Arrakis H-10 Hybrid Broadcast Console

What This Arrakis H-10 Console Actually Is This is the H-10, a 10-channel hybrid broadcast console that combines the reliability and hands-on simplicity of a traditional analog board with the flexibility of digital software control. It gives you 10 physical channels feeding into 2 stereo output buses, a compact footprint well suited for smaller studios, and standard inclusion of the H-Series Controller software, letting you manage the console remotely from anywhere with an internet connection. Unlike a purely analog board, the H-10 is built to be genuinely software-controllable while keeping every bit of the dependable, straightforward operation broadcasters expect from analog hardware. This is a strong option for stations that want real remote management capability without moving to a fully digital AoIP console. How the H-10's Channel Layout Handles Your Studio's Sources The console comes with 2 built-in mic preamp channels using XLR inputs, with optional 48VDC phantom power available separately for condenser microphones, and channel 1 includes a dedicated talk button for communicating directly with a studio monitor. If your studio needs more mic inputs, the console expands easily to 4 mic channels total with the optional ARC-MIC-PRE preamp accessory, converting two of your line inputs into proper mic-level connections without needing to replace the console itself. Beyond the mic channels, the H-10 includes both active balanced RJ45 and unbalanced RCA connections for line-level sources, with a trim pot adjustment available on every channel for fine-tuning input levels individually. A built-in phone mix-minus channel comes standard as well, giving you both audio and logic connections to a phone hybrid, along with a cue button that lets you listen to a caller off-line before deciding to put them on the air. Why Bluetooth and USB Connectivity Round Out the Board Bluetooth comes standard on the H-10, letting you pair any Bluetooth-enabled device directly to channel 10 on the board, whether that's a smartphone for taking calls on air, a tablet for streaming pre-recorded content, or even a landline phone equipped with Bluetooth headset functionality for improved call quality. This wireless connection matters particularly in busy studios, since it protects your physical inputs from the wear that comes with constantly plugging and unplugging cables throughout the day. The console also includes a built-in USB sound card, letting you play audio directly from a connected USB device or record straight off the board using any third-party software running on a Windows or Mac computer, all through a standard USB connection without needing any additional hardware. Why the H-Series Controller Software Sets This Console Apart What genuinely distinguishes the H-10 from a typical analog board is its included H-Series Controller software, giving you the ability to remotely turn channels on or off, monitor individual audio levels, and switch between saved user presets, all from a Windows PC located anywhere with an internet connection. Because the console's faders aren't motorized, the software includes a pre-fader control option, letting you remotely restore a channel to its previous volume level even if it's been physically potted down at the board itself. The software also includes an automatic restore function that returns the console to its last known settings following a power failure, along with custom channel labeling, an up and down timer, and support for touchscreen, multi-touch control if you're running the software on a compatible display. Beyond basic channel management, the H-Series Controller unlocks additional functionality like on and off relay control, EAS channel triggering, and the ability to send or receive closures, giving stations considerably more automation and remote control capability than a standard analog console would offer on its own. How This Console's Build Quality Supports Long-Term Reliability The H-10 is built around durable, professional-grade components throughout, with switches and faders engineered to withstand multi-million operations without failure, ensuring dependable performance even in demanding, constantly-used studio environments. Both balanced and unbalanced inputs and outputs are built into the console specifically to resist RF interference, which matters considerably in studios surrounded by other broadcast electronics. Internal components use socketed ICs rather than soldered connections, making service and maintenance considerably easier for technicians when something does eventually need attention. You can also choose between real analog VU meters or LED meters for Program and Audition monitoring depending on your preferred aesthetic, with both options backlit for easy visibility in any lighting condition. Who Should Be Choosing the H-10 for Their Studio This console is a strong fit for smaller studios or single-host productions that want genuine remote management capability without the added cost or complexity of a fully digital AoIP console system. It's particularly well suited for stations that need occasional remote access to their board, whether that's checking levels while away, adjusting a channel that's been muted, or simply managing the studio without being physically present at all times. Because it's expandable up to 4 mic channels and includes built-in phone and Bluetooth connectivity, the H-10 also works well for talk-format shows or call-in programming run out of a smaller physical footprint than a full 15-channel board would require.