using the included V-Lock plate and it connects directly to the SDI monitor and power output on your URSA Mini, so you don™t need additional cables or power supplies.\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49113266585847,"sku":"BMD-CINEURSANSVF2","price":1669.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_b0b0aa0a-6cc1-42d3-9626-08e375201443.png?v=1727595826"},{"product_id":"blackmagic-design-bmd-cinstudmft-g24pdd-studio-camera-4k-plus","title":"Blackmagic Design BMD-CINSTUDMFT\/G24PDD Studio Camera 4K Plus","description":"\u003ch3\u003eBlackmagic Design BMD-CINSTUDMFT\/G24PDD Studio Camera 4K Plus\u003c\/h3\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eThe ultimate self contained live production camera!  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eDesigned as the perfect studio camera for ATEM Mini, this model has a 4K sensor up to 25,600 ISO, MFT lens mount, HDMI out, 7\"\" LCD with sunshade, built-in color correction and recording to USB disks. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Blackmagic Studio Camera 4K Plus has been specifically designed as the perfect camera for ATEM Mini. It's the same high quality broadcast camera, but the HDMI centric design removes all the expensive broadcast connections so it's much lower cost. The HDMI is incredibly powerful as it connects video to the ATEM Mini, while at the same time camera control, tally and the remote record trigger is sent to the camera using the same HDMI connection. That makes it very fast to set up for a job. \u003c\/p\u003e\n\u003cp class=\"\"\u003eIntroducing the world™s most advanced self contained studio camera! Blackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and color science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. It even works under moonlight! Advanced features include talkback, tally, camera control, built in color corrector, Blackmagic RAW recording to USB disks and much more! You can even add a focus and zoom demand for lens control! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDesigned for Live Production\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eWhile Blackmagic Studio Camera is designed for live production, it™s not limited to use with a live switcher! That™s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7\"\" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings! The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because it™s so lightweight, it™s perfect when you're constantly changing locations and doing different kinds of work. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eRevolutionary Studio Camera Design\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eLarge broadcasters use expensive studio cameras that are extremely large, so they™re not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it™s a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it™s easy to track and frame shots with its large 7\"\" viewfinder. The touchscreen has menus for camera settings, and there's knobs for brightness, contrast and focus peaking. Plus a tripod mount with mounting plate is included for fast setup! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eExceptional Low Light Performance\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eIn advanced cameras, ISO is a measurement of the image sensor™s sensitivity to light. This means the higher the ISO the more gain can be added so it™s possible to shoot in natural light, or even at night! The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eGet Cinematic Images in Live Production!\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe amazing 4K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160 which is great for both HD and Ultra HD work. Plus, all models support from 23.98 fps up to 60 fps. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAffordable Photographic Lenses!\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eWith the popular MFT lens mount, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely! To eliminate the need to reach around to adjust the lens zoom and focus, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera! This means you avoid camera shake when adjusting the lens, so you can track shots and operate the camera without taking your hands off the tripod! It gives you the same feel as an expensive B4 broadcast lens! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eFrame Shots with Large 7\"\" Viewfinder\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe large 7\"\" high resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro model features a HDR display with extremely high brightness, perfect outdoors in sunlight! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun shade can be folded to protect the screen for transport plus it's compatible with sun shades from the Blackmagic Studio Viewfinder! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePhysical and Touchscreen Controls\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast and focus peaking. The focus peaking knob is incredibly useful as it lets you fine tune the detail highlight so you can get perfect focus as you zoom. The 3 function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the menus. The touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBuilt-in Tally for On Air Status\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on air, green for preview and orange for ISO recording. The tally light also includes clip on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20 feet away! The Blackmagic Studio cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring so job setup is faster. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePowerful Broadcast Connections\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eBlackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI with tally, camera control and record trigger, so are perfect for ATEM Mini switchers! You also get headphone and mic connections, and 2 USB‘C expansion ports. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eFour Ways to Connect\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eBlackmagic Studio Cameras can be connected in lots of different ways! All models feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control and record trigger for a broadcast style workflow using a single HDMI cable. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eGet Low Cost Camera Control via SDI\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eAll Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the camera's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher™s SDI program output to the camera via the SDI program input. The switcher can perform color correction, tally and lens control and these are sent to all cameras. All you need to do is select the correct camera number and it all works. Even ATEM Mini switchers can control Blackmagic Studio Cameras because the HDMI output to the switcher has return data communication that can send control information back to the camera. All this means the camera operator is free to focus on framing shots. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eUSB Expansion Port for Accessories\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Blackmagic Studio Camera features a high speed USB-C expansion port that allows you to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. You can even plug in optional focus and zoom demands to allow full lens control. Plus the USB port will power any phone or disk that™s plugged in! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eIncredible Blackmagic RAW Quality\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, so add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eIncludes Built-in Microphones\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eBlackmagic Studio Cameras include built in microphones so you get sound included in the design making setup much faster. Plus the built in microphones are shock and wind resistant, so you get great sound even in tough conditions! With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There™s also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMonitor Program Video\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Blackmagic Studio Camera lets you view program video from the switcher at the press of a button! Simply press the camera™s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. Plus the built in speaker lets you monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means even if the camera operator is a large distance away from the switcher, they can still keep up with what™s happening and remain alert. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eSupports 3D LUTs for Film Looks!\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eWhen Blackmagic RAW files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer looking images on the LCD. 3D LUTs are also saved into the Blackmagic RAW files so they can be used in later post production, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLocalized in 11 Popular Languages\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Blackmagic Studio Cameras are designed to be used worldwide so they support 11 popular languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Russian, Turkish, Chinese, Japanese or Korean. It™s easy to switch to another language simply by going into the menu settings. When switching between languages, all the on screen overlays, heads up display, and setup menus will be displayed in the selected language and you can change languages any time you like! \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePowers from DC or 10G Ethernet\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eBlackmagic Studio Cameras have lots of different power options! All models have a common 12V DC locking power connector so the cable won't be accidentally pulled out. Plus, the camera includes a power supply with 5 different AC socket adapters for different countries\u003c\/p\u003e\n\u003cp\u003e\"\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49113339429111,"sku":"BMD-CINSTUDMFT\/G24PDD","price":1345.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_1_34fc1dd0-97f1-4d37-b1ad-0a869ac6de59.png?v=1727602996"},{"product_id":"blackmagic-design-bmd-cinstudmft-g24pddg2-studio-camera-4k-plus-g2","title":"Blackmagic Design BMD-CINSTUDMFT\/G24PDDG2 Studio Camera 4K Plus G2","description":"\u003ch3\u003eBlackmagic Design BMD-CINSTUDMFT\/G24PDDG2 Studio Camera 4K Plus G2\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eThe ultimate \u003c\/strong\u003e\u003cstrong\u003eself-contained live production\u003c\/strong\u003e\u003cstrong\u003e camera!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Studio Camera 4K Plus G2 has the same features as large studio cameras, miniaturized into a single compact and portable design. Designed for professional SDI switchers, you get the features of the Studio Camera Plus, as well as 12Gâ‘SDI, XLR audio, bright HDR LCD, 5-pin XLR talkback, 10G Ethernet IP link, and HD live streaming. With digital film camera dynamic range and color science, this camera can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. It even works under moonlight! Advanced features include tally, camera control, built in color corrector, Blackmagic RAW recording to USB disks and much more! You can even add a focus and zoom demand for lens control!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for Live Production\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile Blackmagic Studio Camera is designed for live production, itâ™s not limited to use with a live switcher! Thatâ™s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7\"\" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings! The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because itâ™s so lightweight, itâ™s perfect when you're constantly changing locations and doing different kinds of work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRevolutionary\u003c\/strong\u003e\u003cstrong\u003e Studio Camera \u003c\/strong\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLarge broadcasters use expensive studio cameras that are extremely large, so theyâ™re not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because itâ™s a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so itâ™s easy to track and frame shots with its large 7\"\" viewfinder. The touchscreen has menus for camera settings, and there's knobs for brightness, contrast and focus peaking. Plus a tripod mount with mounting plate is included for fast setup!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExceptional Low\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eLight\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003ePerformance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eIn advanced cameras, ISO is a measurement of the image sensorâ™s sensitivity to light. This means the higher the ISO the more gain can be added so itâ™s possible to shoot in natural light, or even at night! The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Cinematic\u003c\/strong\u003e\u003cstrong\u003eImages in Live\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eProduction!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAmazing sensors combined with Blackmagic generation 5 color science give you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. Great for both HD and Ultra HD production, the 4K models feature a resolution of 3840 x 2160 and the 6K model has a resolution of 6144 x 3456. Plus, all models support 23.98 to 60 fps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAffordable Photographic\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eLenses!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eWith the popular EF or MFT lens mounts, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely! To eliminate the need to reach around to adjust the lens manually, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera! This means you avoid camera shake when adjusting the lens so you can track shots and operate the camera without taking your hands off the tripod! It gives you the same feel as an expensive B4 broadcast lens!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame Shots\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003ewith Large 7\"\"\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eViewfinder\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eThe large 7\"\" high resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro models features an HDR display with extremely high brightness, perfect outdoors in sunlight! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun shade can be folded to protect the screen for transport plus it's compatible with sun shades from the Blackmagic Studio Viewfinder!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical and\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eTouchscreen Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast and focus peaking. The focus peaking knob is incredibly useful as it lets you fine tune the detail highlight so you can get perfect focus as you zoom. The 3 function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the menus. The touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt-in Tally\u003c\/strong\u003e\u003cstrong\u003e for On Air \u003c\/strong\u003e\u003cstrong\u003eStatus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on air, green for preview and orange for ISO recording. The tally light also includes clip on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20 feet away! The Blackmagic Studio Cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring so job setup is faster.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommunicate\u003c\/strong\u003e\u003cstrong\u003ewith the Director via\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eTalkback\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eUnlike consumer cameras, Blackmagic Studio Cameras have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time! All models support 3.5mm headsets that are designed for smartphones, while the Pro models support standard 5 pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowerful Broadcast Connections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eBlackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI and 12Gâ‘SDI with talkback, tally, camera control and record trigger, perfect for ATEM Mini or ATEM SDI switchers! You also get headphone and mic connections, and 2 USBâ‘C expansion ports. The advanced Blackmagic Studio Camera Pro models are designed for broadcast workflows so have 10GBASEâ‘T Ethernet and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback and camera power via a single connection so setup is much faster! That's just like a SMPTE fiber workflow, but using standard Category 6A copper Ethernet cable so it's much lower cost.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFour Ways to\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eConnect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eBlackmagic Studio Cameras can be connected in lots of different ways! All models feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control and record trigger for a broadcast style workflow using a single HDMI cable. They also have 12Gâ‘SDI so you can connect to SDI based switchers such as the ATEM Constellation. There's a 12Gâ‘SDI connection for camera video, and one for program return. The program return also includes tally, talkback and remote camera control. Blackmagic Studio Camera Pro models can also use 10G Ethernet to get camera video, program return, tally, talkback, camera control and even power using a regular Cat6A Ethernet cable!\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003e Connect via \u003c\/strong\u003e\u003cstrong\u003eHDMI\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e        Using the HDMI output, you can connect to switchers such as ATEM Mini! Plus the HDMI connection supports sending tally, color corrector control and record trigger back to the camera from the switcher.\u003c\/p\u003e\n\u003col start=\"\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnect via \u003c\/strong\u003e\u003cstrong\u003eSDI\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e        Use the SDI output and the SDI program return for 2 way talkback between the camera and any SDI ATEM switcher. Tally and control is also sent to the camera via the SDI program return.\u003c\/p\u003e\n\u003col start=\"\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnect via \u003c\/strong\u003e\u003cstrong\u003eEthernet\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e        The 10G Ethernet connection allows all signals and camera power using a single Cat 6A copper Ethernet cable! That includes the camera video, program return, tally, talkback, camera control and more!\u003c\/p\u003e\n\u003col start=\"\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnect via \u003c\/strong\u003e\u003cstrong\u003eUSB Disk\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e        You can even shoot without a switcher as the large screen makes the camera fantastic for shooting while recording to Blackmagic RAW on a USB flash disk. The big screen makes framing shots very easy!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Low Cost\u003c\/strong\u003e\u003cstrong\u003e Camera Control via SDI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eAll Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the camera's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcherâ™s SDI program output to the camera via the SDI program input. The switcher can perform color correction, tally and lens control and these are sent to all cameras. All you need to do is select the correct camera number and it all works. Even ATEM Mini switchers can control Blackmagic Studio Cameras because the HDMI output to the switcher has return data communication that can send control information back to the camera. All this means the camera operator is free to focus on framing shots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLow Cost SMPTE \u003c\/strong\u003e\u003cstrong\u003eFiber Style\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eWorkflow\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eThe Blackmagic Studio Camera 4K Pro G2 and 6K Pro models support connecting cameras via a single Ethernet cable. Itâ™s so simple, just plug in and you're ready! Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras, however SMPTE fiber is very expensive. Blackmagic Studio Camera Pro models have 10G Ethernet as an alternative to SMPTE fiber so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control and also power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive Streaming for\u003c\/strong\u003e\u003cstrong\u003e Global Remote Cameras\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eNow you can place cameras remotely, anywhere in the world as the Blackmagic Studio Camera 4K Pro G2 and 6K Pro models have built in live streaming! This means you can place a camera in a remote location and it can generate a H.264 HD live stream that is sent over the internet back to the studio. Simply connect the camera to the internet using the built in Ethernet connection, or you can connect a 4G or 5G phone to the USB-C port to stream via remote data! The live stream is received in the studio by an ATEM Streaming Bridge where it's converted back to video for connection to a switcher. The ATEM Streaming Bridge can even send tally, talkback and camera control back to the camera!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB \u003c\/strong\u003e\u003cstrong\u003eExpansion\u003c\/strong\u003e\u003cstrong\u003e Port for Accessories\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eThe Blackmagic Studio Camera features a high speed USB-C expansion port that allows you to record to external disks, control the camera via a network or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time copying files. Or add a USB-C to Ethernet adapter to control your camera over a network via easy to use REST APIs. You can even copy files off the camera via the network! Plus plug in optional focus and zoom demands to allow full lens control, just like a large studio camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncredible\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eBlackmagic RAW\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eQuality\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, so add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eBuilt-in Microphones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eBlackmagic Studio Cameras include built in microphones so you get sound included in the design making setup much faster. Plus the built in microphones are shock and wind resistant, so you get great sound even in tough conditions! With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. Thereâ™s also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera Pro model you get professional XLR audio inputs and a built in speaker for listening to the program return audio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorld's Best Camera\u003c\/strong\u003e\u003cstrong\u003e Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eBecause the most common location to place microphones is near to cameras, the Pro models include the best audio ever designed into a studio camera! The professional 2 channel balanced XLR inputs support +24 dBu line level and have an ultra low noise microphone preamplifier with P48 phantom power alongside an equivalent input noise (E.I.N.) of -131 dBV(A). That's followed by two 117 dB high dynamic range analog to digital converters, so you get the high end audio demanded by broadcasters and audio engineers. This means any microphone plugged into the XLR inputs will have a higher level of noise than the camera's audio!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor Program Video\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eThe Blackmagic Studio Camera lets you view program video from the switcher at the press of a button! Simply press the cameraâ™s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. Plus the built in speaker lets you monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means even if the camera operator is a large distance away from the switcher, they can still keep up with whatâ™s happening and remain alert.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt In ND\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eBlackmagic Studio Camera 6K Pro features high quality, remote controllable ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters give you additional latitude even under harsh lighting. The filters are designed to filter both optical and IR wavelengths evenly, eliminating IR contamination of the images. The ND filters can be electronically controlled by the function buttons on the back of the camera, using buttons on the demand and remotely. Because they can be controlled remotely by the camera control operator, the camera operator is free to focus on getting the perfect shot!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowered by Blackmagic\u003c\/strong\u003e\u003cstrong\u003e OS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupports 3D LUTs for Film\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eLooks!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eWhen Blackmagic RAW files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer looking images on the LCD. 3D LUTs are also saved into the Blackmagic RAW files so they can be used in later post production, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLocalized in 13 \u003c\/strong\u003e\u003cstrong\u003ePopular\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eLanguages\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eThe Blackmagic Studio Cameras are designed to be used worldwide so they support 13 popular languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Ukrainian, Chinese, Japanese or Korean. Itâ™s easy to switch to another language simply by going into the menu settings. When switching between languages, all the on screen overlays, heads up display, and setup menus will be displayed in the selected language and you can change languages any time you like!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowers From DC or\u003c\/strong\u003e\u003cstrong\u003e 10G \u003c\/strong\u003e\u003cstrong\u003eEthernet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eBlackmagic Studio Cameras have lots of different power options! All models have a common 12V DC locking power connector so the cable won't be accidentally pulled out. Plus, the camera includes a power supply with 5 different AC socket adapters for different countries. However if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera Pro models, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable so you don't need any power connection to the camera. Thatâ™s a great solution when there's no power available where the cameras are placed!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFocus and Zoom\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eDemands\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eThe optional zoom and focus demands can be added to turn affordable photography lenses into amazing broadcast lenses! The focus and zoom demands have USB-C connections so they work with all Blackmagic Studio Camera models. Each zoom and focus demand has 2 USB-C ports, so you can daisy chain them then connect to the camera with a single USB connection. The design has an incredibly precise feel and so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. The buttons can be customized so you can assign different camera functions to them! Plus, hardware is included for mounting the focus and zoom demand onto tripod handles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic Studio\u003c\/strong\u003e\u003cstrong\u003e Converter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eWith 10G Ethernet on the Pro models, you can connect all signals to the camera with the one Ethernet IP link connection. That means the camera feed, return program feed, timecode, reference, tally, talkback and control are all sent down the single cable. That's the same benefits of SMPTE fiber, but the standard 10G copper Ethernet cable is much lower cost. The Blackmagic Studio Converter allows breakout of all the video, audio and talkback connections at the studio end. It also includes a massive power supply that powers the camera down the Ethernet cable, so you don't need a power source near the camera. Plus you can fit 2 per rack unit using a Blackmagic Universal Rack Shelf!\u003c\/p\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49113343426807,"sku":"BMD-CINSTUDMFT\/G24PDDG2","price":1485.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_2_707a2490-11c4-4e9a-9902-47634e7f18df.png?v=1727604866"},{"product_id":"blackmagic-design-bmd-cineursansvf-ursa-studio-viewfinder-final-sale-no-returns","title":"Blackmagic Design BMD-CINEURSANSVF URSA Studio Viewfinder - Final Sale\/No Returns","description":"\u003ch3\u003eBlackmagic Design BMD-CINEURSANSVF URSA Studio Viewfinder - Final Sale\/No Returns\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eURSA Studio Viewfinder\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e is specifically built to provide studio viewfinder functionality to your URSA Mini camera. With a 7\"\" screen, manual control knobs, camera ID\/tally light, and a tension adjustable articulating mount, the Studio Viewfinder seamlessly integrates into a studio style workflow for relaxed camera operation at sporting events, concerts, or in the studio. Three manual knobs next to the view screen provide control over brightness, contrast, and peaking without having to dive into the menu system.\u003c\/p\u003e\n\u003cp\u003eA menu button on the left of the LCD screen allows you to quickly navigate the menu system and make adjustments, while three customizable buttons allow you to display a variety of exposure, focus, and framing guides including zoom, zebra, false color, histogram, edge focus detection, custom LUT support, three adjustable frame line overlays, and audio meter display.\u003c\/p\u003e\n\u003cdiv data-selenium=\"\" class=\"\" sectionheaders=\"\"\u003e\n\u003cdl data-tickertarget=\"\" class=\"\"\u003e\n\u003cdt class=\"\"\u003e\u003cstrong\u003eArticulating Mount\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd class=\"\"\u003eThe URSA Studio Viewfinder is designed to mount on top of your URSA Mini camera. The articulating mount is tension adjustable so you can easily adjust it to the tension that suits you best.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"\" class=\"\"\u003e\n\u003cdt class=\"\"\u003e\u003cstrong\u003e7\"\" LCD Viewfinder\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd class=\"\"\u003eFeaturing a 1920 x 1080 IPS display, the viewfinder provides sharp, clear images with good off-axis viewing for when sudden camera moves don't allow for screen angle adjustment. It features a detachable sun hood and grab handles on either side for left or right-handed height adjustment.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"\" class=\"\"\u003e\n\u003cdt class=\"\"\u003e\u003cstrong\u003eDisplay\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd class=\"\"\u003eAlong the top of the screen is displayed your camera number (for multi-camera shoots), the screen resolution, fps, shutter speed, lens iris, camera gain, white balance, and battery power.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"\" class=\"\"\u003e\n\u003cdt class=\"\"\u003e\u003cstrong\u003eManual Knobs\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd class=\"\"\u003eThree manual control knobs to the right of the LCD view screen allow you to adjust the brightness, contrast, and peaking sensitivity without the need to enter the menu system or take your eyes from the viewfinder.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"\" class=\"\"\u003e\n\u003cdd class=\"\" featuredd=\"\"\u003ePeaking is a real-time focus assist tool that superimposes pulsing red lines over the area of your image with the most contrast, and therefore the most focus. This makes it easier to confirm that subjects are in focus.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"\" class=\"\"\u003e\n\u003cdt class=\"\"\u003e\u003cstrong\u003eMenu and Function Buttons\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd class=\"\"\u003eTo the left of the view screen is a manual menu knob, plus three assignable buttons. The menu knob allows you to navigate the menu, and you can assign functions to the buttons.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"\" class=\"\"\u003e\n\u003cdd class=\"\" featuredd=\"\"\u003eZoom allows you to magnify any portion of the image, useful for checking focus while using the menu knob to select which part of the image is magnified.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"\" class=\"\"\u003e\n\u003cdd class=\"\" featuredd=\"\"\u003eZebra is a real-time digital exposure tool that indicates when subjects or parts of the frame are outside of the exposure threshold. The zebra pattern will appear on the parts of the image that have reached 100% brightness to warn that the area is overexposed and in danger of clipping.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"\" class=\"\"\u003e\n\u003cdd class=\"\" featuredd=\"\"\u003eThe False Color feature provides under\/over luminance warning by presenting the image as a series of color values representing exposure.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"\" class=\"\"\u003e\n\u003cdd class=\"\" featuredd=\"\"\u003eRed, Blue, or Green Only mode shows the image as monochrome utilizing only the red, blue, or green color components of the image.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"\" class=\"\"\u003e\n\u003cdd class=\"\" featuredd=\"\"\u003eThe Histogram overlay provides a graphic depiction of how many pixels in your image are at each level between black and white. This provides exposure information so you can objectively judge how much of your image is clipping, falling into the shadows, or being captured faithfully.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"\" class=\"\"\u003e\n\u003cdd class=\"\" featuredd=\"\"\u003eThe Luminance Waveform provides an objective evaluation of your video signal. It displays the brightness of your image on an IRE scale, allowing you to see if your image will clip and where your black levels are.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"\" class=\"\"\u003e\n\u003cdt class=\"\"\u003e\u003cstrong\u003eFrame Guides\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd class=\"\"\u003eThree customizable frame guide overlays allow you to either create a custom aspect ratio, or use to define areas where graphics will be inserted downstream. Using the guides to approximate downstream graphics allows you to adjust your framing while taking these graphics into account.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"\" class=\"\"\u003e\n\u003cdt class=\"\"\u003e\u003cstrong\u003eTally\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd class=\"\"\u003eOn the talent side of the viewfinder is a tally light with replaceable acetate numbers to identify your camera to the talent or technical director. On the operator side of the viewfinder is a tally light that can light up indicating that the camera is providing the program picture. Please note that tally functionality requires a compatible tally over SDI connection.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e","brand":"305broadcast","offers":[{"title":"Default Title","offer_id":49113386483959,"sku":"BMD-CINEURSANSVF","price":1295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/1291\/7402\/files\/download_1_d9f3cb92-3302-4e9f-a6f2-af24bf173f5c.png?v=1727605508"},{"product_id":"blackmagic-design-bmd-cinstudmft-uhd-mrg2-micro-studio-camera-4k-g2","title":"Blackmagic Design BMD-CINSTUDMFT\/UHD\/MRG2 Micro Studio Camera 4K G2","description":"\u003ch3\u003eBlackmagic Design BMD-CINSTUDMFT\/UHD\/MRG2 Micro Studio Camera 4K G2\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eThe world™\u003c\/strong\u003e\u003cstrong\u003es \u003c\/strong\u003e\u003cstrong\u003esmallest Ultra HD broadcast\u003c\/strong\u003e\u003cstrong\u003e camera!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Micro Studio Camera 4K G2 is the perfect solution for placing cameras on set when you don't have space for regular sized cameras! It includes the popular MFT lens mount, very low light 4K image sensor and cinematic color science! So it's small, but has the features of a full sized studio camera! You also get 12G-SDI for HD and Ultra HD operation up to 2160p60. It's also possible to control the built in color corrector and lens using the SDI and HDMI connections. It can even record Blackmagic RAW to USB disks! Plus Blackmagic Micro Studio Camera 4K goes well beyond broadcast quality with log gamma, allowing you to create cinematic color corrected looks, all in camera!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for Live Production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe small size of the Micro Studio Camera makes it virtually invisible, so you can place it just about anywhere on set. You can have more camera angles than ever before for your live production to create a more interesting program. Its professional broadcast connections make it perfect for any kind of work such as television production, broadcast news, sports, education, conference centers and churches! It's now easy to hide lots of cameras on stage for the most incredible shorts! While Blackmagic Micro Studio Camera is designed for live production, it can also be used with editing software. That™s because it can record Blackmagic RAW to USB disks for later editing and color correction!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRevolutionary Studio Camera\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLarge broadcasters use expensive studio cameras that are extremely large, so they™re not very flexible. The distinctive Blackmagic Micro Studio Camera has all the benefits of a large studio camera in a tiny rugged body you can put virtually anywhere! It features a super tough magnesium alloy core in a body that™s not much larger than the lens mount itself! You can use affordable, high performance MFT lenses or add adapters to work with broadcast lenses. The camera is designed for live production so its HDMI and SDI uses the same camera control protocol as ATEM switchers. Plus the buttons on the front of the camera give you quick access to the settings menu and for triggering recording!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExceptional Low\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eLight Performance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn advanced cameras, ISO is a measurement of the image sensor™s sensitivity to light. This means the higher the ISO the more gain can be added so it™s possible to shoot in natural light, or even at night! The Blackmagic Micro Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera HDMI menu, or remotely from a switcher using the SDI\/HDMI remote camera control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Cinematic Images \u003c\/strong\u003e\u003cstrong\u003ein Live \u003c\/strong\u003e\u003cstrong\u003eProduction!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe amazing 4K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160 which is great for both HD and Ultra HD work. Plus, Blackmagic Micro Studio Camera supports from 23.98 fps up to 60 fps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAffordable\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003ePhotographic Lenses!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the popular MFT lens mount, Blackmagic Micro Studio Camera is compatible with a wide range of affordable photographic lenses from Olympus, Panasonic, Sigma and more! Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely! This is ideal as it lets you adjust cameras mounted high up in hard to reach areas without needing to physically access them. Plus, the optional focus and zoom demands let you adjust the lens just like a large studio camera! This means you can set important lens settings such as focus, zoom and iris just like you can with an expensive B4 broadcast lens!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt-in Tally for On Air\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eStatus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Micro Studio Camera 4K features a tally light that illuminates red for on air, green for preview and orange for ISO recording. This makes it easy for talent to present with confidence as they know at a glance which camera is on air! You get full support for the SDI and HDMI tally protocol from switchers such as ATEM Television Studio, ATEM Constellation and ATEM Mini. This means that a director can cut between cameras and the tally information will be sent back to the cameras, lighting up the tally light on the camera whenever it's on air. Because the tally it sent via the SDI and HDMI connections to the camera, complex cabling is eliminated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowerful\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eBroadcast Connections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Micro Studio Camera 4K has lots of connections for connecting to broadcast equipment. It has 12G-SDI that supports video, tally and camera return which makes setup much faster! It includes a full size HDMI connector for local video monitoring so you can attach a monitor such as a Blackmagic Video Assist to change settings through the menu overlay or check the position of a remote camera. You also get a USB-C expansion port for recording to external disks or controlling the camera via zoom and focus demands. You can even connect a USB-C to Ethernet adapter to control the camera over a network via REST APIs! Plus there™s a 3.5mm port for connecting a microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo Ways to Connect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Micro Studio Cameras can be connected in lots of different ways! They feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control and record trigger for a broadcast style workflow using a single HDMI cable. They also have 12G-SDI so you can connect to SDI based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera video, and one for program return. The program return also includes tally, talkback and remote camera control.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cstrong\u003eConnect via HDMI\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e          Using the HDMI output, you can connect to switchers such as ATEM Mini! Plus the HDMI connection supports sending tally, color corrector control and record trigger back to the camera from the switcher.\u003c\/p\u003e\n\u003col start=\"\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnect via\u003c\/strong\u003e\u003cstrong\u003e SDI\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e          Use the SDI output and the SDI program return for 2 way talkback between the camera and any SDI ATEM switcher. Tally and control is also sent to the camera via the SDI program return.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes Built-in Microphones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Micro Studio Camera includes built in microphones so you get sound included in the design making setup much faster. Each microphone is placed at the optimal position meaning you get better stereo separation than what is possible on a regular video camera. There™s also a 3.5mm audio input so you can connect to video microphones when you need to add larger more directional microphones with wind protection. Whether you™re using the built in microphones or attaching an external mic, the audio is embedded into the SDI and HDMI video outputs so you get perfect audio and video sync!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB-C for \u003c\/strong\u003e\u003cstrong\u003eExternal Disks\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eand Ethernet\u003c\/strong\u003e\u003cstrong\u003e Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Micro Studio Camera 4K features a high speed USB-C expansion port that lets you record to external disks, control the camera via a network or connect a wide range of accessories! Plug in an external USB disk and the camera can record high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work and you don't need to waste time copying files. Or add a USB-C to Ethernet adapter to control your camera over a network via easy to use REST APIs. Plus plug in optional focus and zoom demands to allow full lens control, just like a large studio camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncredible Blackmagic RAW\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eQuality\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, so add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowered by Blackmagic\u003c\/strong\u003e\u003cstrong\u003e OS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. The menus are overlaid on the HDMI video output. The interface uses the row of buttons on the front of the camera to access menus and adjust settings so it™s always accessible, even when rigged into tight locations! You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLocalized in 13\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003ePopular Languages\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Micro Studio Camera 4K is designed to be used worldwide so it support 13 popular languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Ukrainian, Chinese, Japanese or Korean. It™s easy to switch to another language simply by going into the menu settings. When switching between languages, all the on screen overlays, heads up display, and setup menus will be displayed in the selected language and you can change languages any time you like!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBattery Back-up Power\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eThe Blackmagic Micro Studio Camera has lots of different power options! It includes a common 12V DC locking power connector so the cable won't be accidentally pulled out. Plus, the camera includes a power supply with 5 different AC socket adapters for different countries. The camera also supports a standard LP-E6 compatible battery so you can add a battery for local power backup during critical live broadcasts! These batteries are readily available around the world and will be kept trickle charged by the camera. You can even use an adapter to connect the camera to V-Lock batteries for true all day power! That™s a great solution when there's no power available where the cameras are placed!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFocus and Zoom\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eDemands\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eThe optional zoom and focus demands can be added when you want to rig the Blackmagic Micro Studio Camera 4K as a bigger custom studio camera! The focus and zoom demands have USB-C connections and make photographic lenses feel like large broadcast lenses! Each zoom and focus demand has 2 USB-C ports, so you can daisy chain them then connect to the cameras USB connection. The design has an incredibly precise feel and so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. The buttons can be customized for different camera functions. 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The license key allows you to transmit video and control signals over Ethernet. Support for resolutions up to 1080p60 with latency as low as 100 ms is made possible by the NDI|HX3 protocol, and the license key also enables support for NDI|HX2. 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